Earthworks DP25 User Manual - Earthworks Drum Periscope

Manual is about: Close Mic

Summary of DP25

  • Page 3: Items Enclosed With:

    Congratulations on your purchase of an earthworks cmk4 or cmk5 closemic™ kit system. You will be thrilled with the results you will be able to obtain using the closemic™ kit system. After reading this manual, if you have any unanswered questions, please email or phone us using the contact informatio...

  • Page 4

    Important notice - please read this: use of the levelpad™ - the dp25/c snaremic™ and dp30/c tommic™ mi- crophones have a high output level, which may overload the preamps of some mixers or consoles. Many outboard microphone preamplifiers and preamplifi- ers in mixing consoles will handle as much as ...

  • Page 5

    4 the levelpad directly into the preamplifier input. The most popular practice is to plug the levelpad™ into the preamplifier input, which makes it more accessible to switch the attenuation settings (-15db or –30db) if needed. Figures 2-a, 2-b and 2-c show how the levelpad can be inserted into the m...

  • Page 6: Earthworks Drum Periscope

    Earthworks drum periscope ™ microphones the earthworks drumkit™ high definition three-microphone systems have had great success because they pick up drum sounds with far more detail and accu- racy than conventional microphones. This improved sound quality is due to propri- etary advanced technologie...

  • Page 7: Miking Drums

    Of impulse response, diaphragm settling time and polar technologies. Those who have heard earthworks high definition microphones™, say that they hear more of attack, more subtle details and a more pristine quality in the sound than with any other microphones, regardless of price. The demo cd in the ...

  • Page 8

    Microphones to have a loss of 10 to 20 db at high frequencies on the sides of the microphone. This is why you cannot place three singers on a conventional microphone, the one in front of the mic sounds great, but the two on the sides have a dramatic loss of quality. These drastic changes in high fre...

  • Page 9

    8 mounting the rm1 rimmount to the drum the rm1 rimmount is designed for metal drum rims, and will not work on wooden drum rims. While reading this section, please refer to figure 4-a, which refers to the various elements of the rimmount™. Mounting the rim- mount to the drum rim is quite easy. First...

  • Page 10

    9 the various types of metal drum rims may have the bottom flange of the rim either closer to the shell or further from the shell. Depending upon the type of metal drum rim, one of the previously described three positions will allow the rimmount bracket to be mounted parallel to the drum shell. The ...

  • Page 11

    The flexible mini-gooseneck will allow you to move the microphone head either up or down above the drumhead as well as in and out from the drum rim. In addition, you can change the angle of the microphone head for your desired results. Figure 6-a shows how the microphone head can be rotated while fi...

  • Page 12

    All of the previous information in this manual applies to both toms and snares when using a drum periscope microphone. The dp25/c snaremic has been optimized for miking snare drums, while the dp30/c tommic has been optimized for miking toms. The dp25/c snaremic has less low frequency response (down ...

  • Page 13

    Figure 8-a and 8-b miking the top head of a tom the dp25/c snaremic™ and dp30/c tommic™ high definition drum peri- scope microphones™ have been used successfully by drummers with major re- cording artists in both recording sessions and for live performance. The drum periscope microphones™ will provi...

  • Page 14

    Notes 13.

  • Page 16

    Made in u.S.A. Earthworks, inc. 37 wilton rd. Milford, nh 03055 603-654-6427, ext. 14 www.Earthworksaudio.Com printed in u.S.A. Dp30/c frequency response polar pattern cardioid sensitivity 1 0mv/pa (-40dbv/pa) power requirements 48v phantom, 1 0ma peak acoustic input 1 45db spl output xlr (pin 2+) m...