Waldorf Blofeld User Manual

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Summary of Blofeld

Page 2: Foreword
!Oreword 'lo)eld +ser-s ./nu/l 2 foreword 3h/n5 6ou )or 7ur8h/sing the ) 'lo)eld= >ou now own / s6nthesi?Er )e/turing / wide r/nge o) uni@ue sounds with the /77roaed ) @u/lit6= what to read? 3he biggest 7roblec with /n6 c/nu/l is to )ind / w/6 to 8oaer both the needs o) /n /bsolute ed7ert /nd / begi...
Page 3
Foreword 3 blofeld user.S manual blofeld development team software: stefan stenzel, wolfram franke hardware frank schneider design: acel hartmann manual holger steinbrink betatest wolfram franke, boele gerkes, achim gratz, till kopper, kahnspierr leyton, dr. Georg müller, don petersen, howard scarr,...
Page 4: Content
!"#$%#$ &'"(%') +,%-., /0#10' 2 content foreword.............................................................................................................................................................................................2 340$ $" -%0)5 66666666666666666666666666666666666666666666666...
Page 5
Content 5 blofeld ,ser/s manual oscillator edit menu ............................................. 39 oscillator 1, 2 and 3 ............................................. 39 oscillator common .............................................. 34 ringmodulation ...............................................
Page 6
!Ontent blofeld +ser.S manual 2 modulation 4estinations 555555555555555555555555555555555555555597 +8dating the sare 5555555555555555555555555555555559? @i8s a @ricks 555555555555555555555555555555555555555555555555555555599 @echnical 4ata 55555555555555555555555555555555555555555555555555 dee !Ontr...
Page 7
"#$%' ()*%+&), *$- "#$$).%/#$, 0 1'#2)'- 3,)&4, 5*$+*' control features and connections front panel ! " # $ % ! 6/,7'*8 " 9*&*:)%)& 5*%&/; # 9'*8 ?+%%#$ $ % 6/,7'*8 9*&*:)%)& 6/*',.
Page 8
Control features and connections blofeld user3s manual 5 connections ! " # $ % & & po7er supply socket ' midi in =ack ( usb port for connection to a suited computer ) stereo audio output left@right (only leftd monoe only rightsd stereo) * stereo geadphone =ack + po7er s7itch.
Page 9: Introduction
"#troduct*o# + ,lofeld 01er21 3a#ual introduction about this manual 56*1 7a#ual 8a1 8r*tte# to 6el9 you to ;eco7e fa7*l*ar 8*t6 t6e ,lofeld 1y#t6e1*9er*e#ced u1er1 8*t6 rout*#e ta1k1= 5o a@o*d co#fu1*o#a t6e ter7*#oloby *# t6*1 7a#ual *1 ;a1ed o# t6e ,lofeld 9ara7eter #a7e1= cou 8*ll f*#d a blo11ary...
Page 10
!Ntroduction blofeld /ser1s 2anual 45 general safety guidelines ! !Lease read the follo-ing safet1 ti2s carefull15 6he1 include se7eral 2recautions 1ou should al-a1s o8ser7e -hen dealing -ith electronic e9ui2:ent; de7ice; suitable operating conditions ! /se the device in enclosed rooms onl9. ! ;ever...
Page 11
"#$%&'()$* ++ ,-&./-' 01/%21 34#(4- maintenance ! ! 5& #&$ &6/# $7/ '/8*)/ &% %/9&8/ $7/ )&8/%: ;/./% 4-- 1/%8*)/ 4#' %/64*% $41 >7/ *#$/%*&% &. $7/ )7411*1 )$4*#1 #& )&96/#$1 $74$ %/=(*%/ (1/% 94*#$/#4#)/: ! ! 01/ -? 4 '%?@ 1&.$ )-&$7 &% a%(17 $& )-/4# $7/ '/8*)/: b/8/% (1/ 4-)&7&-@ )-/4#*#c 1&-($*...
Page 12: Setup And Connection
Setup and connection blofeld user´s manual 12 setup and connection inventory the waldorf blofeld comes complete with: • the waldorf blofeld synthesizer • an external power supply • a cd-rom with the complete pdf manual and other tools • a printed quick start manual please ensure all the items above ...
Page 13
"#$%& '() *+((#,$-+( ./ 01+2#1) 34#564 7'(%'1 89 *+((#,$ $:# &+;#5 4%&&1 ,'=1# $:'$ ,'># ;-$: $:# 01+2#1) ;-$: $:# ?+;#5 4%&&1 0 @',a9 b9 ?1%c $:# +$:#5 4-)# +2 $:# &+;#5 4%&&1 -($+ ' 4%-$'=1# d* &+;#5 +%$1#$9 e9 ?5#44 $:# &+;#5 4;-$,: + +2 f9 g:#( 4;-$,: +( $:# ,+>&%$#5 h-2 ,+((#,$#)ij $:# >-k-(c ,...
Page 14
!"#$% '() *+((",#-+( ./+0"/) 12"342 5'($'/ 67 ! 8""% -( 9-() #:'# ;" +00"3 ("; +%"3'#-+( 2 $%)'#"2 03+9 #-9" #+ #-9"= >/"'2" 3"') '/2+ #:" ,:'%#"3 ?1%)'#-(@ #:" ! -(2#'// ' ("; +%"3'#-(@ 2 1!. ,+((",#-+(=.
Page 15: Basic Operation
!!!!!!"#$%&!'()*#+%,- ./ "0,1)02!3$)*4$!5#-6#0 basic operation switching on/ off 78)!"0,1)02!%$+!)96%(()2!:%+8!#!(,:)*!$:%+&8; ! ! !" $%&'() ')* +,"-*,. "/ ! ! Power switch + ! +,! $:%+&8! ,-! +8) "0,1)02;!78)!2%$(0#>!%$!0%+; ! ! !" $%&'() ')* +,"-*,. "--0 ! ! Power switch ! + ! +,! $:%+&8! ,11! +8)...
Page 16
!"#$%&'()*"+$,- !.,/).0&1#)*2#&3"-4". 56 category search 78)& !.,/).0& ,//)*#& "& #()%$".& /4-%+$,-& +,& )-"9.)& )"#: #)"*%8)#& /,*& #,4-0#& ,/& #$;$."*& %"+)/& :,4?*) #)"*%8$- 0$#(.":)0& "#& :,4& #%"-& +8)& #+,*" c).)%+$,-&0$".=&7,&"%%,;(.$#8&+8$#&)"%8,4-0&%,-+"$-#&d )e+*"& 0$ %"+) %"+) ,-&(" ! !Ea...
