Rane MS1S Manual

Other manuals for MS1S: Manual
Manual is about: MIC STAGE

Summary of MS1S

  • Page 1

    Ms1s mic stage contents important safety instructions 2 features 4 general description 4 application information 5 features and specifications 7 block diagram 8 architectural specifications 8 unit dimensions 9 sound system interconnection 10 layout and schematic 27 warranty 30 declaration of conform...

  • Page 2: Warning

    2 risk of electric shock do not open caution to reduce the risk of electrical shock, do not open the unit. No user serviceable parts inside. Refer servicing to qualified service personnel. The symbols shown below are internationally accepted symbols that warn of potential hazards with electrical pro...

  • Page 3

    3 important safety instructions 1. Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with a dry cloth. 7. Do not block any ventilation openings. Install in accordance with manufacturer’s instr...

  • Page 4: General Description

    4 general description the rane ms1s mic stage preamplifier provides the answer when you need just one microphone input in an otherwise line-level world. Give us a call to go from either a dynamic, condenser or electret microphone to a line-level input with a minimum of noise, distortion, cost and ha...

  • Page 5: Application Information

    5 application information uses and applications for the ms1s should be obvious. But then again, it’s ob- vious to us our taxes are too high and nothing is being done about that. With this in mind, perhaps a few words on using the ms1s might not be wasted. Balanced use the ms1s provides a true cross-...

  • Page 6

    6 features and specifications parameter specification limit units conditions/comments input impedance 2k 1% Ω balanced gain range 15 to 60 typ. Db phantom power +48 4% v 10 ma max. ..........Impedance 6.81k 1% Ω each leg max. Input level +9 / -35 min. Dbu gain 15 / 60, balanced output equivalent inp...

  • Page 7

    7 features and specifications parameter specification limit units conditions/comments input impedance 2k 1% Ω balanced gain range 15 to 60 typ. Db phantom power +48 4% v 10 ma max. ..........Impedance 6.81k 1% Ω each leg max. Input level +9 / -35 min. Dbu gain 15 / 60, balanced output equivalent inp...

  • Page 8: Block Diagram

    8 all features & specifications subject to change without notice. Architectural specifications the microphone preamplifier shall be a single channel stand-alone unit with a removable iec power cord. The unit shall accept voltages from 100 to 240 vac. The input and output shall be fitted with xlr con...

  • Page 9: Unit Dimensions

    9 4.26" 0.15" 2.5" 6.8" 6.1" .7" 0.775" 0.35" 4.225" 1.636" max min 2 4 8 6 ms1s mic stage gain ol sig 48v phantom on power mic in line out normal polarity power invert made in u.S.A. Rane corp. Ms1s 50/60 hz 3 watts 100-240 v pin 2: (+) pin 3: (–) pin 1: unit dimensions.

  • Page 10: Ranenote

    10 rane technical staff ranenote 110 © 1985, 1995, 2006, 2007, 2011 rane corporation sound system interconnection • cause & prevention of ground loops • interfacing balanced & unbalanced • proper pin connections and wiring • chassis ground vs. Signal ground • ground lift switches ranenote.

  • Page 11: Introduction

    11 introduction this note, originally written in 1985, continues to be one of our most useful references. It’s popularity stems from the continual and perpetual difficulty of hooking up audio equipment without suffering through all sorts of bizarre noises, hums, buzzes, whistles, etc.— not to mentio...

  • Page 12: Ground Loops

    12 ground loops almost all cases of noise can be traced directly to ground loops, grounding or lack thereof. It is important to understand the mechanism that causes ground- ing noise in order to effectively eliminate it. Each component of a sound system produces its own ground internally. This groun...

  • Page 13

    13 the absolute best right way to do it the method specified by aes48 is to use balanced lines and tie the cable shield to the metal chassis (right where it enters the chassis) at both ends of the cable. A balanced line requires three separate conductors, two of which are signal (+ and –) and one sh...

  • Page 14

    14 fig ur e 1 a. T he r igh t w ay t o d o i t. + – g t r s red bla ck 2- conduc tor shielded cable 2- conduc tor shielded cable 2- conduc tor shielded cable shield red bla ck shield red bla ck shield red bla ck shield red bla ck shield red bla ck shield chassis ground chassis ground signal ground s...

  • Page 15

    15 the next best right way to do it the quickest, quietest and most foolproof method to connect balanced and unbalanced is to transformer isolate all unbalanced connections. See figure 2. Many manufacturers provide several tools for this task, including rane. Consult your audio dealer to explore the...

  • Page 16

    16 the last best right way to do it if transformer isolation is not an option, special cable assemblies are a last resort. The key here is to prevent the shield currents from flowing into a unit whose grounding scheme creates ground loops (hum) in the audio path (i.E., most audio equipment). It is t...

  • Page 17: Ground Lifts

    17 see figure 4 for suggested cable assemblies for your particular intercon- nection needs. Find the appropriate output configuration (down the left side) and then match this with the correct input configuration (across the top of the page.) then refer to the following pages for a recommended wiring...

  • Page 18: Winning The Wiring Wars

    18 floating, pseudo, and quasi-balancing during inspection, you may run across a ¼" output called floating unbal- anced, sometimes also called psuedo-balanced or quasi-balanced. In this configuration, the sleeve of the output stage is not connected inside the unit and the ring is connected (usually ...

  • Page 19: References

    19 references 1. Neil a. Muncy, “noise susceptibility in analog and digital signal process- ing systems,” presented at the 97th aes convention of audio engineering society in san francisco, ca, nov. 1994. 2. Grounding, shielding, and interconnections in analog & digital signal pro- cessing systems: ...

