E-Mu 1212M Owner's Manual - Side

Manual is about: digital audio systems

Summary of 1212M

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    1820 1820 o w n e r ’ s m a n u a l o w n e r ’ s m a n u a l.

  • Page 2: E-Mu 1820

    2 e-mu 1820m/1820/1212m pci digital audio system owner’s manual © 2003 e-mu systems all rights reserved software version: 2.00 e-mu 1820 m - 1820 - 1212 m pci digital audio system e-mu world headquarters e-mu systems 1500 green hills road scotts valley, ca usa 95066 europe creative labs ballycoolin ...

  • Page 3: Table of Contents

    Creative professional 3 table of contents 1- introduction ................................................................. 9 welcome!.............................................................................................................................. 9 all systems include: ...................

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    4 e-mu 1820m/1820/1212m pci digital audio system the audiodock front panel indicators ........................................................................ 23 the midi input indicators ......................................................................................... 23 the clock source an...

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    Creative professional 5 effect ........................................................................................................................... 50 input ........................................................................................................................... 51 output .....

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    6 e-mu 1820m/1820/1212m pci digital audio system gain reduction meter ................................................................................................ 82 reshaper ............................................................................................................................

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    Creative professional 7 7 - appendix ................................................................. 117 sync daughter card supplement .................................................................................... 117 smpte conversion ............................................................

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    8 e-mu 1820m/1820/1212m pci digital audio system.

  • Page 9: 1- Introduction

    1- introduction welcome! E-mu 1820m/1820/1212m pci digital audio system 9 1- introduction welcome! Thank you for purchasing the e-mu 1820m, e-mu 1820 or e-mu 1212m digital audio system. Your computer is about to be transformed into a powerful audio processing workstation. We’ve designed this e-mu di...

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    1- introduction welcome! 10 creative professional outputs, virtual (asio/wave) inputs and outputs and internal hardware effects and buses—no external mixer needed. You can add digital effects, eqs, meters, level controls and asio/wave sends anywhere you like in the signal chain. Because the effects ...

  • Page 11: 2 - Installation

    2 - installation setting up the digital audio system e-mu 1820m/1820/1212m pci digital audio system 11 2 - installation setting up the digital audio system there are six basic steps to installing your e-mu system: 1. Remove any other sound cards you have in your computer. (once you are sure that the...

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    2 - installation setting up the digital audio system 12 creative professional safety first! As you install hardware components, observe the following general precautions to avoid damage to your equipment and yourself. Connector types these connector types are used to connect the e-mu 1010 hardware c...

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    2 - installation installing the e-mu 1010 pci card e-mu 1820m/1820/1212m pci digital audio system 13 installing the e-mu 1010 pci card note: this installation is very simple but if you are not familiar with the installation of computer peripherals and add-in boards, please contact your authorized e-...

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    2 - installation install the sync daughter card or 0202 daughter card 14 creative professional install the sync daughter card or 0202 daughter card • e-mu 1820m - if you’re planning to use word clock. Midi time code or smpte sync, unwrap the sync daughter card and get ready to install it. If you don...

  • Page 15: E-Mu 1010 Pci Card

    2 - installation install the sync daughter card or 0202 daughter card e-mu 1820m/1820/1212m pci digital audio system 15 e-mu 0202 & audiodock if you have both the e-mu 0202 i/o card and the audiodock, you are advised not to connect both to the same e-mu 1010 pci card using this version of software. ...

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    2 - installation install the sync daughter card or 0202 daughter card 16 creative professional rubber feet four rubber feet were included with the audiodock. These feet should be used if you’re not going to rack mount the audiodock. If you are going to rack mount the audiodock, leave the feet off. T...

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    2 - installation software installation e-mu 1820m/1820/1212m pci digital audio system 17 software installation installing the e-mu 1010 drivers the first time you restart your pc after installing the e-mu 1010 pci card, you will need to install the patchmix dsp software and e-mu 1010 pci card driver...

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    2 - installation software installation 18 creative professional note about windows logo testing when you install the digital audio system drivers, you will see a dialog box informing you either that the driver has not been certified by windows hardware quality labs (whql), or that the driver is sign...

  • Page 19: 3 - Pci Card & Interfaces

    3 - pci card & interfaces the e-mu 1010 pci card e-mu 1820m/1820/1212m pci digital audio system 19 3 - pci card & interfaces the e-mu 1010 pci card the e-mu 1010 pci card is the heart of the system and contains e-mu’s powerful e-dsp chip. The powerful hardware dsp on this card leaves more power free...

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    3 - pci card & interfaces the 0202 daughter card 20 creative professional ieee1394 firewire important: the 6-pin firewire connector/port has a 3-watt maximum power output. Connect only one high power usage device such as a ieee 1394 hard disk or cd-rw drive to this port unless it is self-powered. Th...

