Summary of REVEAL TS12 s
Page 1
The evolution revealed.
Page 2
Ts12 500w rms 26hz(-6db) 15hz 2 x line level phone 2 x xlr balanced 2 x xlr balanced (direct or 80hz high pass) 2nd order low pass, 50hz - 150hz, -6db after approximately 12 mins. In absence of input signal 300mm (12“) closed box 22 litre / 0.78cu.Ft phase control crossover defeat switch for lfe ope...
Page 3
& & performance ts8 ts10 output power 200w rms 300w rms low frequency response 32hz(-6db) 29hz(-6db) limit for usable output 18hz 16hz inputs 2 x line level phone 2 x line level phone 2 x xlr balanced 2 x xlr balanced outputs 2 x xlr balanced 2 x xlr balanced (direct or 80hz high pass) (direct or 80...
Page 4
Reveal 66 passive centre channel reference monitor optimised bass-reflex loaded cabinet with 40mm thick front baffle two shielded 165mm (6 1 / 2 ”) woofers, multi fibre paper pulp cones shielded 25mm (1”) titanium dome neodymium tweeter wideband™ hf extended to 51khz corrects phase response whether ...
Page 5
Reveal 6 passive nearfield reference monitor optimised bass-reflex loaded cabinet with 40mm thick front baffle shielded 165mm (6 1 / 2 ”) woofer, multi fibre paper pulp cone shielded 25mm (1”) titanium dome neodymium tweeter wideband™ hf extended to 51khz corrects phase response the reveal 6 combine...
Page 6
Just because a speaker sounds great in one room doesn’t mean it will sound great in your studio. Room acoustics, speaker placement and monitoring distance play a great role in the way a speaker sounds. Until now there wasn’t much you could do about that without spending more money on expensive equal...
Page 7
Applications: home studios/composition project studios, users of pc/mac daw’s professional recording, broadcast, post production studios & editing suites dip switch ‘flat’ setting shown on the back panel artwork rca input for spdif with 75 ohm terminating impedance 2nd rca for spdif output for slavi...
Page 8
Performance 66d frequency response (1) 49hz-51khz max spl (2) 117db distortion dispersion @-6db, 10khz, horizontal 90 degrees drive units drive units – lf/mid 2 x 165mm (6 1 / 2 ”) multi fibre paper pulp cone wideband tm hf 25mm (1”) titanium dome, neodymium magnet system. Electronic system inputs 6...
Page 9
Performance 8d frequency response (1) 46hz-51khz max spl (2) 118db distortion dispersion @-6db, 10khz, horizontal 90 degrees drive units drive units – lf/mid 200mm (8”) multi fibre paper pulp cone wideband tm hf 25mm (1”) titanium dome, neodymium magnet system. Electronic system inputs 600 balanced ...
Page 10: Electronic System
Features: 40mm thick contoured baffle driver lossy-coupled to cabinet 10 screw driver chassis fixing flux control rings on lf drivers applications: home studios/composition project studios, users of pc/mac daw’s professional recording, broadcast, post production studios & editing suites frequency re...
Page 11
Features: 40mm thick contoured baffle driver lossy-coupled to cabinet 10 screw driver chassis fixing flux control rings on lf drivers applications: home studios/composition project studios, users of pc/mac daw’s professional recording, broadcast, post production studios & editing suites performance ...
Page 12: The Antidote to Compromise
The antidote to compromise few if any manufacturers have the reputation and track record of tannoy in the professional studio monitor market. Right from the emergence of the studio monitor itself as a product in the early 1940’s through the british invasion of the ‘60’s and every genre of music sinc...