Fractal AXE-FX II Quick Reference Manual - page 11
Brit JVM OD1 Gn . . . . . . . . Marshall JVM410 (OD1, Green) . . . . .OD1 channel, Green mode, hot-rodded.
Brit JVM OD1 Or . . . . . . . . . Marshall JVM410 (OD1, Orange) . . .OD1 channel, Orange mode, extra gain. For Red mode, enable Boost or increase the Input Trim parameter.
Brit JVM OD2 Gn . . . . . . . . Marshall JVM410 (OD2, Green) . . . . .OD2 channel, Green mode, lower mids than OD1.
Brit JVM OD2 Or . . . . . . . . . Marshall JVM410 (OD2, Orange) . . .OD2 channel, Orange mode, more gain and lower mids than OD1. See above for Red mode.
Brit Pre . . . . . . . . . . . . . . . . . Marshall JMP-1 . . . . . . . . . . . . . . . . . . . .Rack-mount preamplifier version of the Brit 800. OD2 channel. Crunchy “ZZ” tone.
Brit Silver . . . . . . . . . . . . . . . Marshall Silver Jubilee . . . . . . . . . . . . .100w Marshall Silver Jubilee (2555), commemorative “25/50” model. Slightly darker and higher gain than JCM800.
Brit Super . . . . . . . . . . . . . . . Marshall AFD100 . . . . . . . . . . . . . . . . . .100w dual-mode head with 6550 tubes, believed to be a modified 1959 Tremolo. Used by Slash on “Appetite for
Destruction”. See Brit AFS100 1 and 2 for updated models.
Buttery
$
. . . . . . . . . . . . . . Budda Twinmaster . . . . . . . . . . . . . . . .Based loosely on a late 90’s specimen. Relies mostly on power amp distortion.
CA OD-2
9
. . . . . . . . . . . . . . Carol-Ann OD-2 . . . . . . . . . . . . . . . . . . .50W, EL34 or 6L6 tubes. Overdrive channel. Model fine-tuned by the highly respected Alan Phillips.
CA Triptik Cln . . . . . . . . . . . Carol-Ann Triptik (Clean) . . . . . . . . . . .50w, EL34. Clean channel.
CA Triptik Clsc
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. . . . . . . . Carol-Ann Triptik (Classic) . . . . . . . . . .Classic channel: A little less gain and low end. Produces 70’s and 80’s British rock tones with a very
wide and complex sound stage with no buzz or brittle high frequencies.
CA Triptik Mdrn
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. . . . . . . Carol-Ann Triptik (Modern) . . . . . . . .Modern channel: More gain and low end for those more modern heavy rhythm, dropped tunings. Also makes for
a superb liquid lead channel with incredible sustain and harmonic bloom.
CA Tucana 3
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. . . . . . . . . . Carol-Ann Tucana 3. . . . . . . . . . . . . . . .Lead channel of this 3-channel amp, with Bias monitoring system, KT88 75W tubes. This is a great lead amp which
is also very forgiving on cabinet choice and works well with many speaker/cab combinations.
CA3+ Clean . . . . . . . . . . . . . CAE 3+ SE preamp (Ch 1) . . . . . . . . . .Custom Audio Electronics preamp. The Clean channel is based on a Blackface Fender Twin Reverb preamp.
CA3+ Lead . . . . . . . . . . . . . . CAE 3+ SE preamp (Ch 3) . . . . . . . . . .Channel 3 (Lead). The CAE 3+ SE is basically an OD-100.
CA3+ Rhy . . . . . . . . . . . . . . . CAE 3+ SE preamp (Ch 2) . . . . . . . . . .Channel 2 (Rhythm).
Cali Leggy . . . . . . . . . . . . . . Carvin Legacy VL100 . . . . . . . . . . . . . .Legacy 1, 100w, EL34. Uses a “James” tone stack which is more like hi-fi tone controls. Based on Steve Vai’s original
signature Legacy amplifier. To get a Steve Vai tone, keep Treble low, Bass high and not too much Gain.
Cameron Ch 1 . . . . . . . . . . Cameron CCV100 (Ch 1) . . . . . . . . . . .An amp its creator Mark Cameron calls “one pissed off amp.”
