Summary of Diezel
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U d user diez am r ma zel h mplif anua hage fier al en.
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Table of contents chapter one: safety and warranty 1.1 safety warnings 1.2 warranty information chapter two: using your hagen 2.1 mains connections, power and standby 2.1.1 mains/connect to power outlet 2.1.2 power up, warm up, standby off 2.1.3 power tube caution 2.1.4 operating temperature 2.1.5 p...
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Chapter five: power amplifier 5.1 tone and volume of the power amplifier 5.1.1 master volume 5.1.2 presence 5.1.3 deep 5.2 power amplifier tubes 5.2.1 function 5.2.2 selection 5.2.3 life span & tube fuses chapter six: functions and switches 6.1 programming hagen 6.2 manual channel selection 6.3 loop...
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Chapter one: safety and warranty 1.1 safety warnings we would like to stress the importance of the following points, for reasons of your personal safety, product longevity and product liability. Do not use the amplifier in or near wet locations do not store the amplifier in damp or wet locations do ...
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1.2 warranty 5 years to the original owner with proof of purchase. Power tubes and pre amp tubes are covered for 3 months to the original owner. All repair work must be done by a diezel certified technician. Not following this procedure will void warranty. This will ensure the original owner and us ...
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Chapter 2.1 mains 2.1.1 ma plea con nev 2.1.2 pow firs hea ope “run tub 2.1.3 p tub ope bul bef not cau the hits r two: us s connec ains/conn ase make s nnecting to ver start ha wer up, w st turn the p ating proces eration. You n” (also fac e stress an power tub bes are elec erating tem b. These fil...
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2.1.4 operating temperature it will take a little more time after warm-up until everything inside the amp is working in sync and to it’s fullest potential. A trained ear will notice a slightly warmer tone and better complexity in tone after playing the amp for a short while. It’s like warming up bef...
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Chapter 3.1 front 3.1.1 the the 1/4 you typ tha this 3.1.2 cab som atte talk divi to a cha 3.1.3 cab in c use and play com pier tha hig still r three: p t panel co e input ja e input jack 4” mono sty ur guitar co e clearly af t you can o s is where t ble abc me cords an enuate high king about? Ide l...
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3.2 rear 3.2.1 sen the par sign koh unit effe mu par mo 3.2.2 par wh the of y pro digi this guit und nee in h loss wh ada hav and bein alw imp par ton rea r panel co nd/return e system co rallel, or sw nal strength hm. If you w t. Be sure a ects units h st be conne rallel return unted “volu rallel o...
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3.2.3 sw tho sec to now full the 3.2.4 sw one swi can 3.2.5 sw to the retu sign 3.2.6 tun you with witch-able ose of you w ond master do this, jus w you can c open, and loop activa witch-able e might ext tch-able re n feed the h witch-able route your input of yo urn. Now yo nal decayin ner out u gue...
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3.2.7 com a fr dev sur 3.2.8 spe hag and the 3.2.9 top man in 3 out cau lost det mat am mpensate requency co vice. Use it e that your eaker con gen has 5 s d 2 for 2 8-o jacks, and p 5 reaso ny different 3.2.2 (ada tput level of used in the t easily in t ermines the tched to giv p section. H ed out ...
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3.3 midi 3.3.1 mid mid sys mid pow pin the pow avo 3.3.2 mid this hag see i connecti di in di in receive tems. The di cable. Th wer supplies 1 and 6 is e voltage is wer usage o oid damage di thru s jack route gen gets loo e chapter 7 tions es “program hagen is ab is can help s. Ground (-) 9-12v ac o...
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Chapter 4.1 pre-a the allo cha guit this razo a lit sug ma 4.1.1 cha cle a cl tha ton of g 4.1.2 cha this the at l r four: fo amplifiers e diezel hag ows the arti anges to his tar tone fla s concept d or sharp eq ttle adjustm ggest you st ster volume annel one an tone is lean amp s n distorted es. H...
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4.1.3 channel three (heavy) this channel is voiced for highly articulate single note lines or for very heavy and massive rhythm guitar. Due to its slight midrange accent and very high gain structure, it possesses good punch and will, with ease and authority, rule any stage or studio. The “less is of...
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Chapter 5.1 tone 5.1.1 ma as t enj volu tha wit and via 5.1.2 pre this bea whe 5.1.3 de the con pow r five: po e and volu aster volu the name s oyment, th ume adjust t even a low th the switc d adjust the midi. Esence s knob cont am from the en making ep e deep cont ntrols the fr wer amplifie ower a...
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5.2 powe 5.2.1 fun as t out am sev the beh 5.2.2 sel die suff pro inst tub 5.2.3 life pow amp rea age kee clea a fa pow whi plea er amplifie nction the name s tput power, plifies this s veral differe tube type havior. Lection zel co. Inst ficient quan duction. Yo talled, howe es, organiz e span & we...
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Chapter 6.1 progr it is “sto click mem is d 6.2 manu the cha cha this pro this pro ok, sele voi to c pro all t rem pro r six: fun ramming s quite easy ore” toggle k, the selec mory. Each esired. Ual chann e 4 channel annel’s gain annel one s s channel’s gramming s informatio grammed, , here it is a ...
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6.3 loop on/off this function activates a device that is connected to the switch-able loop. 6.4 mute on/off “mute” silences the beast. “tuner out” stays active. Makes sense, no? 6.5 master 2 on/off master 2 can be used for all channels. 6.6 store as discussed earlier, this is the universal programmi...
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Chapter seven: midi 7.1 midi midi is an acronym for musical instruments digital interface and is an internationally accepted communications system between musical instruments (and processors and computers) of all kinds. We will only need to learn a small portion of this “language” to use the hagen a...
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7.4.2 single channel mode – automatic channel recognition your hagen can automatically recognize the pedal’s send/receive channel. To get your amp into the mood (or mode) for this, push and hold “mute” and then activate any program change button on your midi pedal. The amp will look for a program ch...
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7.5 progr hag 7.6 phan sev exp chapter the the fur tba ram infor gen can rem ntom powe veral of the plained in ch r eight: f e optional c e columbus rther to the a) the propr rmation member up er pins in the hapter 3.3. Footswitc columbus fo s will not re right is the rietary fs7 to 128 pro e midi j...
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Chapter nine: maintenance and cleaning 9.1 cleaning never use a wet method of cleaning the amplifier, i.E. Any amplifier. Usually it is sufficient to wipe down the outside of the amp with a slightly moist cleaning rag. Do not use abrasive cleaning chemicals. Sometimes a vacuum cleaner can be used to...