Page 17
!!!!!!Basi&!'perati,n ./ bl,1eld!3ser4s!Manual s,,n!As!The!8alue! ! !Is!Rea&hed9!The!Sweep!Is!St,pped!1,r!A sh,rt!Peri,d!T,!Ma editing parameter controls ! >e!Re&,mmend!T,!Swit&h!,n!The! !"#$ &'(# !1un&ti,n in!The! )*$+,* -./" =!?Ead!M,re!,n!This!,n!Page!/a= bhe!Casi&!Pr,gramming!,1!The!Bl,1eld!Is!D...
Page 18
Basic operation blofeld 1ser2s manual 16 3. 1se the left displa: parameter dial to edit the !"#$%& parameter of !'"())$#*+ - . Now :ou should be able to choose the 5 edit levels with the navigation buttons !Scillators ! +ilters ! - o d u l a t i o n ! Effects a n d arpeggiator ! While editing displa...
Page 19
Basic operation 1/ blofeld user4s manual ! 7ou can only view the original settings. If you select a new program while the compare function is active, the compare status is automatically terminated. No parameters can be edited with the compare function active. Recalling edited programs 7ou can void e...
Page 20
!Asic 'peration !Lofeld user2s 3anual 56 7rogram is temporarily shown and you can choose to o=erwrite the old sound or not> ?> @inally press shift ' store to store the 7rogram to the selected location> a> !Y pressing any button before performing the step ?C you can discard the store process at any t...
Page 21: Multi Mode
"ulti "ode 2+ blofeld .Ser1s "anual multi mode 4he 6aldorf blofeld offers a +7 part "ulti mode. ;s soon as should start to use "ulti parts. Each sound in a "ulti setup based on a socalled !Art . ! Sele$tion of the multi mode/ ! Press shift * sound/multi to toggle between the pla "ulti "ode the upper...
Page 22: Menu Pages Overview
!"#$ &'(") *+",+-". /012"03 4)",5) !'#$'0 66 menu pages overview 7"," 81$ 2-#3 '# 1+",+-". 12 '00 /012"03 9',':";", '#3 :"#$ 9'(") !S#illat(rs para+eter +atri.: =>'9"? =":-;1#"? @";$#"? A"+"0 menu 3a4es: !"#$%%&'()*+ bcdef *g;'+" d /'0'#g" b6def &$0)".-3;> d &h! I:1$#; bjdef &h! =1$,g" d &h! I:1$#; ...
Page 23
Menu pages overview 23 blofeld user7s manual (2/6) mod source / mod amount (3/6) fm source / fm amount (4/6) drive / drive curve (5/6) pan (6/6): pan source / pan amount filter'(o*tin, (1/1) routing filter'- (1/6) keytrack / env velocity (2/6) mod source / mod amount (3/6) fm source / fm amount (4/6...
Page 24
Menu pages *vervie. Blofeld 4ser5s manual 24 (3/4) start phase / keytrack (4/4) delay / fade lfo 3 (1/4) shape / speed (2/4) sync / clocked (3/4) start phase / keytrack (4/4) delay / fade !Arameter matrix (matrix): select, source, amount, destination menu 0a1es: &o(ul+tion 100011 (1/2) source / dest...
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Menu pages overview 25 blofeld 6ser7s manual arpeggiator +tep position / step arpeggiator accent position / accent arpeggiator .Lide position / >lide arpeggiator 1iming position / timing arpeggiator lengt4 position / length !Ti$it% men* (,-ift / !Ti$it%) men* pages: +tore +ound (1/3) position / char...
Page 26
Menu pages *+er+ie. Blofeld 4ser5s manual 27 glo$al 'enu +shi/t 1 glo$al2 'enu pages6 !L#$%l 'is*l%y (1/2) contrast / popup time (2/2) auto bdit !L#$%l ,-ne master tune / transpose !L#$%l m1'1 (1/3) mddd channel / de+ice dd (2/3) hel cur+e / clock (2/3) ctrl send / ctrl kecei+e !L#$%l 2#nt4#ls (1/2)...
Page 27: Sound Parameter
Sound parameter 2. Blofeld 2ser4s manual sound parameter overview of functions the waldorf blofeld consists of numerous sound;shapin= components> the follo?In= pa=es describe all parameters in detail> additional information can be found in the chapter bsound scnthesis basicsd on pa=e .8> you should ...
Page 28
!O#$%&'ara*+t+r -lo/+l%&0s+r2s&3a$#al 45 oscillator parameter controls shape !"" $ %&'() $ *+, $ -./+01') $ */0) $ 2'3 4 $ 2'3 5 $ 6+7)3+8')( !+ts& t6+& t78+& o/& 9a:+/or*& to& ;+& oscillator@& a6+& 8ara*+t+r& is& call+%& shape & i$st+a%& o/ b9a:+/or*cd&;+ca#s+&it&%o+s$et&$+c+ssaril7&s+t&o$l7&o$+ 9a...
Page 29
Sound 'arameter -. Blofeld 2ser4s manual set to the waveta9le. 'lease note that the ;aveta9les are onlscillator @ and -. ! Ahe !"l$e shabe can 9e used to create unusual s ! Ahe &a( shabe can 9e used for 9asses, leads, 9rass and string sounds. ! Ahe )r+ shabe can 9e used for flute sounds or soft bads...
Page 30
!"#$% '()(*+,+) -."/+.% 01+)21 3($#(. 45 ! 6789 :(.#+1 "/ !"# ") (;":+ %+,#$+ ,9(, =($ ;+ #1+% /") (==")%7"$1 ") +//+=, 1"#$%1> !"#"$ $%%%"#& ?"$,)".1 ,9+ :".#*+ "/ ,9+ 1+.+=,+% @1=7..(,")> oscillator edit menu a" (==+11 ,9+ @1=7..(,") b%7, 3+$# c)+11 ,9+ "1=7..(,") ;#,,"$ 19"),.D e7/ f#," b%7, 71 1...
Page 31
Sound parameter 31 blofeld 2ser4s manual increase the amount of signal that feeds filter 2 and decrease the amount of signal that feeds filter 1. =f set to !"# , ?Oth filters will receive the same signal level. =f set to $% '( , the signal is sent to filter 2 only. !U#$%&'()* )***+%, sets the pulse ...
