JBL EVOi.net User Manual

Other manuals for EVOi.net: User Manual

Manual is about: Loudspeaker System With Intelligence

Page of 36

Download

Print this page

Bookmark us

A Loudspeaker System With Intelligence

EVOi.sys

User’s Guide

Introducing The Next Generation of Installed Sound

1 2 3 4 5 6 7 Next › »

Summary of EVOi.net

Page 1
A loudspeaker system with intelligence evoi.Sys user’s guide introducing the next generation of installed sound.
Page 3: C O N T E N T S
C o n t e n t s evoi.Sys safety information . . . . . . . . . . . . . . . . . . . . . . . . . . 2 introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 design overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 hook-up/setup. . . . . . . . . . . . . . . . . . . ...
Page 4: S A F E T Y
2 s a f e t y important safety information this equipment has been tested and found to comply with the following european and international standards for electromagnetic compatibility and electrical safety: radiated emmissions (eu): en55022b (1992) rf immunity (eu): iec801-3 (1994) electrostatic dis...
Page 5: Welcome
3 i n t r o d u c t i o n welcome welcome to evo intelligent sound reinforcement systems. Thank you for trusting jbl with your sound. It’s an honor we don’t regard lightly. As a world leader in sound reinforcement, jbl sound systems are permanently installed in many famous arenas, concert halls, the...
Page 6: E V O I . S Y S
4 e v o i . S y s thank you thank you for purchasing an evoi.Sys the first fully designed sound reinforcement system. You have just taken delivery of the world’s most comprehensive designed sound reinforcement system. Everything is supplied to get a profes- sional sound reinforcement system up and r...
Page 7: Connecting The Power
Connecting the power 5 h o o k - u p / s e t u p balanced unbalanced balanced line mic power ac/dc 12-16 v 20 ma set: xxxx snr: xxxxx for im-free frequencies refer to manual balanced unbalanced balanced line mic power ac/dc 12-16 v 20 ma set: xxxx snr: xxxxx for im-free frequencies refer to manual e...
Page 8: Connecting The Network
Connecting the network 6 h o o k - u p / s e t u p balanced unbalanced balanced line mic power ac/dc 12-16 v 20 ma set: xxxx snr: xxxxx for im-free frequencies refer to manual balanced unbalanced balanced line mic power ac/dc 12-16 v 20 ma set: xxxx snr: xxxxx for im-free frequencies refer to manual...
Page 9: Connecting The Microphones
Connecting the microphones 7 h o o k - u p / s e t u p balanced unbalanced balanced line mic power ac/dc 12-16 v 20 ma set: xxxx snr: xxxxx for im-free frequencies refer to manual balanced unbalanced balanced line mic power ac/dc 12-16 v 20 ma set: xxxx snr: xxxxx for im-free frequencies refer to ma...
Page 10
Setting up the wireless microphones 8 h o o k - u p / s e t u p gain channel rf off 1.5 v iec lr6 channel g a i n p w r 1 0 m i c 1 0 0 1 2 3 4 5 6 7 8 9 a b c d e f evoi.Sys partial front evo lavaliere microphone (supplied) evo bodypack transmitter (supplied) evo handheld microphone (supplied) set ...
Page 11: Setting Up The System
Setting up the system initial settings before powering on the system, set the following controls to their initial settings: • on the evoi.Sys power supply: power = off • on the evoi.Sys mixer: all faders = ∞ “all the way down” all pan , send , and return controls = 0 all mute buttons = on all microp...
Page 12: Input Channel
Input channel mic input the mic input accepts a male xlr connector and is designed to suit a wide range of balanced or unbalanced signals. Use pro- fessional dynamic, condenser, or ribbon microphones, because their low impedance helps to reduce background noise com- pared to low-cost high-impedance ...
Page 13
Setting the sens control to 10 gives approximate unity gain for the line input. Some sound equipment, including home consumer products, may operate at a lower level (i.E., -10 dbv) than professional equipment and, therefore, will require setting sens to a higher gain to reach the same output level. ...
Page 14: Input Channel
Input channel (continued) pan the pan control sets the amount of the channel signal feed- ing the mix l and r or sub l and r busses (see sub and mix on the next page), allowing you to move the source smoothly across the stereo image. When the control is turned fully right or left you are able to rou...
Page 15
Solo/pk pressing solo routes the pre-fade, post-eq signal to the headphones, control room output, and meters, where it replaces the selected monitor source. The adjacent pk led illuminates to identify the selected channel is in solo mode. This pre fader listen (pfl) feature is a useful way of listen...
Page 16: Master Section
Master section aux output masters each of the three auxiliary outputs ( aux1 ~ aux3 ) has a mas- ter level control which sets the output level of the combined auxiliary signals from the channels, and an associated afl (after fader listen) switch. Just as a channel’s solo switch allows pre-fade liste...
Page 17
L mix r (master) faders the l mix r (master) faders set the final level of the mix l and r outputs. Assuming input sens settings have been cor- rectly set, the l mix r (master) faders should be set close to the ‘0’ mark to provide maximum travel on the faders for smoothest control. Ret1~ret4 (stereo...
Page 18: Master Section (Continued)
Master section (continued) power indicator the power led illuminates to show that power is being supplied to the console. Mic 48v (phantom power) many professional condenser microphones need an external powering voltage, normally 48 volts dc, also known as phantom power. This method sends a powering...