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    3 - pci card & interfaces the audiodock e-mu 1820m/1820/1212m pci digital audio system 21 the audiodock the audiodock connects to the e-mu 1010 pci card via the edi cable. F the audiodock is completely “hot pluggable”— it’s ok to plug or unplug the audiodock while the computer is turned on. It’s a g...

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    3 - pci card & interfaces the audiodock 22 creative professional front panel connections preamp section warning: some microphones cannot tolerate phantom power and may be damaged. Check the microphone’s specifications and requirements before using phantom power. The front panel mono mic/line inputs ...

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    3 - pci card & interfaces the audiodock e-mu 1820m/1820/1212m pci digital audio system 23 the audiodock front panel indicators the midi input indicators these two indicators, labelled 1 & 2, show midi activity on the midi input jacks. The clock source and sample rate indicators these led indicators ...

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    3 - pci card & interfaces the audiodock 24 creative professional rear panel connections line level analog inputs six balanced 24-bit, line-level, analog inputs are provided (1-3). These can be used to input any line level signal from keyboards, cd-players, cassette decks, etc. The analog inputs are ...

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    3 - pci card & interfaces the audiodock e-mu 1820m/1820/1212m pci digital audio system 25 computer speaker analog outputs these stereo mini-phone (3.5mm) jacks duplicate line level outputs 1-4 with a lower output level to accommodate consumer speakers. These line level outputs are designed to interf...

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    3 - pci card & interfaces the sync daughter card 26 creative professional the sync daughter card the sync daughter card (included in the e-mu 1820m system and available as an option for other systems) provides word clock in and out, smpte (ltc) in and out and an additional midi output for transmitti...

  • Page 27: 4 - The Patchmix Dsp Mixer

    4 - the patchmix dsp mixer patchmix dsp e-mu 1820m/1820/1212m pci digital audio system 27 4 - the patchmix dsp mixer patchmix dsp the patchmix dsp mixer is a virtual console which performs all of the functions of a typical hardware mixer and a multi-point patch bay. With patchmix, you may not even n...

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    4 - the patchmix dsp mixer overview of the mixer 28 creative professional mixer window the mixer consists of four main sections. A simplified diagram of the mixer is shown below. Pre fader or post fader when creating a new mixer strip, you have the option for the aux sends to be post fader (both aux...

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    4 - the patchmix dsp mixer e-mu icon in the windows taskbar e-mu digital audio system 29 e-mu icon in the windows taskbar right-clicking on the e-mu icon in the windows taskbar calls the following window. The toolbar f click the buttons in the toolbar to learn about their function. F restore default...

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    4 - the patchmix dsp mixer the session 30 creative professional the session the current state of the patchmix dsp mixer (fader settings, effects routings…every- thing!) can be saved as a session. Whenever you create or modify a mixer setup, all you have to do is save it to be able to recall it at a ...

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    4 - the patchmix dsp mixer the session e-mu digital audio system 31 you can now select one of the factory template sessions. The factory templates are pre- programmed with specific setups such as audio recording or mixing. The selector tabs categorize template sessions into three groups based on sam...

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    4 - the patchmix dsp mixer the session 32 creative professional the system settings include the following: e note: if set to “external” without an external clock present, patchmix dsp defaults to the internal 48khz clock rate. Using external clock e note: the maximum supported sample rate for s/pdif...

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    4 - the patchmix dsp mixer the session e-mu digital audio system 33 i/o settings you can set the level (-10dbv or +4 dbu) for each pair of analog outputs and the input gain setting for each pair of analog inputs. An output setting of +4 provides the most output and is compatible with professional au...

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    4 - the patchmix dsp mixer the session 34 creative professional • inputs +4 or -10 selects between consumer level (-10dbv) or professional level (+4dbu) inputs. (use the -10dbv setting if your input is too weak.) • outputs +4 or -10 selects between consumer level (-10dbv) or professional level (+4db...

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    4 - the patchmix dsp mixer input mixer strips e-mu digital audio system 35 input mixer strips patchmix dsp input mixer strips are stereo except for the audiodock mic/line inputs and the 0202 card inputs. Each input mixer strip can be divided into four basic sections. Input type the very top of the s...

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    4 - the patchmix dsp mixer mixer strip creation 36 creative professional mixer strip creation f adding or deleting a strip “defragments” the effect/dsp resources. If you have used all your effects and need another, try deleting an unused strip. Patchmix dsp is a dynamically configurable mixer. Each ...

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    4 - the patchmix dsp mixer mixer strip creation e-mu digital audio system 37 f see “pre or post fader aux sends” on page 47. 4. Select pre-fader aux sends or leave the box unchecked for post-fader aux sends. 5. Click ok to create a new strip or cancel to cancel the operation. To delete a mixer strip...

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    4 - the patchmix dsp mixer mixer strip creation 38 creative professional insert section the insert section is next in line. Patchmix dsp effects can be selected from the effects palette and dropped into the insert locations. See “the effects palette” . Any number of effects can be inserted in series...

