Fractal AXE-FX II Quick reference manual - page 11
Brit AFS100 2 . . . . . . . . . . . Marshall AFD100SCE . . . . . . . . . . . . . .#34/AFD switch set to AFD mode (LED = on), adds extra gain stage. 6550 tubes.
Brit Brown . . . . . . . . . . . . . . Van Halen’s Marshall . . . . . . . . . . . . . . .Faithful recreation of the legendary “Brown Sound” – The modded “#1” Marshall.
Brit JM45
. . . . . . . . . . . . . . .
Marshall JTM45 (Ch 1)
. . . . . . . . . . . . .Made famous by Clapton and others; a modified Bassman design. Try with a Tonebender or Treble Booster.
Brit JM45 Jump
. . . . . . . . .
Marshall JTM45 (Ch 1)
. . . . . . . . . . . . .Emulates “jumpering the inputs” on a 4-hole amp.
Brit JVM OD1 Gn . . . . . . . . Marshall JVM410 (OD1, Green) . . . . .OD1 channel, Green mode, hot-rodded JCM.
Brit JVM OD1 Or . . . . . . . . . Marshall JVM410 (OD1, Orange) . . .OD1 channel, Orange mode, extra gain.
Brit JVM OD1 Rd . . . . . . . . Marshall JVM410 (OD1, Red) . . . . . . .OD1 channel, Red mode, even more gain.
Brit JVM OD2 Gn . . . . . . . . Marshall JVM410 (OD2, Green) . . . . .OD2 channel, Green mode, lower mids than OD1.
Brit JVM OD2 Or . . . . . . . . . Marshall JVM410 (OD2, Orange) . . .OD2 channel, Orange mode, more gain and lower mids than OD1.
Brit JVM OD2 Rd . . . . . . . . Marshall JVM410 (OD2, Red) . . . . . . .OD2 channel, Red mode, even more gain and lower mids than OD1.
Brit Pre . . . . . . . . . . . . . . . . . Marshall JMP-1 . . . . . . . . . . . . . . . . . . . .Rack-mount preamplifier version of the Brit 800. OD2 channel. Crunchy “ZZ” tone.
Brit Silver . . . . . . . . . . . . . . . Marshall Silver Jubilee . . . . . . . . . . . . .100w Marshall Silver Jubilee (2555), commemorative “25/50” model. Slightly darker and higher gain than JCM800.
Brit Super . . . . . . . . . . . . . . . Marshall AFD100 . . . . . . . . . . . . . . . . . .100w dual-mode head with 6550 tubes, believed to be a modified 1959 Tremolo. Used by Slash on “Appetite for
Destruction”. Based on a schematic. See Brit AFS100 1 & 2 for updated models based on the actual amp.
Buttery $ . . . . . . . . . . . . . . Budda Twinmaster . . . . . . . . . . . . . . . .Based loosely on a late 90’s specimen. Relies mostly on power amp distortion.
CA OD-2 9 . . . . . . . . . . . . . . Carol-Ann OD-2 . . . . . . . . . . . . . . . . . . .50W, EL34 or 6L6 tubes. Overdrive channel. Model fine-tuned by the highly respected Alan Phillips.
CA Triptik Cln . . . . . . . . . . . Carol-Ann Triptik (Clean) . . . . . . . . . . .50w, EL34. Clean channel.
CA Triptik Clsc 9 . . . . . . . . Carol-Ann Triptik (Classic) . . . . . . . . . .Classic channel: A little less gain and low end. Produces 70’s and 80’s British rock tones with a very
wide and complex sound stage with no buzz or brittle high frequencies.
CA Triptik Mdrn 9 . . . . . . . Carol-Ann Triptik (Modern) . . . . . . . .Modern channel: More gain and low end for those more modern heavy rhythm, dropped tunings. Also makes for
a superb liquid lead channel with incredible sustain and harmonic bloom.
CA Tucana Cln . . . . . . . . . . Carol-Ann Tucana 3. . . . . . . . . . . . . . . .Clean channel of this 3-channel amp, with Bias monitoring system, KT88 75W tubes.