Page 32
!"#$% '()(*+,+) -."/+.% 01+)21 3($#(. 45 ! 67+$ 8"# 9($, ," :)+(,+ ( 1"#$% 9;,7 ( 9( 19++=> 8"# 17"#.% 1+, ,7+ 1,(),=";$, )"#?7.8 @ pulsewidth) (, ,7+ %+1;)+% 9( a+/")+ 8"# (==.8 ($8 *"%#.(,;"$b c7;1 9;.. 7+.= 8"# ," /;$% ,7+ a(1;: 9( a+/")+ ,7+ +//+:, "/ *"%#.(,;"$1b d",+ ,7(, 8"# :($ (==.8 #$;=".(...
Page 33
"ound pa)a*ete) 33 .Lo0eld 1se)3s manual 5i7he) !Rilliance values :o*e :lose to the sound s;nthesis pp@ wave and waldo)0 wave. The waldo)0 mi:)o=ave ddeft o00e)s a si*ila) )m source see table „fm sources“ "ele:ts the sou):e 0o) the 0)equen:; *odulation o0 the sele:ted os:illato). ! Kou :an :)eate ni...
Page 34
!"#$%&'()(*+,+) -."/+.%&01+)21&3($#(. 45 !"#$ &'#(" -24...+24 6+,+)*7$+1& ,8+& 7$,+$17,9& "/& ,8+& :7,;86> '7,;8 "1;7..(,")@ )*#+ ,- ./ 0-#1* 2-3 .4+ 56 off ) on a$( +$( e1;7..(,")& 4d& ,8+& *(1,+)@& a(;8& ,7*+& e1;7..(,")& 4& 1,(),1& ( $+g&;9;.+d&7,&1+$%1&(&,)7??+)&17?$(.&,"&e1;7..(,")&fd&/");7$? 7...
Page 35
!!!!!!"o$%&!'ara*eter -5 /0o1e0&!2ser4s!5a%$a0 0ater!%otes!$se!T6ese!E%7e0o8es9!:$t!So$%&!I%!T6e 8itc6! Yo$>7e! 80aye&.! @6is! *o&e! Is! 1or! S$stai%e& so$%&s!0ike!Ty8ica0!70>s!So0o!So$%&s. ! D6e%! !Ono ! Is! Se0ecte&! A%&! Yo$! 6a7e! Set! $8! A &ecayi%e!7o0$*e!E%7e0o8e!1or!T6e!Se0ecte&!"o$%&9 yo$! ...
Page 36
!"#$%&'()(*+,+) -."/+.%&01+)21&3($#(. 45 67()(6,+)&,"&,7+&1"#$%8&9:;7& ;.:%+&,:*+&"/>&,"&1+ /")&1"."&($%&+//+6,&1"#$%18 mode !Ort%&ento * +ingere. ! * /liss%n.O * +ingere. / @+,+)*:$+1&,7+&=(a&,7+&b.:%+&+//+6,&=")c18 ! !Ort%&ento & *+($1& ,7(,& (& 6"$,:$#"#1& ;.:%+& :1 >+)/")*+%&"$&(..&$+=&$",+18 ! ...
Page 37
So$nd parameter -. Blofeld user4s 5an$al !Ing modulation 6he follo8ing parameters refer to the ring mod$lator. Level !"""#$% =ol$me of the ring mod$lation bet8een ?Scillator a and b. Crom a technical point of vie8 ring mod$lation is the m$ltiplication of t8o oscillatorse signals. 6he res$lt of this ...
Page 38
!"#$%&'()(*+,+) -."/+.%&01+)21&3($#(. 45 mid 6&7",8&/9.,+)1&:9..&)+;+9&?/&1+,&," f2 '( 6&,8+&19=$(.&91&1+$,&,"&@9.,+)&a&"$.B> noise c8+&/"..":9$=&d()(*+,+)1&)+/+)&,"&,8+&$"91+&=+$+)(,")> level 0...12, e".#*+& "/& ,8+& $"91+& =+$+)(,")& f"91+& 91& (& /#$%(*+$,(. 1"#);+&/")&($b&g9$%&"/&($(."=h,bd+&d+)...
Page 39
"#$%& '()(*+,+) -. /0#1+0& 23+)43 5(%$(0 • ! 67+% ( 7897 :(33 ,;:+ 83 3+0+$+% ?+0#@ ,7+ $+% • ! 67+% ( ?(%& :(33 ,;:+ 83 3+0+ 1)+>$+% ,7)#$97a • ! 67+% ( %#,$+% ()#$%& ,7+ $+% • ! 67+% ( $+% %+() ,7+ $+% #) (,,+%$(,+& c g#$ *#&$0(,8%9 ,7+ $+% +%h+0#:+3 #) ,7+ !E#$%&'( :()(*+,+) #1 ,7+ 180,+)a l, ( h...
Page 40
!"#$d '()(me,e) -l"/eld 01e)21 3($#(l 40 24d- 1l"7e i/ 9"# :($, ," ;)e(,e 1"#$d1 :i, ,97i;(l (#di=le /il,e)ed ; #1e , i/ 9"# :($, ," @e, 1"/,e) )e1#l,1. ! Notch 24db / notch 12db ()e , =($d 7(11 ,97e1. B , ;#,"// 7"i$, ()e 7(11ed , ,97e1 /") 7)"@)(mmi$@ e//e;, 1"#$d1. F$ g",; ,97e1h , de/i$i,i"$ =e;...
Page 41
Sound parameter 41 blofeld 2ser4s manual bright and then closes the filter to get a darker sustain phase. String sounds, on the other hand, usually use a negative envelope amount that gives a slow and dark attack before the cutoff rises in the sustain phase. Since there are two filters, you could us...
Page 42
!"#$%&'()(*+,+) -."/+.%&01+)21&3($#(. 45 ! 67+&"8+)(..&*"%#.(,9"$&(::.9+%&,"&,7+&/9.,+);1& /)+=#+$&91& env amount &($%& env velocity &:()(*+,+)1@&67+)+/")+ >"#&17"#.%&(.A(>1&?+()&,791&,",(.&9$&*9$%b&+1:+ a7+$&,7+&/9.,+)&%"+1&$",&?+7(8+&(1&>"#&+c:+ & 1+,,9$e& "$+ :()(*+,+)&,"&(&:"19,98+&($%&,7+&",7+)...
Page 43
"#$%& '()(*+,+) -. /0#1+0& 23+)43 5(%$(0 3#$%&6 3+, ,783 9()(*+,+) ,# ( :(38; *#&$0(,8#% ,# 8, pa# %o'r)e 9()(*+,+)> pa# %o'r)e see ta&'e ()o+u'at-on/ou0ces2 "+0+;,3 ,7+ 3#$);+ #1 ,7+ 9(%#)(*( *#&$0(,8#% 1#) ,7+ 3+0+;,+& 180,+)> pa# +mo'#t 345666748 ?+,+)*8%+3 ,7+ (*#$%, #1 9(%#)(*( *#&$0(,8#% 1#) ,...