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    4 - the patchmix dsp mixer mixer strip creation e-mu digital audio system 39 the insert menu right-clicking over the insert section brings up a pop-up selection box containing various insert options to help you control and manage your inserts. To add a send insert: this type of insert send splits th...

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    4 - the patchmix dsp mixer mixer strip creation 40 creative professional 3. Choose one of the send outputs. Click on a destination to select it. 4. Choose one of the return inputs. Click on a source to select it. 5. Click ok to select the send and return, or cancel to cancel the operation. Using ext...

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    4 - the patchmix dsp mixer mixer strip creation e-mu digital audio system 41 asio direct monitor send/return this type of insert send breaks the signal at the insert point and sends it out to the selected asio host input destination (such as cubase or sonar). A return source signal is also selected ...

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    4 - the patchmix dsp mixer mixer strip creation 42 creative professional meter inserts keeping track of signal levels is important in any audio system, be it analog or digital. You want to keep the signal levels running as close to maximum in order to achieve high resolution and low noise. On the ot...

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    4 - the patchmix dsp mixer mixer strip creation e-mu digital audio system 43 5. Each analog input pair has its own input pad (-10dbv or +4dbu) which controls the input signal range. Changing the i/o settings can add or subtract 12db. Check these settings if you cannot set the proper input level. See...

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    4 - the patchmix dsp mixer mixer strip creation 44 creative professional trim pot insert the trim pot insert allows you to adjust the level of a signal in an insert location. The trim pot provides up to ±30db of gain or attenuation and a phase inverter. The trim pot also has a built-in stereo peak m...

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    4 - the patchmix dsp mixer mixer strip creation e-mu digital audio system 45 managing your inserts to delete an insert: f tip: select the insert and press the delete key to delete the plug-in from the strip. 1. Right-click over the insert you wish to delete. A yellow line around the insert location ...

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    4 - the patchmix dsp mixer mixer strip creation 46 creative professional aux section the auxiliary sends tap the signal from the channel strips and sum them together before sending the mix to the auxiliary effects section. In a traditional mixing console, aux sends are used to send part of the signa...

  • Page 47: Output

    4 - the patchmix dsp mixer mixer strip creation e-mu digital audio system 47 pre or post fader aux sends when you create a new mixer strip you have the option to place both aux sends after the channel volume fader and mute control or you can place them before the fader and mute. Post-fader turns dow...

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    4 - the patchmix dsp mixer mixer strip creation 48 creative professional level, pan, solo & mute controls the pan control comes before the level control and aux sends in the signal flow. On stereo strips we use an unconventional pan section with two pan pots – one for the left part of the signal and...

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    4 - the patchmix dsp mixer main section e-mu digital audio system 49 main section the main section contains all controls for controlling the main mix elements as well as a “tv screen” for viewing the parameters of the current selected insert. The three buttons across the top of the main section sele...

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    4 - the patchmix dsp mixer main section 50 creative professional tv screen & selectors the “tv screen” at the top of the main section is a multi-function display and control center for the input and output routings and effect controls. The three buttons at the top of the display select the current f...

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    4 - the patchmix dsp mixer main section e-mu digital audio system 51 input selecting the input display view shows a graphic representation of the patchmix dsp mixer inputs. This screen is only a display, unlike the effects and outputs screens, which allow you to make routing changes. Input routing c...

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    4 - the patchmix dsp mixer main section 52 creative professional auxiliary effects & returns f the wet/dry mix setting in the effect should normally be set to 100% when the effect is inserted as a sidechain effect. This is because the aux return amount will control the wet/dry mix. The section immed...

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    4 - the patchmix dsp mixer main section e-mu digital audio system 53 output section main inserts the main inserts allow you to apply effects to the main stereo signal coming out of the mixer (both mains and monitor). You might want to apply eq or a compressor here. These inserts work just like the o...

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    4 - the patchmix dsp mixer main section 54 creative professional.

  • Page 55: 5 - Effects

    5 - effects overview e-mu 1820m/1820/1212m pci digital audio system 55 5 - effects overview patchmix dsp comes complete with a host of great core dsp effects including compressors, delays, choruses, flangers and reverb. Each 32-bit effect has various parameters for editing, as well as factory preset...

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    5 - effects the effects palette 56 creative professional to select an effect 1. Click the fx button to bring up the effects palette. The effect palette contains numerous folders containing effects presets. Click on any folder to open it. F the order of effects in a chain can have a big effect on the...

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    5 - effects the effects palette e-mu digital audio system 57 the order of effects patchmix dsp allows you to record your tracks without effects (dry) and monitor with effects enabled (wet). It works like this: if the effect is inserted before the asio send in the signal path, it will get recorded; i...

