Anthem DJ Flat Par QA12 Product Review
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The eight boldfaced bullet points include
“Four HDMI Inputs” and “Leading-Edge
Format Video Conversion.” In fact, every
paragraph on the page has to do with
video. Am I reading a sales sheet for a
plasma TV? No, I am looking over the press
release for the new Anthem Statement D2
surround-sound processor. The entire
document concentrates on video switching
and processing. A surround processor is
supposed to be about sound, right? Focusing
solely on its video capabilities seems like
touting a VCR’s ability to display the time.
Of course, I am taking this extreme position
merely to make a point. (If it works for such
greats as Wilde, Voltaire, and Ann Coulter,
why can’t it work for me?) As any home
theater aficionado knows, video capabil-
ities have become an important part of a
surround processor. After all, several of the
latest processors have circuitry that converts
all incoming video into high-definition
signals that can be output on an HDMI
digital video cable. This way, you need
run only a single HDMI cable between the
processor and your video display, and you
never need change inputs on the display.
But the performance of this circuitry greatly
affects the picture. It can degrade sharpness
and introduce annoying artifacts, such as
jagged edges on curved and diagonal lines,
and moiré effects appearing in striped or
patterned areas. We have tried two surround
processors with video upconversion to
HDMI, but neither aspired to state-of-the-
art video performance. The D2, however, uses
the latest VXP Digital Image Processor
chipset from Gennum, which in theory
should make it competitive with the finest
stand-alone video processors.
It’s almost a shame that Anthem put so
much effort into the video because the D2’s
audio features are also extraordinary. My
favorite is the room resonance filter. Every
B Y B R E N T B U T T E R W O R T H
“
… FANTASTIC … EXTRAORDINARY …
sets a new standard of excellence.”
V o l . 5 , N o . 5
D2
•
P5
•
P2