Page 44
!"#$%&'()(*+,+) -."/+.%&01+)21&3($#(. 44 5/,+)&6(117$8&,9+&6($$7$8$7,1:&;",9&178$(.1&()+&1#**+% #6&(8(7$&($%&1+$,&,"&,9+&5*6.7/7+)&($%&,7"$. Modulation section @9+& *"1,& 7*6"),($,& >"$,)".1& /")& ,9+& +$a+."6+1:& ,9+ *"%#.(,7"$&*(,)7b&($%&,9+&,9)++&c($&;+&/"#$%&7$&,9+ modulation 6()(*+,+)&*(,)7b. @...
Page 45
"ound 'ara*eter 4. /lo1eld 2ser4s manual !"#"$%" !"""#$% 6n7e the note has ended9 the release phase be ?Urin deter*ined bb the celease @alue. Envelopes edit menu to a77ess the en@elope edit menu press the modulation button shortlb (i1 guto edit is set to on) or 1or so*e ti*e (i1 guto edit is set to ...
Page 46
Sound parameter blofeld user´s manual 46 !"#$%&' ) !"""#$% sets the second !"#$%&' level. As soon as this level is reached, the envelope goes into the *+,+%#+ phase. This parameter affects the envelope types a'(#'($)* ,ne (h0t* 2003 (#($ and 2003 all only. -./ 0'1+,2/+ the following parameters are v...
Page 47
Sound parameter 4. Blofeld 2ser4s manual decay ' 0...127 determines the decay rate or amount of time it takes for a signal to reach the sustain ' level. This parameter affects the envelope types ads1ds2r* one shot* loop s1s2 and loop all only. Sustain ' 0...127 sets the second sustain level. As soon...
Page 48
Sound parameter blofeld 0ser2s manual 45 de#ay 2 !"""#2% determines the decay rate or amount of time it takes for a signal to reach the s)stain 2 level. This parameter affects the envelope types ads#ds2r* ,ne s/ot* 2oo3 s#s2 and 2oo3 all only. S)stain 2 !"""#2% sets the second s)stain level. As soon...
Page 49
Sound parameter 4. Blofeld 2ser4s manual ! The !"#$%%$& shape can generate interesting filter or volume changes. If you need a modulation with inverted slope, just apply the sawtooth shape with negative amount. ! The '"()%* shape generates random values and glides to them linearly. ! !+, csample d h...
Page 50
Sound parameter blofeld 0ser2s manual 55 sync o""# on when sync is set to on , the lfo phases of all voices are synced so that they sound as one lfo. This can be interesting when the lfo is applied to modulate %ilte* +ut-.. Or /annin1 . When sync is set to o"" , the lfos run independentlyf this is b...
Page 51
Sound parameter 51 blofeld 2ser4s manual modulations that might create interest when routed to pitch or volume. Parameter controls of the modulation matrix a modulation can be described as a signal-generating unit’s influence upon a sound parameter. The terms used in this contect are dsourced and dd...
Page 52
Sound parameter blofeld 0ser2s manual 55 modulation matrix edit menu to access the modulation matri: edit menu press the modulation button shortly ?If auto edit is set to ona or for some time ?If auto edit is set to offa. 0se the selection dial to scroll through the corresponding menu pages. The nam...
Page 53
Sound parameter 5. Blofeld user4s manual !"eration see ta&le determines which kind of operation will be performed on the selected input sources. The following types are available: !"##$%& '"()*$+#$,% d addition - subtraction g multiplication hor exclusive or function or or function amd amd function ...
Page 54
!Ound 'ara*eter -lo/eld 0ser2s manual 44 amplifier edit menu 6o understand t7e o8eration o/ t7is unit: it is i*8ortant to ;non?Elo8e is al *odulation sourae /or t7e ?Olu*e. 67is *eans t7at an audio sibnal aan onl@ 8ass t7roub7 i/ t7e =*8li/ier >n?Elo8e is tribbered and o8ened. ! Dou aan aaaess t7e 8...
Page 55
Sound parameter 55 blofeld user3s manual parameter controls of the effects 5he blofeld has two effect units. 5he first effect unit is alwa;s part of the sound program. 5he second effect can be assigned either globall;. !I# % 0…1$% 5he onl; parameter that is common to all t;pes of effects is the !I# ...
Page 56
!"#$%&'()(*+,+) -."/+.%&01+)21&3($#(. 45 %+,#$6$7& 61& 7+$+)(,+%& 89& ($& 6$,+)$(.& :;($& 8+ >"$,)"..+%& 6$& 1?++%& ($%& %+?,=@& a=+& b=")#1c& =67= /)+d#+$>9& "#,?#,& >($& 8+& %(*?+$+%& e6,=& ,=+& b#,"// ?()(*+,+)@ ! F& 36g& 1+,,6$7& "/& hi& ,"& j5& ?)"%#>+1& ,=+& 1,)"$7+1, +//+>,& 8+>(#1+& 8",=& ,=...
Page 57
"#$%& '()(*+,+) -. /0#1+0& 23+)43 5(%$(0 ! 6 578 3+,,7%9 #1 :; ,# )#&$?+3 ,@+ 3,)#%9+3, +11+?, a+?($3+ a#,@ ,@+ $%(11+?,+& 379%(0 (%& ,@+ >)#?+33+& 379%(0 ()+ *78+& ,#9+,@+)b spee$ 0…127 "+,3 ,@+ cde 3>++& #1 ,@+ '@(3+) +11+?,b dept' 0…127 "+,3 ,@+ *#&$0(,7#% &+>,@ #1 ,@+ '@(3+) +11+?,b center 0…127...
Page 58
Sound parameter blofeld 0ser2s manual 55 pickup :, pickup uare, binary, overflow, sine shaper. !"#$ &'() !"1$% eontrols the output level of the distorted signal. *+$",, !"1$% dampens the high fre>uency output of the overdrive effect. ! Please note that the setting of the -(. Parameter doesnht affect...
Page 59
"ound para*e,er -. Blo1eld 2ser4s 5anual o1 aliasing 8hen you lo8er ,he sa*ple ra,e grea, 1or so>?Alled @lo>1ia soundsb !H#$%s mix !"#$% con,rols ,he *id level o1 ,he chorus e11e?,b spee. !"#$% con,rols ,he ffo speed o1 ,he chorus e11e?,b /epth !"#$% con,rols ,he *odula,ion dep,h o1 ,he chorus e11e?...