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    5 - effects the effects palette 58 creative professional importing and exporting core fx presets and fx insert chains these utilities make it easy to import or export your fx presets and fx insert chains. You can share presets with your friends or download new presets from the internet. To import co...

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    5 - effects fx edit screen e-mu digital audio system 59 fx edit screen e note: effects have to be placed into an insert location before you can program them. Click on an fx insert to display the parameters for that effect. If an insert effect is not selected, the fx display will read “no insert”. Mo...

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    5 - effects fx edit screen 60 creative professional method #2 1. Right-click over the insert effect you want to solo (in the insert section). A pop-up menu appears. 2. Select “solo insert” from the list of options. The other insert effect names in the strip will “gray-out” to indicate that they are ...

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    5 - effects fx edit screen e-mu digital audio system 61 to delete a user preset 1. Select the user preset you wish to delete from the user preset menu. 2. Click on the edit button. A pop-up menu appears. 3. Select delete. A pop-up dialog box appears asking you to confirm your action. 4. Click ok to ...

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    5 - effects list of core effects 62 creative professional list of core effects dsp resource usage there are two main factors which determine the total number of effects available for use at any given time: tank memory and dsp instructions. Using too much of either resource will cause effects to be u...

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    5 - effects core effects descriptions e-mu digital audio system 63 core effects descriptions 1-band para eq this single band parametric equalizer is useful when you just want to boost or cut a single range of frequencies. For example, if you just want to brighten up the lead vocal a bit, you might c...

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    5 - effects core effects descriptions 64 creative professional 3-band eq this versatile equalizer provides two shelving filters at the high and low ends of the frequency range and a fully parametric band in the center. Up to ±24 db of boost or cut is provided for each band. E note: the wet/dry mix c...

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    5 - effects core effects descriptions e-mu digital audio system 65 4-band eq this 4-band equalizer provides two shelving filters at the high and low ends of the frequency range and two fully parametric bands in the center. Up to ±24 db of boost or cut is provided for each band. Note: the wet/dry mix...

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    5 - effects core effects descriptions 66 creative professional auto-wah this effect creates the sound of a guitar wah-wah pedal. The “wah” filter sweep is automatically triggered from the amplitude envelope of the input sound. Auto-wah works well with percussive sounds such as guitar or bass. The au...

  • Page 67: Vca

    5 - effects core effects descriptions e-mu digital audio system 67 chorus an audio delay in the range of 15-20 milliseconds is too short to be an echo, but is perceived by the ear as a distinctly separate sound. If we now vary the delay time in this range, an effect called chorus is created, which g...

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    5 - effects core effects descriptions 68 creative professional basic controls the three main controls of a compressor are the ratio control, the threshold control and the gain control. If the signal falls below the threshold, no processing will take place. Signals exceeding the threshold will have g...

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    5 - effects core effects descriptions e-mu digital audio system 69 distortion most audio processors aim to provide low distortion, but not this one! The sole purpose of this effect is to add distortion, and lots of it. This effect provides “fuzz box” style, clipping distortion which is particularly ...

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    5 - effects core effects descriptions 70 creative professional flanger a flanger is a very short delay line whose output is mixed back together with the original sound. Mixing the original and delayed signals results in multiple frequency cancella- tions known as a comb filter. Since the flanger is ...

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    5 - effects core effects descriptions e-mu digital audio system 71 freq shifter this unusual effect is sometimes called “spectrum shifting” or “single sideband modulation”. Frequency shifting shifts every frequency in the signal by a fixed number of hz which causes the harmonics to lose their normal...

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    5 - effects core effects descriptions 72 creative professional leveling amp the first compressors developed in the 1950’s were based on a slow-acting optical gain cells which were able to control the signal level in a very subtle and musical way. This effect is a digital recreation of the leveling a...

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    5 - effects core effects descriptions e-mu digital audio system 73 lite reverb reverberation is a simulation of a natural space such as a room or hall. The lite reverb algorithm is designed to simulate various rooms and reverberation plates while using fewer dsp resources than the stereo reverb. Up ...

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    5 - effects core effects descriptions 74 creative professional mono delays - 100, 250, 500, 750, 1500, 3000 a delay line makes a copy of the incoming audio, holds it in memory, then plays it back after a predetermined time. The delay number refers to the maximum delay time that can be produced by th...

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    5 - effects core effects descriptions e-mu digital audio system 75 phase shifter a phase shifter produces a fixed number of peaks and notches in the audio spectrum which can be swept up and down in frequency with a low frequency oscillator (lfo). This creates a swirly, ethereal sound with harmonical...

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    5 - effects core effects descriptions 76 creative professional speaker simulator the speaker simulator provides realistic guitar speaker responses and is designed for use with guitar, bass or synthesizer. Twelve popular guitar amp speaker cabinets are modeled. There is only one parameter on this eff...

