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Earthworks SR25 User Manual

Summary of SR25

  • Page 1

    Frequency response polar pattern cardioid sensitivity 10mv/pa (-40 dbv/pa) power requirements 48v phantom, 10ma peak acoustic input 145db spl output xlr (pin 2+) minimum output load 600Ω between pins 2&3 noise 22db spl (a weighted) dimensions l x d 6.5 x .860 inches ( 165mm x 22mm) weight .35lb ( 16...

  • Page 3

    Congratulations on your purchase of the earthworks dfk1 fullkit™ high definition multi-microphone drum system. You will be thrilled with the results you will be able to obtain using the dfk1 drum fullkit™ sys- tem. After reading this manual, if you have any unanswered questions, please email or phon...

  • Page 4

    Important notice - please read this: use of the levelpad™ - the dp30/c microphones have a high output level, which may overload the preamps of some mixers or consoles. Many out- board microphone preamplifiers and preamplifiers in mixing consoles will handle as much as +24dbv at the microphone input,...

  • Page 5

    We also suggest that you place the microphone approximately 2 to 3 inches from the edge of the high-hat cymbals (see fig 12). Figure 12 miking a high-hat (top view) using the kickpad™ the kickpad is a passive signal processor that requires no phantom power and will not interfere with the phantom pow...

  • Page 6

    Earthworks drum periscope ™ microphones the earthworks drumkit™ high definition three-microphone systems have had great success because they pick up drum sounds with far more de- tail and accuracy than conventional microphones. This improved sound qual- ity is due to proprietary advanced technologie...

  • Page 7

    13 figure 9-a figure 9-b horizontal x/y positioning vertical x/y positioning figures 9-a and 9-b show two variations of x/y microphone placement. For microphone “height” we suggests that you start with the microphone approximately 2 feet above the drummer’s head. Moving them down will provide more d...

  • Page 8

    High frequencies on the sides of the microphone. This is why you cannot place three singers on a conventional microphone, the one in front of the mic sounds great, but the two on the sides have a dramatic loss of qual- ity. These drastic changes in high frequency response on the sides of the microph...

  • Page 9

    8 soft polyolefin® coated metal bracket rubber holder delrin® cushioned rim-guide hook portion of bracket thumbscrew mounting the rm1 rimmount to the drum the rm1 rimmount is designed for metal drum rims, and will not work on wooden drum rims. While reading this section, please refer to figure 4-a, ...

  • Page 10

    9 the various types of metal drum rims may have the bottom flange of the rim either closer to the shell or further from the shell. Depending upon the type of metal drum rim, one of the previously described three posi- tions will allow the rimmount bracket to be mounted parallel to the drum shell. Th...