Page 60
Sound parameter blofeld 0ser2s manual 65 the signal isn9t filtered, while lower settings filter the high frequencies of the feedback signal. !Lk$%&!Locked+%delay ! Ahis effect type is only available for the /00ect% 2 unit. Ahe clocked delay is an effect that produces echoes of the input signal. Ao m...
Page 61
Sound parameter 61 blofeld user4s manual !Everb ! This effect type is only available for the &''ect* + unit. The reverb effect is probably the most widely used effect in music production. It is used to add a realistic ambience to clean and dry audio recorded in a studio. Very complicated mathematica...
Page 62
Sound parameter -lofeld 0ser2s manual 45 de#$% !"#$% determines the len9th of the rever; refleo simulate a ;i9 room simulate a smaller room d$&'ing !"#$% determines hoa fast the room simulation dampens the hi9her rever; frecuen dampened not as muhis phenomenon maees a natural e holloa= hi9her values...
Page 63
Sound para*eter -. /lofeld 23er43 5anual rhyth*8 con:er3ely; a3 3oon a3 you add another note to the e arpeggio8 ahen you relea3e all note3; the arpeggiator 3top38 ! Bf !Ne shot i3 3elected; the arpeggiator 3plit3 up all played note3 and play3 back an arpeggio8 ehe actual length of thi3 arpeggio i3 3...
Page 64
!"#$% '()(*+,+) -."/+.% 01+)21 3($#(. 45 ! ! 6/ !"" 71 1+.+8,+%9 ,:+ ();+(8? ( 8"$,7$#"#1 1+@#+$8+ "/ $",+1 a7,: ,:+ 8#))+$, !Lock 1+,,7$ ! ! #$%& 7.7,= ," 8)+(,+ ="#) "a$ 8#1,"* ):=,:* ;(,,+)$b d:71 ;(,,+)$ 71 1,")+% 7$ 7$ ,:+ 1"#$%b !++ ,:+ 1+8,7"$ ef);+ '(+."a (>"#, ,:+ ;(,,+)$ 1+,,7$ 8)+(,+b ! !...
Page 65
Sound parameter 6. Blofeld 2ser4s manual ! If !" is selected, the note list is played forward and the octaves are transposed upward. The arpeggio starts in the original octave and goes up to the highest octave. Then the arpeggio is repeated. ! If # $ % & is selected, the note list is played backward...
Page 66
Sound parameter blofeld 0ser2s manual 66 !"#$ &'()# *+',$ -&.$/#&"' *$0)1#&', 2.($,,&" c1 e1 g1 1 oct 0p c1 e1 g1 g1 c1 e1 g1 = oct 0p c1 e1 g1 g= e1 g1 c1 > oct 0p e1 g1 c1 c= g> c> c1 g1 e= > oct 0p c1 g1 e= e> g> e? C1 e1 g1 > oct down g> e> c> c= c1 e1 g1 = oct alt down g= e= c= c1 e1 g1 !Rpe%%i...
Page 67
Sound parameter -7 blofeld user4s manual velocity each note / first note / last note / fix 32 / fix 64 / fix 100 / fix 127 determines how velocit note that each arpeggio step might have an additional positive or negative offset set b arp accent parameter. ! If each note is selected, each note of the...
Page 68
!"#$% '()(*+,+) -."/+.% 01+)21 3($#(. 45 !"#$%'( 6 7 8 9 6 7 8 9 )*#' :6 ; 6 6 ; 6 6 ; 6 arpeggio with pattern reset set to 1on2 • =/ on >1 1+.+?,+%@ ,a+ $",+ .>1, b>.. C+ )+1,(),+% (1 1""$ (1 ,a+ )ad,a* e(,,+)$ >1 )+1,(),+%f ga+ 1(*+ ()e+hh>" *>ha, $"b .""i .>i+ ,a>1 j$",+ ,a+ ,b" ;61 >$ 1+k#+$?+lm...
Page 69
So$nd 'ara*eter -. /lo1eld 23er43 5an$al ! 61 ! Prev%o's i3 3elected9 the arpeggiator pla>3 the 3a*e note a3 it had to pla> in the previo$3 3tep that @a3 3et to a nor*al or - rando* b cith thi3 3etting9 >o$ can repeat a partic$lar note o1 the note li3t 3everal ti*e3b dhe note li3t i3 not advancedb !...
Page 70
!"#$% '()(*+,+) -."/+.% 01+)21 3($#(. 45 ."6+)+% (77")%8$9.:; .+ ( >.(:+% ?+."78,: "/ @a 9+$+)(,+1 ( /8$(. ?+."78,: "/ bc 6d+$ 1+, ," !" ($% ecf 6d+$ 1+, ," #" ; !"#$% off ! On 8$ ,d+ ()>+998" >(,,+)$ :"# 7($ (7,8?(,+ ,d+ 9.8%+ +//+7, 8$%8?8%#(..:; gd81 98?+1 :"# ,d+ (h8.8,: ," 7)+(,+ ,d+ 7.(1187 i-...
Page 71
Sound parameter 71 blofeld 2ser4s manual ! 6f !"#$%& is selected, the notes of this step are held until the ne step notes set to legato to remain held. ! Negative values '()*+(,+&-".+(/ ) shorten the length of the notes of this step. ! 6f 0 is selected, the step is held for the time set in the !"#$%...
Page 72: Global Parameter
!"o$a" pa(a)ete( ,"o-e". /se(1s 2an4a" 56 global parameter !"o$a" pa(a)ete(s a(e settings that a--e;t the ,"o-e". Gene(a" (esponse. >he? A(e @a"i. -o( a"" p(og(a)s $4t )ight $e o@e((i..En $? Othe( )o(e spe;i-i; settings. !"o$a" pa(a)ete(s a(e sto(e. A4to)ati;a""? Ahen ?O4 )o.I-? The)b so ?O4 a(e not...
Page 73
"#$% '&(&)ete( ,- .#$/e#0 12e(32 4&n6 the c$((e29$n0:ng ?/ @$6 9(e22 the %6tt$n &=h:#ea the c$((e29$n0:ng off :2 /$( &0b&nce0 62e(2> ! ! ?/ 2et t$ on the .#$/e#0 &ct2 &2 /$##$=2c dhen @$6 9(e22 $ne $/ the '&(&)ete( )&t(:e %6tt$n2 2h$(t#@ the c$((e29$n0:ng %6tt$n :2 &ct:b&te0 &n0 the c$((e29$n0:ng fh...