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    5 - effects core effects descriptions e-mu digital audio system 77 stereo delays - 100, 250, 500, 750, 1500 the stereo delays are true stereo delay lines in that the left and right channels are kept entirely separate from each other. The delay number refers to the maximum delay time that can be prod...

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    5 - effects core effects descriptions 78 creative professional stereo reverb reverberation is a simulation of a natural space such as a room or hall. The stereo reverb algorithm is designed to simulate various halls, rooms and reverberation plates. Decay time defines the time it takes for the reflec...

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    5 - effects core effects descriptions e-mu digital audio system 79 vocal morpher this unique effect allows you to select two vocal phonemes and morph between them using an lfo. Phonemes are the consonants and vowels we use in articulating speech sounds and these sounds are very distinctive and evoca...

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    5 - effects core effects descriptions 80 creative professional gate this stereo noise gate is useful both for background noise reduction applications and also for special effects. The gate uses an envelope follower and threshold detector to turn on its output when the input signal is above the turn-...

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    5 - effects core effects descriptions e-mu digital audio system 81 parameters threshold when the input signal rises above the level set by the threshold parameter, the gate is triggered to turn on and go from its maximum gain reduction level up to 0db gain. The turn-on threshold is adjustable anywhe...

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    5 - effects core effects descriptions 82 creative professional level meter this meter represents the input signal level in db, and is in fact the output of the gate's envelope follower. Since the envelope follower is driven by the greater of the left or right channel, this monophonic meter represent...

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    5 - effects core effects descriptions e-mu digital audio system 83 reshaper the reshaper effect is a special purpose dynamics modification program, designed to “resculpt” the amplitude envelope of an audio signal. The effect uses an envelope follower and threshold detector to drive an adsr-type gain...

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    5 - effects core effects descriptions 84 creative professional attack, decay and release times are all adjustable, and the shape of each of these segments is selectable between exponential, linear, or logarithmic. An additional hold time can be used to extend the sustain phase past the point where t...

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    5 - effects core effects descriptions e-mu digital audio system 85 release threshold this parameter controls the level in db below the attack threshold at which the release phase of the adsr will begin. Attack retrigger by default, when the value of this parameter is disabled, the reshaper's adsr en...

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    5 - effects core effects descriptions 86 creative professional multimode eq the multimode eq is a flexible stereo filter that is capable of implementing a range of powerful filter topologies. It is useful both for utility eq applications and also for special effects. The multimode eq is built from a...

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    5 - effects core effects descriptions e-mu digital audio system 87 parameters while the multimode eq has many parameters applicable to the various possible configurations of channels and filters, it selectively enables or hides parameters depending on their applicability to the current configuration...

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    5 - effects core effects descriptions 88 creative professional highpass -> lowpass in this mode, the lowpass and highpass filters are connected in series and both sets of lowpass and highpass parameters are exposed and independently editable to create the overall filter response. The maximum rolloff...

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    5 - effects core effects descriptions e-mu digital audio system 89 however, when the highpass freq parameter is lower than the lowpass freq parameter, the combined filter response is basically flat, since the passbands of each filter combine to admit the entire spectrum. An exception occurs when the...

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    5 - effects core effects descriptions 90 creative professional rfx compressor the rfx compressor is a full-featured stereo compressor effect which features the standard parameters available on most compressors as well as a collection of additional advanced parameters that are useful for more sophist...

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    5 - effects core effects descriptions e-mu digital audio system 91 the wide dynamic range of the rfx compressor aside, it's generally a good idea to maintain the hottest signal levels possible without clipping at the input to any audio processor. Parameters threshold threshold sets the input signal ...

  • Page 92

    5 - effects core effects descriptions 92 creative professional gain caution! The gain control can increase the signal level to the point of clipping. Excessive signal levels can damage speakers as well as your ears! Sets the compressor's output gain in db, from +60db boost to-60db cut. This control ...

  • Page 93

    5 - effects core effects descriptions e-mu digital audio system 93 f tip: setting a high ratio with the threshold at 0db and the soft knee at -60db creates a compressor whose ratio varies smoothly from gentle compression at lower signal levels to peak limiting at maximum signal level in the region b...

  • Page 94

    5 - effects core effects descriptions 94 creative professional gate this parameter enables automatic gain reduction on signals that fall from 1 to 120db below the threshold point (or soft knee threshold, if enabled.) this can act effectively as a “noise gate” on low-level signals that have been boos...

  • Page 95

    5 - effects core effects descriptions e-mu digital audio system 95 “bite” of signal attacks while subsequently compressing the sustained portions of the sound. In general, both positive and negative values of this parameter are useful for applica- tions where the normal envelope of a signal is being...

  • Page 96

    5 - effects core effects descriptions 96 creative professional max compression this parameter is used to limit the amount of gain reduction that the compressor can apply. The limit is set as a maximum number of db of gain reduction, from 3db to unlimited. This feature emulates the phenomenon of the ...