Cameron Ch 2 . . . . . . . . . . Cameron CCV100 (Ch 2) . . . . . . . . . . .Higher gain tone. On Channel 2, Saturation is engaged by default, no Presence (set it to 0).
Car Roamer
$
. . . . . . . . . .
Carr Rambler
. . . . . . . . . . . . . . . . . . . . . .Basically a Deluxe Reverb preamp with cathode bias 6L6 power amp and no negative feedback.
Fender-meets-Vox. On the actual amp, a toggle switch engages either the 28w pentode or 14w triode.
Citrus A30 Cln
$
. . . . . . . . Orange AD30HTC (Clean) . . . . . . . . . .30w tube head, Clean channel.
Citrus A30 Drty
$
. . . . . . . Orange AD30HTC (Dirty) . . . . . . . . . .30w tube head, Dirty channel.
Citrus Bass 200 . . . . . . . . . . Orange AD200B . . . . . . . . . . . . . . . . . . .200w valve bass head, 6550 tubes.
Citrus RV50 . . . . . . . . . . . . . Orange Rockerverb . . . . . . . . . . . . . . .“Dirty” channel of the 50w head known for warmth and rich harmonics.
Citrus Terrier
$
. . . . . . . . . Orange Tiny Terror . . . . . . . . . . . . . . . .7w or 15w, EL84 tubes. The actual amp has no tone stack (neutral in Axe-Fx) and a single Hi-Cut tone control.
Class-A 15w TB
$
. . . . . . .
Vox AC-15 Top Boost
. . . . . . . . . . . . . .15w, EL84 tubes. The heart of this amp’s tone comes from its power section and no negative feedback.
Class-A 30w
$
. . . . . . . . . .
Vox AC-30
. . . . . . . . . . . . . . . . . . . . . . . . .30w, EL84 tubes. Combo that dominated the British Invasion. Gritty character, warm tone, great feel. For
authentic tone, leave the tone controls at noon and use Hi-Cut to cut treble.
Class-A 30w Hot
$
. . . . . .
Vox AC-30 HW
. . . . . . . . . . . . . . . . . . . .30w, EL84 tubes. Hot/Cool switch in the Hot position.
Class-A 30w TB
$
. . . . . . .
Vox AC-30 Top Boost
. . . . . . . . . . . . . .30w, EL84 tubes. Created in response to demand for “more treble”. Great highs and slightly reduced bass.
Comet 60
. . . . . . . . . . . . . . .
Komet 60
. . . . . . . . . . . . . . . . . . . . . . . . .EL34 tubes.
Comet Concourse
. . . . . . .
Komet Concorde
. . . . . . . . . . . . . . . . . .EL34 tubes. Similar to Trainwreck amp. Response switch = “Fast”. To replicate “Slow” reduce INPUT TRIM to 0.25”.
Concert 6G12
. . . . . . . . . . .
Fender Concert 6G12
. . . . . . . . . . . . . .1959-1963 4x10 brownface, 40w.
Corncob M50
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. . . . . . . . . Cornford MK50 II . . . . . . . . . . . . . . . . . .Boutique British amp. Plexi-meets-modern tone with big cojones.
Das Metall . . . . . . . . . . . . . . Diezel VH4 (Ch 4) . . . . . . . . . . . . . . . . . .EL34 or 6L6 tubes. High-gain, boutique amp famous for its powerful, heavy, aggressive sound. See
Dizzy V4 4
.
Deluxe Tweed
b $
. . . . .
Fender Tweed Deluxe
. . . . . . . . . . . . .Fender Deluxe (5E3) from the 50’s, 15w. The earliest and most popular of the so-called Tweed amplifiers.
Deluxe Verb
. . . . . . . . . . . . .
Fender Deluxe Reverb
. . . . . . . . . . . . .1965 Blackface, 22w, AB763 circuit. Great, chimey tone with nice power amp breakup.
AXE-FX AMP
BASED ON
DESCRIPTION
Red amps are non-MV (no Master Volume on the real amp). The MASTER VOLUME is set to 10 by default.
9
Includes the additional OVERDRIVE control.
b
The actual amp has a control labeled “Tone” which corresponds to TREB on the Axe-Fx. For a more realistic simulation, leave BASS and MID at noon.
$
Amps with NEGATIVE FEEDBACK set to zero. PRESENCE is replaced with HI CUT. DEPTH is also disabled since it only affects negative feedback.