Page 74
!"#$%" '%(%)*+*( ,"#-*". /0*(10 2%34%" 56 ! 78*(%+93: ; % ?*@9a* b? #- cd5e 0# %3:* +>* "#$% '" #3 *3 3*=*( 7;g ! !F $ou have onl$ one blofeld, leave "#$% '" on ! . 1here is no need at all to change this setting to an$ other value. ! H-+*( %@* $#4:>+ ,"#-*".E 8"*%0* a#3+%a+ j%".#(- 2409ag k#4 =9"" (...
Page 75
"l$%&l '&r&)eter ,- .L$/el0 12er32 4&n6&l 072&08&nt&ge 72 & l&rger &)$6nt $/ 0&t& th&t 72 tr&n2/erre0; ! !"#$%&s() 72 2ele=te0> &ll s$6n0 p&r&)eter2 a7th & 0e07=&te0 =$ntr$ller &227gn)ent &re 2ent &2 =$ntr$ller )e22&ge2; all $ther s$6n0 p&r&)eter2 &re 2ent &2 2c2te) ed=l6278e )e22&ge2; !"#$% #$% &"'...
Page 76
!"#$%" '%(%)*+*( ,"#-*". /0*(10 2%34%" 56 utility menu 708.* -(#) +9* .8--*(*3+ 28.8 :4); 2*34 ?#3+%830 -4(+9*( 9*";-4" -43?+8#30@ a#4 ?%3 %??*00 +9* /+8"8+> 2*34 $> ;(*0083b shift ' utility @ c3 +9* .80;"%> % ;%b* -#( 0*"*?+83b +9* .*08(*. -43?+8#3 d8"" %;;*%(@ /0* +9* selection dial +# 0*"*?+ +9* ...
Page 77
"#$% '&(&)*+*( ,, -#$.*#/ 01*(21 3&45 ! ! 6. Dump sound 71 1*#*8+*/9 +:* 85((*4+ ;$54/ 7## %* 1*4+? ! ! 6. Dump sound bank 71 1*#*8+*/9 +:* 85((*4+ ;$54/ -&4@ >7## %* 1*4+? ! ! 6. Dump all sounds 71 1*#*8+*/9 # ;$54/ ! ! 6. Dump all # ;$54/ "#$% a? ! '(*11 !"i$% ' (%ili%* +$ &8+7b&+* +:* /5) ! ! C* ...
Page 78: Sound Synthesis Basics
!Oun% !'nt)esis -asics -lofel% 2ser4s 5anual 77 sound synthesis basics oscillators introduction 8)e oscillator is t)e first buil%in: bloc; of a s'nt)esi %eli?Ers t)e si:nal t)at is transfor@e% b' all ot)er co@ponents of t)e s'nt)esi electronic s'nt)esis, cobert a. 5oo: foun% out t)at @ost real acous...
Page 79
!"#$%&!'$()*+,+&-.+,/+ 01 -2"3*2%&4+*56+&7.$#.2 8'&()*&*.5&("&%*(*59,$*&()*&:,(/)&"3&()*&("$*;& ,+& /.22*%& fundamental ;& =22& "()*5& :.5(,.2+& .5*& /.22*% overtones ;&!">&()*&+*/"$%&:.5(,.2&,+&()*&3,5+(&"?*5("$*; @'/2,/& a.?*3"59+& +#/)& .+& ()*& a.?*3"59+& ,$& ()*& -2"3*2% "$2'&3*.(#5*&+,$*&a.?*+...
Page 80
Sound synthesis basics blofeld user4s manual 87 bow pulling the string slightly into one direction. At one point, the string abruptly comes off the bow and swings back to its original position. The bow is still moved and so it catches the string again and the procedure is repeated. The result is a w...
Page 81
So#n% synt)*s,s -.S,/s 01 -lof*l% 4s*56s 7.N#.L t#8* t).T /.N /ont.,n . /*5t.,n .9o#nt of .,5. ;)* 8lo=s .,5 t)5o#>) t)* t#8* ,n . =.Y s#/) t).T t)* .,5 st.5ts to ?,85.T*. ;),s ?,85.T,on ,s .L9ost /o9 sy99*t5,/.L@ 5*s#lt,n> ,n . )ollo= t,985*. !"#$%&'(#$)*+# ;)* a#ls* b.?* ,s t)* 9ost ?*5s.T,l* =.?*...
Page 82
Sound synthesis basics blofeld user4s manual 82 widths create peaks or troughs at certain fre another special case is a pulse wave with a very narrow pulse width, in the above picture labelled as bcd. An infinitely thin pulse creates a spectrum that has all harmonics with e “infinitelyi necessarily ...
Page 83
Sound synthesis basics 83 blofeld user´s manual emphasize certain frequencies or to frequency modulate other oscillators. The triangle wave sounds like a woodwind instrument, i.E. A clarinet. It can also be used for mallet instruments like vibraphone, xylophone etc. Wavetable synthesis in the blofel...
Page 84
!Ound !'nt)e+i+ -.+i/+ -0o1e0d 2+er4+ m.Nu.0 67 !"#$%&'%()*+$),-+#%.#+/%"0%$1+%2-&'+-/ !O# $a&'(a)l' !O# $a&'(a)l' 8 a0t 8 :; !. = a0t = :> !. : ?E+on.Nt :@ !. 7 ?E+on.Nt= :6 au0!'n/8 ; m.00et!'n :b au0!'n/= > !Cr-! 7f au0!'n/: @ -e00i+) 78 !In!'n/8 6 au0-! 7= !In!'n/= b !. 7: !In!'n/: 8f me00o 77 a...
Page 85
Sound s'nthesis basics 81 blofeld 4ser6s manual filter introduction 8nce the audio signal leaves the mi filters. ?He blofeld has two independent filter units, each with its own individual settings. ?He signal flow in the filters can be controlled via the couting function. ?He filters are components ...
Page 86
!"#$%&!'$()*+,+&-.+,/+ -0"1*0%&2+*34+&5.$#.0 67 *11*/(&"1&()*&3*+"$.$/*&8.3.9*(*3&"$&()*&1,0(*3:+&13*;#*$/' /#3 x)%;"%6cd [%'%# \"/4ee l%$46(6c% >1&()*&3*+"$.$/*&,+&3.,+*%&("&.&?3*.(&*@(*$(a&()*$&()*&1,0(*3 b,00& c*?,$& +*01d"+/,00.(,"$a& ,e*e& ()*& 1,0(*3& ?*$*3.(*+& .$ .#%,c0*& +,$*& b. ,$/"9,$?&+...