  • Page 97: Out

    5 - effects core effects descriptions e-mu digital audio system 97 the diagram above shows the gain curves using a threshold at -30db and a range of negative compression ratios. At just past 1:infinite, the setting of 1:-100 causes input signals approaching 0db to be only slightly decreased below -3...

  • Page 98

    5 - effects core effects descriptions 98 creative professional example settings here we have provided a few examples to show the varied uses of this useful tool. Bear in mind that these examples are simply starting points and that you will undoubtedly need to fine tune the parameters to fit the prog...

  • Page 99

    5 - effects core effects descriptions e-mu digital audio system 99 vocal compression/spoken word: this setup compresses the entire dynamic range of the vocal. Whenever there is a signal present, there is some compression taking place. • threshold: adjust so that the first bar of the meter comes on e...

  • Page 100: Out

    5 - effects core effects descriptions 100 creative professional creating a de-esser: a de-esser reduces the sibilance or “sss” sound in a vocal part. The sidechain feature of the rfx compressor makes it possible to create a effective de-esser using the compressor and the multimode eq. The wet/dry mi...

  • Page 101: E-Mu Powerfx

    5 - effects e-mu powerfx e-mu digital audio system 101 e-mu powerfx e-mu powerfx are not available at 96khz and 192khz sample rates. The hardware-accelerated effects of the e-mu digital audio system can also be used as vst inserts in cubase le. E-mu powerfx allow you to use patchmix dsp effects from...

  • Page 102

    5 - effects e-mu powerfx 102 creative professional to setup & use e-mu powerfx: using any driver other than “e-mu asio” may produce undesirable results when using e-mu powerfx. Setup cubase le 1. Launch cubase le. 2. Instantiate e-mu powerfx in an insert or aux send location within cubase (go to the...

  • Page 103

    5 - effects e-mu powerfx e-mu digital audio system 103 automating e-mu powerfx steinberg cubasis does not have the control automation feature. E-mu powerfx can be automated in cubase le (or other recording host) just like any other vst effect. When “write automation” is activated in cubase le, contr...

  • Page 104

    5 - effects e-mu powerfx 104 creative professional e-mu powerfx compatibility chart application name compatible? Note render extra buffers steinberg cubase vst 5.1 yes off off steinberg cubase sx 1 yes off off steinberg cubase sx 2 yes instrument freeze triggers error if not in render mode. Off off ...

  • Page 105

    5 - effects rendering audio with e-mu powerfx e-mu digital audio system 105 rendering audio with e-mu powerfx rendering (sometimes called export) is a mixdown process performed by the host application, which creates a new digital audio file from a multitrack song. Rendering allows a virtually unlimi...

  • Page 106: E-Mu E-Wire Vst

    5 - effects e-mu e-wire vst 106 creative professional e-mu e-wire vst e-wire is a special vst/asio bridge which allows you to route digital audio via asio to patchmix and back again. E-wire vst incorporates smart time alignment technology that automatically compen- sates for system latencies and ens...

  • Page 107

    5 - effects e-mu e-wire vst e-mu digital audio system 107 to setup and use e-wire: setup patchmix dsp 1. Open patchmix dsp application. 2. Insert an asio input mixer strip into patchmix dsp. (alternately, you can select “new session”, select “e-wire example” and skip to step 6.) 3. Mute the strip or...

  • Page 108

    5 - effects e-mu e-wire vst 108 creative professional currently automatic delay compensation is supported by the steinberg 2.0 family (nuendo 2.X, cubase sx 2.0, cubase le 2.0,), magix samplitude 7.X, and sonar (using the cakewalk vst adapter 4.4.1), but not by steinberg cubase vst 5.1 and cubasis. ...

  • Page 109

    5 - effects e-mu e-wire vst e-mu digital audio system 109 in practical use, however, you’ll probably never need to use more than one e-wire vst on a single track since powerfx effects can be placed in series. We have included this feature “just in case” you need it. Here’s one more example of how to...

  • Page 110

    5 - effects e-mu e-wire vst 110 creative professional.

  • Page 111: 6 - Using High Sample Rates

    6 - using high sample rates overview e-mu 1820m/1820/1212m pci digital audio system 111 6 - using high sample rates overview when operating at 88.2k, 96k, 176.4k and 192k sample rates, the mixer functionality and number of i/o channels are reduced. These changes are summarized in the following table...

  • Page 112: Or…

    6 - using high sample rates overview 112 creative professional e-mu 1212m system at 88.2k or 96k (1010 pci card & i/o card) when using the e-mu 1212 system at 88.2khz or 96khz you have two analog inputs and outputs and two s/pdif inputs and outputs. The adat input/output channels are reduced from ei...

  • Page 113

    6 - using high sample rates overview e-mu 1820m/1820/1212m pci digital audio system 113 e-mu 1820 system at 176.4khz or 192khz (1010 pci card & audiodock) at the highest sample rate you have 4 inputs and 10 output channels. There are four possible input configurations when using the e-mu 1820 system...