  • Page 20: Input

    20 to input male balanced xl r ¼" balanced trs ( tip -ring-sleeve ) ¼" or 3.5mm unbalance d ts ( tip -sleeve) unbalanced rca balance d eurobl ock from output 12 34 6 5 2 1 10 9 8 7 12 11 8 7 12 11 22 21 16 23 23 15 14 13 20 24 24 19 18 17 bb b b a a a a aa female balanced xlr (no t a transformer, no...

  • Page 21: Input

    21 to input male balanced xl r ¼" balanced trs ( tip -ring-sleeve ) ¼" or 3.5mm unbalance d ts ( tip -sleeve) unbalanced rca balance d eurobl ock from output 12 34 6 5 2 1 10 9 8 7 12 11 8 7 12 11 22 21 16 23 23 15 14 13 20 24 24 19 18 17 bb b b a a a a aa female balanced xlr (no t a transformer, no...

  • Page 22: To Input

    22 10 9 s=shield r=nc t=red s=shield r=nc t=red 8 7 s=shield r=bla ck t=red s=shield r=bla ck t=red male 6 5 3=bla ck bla ck 4 3 3=nc 2=red 1=shield shield shield 2 female 1 3=bla ck 2=red 1=shield male b b b b s=nc r=bla ck t=red s=shield r=bla ck t=red 11 cross -c oupled output onl y: c onnec t pi...

  • Page 23: To Input

    23 10 9 s=shield r=nc t=red s=shield r=nc t=red 8 7 s=shield r=bla ck t=red s=shield r=bla ck t=red male 6 5 3=bla ck bla ck 4 3 3=nc 2=red 1=shield shield shield 2 female 1 3=bla ck 2=red 1=shield male b b b b s=nc r=bla ck t=red s=shield r=bla ck t=red 11 cross -c oupled output onl y: c onnec t pi...

  • Page 24: To Input

    24 22 21 male (a ny unbalanced c onnec tor) (a ny unbalanced c onnec tor) (check : no st and ard polarit y on eurobl ocks) (check : no st and ard polarit y on eurobl ocks) 20 19 18 17 16 15 male a 14 13 male a a a a a 1 3 2 1 2 3 1 2 3 to input from output s=shield r=bla ck t=red s=shield r=bla ck t...

  • Page 25: To Input

    25 22 21 male (a ny unbalanced c onnec tor) (a ny unbalanced c onnec tor) (check : no st and ard polarit y on eurobl ocks) (check : no st and ard polarit y on eurobl ocks) 20 19 18 17 16 15 male a 14 13 male a a a a a 1 3 2 1 2 3 1 2 3 to input from output s=shield r=bla ck t=red s=shield r=bla ck t...

  • Page 26

    26.

  • Page 27: Layout And Schematic

    27 layout and schematic.

  • Page 28

    28 c:\cad projects\ms1s\ms1s-1.Schdoc 2/6/2012 checked by: drawn by: sheet: 10802 47th avenue west mukilteo wa 98275-5098 1 1 ms 1s 114678 of action: * rj main l1 1000uh + c20 6.8/400v d17 p6smb160at d19 murs160 c14 0.001 x1y1 f3 t 1a 250v h 3 g 2 n 1 j3 iec pwr p1 27.0 + c19 6.8/400v l5 1000uh d20 ...

  • Page 29

    29 c:\cad projects\ms1s\ms1s-1.Schdoc 2/6/2012 checked by: drawn by: sheet: 10802 47th avenue west mukilteo wa 98275-5098 1 1 ms 1s 114678 of action: * rj main l1 1000uh + c20 6.8/400v d17 p6smb160at d19 murs160 c14 0.001 x1y1 f3 t 1a 250v h 3 g 2 n 1 j3 iec pwr p1 27.0 + c19 6.8/400v l5 1000uh d20 ...

  • Page 30: Warranty

    30 warranty factory authorized service your unit may be serviced by the rane factory or any authorized rane service center. To find a service center near you, please call the rane factory, or check the rane website. Please do not return your unit to rane without prior authorization. Rane corporation...

  • Page 31

    31 limited warranty outside the u.S.A. Rane products are warranted only in the country where purchased, through the authorized rane distributor in that country, against defects in material or workmanship, the specific period of this limited warranty shall be that which is described to the original r...

  • Page 32

    32 warranty procedure - valid in usa only notice! You must complete and return the warranty card or register your product online to extend the warranty from 2 years to 3 years! To validate your extended warranty use the postcard that came in the box with your unit, or go to www.Rane.Com and click on...

  • Page 33

    33 factory service if you wish your rane product to be serviced at the factory, it must be shipped fully insured, in the original packing box or equivalent . This warranty will not cover repairs on products damaged through improper packaging. If possible, avoid sending products through the u.S. Mail...

  • Page 34: Tio

    34 d e c la ra tio n o f c o n fo rmi ty a pp lic a tion o f c ou nc il d ire c ti ve (s ): 20 02 /9 6/ ec 20 04/ 10 8/ ec 20 11 /6 5/ eu m a n u fa c tu re r: ra ne c or por at ion 10 80 2 4 7t h a ve nu e w es t m uk ilt eo w a 9 82 75 -5 00 0 u sa th is eq ui pm en t h as be en t es te d an d fo ...

  • Page 35: Tio

    35 d e c la ra tio n o f c o n fo rmi ty a pp lic a tion o f c ou nc il d ire c ti ve (s ): 20 02 /9 6/ ec 20 04/ 10 8/ ec 20 11 /6 5/ eu m a n u fa c tu re r: ra ne c or por at ion 10 80 2 4 7t h a ve nu e w es t m uk ilt eo w a 9 82 75 -5 00 0 u sa th is eq ui pm en t h as be en t es te d an d fo ...

  • Page 36: Ms1S

    Ms1s mic stage.