Page 87
!"#$%&!'$()e+i+&-.+ic+ 01 -2"3e2%&4+e56+&7.$#.2 x)%;"%6cd [%'%# \"/4ee,.%/%)a*6%$,6"a+%),4e,/%%/0 l%$46(6c% comb+ filter type x)%;"%6cd [%'%# \"/4ee,.%/%)a*6%$,6"a+%),4e,/%%/0 l%$46(6c% comb – filter type !"8& .+& 9i()& .22& "()e5& 3i2(e5& (':e+8& ()e& ;" c"$(5"22e%&9i()&(9"&:.5. ! !U#$%% &c"$(5"2+&...
Page 88
Sound synthesis basics blofeld user4s manual 88 !He %omb )ilter as a %horus this is the most basic way to use the ;omb filter. A ;horus in fact is made of one or several ;omb filters, so this is an easy task to set up manually. ! !O $et 'p the *om, -ilter to prod'2e a *hor'$4 b. Select the ;ombc fil...
Page 89
!Ound !'nthesis -.Sics 01 -lo3eld 4ser6s 7.Nu.L ! !O set u( the comb filter to (roduce a 4lan6er7 89 ad;ust the 3ilter .S described in the =horus p.R.Gr.Ph .Bove9 a9 burn up resonance to cre.Te the t'pic.L cl.Nger sound9 d9 er.Du.Ll' lower l)* speed to cre.Te slow cl.Nger sweeps9 g9 !Elect either !"...
Page 90
!"#nd !'nt)esis basics bl"1eld 2ser4s 5an#al 67 oscillator comb- comb- 89: ;; = => ;8: => 9? @: 9? >6 9: >6 ?; ?; @= !Omb &ilte+ !,toff settin0s a1 '"# need "t)er t#ninbsc d#st keef in gind t)at !"#$%% is c)anbed in segit"nesc s" i1 '"# incregent !"#$%% h' 12 c t)e 1ilter "scillates "ne "ctave )ib)e...
Page 91
Sound synthesis basics 91 blofeld 4ser6s manual envelope types in the blofeld !"#$%&'()*+,) most traditional synthesizers feature adsr envelopes. These envelopes are made up of four parameters that determine their response: !--./01% ")/.21% #34-.5'% and $)*).4)6% !"# %&"#' parameters of the envelope...
Page 92
Sound synthesis basics blofeld user4s 5anual 92 note is played. :n other words: the envelope goes through all its stages, no matter how long a key is pressed. Bhis includes even the attack phase. :t uses the parameter set of the adsr envelope type in which the s u s t a i n parameter is used to set ...
Page 93
!O#$% !'$t)e+i+ -.+i/+ 01 -lo3el% 4+er6+ 7.$#.L f//(c] ^%c(d 2"$/(*6 l%#%($% r%d,b)%$$%. R%d,)%#%($%. 5*a% [%'%# ?99: f//(c],[%'%# 2"$/(*6,= ^%c(d,= [44b !""#$%&&$'()*&"#*.
Page 94: Appendix
!""#$%&' ()*+#)% -.#/0. 12$32) 45 appendix fm sources fm source: description: *++ 6* 7*%3)28&*$ 9.:; 9.:&))28*/ ; 9.:> 9.:&))28*/ > 9.:? 9.:&))28*/ ? 6*&.# 6*&.# @#$#/28*/ ab9; ab9 ; ab9> ab9 > ab9? Ab9 ? B&)8#/c$d b&)8#/ c$d#)*"# !7"c$d !7")&+/ c$d#)*"# c$d? C$d#)*"# ? C$d5 c$d#)*"# 5 modulation so...
Page 95
Appendi' () *lofeld /ser2s manual ma67m/m constant for ma'imum modulation ;e? Modulation destinations modulation destination: description: @itch blocal pitch of all three oscillators at once o> @itche of @itche og @itch @itch of oscillator >hg o> @ie of @ie og @i @ulse jidth of oscillator >hg o> fme...
Page 96
!""#$%&' ()*+#)% -.#/0. 12$32) 45 67 8#)9 8#)#2.# /2:# *+ 6$;#)*"# 7 6 !::2=> /2:# *+ 6$;#)*"# 6 ?#=2@ a2$% ?#=2@ bc /2:# *+ 6$;#)*"# 6 d3.:2&$ a2$% d3.:2&$ bc )#;#) *+ 6$;#)*"# 6 8#)#2.# /2:# *+ 6$;#)*"# 1e !F*3$: 1*%3)2:&*$ 2f*3$: *+ 1e 1b !F*3$: 1*%3)2:&*$ 2f*3$: *+ 1b 17 !F*3$: 1*%3)2:&*$ 2f*3$:...
Page 97
!""endi' () *lofeld user2s 3anual updating the system software 6he *lofeld has a ser8ice-friendl; feature that makes it "ossi?Le to u"date the s;stem software without changing an; "artsb !Ll software u"dates come in the form of a standard 3cdc file that can ?E read ?; e8er; seeuencerb 6he fastest wa...
Page 98
!Ppendi' (lofeld -ser0s manual 45 ! !" $"% &$'() *$+ ,-),&./%*$,(/ %&)$ "00 %1( 23"0(3' 41-3( %1-/ /%(5 -/ -$ 5)"6)(//7 8 ,".53(%( 3"// "0 '*%* .*+ ",,&) *$' -% 4-33 9( -.5"//-93( 0") +"& %" .*:( +"&) .*,1-$( 4"): *6*-$;.
Page 99
!""endi' (( )lofeld user1s 2anual tips & tricks ! 5oise as f2 source for an oscillator gi;es a colored noise out"ut whose character can >e changed with f2 !Mount, the oscillator wa;eform and the "itch of the oscillatora ! Use en;elo"e c or d to >lend in one of the oscillatorsa eag, if eou need a sma...
Page 100
!""en%i' (lofel% -ser0s 1anual 100 technical data !O#er su))l+ 6ominal 8oltage; @u""la ?Oltage 100 b 240 ? 1a'imum durrent donsum"tion; 0e3 ! 1a'imum "oger donsum"tion; 5 i ,imensions and 3eig5t ii%tj; 304 mm 132 mm keigjt lindlu%ing mnobso; 54 mm potal geigjt; 1,3 mg @u""la ?Oltage 100 b 240 ? 1a'i...
Page 101
Appendix 101 blofeld user´s manual controller numbers controllers marked with * don’t change the sound program but can perform temporary modulations or other tasks. !"# $ & !'("#'$$)# *+(,) !'("#'$$)# (+-) '# .'/(0 1+#+-)")# 2+$/) *+(,) 0 ! Not used ! Bank select msb ! Not used 1 0…127 modulation wh...