Page 19
2tk level the 2tk level control sets the level of the 2-track tape input, which is routed to the headphones, monitor outputs, meters, or mix when 2tk to mix is active (see next callout). Connect the unbalanced rca l/r inputs, 2t return , to the tape machine’s unbalanced rca outputs. Monitor source s...
Page 20: Evo Handheld
18 m i c r o p h o n e o p e r a t i o n evo handheld dynamic microphone features • frequency response tailored to vocalist use. • built-in windscreen/pop filter for effective suppression of pop and breath noise. • high feedback resistance due to frequency-independent supercardioid polar response. D...
Page 21
19 m i c r o p h o n e o p e r a t i o n using the microphone on vocals the human voice is the most expressive musical instrument that exists. The evo handheld dynamic microphone helps bring out all the nuances of the human voice, even when acoustic conditions are less than ideal. Singing with a mic...
Page 22: Evo Handheld
20 m i c r o p h o n e o p e r a t i o n evo handheld dynamic microphone using the microphone on vocals controlling feedback (continued) feedback may also be triggered by room resonances (deter- mined by the acoustics of the room you’re in), particularly in the low-frequency region (i.E., indirectly...
Page 23: Evo Wireless Handheld
21 m i c r o p h o n e o p e r a t i o n evo wireless handheld dynamic microphone the evo wireless handheld dynamic microphone provides the same acoustic performance as the equivalent hardwire microphone versions. The transmitter uses a dipole antenna integrated in the body and operates in a subband...
Page 24: Evo Lavaliere Microphone/
22 m i c r o p h o n e o p e r a t i o n evo lavaliere microphone/ bodypack transmitter the evo lavaliere microphone is a professional, omnidirec- tional, miniature-condenser, clip-on microphone. With its wide frequency range (20~20,000 hz), low distortion at high sound pressure levels, and small si...
Page 25
Bodypack transmitter security cover protects the power and mic switches from being actuated unintentionally. Mic slide the switch to 0 to mute the audio signal while power and carrier frequency remain on. Thus, no noise will become audible if you mute the microphone, even if the squelch control on t...
Page 26: Evo Wireless Receiver
Evo wireless receiver system controller the evo wireless receiver system controller consists of a pair of stationary true-microcontrolled diversity receivers for use with evo microphone transmitters. Each evo wireless receiver operates in a subband of up to 4 mhz wide across the 710 mhz to 861 mhz u...
Page 27
Front panel antennas each evo wireless receiver uses two antennas for diversity in order to receive the transmitter signal at two different spots. The diversity electronics will automatically activate the antenna that delivers the better signal. Power press this switch to turn the controller’s power...
Page 28
26 a p p l i c a t i o n s balanced unbalanced balanced line mic power ac/dc 12-16 v 20 ma set: xxxx snr: xxxxx for im-free frequencies refer to manual balanced unbalanced balanced line mic power ac/dc 12-16 v 20 ma set: xxxx snr: xxxxx for im-free frequencies refer to manual h o u s e o f w o r s h...
Page 29
27 a p p l i c a t i o n s balanced unbalanced balanced line mic power ac/dc 12-16 v 20 ma set: xxxx snr: xxxxx for im-free frequencies refer to manual balanced unbalanced balanced line mic power ac/dc 12-16 v 20 ma set: xxxx snr: xxxxx for im-free frequencies refer to manual l i v e p e r f o r m a...
Page 30
This troubleshooting section specifically concerns the operation of the evo mixer and evo microphones. For problems associated specifically with evoi.324 loudspeakers and the integrated evoi.Net please refer to the troubleshoot sections in each user's guide respectively. The evo mixer station doesn'...
Page 31
29 t e c h n i c a l d a ta e v o i . S y s s p e c i f i c a t i o n s noise measured rms 20 hz to 20 khz bandwidth mic. E.I.N. @ max gain 150w source impedance -129 dbu aux, mix & masters @ max., 16 inputs routed with faders, pots down crosstalk (@l khz, typical) channel mute fader cut-off (rel. 0...
Page 32
30 t e c h n i c a l d a t a 710 to 860 mhz fm 50-20.000 hz +/- 10 ppm 30khz yes typ 50 db(a) 10mw typ 130 ma 2 x aa >10h 350mv/ 1 khz 220v.Ohm 240 x 36 mm (9.45 x 14.17 in.) 245 g (9.8 oz.) 710 to 860 mhz fm 50-20.000 hz +/- 10 ppm 30khz yes typ 50 db(a) yes 10mw typ 130 ma 2 x aa >8h 350mv/ 1 khz ...
Page 33
31 t e c h n i c a l d a t a d y n a m i c p r e s s u r e g r a d i e n t m i c r o p h o n e polar pattern: supercardioid frequency range: 60 to 20,000 hz; at 1 cm: 20 to 20,000 hz sensitivity at 1000 hz: 2.5 mv/pa (-52 dbv) re 1 v/pa impedance at 1000 hz: recommended load impedance: >2000 ohms ma...
Page 34: W A R R A N T Y
32 w a r r a n t y jbl limited warranty the jbl limited warranty on professional loudspeaker prod- ucts (except for enclosures) remains in effect for five years from the date of the first consumer purchase. Jbl amplifiers are war- ranted for three years from the date of original purchase. Enclosures...
Page 35: I N D E X
Applications ...26 aux sends ...11 bargraph meters ...17 connections microphones ...7, 8 power ...5 network ...6 speakers ...6 design overview ...4 dir (direct output) ...13 equalizer ...11 fcc statement ...4 headphones ...17 hooking up the system ...9, 26 house of worship applications ...26 ins (in...