LA Audio Electronic EQX20 Operation Manual

Other manuals for EQX20: Specification Sheet
Manual is about: Dual 3 Band, Mono 6 Band Parametric Equaliser

Summary of EQX20

  • Page 1

    Dual 3 band, mono 6 band parametric equaliser operation manual.

  • Page 2

    Page 2 version - v1 april 2000

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    Page 3 contents 1. Introduction page 3 2. Installation page 4 2.1 inspection and un-packing 2.2 operating environment 2.3 ce standards 2.4 power requirements 2.5 signal levels 2.6 external connections 3. Warranty page 7 4. Description of controls page 8 4.1 channel 1 page 8 4.2 channel 2 page 10 5. ...

  • Page 4

    Page 4 1.0 introduction the eqx20 is a two channel 3 band parametric equaliser which can also be configured as a single channel 6 band unit. Each band offers variable frequency, 15db cut and boost and variable q (bandwidth). Having all parameters fully variable makes the eqx20 a powerful tool capabl...

  • Page 5

    Page 5 2.0 installation important: please read this section before using the eqx20 2.1 inspection and unpacking the eqx20 has been carefully packed at our factory in a carton designed to withstand handling in transit. Should the unit appear to have been damaged in transit notify your dealer immediat...

  • Page 6

    Page 6 • please check that your unit is correctly rated for the voltage of the country of operation. If the fuse requires changing at any time please ensure the correct fuse is fitted. An incorrect fuse could cause damage to the unit and may constitute a fire hazard. If you carry your eqx20 from one...

  • Page 7

    Page 7 the input and outputs of the eqx20 are balanced on both xlr and 1/4" trs jack connectors. For balanced input and outputs, connections to the unit should be wired as follows: trs jack -10dbv tip hot (signal +) ring cold (signal -) sleeve screen (signal ground) for un-balanced operation join ri...

  • Page 8

    Page 8 3.0 warranty your la audio eqx20 has been manufactured to a high standard using quality components. If correctly installed and operated the unit should give years of problem free operation. However in the event of a defect in material or workmanship causing failure of the unit within five yea...

  • Page 9

    Page 9 4.0 description of controls 4.1 channel 1 lf control this control sets the amount of cut or boost for the lf (low frequency) section. Gain range on the eqx20 is ±15db. The following diagram shows the effect of different cut and boost settings. Maximum cut or boost occurs at the centre frequen...

  • Page 10

    Page 10 in general lower qs are used when boosting and higher qs when cutting - see applications frequency control this control adjusts the centre frequency for lf cut or boost the lf frequency control has a 40:1 range and is adjustable from 20hz, ccw to 1khz, cw. The following diagram shows the eff...

  • Page 11

    Page 11 sets the amount of cut or boost for the hf (high frequency) section. Frequency control adjusts the cut or boost centre frequency for the hf section. Control range is 500hz, ccw to 20khz, cw. Q control varies the 'q' of the cut or boost region for the hf section. Clip led the clip led monitor...

  • Page 12

    Page 12 bypass switch pressing bypass switches the eq out of the signal path and allows a/b comparison. Remember if you are using any amount of boost, bypassing the eq will cause a noticeable drop in signal level. In mono mode channel 2 bypass is inoperative and channel 1 bypass now switches the who...

  • Page 13

    Page 13 5.0 applications 5.1 setting up and using the eqx20 refer to section 2.6 external connections on page 5 for connecting to and from the eqx20. Now unless you are familiar with operating parametric equalisers a good starting point will be ..... Set all q controls to 12 o'clock, this gives a q ...

  • Page 14

    Page 14 kick drum slap at 3-5khz floppy around 600-650hz bass at 40-125hz boomy below 80hz snare drum crack at 2-3khz 'in the way' 1khz body at 125hz to 300hz bottom 80hz.

  • Page 15

    Page 15 instrument boosting cutting hi-hat and sparkle above 5khz 'in the way' at 1khz cymbals ring around 250hz toms slap at 3.5-5khz boomy around 300-350hz bass 60-250hz bass guitar slap at 1khz string noise at 1khz bite at 2.5khz boomy at 125-220hz bass 40-100hz acoustic guitar sparkle above 4khz...

  • Page 16

    Page 16 adding a high q peak around 1khz with the mf section will further enhance this effect. Enhancing the eq on a mixing console patch the eqx20 into the insert points on your console to add further equalisation capabilities when treating individual sounds. Or patch into group inserts for equalis...

  • Page 17

    Page 17 6.0 circuit description audio input high pass filter audio output clip equaliser bypass bypass fig: 6.0.1 block diagram of the la eqx20 showing the main signal paths audio path the input signal first passes through the electronically balanced input stage which provides rf filtering and rejec...

  • Page 18

    Page 18 7.0 specifications inputs type electronically balanced xlr-f +4dbu, wired pin 2 = hot (signal +) 1/4' trs jack -10dbv, wired tip = hot impedance 20kΩ maximum input +20dbu outputs type ground sensing, balanced impedance xlr-m +4dbu, wired pin 2 = hot (signal +) 1/4" trs jack -10dbv, wired tip...

  • Page 19

    Page 19 dimensions 1.75" (44mm)h x 19" (482mm)w x 6.5" (165mm)d weight unit = 2.2kg, shipping = 2.85kg la audio reserves the right to alter any feature or specification without prior notice e&oe.

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