CA Tucana Lead 9 . . . . . . . Carol-Ann Tucana 3. . . . . . . . . . . . . . . .Lead channel. This is a great lead amp which works well with many speaker/cab combinations. “One of the best
amps in the world,” says Cliff.
CA3+ Clean . . . . . . . . . . . . . CAE 3+ SE preamp (Ch 1) . . . . . . . . . .Custom Audio Electronics preamp. The Clean channel is based on a Blackface Fender Twin Reverb preamp.
CA3+ Lead . . . . . . . . . . . . . . CAE 3+ SE preamp (Ch 3) . . . . . . . . . .Channel 3 (Lead). The CAE 3+ SE is basically an OD-100.
CA3+ Rhy . . . . . . . . . . . . . . . CAE 3+ SE preamp (Ch 2) . . . . . . . . . .Channel 2 (Rhythm).
Cali Leggy . . . . . . . . . . . . . . Carvin Legacy VL100 . . . . . . . . . . . . . .Legacy 1, 100w, EL34. Uses a “James” tone stack which is more like hi-fi tone controls. Based on Steve Vai’s original
signature Legacy amplifier. To get a Steve Vai tone, keep Treble low, Bass high and not too much Gain.
Cameron Ccv 1A . . . . . . . . Cameron CCV100 (Ch 1) . . . . . . . . . . .An amp its creator Mark Cameron calls “one pissed off amp.” The topology is very similar to a JCM800. Both
channels modeled at various settings. The amp was modeled with the Voicing switch in the middle position. The
“Dark” switch is the Negative feedback control. Set Negative Feedback to 3.6 to reproduce the switch in the
middle position. Set it to 9.8 to reproduce the switch in the right position. 5.0 for left position (default).
Cameron Ccv 1B . . . . . . . . Cameron CCV100 (Ch 1)
Cameron Ccv 2A . . . . . . . . Cameron CCV100 (Ch 2) . . . . . . . . . . .Ch 2 has Saturation engaged by default. Bright1 switch selects the Bright capacitor, which can be altered with the
BRIGHT CAP setting on the Tone page. This model: Bright1 switch left, Bright2 switch left, Gain Style switch left.
Cameron Ccv 2B . . . . . . . . Cameron CCV100 (Ch 2) . . . . . . . . . . .Bright1 switch left, Bright2 switch right, Gain Style switch left.
Cameron Ccv 2C . . . . . . . . Cameron CCV100 (Ch 2) . . . . . . . . . . .Bright1 switch left, Bright2 switch left, Gain Style switch right.
Cameron Ccv 2D . . . . . . . . Cameron CCV100 (Ch 2) . . . . . . . . . . .Bright1 switch left, Bright2 switch right, Gain Style switch right.
Car Roamer
$ . . . . . . . . . .
Carr Rambler
. . . . . . . . . . . . . . . . . . . . . .Basically a Deluxe Reverb preamp with cathode bias 6L6 power amp and no negative feedback.
Fender-meets-Vox. On the actual amp, a toggle switch engages either the 28w pentode or 14w triode.
Citrus A30 Cln $ . . . . . . . . Orange AD30HTC (Clean) . . . . . . . . . .30w tube head, Clean channel.
Citrus A30 Drty $ . . . . . . . Orange AD30HTC (Dirty) . . . . . . . . . .30w tube head, Dirty channel.
AXE-FX AMP
BASED ON
DESCRIPTION
Red amps are non-MV (no Master Volume on the real amp). The MASTER VOLUME is set to 10 by default.
9
Includes the additional OVERDRIVE control.
b
The actual amp has a control labeled “Tone” which corresponds to TREB on the Axe-Fx. For a more realistic simulation, leave BASS and MID at noon.
$
Amps with NEGATIVE FEEDBACK set to zero. PRESENCE is replaced with HI CUT. DEPTH is also disabled since it only affects negative feedback.