  • Page 114: Or…

    6 - using high sample rates overview 114 creative professional or… or… microphone & line 3 input enabled line input 1 & adat input enabled line inputs 1 & 3 enabled 2 chan. Adock 2 chan. 2 chan. Adock adock 2 chan. Or… microphone & adat input enabled 2 chan. Adock 2 chan. At the 176.4khz or 192khz s...

  • Page 115

    6 - using high sample rates overview e-mu 1820m/1820/1212m pci digital audio system 115 example: selecting a 176/192k session the possible input configurations are selected by choosing a session template containing the desired i/o from the new session window. Once you have selected one of the three ...

  • Page 116

    6 - using high sample rates overview 116 creative professional.

  • Page 117: 7 - Appendix

    7 - appendix sync daughter card supplement e-mu 1820m/1820/1212m pci digital audio system 117 7 - appendix sync daughter card supplement smpte conversion warning: smpte and mtc do not provide sample sync for digital i/o. You must use word clock, s/pdif or adat sync. One of the main functions of the ...

  • Page 118

    7 - appendix sync daughter card supplement 118 creative professional smpte modes of operation host mode the host computer is the source of synchronization. Mtc messages are sent to the sync daughter card from the computer application and converted into smpte. Mtc is also output from the midi port on...

  • Page 119: Smpte Background

    7 - appendix smpte background e-mu 1820m/1820/1212m pci digital audio system 119 stripe mode this mode is used to record smpte time code onto an audio track of another recorder. Smpte is output when the start button is pressed in the system settings menu and begins at the time set by the start time ...

  • Page 120

    7 - appendix smpte background 120 creative professional time! (a one hour program would actually be 59 minutes and 56.4 seconds long.) drop frame was designed to correct this time difference. In 30 drop frame, every minute except 00-10-20-30-40-50 have the first two frames, 00 and 01, “dropped”, hen...

  • Page 121

    7 - appendix smpte background e-mu 1820m/1820/1212m pci digital audio system 121 duplicating smpte time code the sync daughter card always generates clean smpte from the smpte output when reading smpte in. This time code is in sync with the incoming smpte and can be used to feed other devices in you...

  • Page 122: Midi Time Code (Mtc)

    7 - appendix midi time code (mtc) 122 creative professional midi time code (mtc) mtc and smpte do not synchronize at the sample rate and are not locked to word clock in any way. Smpte and mtc are used to synchronize music but do not have the required resolution to sample-lock digital audio. Midi tim...

  • Page 123

    7 - appendix word clock in/out e-mu 1820m/1820/1212m pci digital audio system 123 word clock in: receives word clock (sample clock) from another digital device such as a digital video deck, digital recorder or digital mixer. Word clock out: sends word clock (sample clock) to another digital recorder...

  • Page 124: Getting In Sync

    7 - appendix getting in sync 124 creative professional getting in sync whenever you connect external digital audio devices together, you need to be aware of how they are synchronized to each other. Simply connecting digital out to digital in doesn’t guarantee that two digital devices are synced, eve...

  • Page 125: Useful Information

    7 - appendix useful information e-mu 1820m/1820/1212m pci digital audio system 125 useful information aes/ebu to s/pdif cable adapter this simple adapter cable allows you to receive aes/ebu digital audio via the s/pdif input on the e-mu 1010 pci card. This cable may also work to connect s/pdif out f...

  • Page 126

    7 - appendix useful information 126 creative professional unbalanced cables unbalanced cables have one conductor and one ground (shield) and usually connect via unbalanced 1/4" phone plugs or rca phono plugs. The shield stays at a constant ground potential while the signal in the center conductor va...

  • Page 127: Technical Specifications

    7 - appendix technical specifications e-mu 1820m/1820/1212m pci digital audio system 127 technical specifications specifications: 1820m system general sample rates 44.1 khz. 48 khz, 88.2 khz, 96 khz, 176.4 khz, 192 khz from internal crystal. Externally supplied clock from s/pdif, adat (or word clock...

  • Page 128

    7 - appendix technical specifications 128 creative professional mic preamp/line input type tfpro™ combination microphone preamp and line input frequency response +0.8/-0.1 db, 20 hz - 20khz stereo crosstalk line input gain range: -12 to +28 db max level: -17 dbv (19.2 dbu) thd+n: -100 db (.001%), 1 ...

  • Page 129

    7 - appendix technical specifications e-mu 1820m/1820/1212m pci digital audio system 129 turntable input riaa equalized phono input frequency response: +/-0.5 db, 50 hz - 20 khz thd+n: -76 db (.015%) (1 khz, 10 mv rms unbalanced input) snr: 90 db (1khz, 10 mv rms unbalanced input) stereo crosstalk: ...

  • Page 130

    7 - appendix technical specifications 130 creative professional specifications: 1820 system general sample rates 44.1 khz. 48 khz, 88.2 khz, 96 khz, 176.4 khz, 192 khz from internal crystal. Externally supplied clock from s/pdif, adat (or word clock with optional sync card) bit depth 16 or 24-bits h...

  • Page 131

    7 - appendix technical specifications e-mu 1820m/1820/1212m pci digital audio system 131 mic preamp/line input type tfpro™ combination microphone preamp and line input frequency response +0.8/-0.1 db, 20 hz - 20khz stereo crosstalk line input gain range: -12 to +28 db max level: -17 dbv (19.2 dbu) t...

  • Page 132

    7 - appendix technical specifications 132 creative professional turntable input riaa equalized phono input frequency response: +/-0.5 db, 50 hz - 20 khz thd+n: -76 db (.015%) (1 khz, 10 mv rms unbalanced input) snr: 90 db (1khz, 10 mv rms unbalanced input) stereo crosstalk: maximum level: profession...

  • Page 133

    7 - appendix technical specifications e-mu 1820m/1820/1212m pci digital audio system 133 specifications: 1212 system general sample rates 44.1 khz. 48 khz, 88.2 khz, 96 khz, 176.4khz, 192 khz from internal crystal. Externally supplied clock from s/pdif, adat (or word clock with optional sync card) b...

  • Page 134

    7 - appendix technical specifications 134 creative professional digital i/o s/pdif • 2 in/2 out coaxial (transformer coupled) • 2 in/3 out optical (software switchable with adat) • aes/ebu or s/pdif (switchable under software control) adat • 8 channels, 24-bit @ 44.1/48 khz • 4 channels, 24-bit @ 96...

  • Page 135: Internet References

    7 - appendix internet references e-mu 1820m/1820/1212m pci digital audio system 135 internet references the internet contains vast resources for the computer musician. A few useful sites are listed here, but there are plenty more. Check it out. Software updates, tips & tutorials................ Http...

  • Page 136: Declaration of Conformity

    7 - appendix internet references 136 creative professional declaration of conformity trade name: e-mu systems model no.: em8810 & em8820 em8810, em8830 & em8840 em8810, em8830 & em8841 responsible party: e-mu systems address: 1500 green hills road, scotts valley, ca 95066 u.S.A. This device complies...

  • Page 137

    7 - appendix internet references e-mu 1820m/1820/1212m pci digital audio system 137 compliance information united states compliance information fcc part 15 subpart b class b using: cispr 22 (1997) class b ansi c63.4 (1992) method fcc site no.90479 canada compliance information ices-0003 class b usin...

  • Page 138

    7 - appendix internet references 138 creative professional.

  • Page 139: Index

    Index numerics e-mu 1820m/1820/1212m pci digital audio system 139 index numerics 0202 daughter card 20 1010 pci card 19 1-band para eq 63 1-band shelf eq 63 1-time jam sync, smpte 118 3-band eq 64 48 volt phantom power 22 , 126 4-band eq 65 88khz/96khz sample rate 111 96khz sample rate 111 a a/d - d...

  • Page 140

    Index e 140 creative professional distortion 69 doppler, effect using rotary 75 drivers, installing 17 drop-frame, smpte 119 drum punch 98 ducker 97 dvd, playing in 5.1/7.1 surround 37 dynamic range 127 , 130 , 133 e echo, creating 74 e-delay compensator 107 edge, distortion 69 edi connector 19 , 25...

  • Page 141

    Index i e-mu 1820m/1820/1212m pci digital audio system 141 i ieee 1394 20 importing core fx & fx insert chains 58 increase drum punch 98 input display 51 level line 24 setting 42 specs 127 , 130 , 133 reduction at high sample rates 111 , 112 , 113 type mixer strip 35 red color 35 insert add effect 3...

  • Page 142

    Index n 142 creative professional mixer block diagram 28 overview 27 strip 35 aux send 46 fader 48 insert 38 label 48 mute button 48 new 36 solo button 48 type 36 viewing 27 mixer strip add new 36 delete 37 type 36 monitor balance control 53 mix 49 mute 49 output 24 level control 53 mute 53 mono del...

  • Page 143

    Index s e-mu 1820m/1820/1212m pci digital audio system 143 red strip 35 reducing noise 126 release curve, reshaper effect 85 release time, gate effect 81 release, compressor 68 render mode 102 reshaper 83 reverb, envelope 73 , 78 reverberation 78 rfx compressor 90 rj45 connector 15 robot voice effec...

  • Page 144

    Index u 144 creative professional tutorial create a de-esser 100 create a ducker 97 getting in sync 124 making the best possible recording 43 setting up & using e-wire 107 setting up & using powerfx 102 using external sends & returns 40 tv screen 49 , 50 u unbalanced cables 126 user preset, effect 6...