Page 102
Appendix blofeld user´s manual 102 15 0…5 lfo 1 shape sine, triangle, square, sawtooth, random, s&h 16 0…127 lfo 1 speed 0…127 or 256 bars…1/96 17 0…1 lfo 1 sync off, on 18 0…127 lfo 1 delay 0…127 19 0…5 lfo 2 shape sine, triangle, square, sawtooth, random, s&h 20 0…127 lfo 2 speed 0…127 or 256 bars...
Page 103
!""#$%&' ()* +,-.#,% 01#231 45$65, 78 )9: ;15"# "6,1#? 15@? A2&5$b,#? 1&$#? 5,a (? 5,a c 7d )9(cd ;1 )9(cd 7g )9(cd ;1 h879i8* 7j )9( =k$ -..? -$ :) )9(cd e&al-% h879i8* :( )9j m,&%# 4-%# 1># nm,&%# 4-%#o :c )9(cd ;1 )9(cd :* )9(cd ;1 r( 879l&%9rc 8* :7 )9(cd s&$bl-% p#q#, )9(cd :: )9(cd s&$bl-% +5,...
Page 104
A""en%i' (l*+el% -ser0s 1anual 156 77 58127 :ilter 1 =>68center8 r>a 7b 58127 :ilter 1 d>68e>a 7f 5815 :ilter 2 gy"e see :ilter ty"es b5 58127 :ilter 2 jut*++ 58127 b1 58127 :ilter 2 res*nance 58127 b2 58127 :ilter 2 drive 58127 ba 58127 :ilter 2 meytrack d 255o8 e1f7o b6 58127 :ilter 2 pnvq ac*unt ...
Page 105
A""e$%&' ()* +l-.El% 01er31 45$u5l () 7 )8(9: ;5&$ )8(9: (( ) )8(9: ; )8(9: (( ( )8(9: ;5&$ 9 )8(9: (( 9 )8(9: ; )8(9: (( )8(9: ;c a>>5@k )8(9: (( c )8(9: ;c de@5a )8(9: (( * )8(9: ;c su1>5&$ )8(9: (( e )8(9: ;c de@5a 9 )8(9: (( : )8(9: ;c su1>5&$ 9 )8(9: (( f )8(9: ;c rele51e )8(9: (( 7 - not used ...
Page 106
A""en%&' (lo+el% -.Er0. 12nu2l 156 glossary a"tertouch 7he 92:or&t @ener2t&n@ 2+tertou=h 9e..2@e.A on th&. T dhen %odnc 2 1ede a+tertou=h 9e..2@e &. @ener2te%a 7h&. +e2ture 92ke. .Oun%. Even 9ore e'"re..&ve hea@a throu@h v&?R2toia aliasin/ al&2.&n@ &. 2n 2u%&?Le .&%e e++e=t 2r&.&n@ &n %&@&t2l . 2. ....
Page 107
Appendi' 10* blofeld 0ser3s 4anual !L#pp#%& 7lipping is a sort of distortion that occurs when a signal e'ceeds its ma'imum value. @he curve of a clipped signal is dependent of the sastem where the clipping takes place. Cn the analog domain, clipping effectivela limits the signal to its ma'imum level...
Page 108
Appe$%&' (lo+el% -ser0s 1a$ual 456 o$l7 89ose +re:ue$;&es arou$% 89e ;u8o++ +re:ue$;7 8o pass a ?A$% s8op +&l8er %oes @us8 89e oppos&8ee> &8 %a=pe$s o$l7 89e +re:ue$;&es arou$% 89e ;u8o++ +re:ue$;7> a9e =os8 ;o==o$ 87pe &s 89e lob pass +&l8er> !Il$er (u$off !Re,uenc/ a9e +&l8er ;u8o++ +re:ue$;7 &s a...
Page 109
Appendi' 10* blofeld 0ser3s manual there is a rule 9hich is applied to ensure each device responds accordingl=> m"#" %h'nnel ?His is a ver= important element of most messages> a receiver can onl= respond to incoming messages if its receive channel is set to the same channel as the one the sender is ...
Page 110
Appendix blofeld user0s manual 110 trigger is terminated. :he release phase begins immediately after the trigger is terminated, regardless of the envelopeas current status. For instance, the release phase may be initiated during the attack phase. !Esonance resonance is an important filter parameter....
Page 111
Appendi' 111 blofeld .Ser1s manual dynamically, which results in the typical interesting sound transformations. >f the waves do not differ much, then the wavetable will probably sound smooth and pleasant. >f they have a completely different structure, this will result in wild spectral changes..
Page 112
!""endi' blo+eld,-ser0s,manual 445 eg konformitätserklärung declaration of conformity des,6erstellers,8, of the manufacturer- 9aldor+,music,; >eustrasse,45 ?@abc,9aldor+,8,;er eerantfortliche,herson,8, responsible person- ite+an,itenzel erkllrt,hier 4ill be hereby declared that the follo4ing named p...
Page 113
!""#$%&' (() *+,-#+%./0#120.34$54+ !6.(78(989::;.#141>#&?#?#.@&ab?+&$.9::;c(:dcef g51. E+#h?1,64i$#?&0ab#$. J#1?1ki+&abh#&?. L,$. %#1. E51,"k&0ab#$ m,66&00&,$.L#1n--#$?+&ab?.O!*8.P.)q:c9::;r8.S.#10#?G?.%.>&0b#1 i#+?#$%#.E3jt@&ab?+&$.Dqc))ucevf8 w6. X50466#$b4$i. 6&?. %#1. Y>#141>#&?5$i. I#+?#$. -,+i...
Page 114
!""#$%&' ()*+#)% -.#/0. 12$32) 445 fcc information (u.S.A.) 1. Important notice: do not modify this unit! 67&. "/*%389: ;7#$ &$.92))#% 2. &$%&829#% &$ 97# &$.9/389&*$. 8*$92&$#% &$ 97&. 12$32): > /#?3&/# #'"/#..)a 2""/*b#% ca d2)%*/+ ca 97# =>>: 9* 3.# 97&. "/*%389@ 2. Important: d7#$ 8*$$#89&$e 97&...
Page 115
!""#$%&' (() *+,-#+% /0#120 34$54+ product warranty 674$8 9,5 -,1 :7,,0&$; ? 4$% &0 %#0&;$#% b,c#a#1d c,18e4$07&" :4$$, 67&0 &0 c79 c# "1,a&%# 4$ #' 67&0 c4114$ c,18e4$07&" -,1 4 "#1&,% ,- ,$# 9#41 -1,e f51&$; :741;# -,1 e4 -,5$% -45+ h,5 e50 -&10 i1,%5: e4&+#% c& :741;#> 67# 5$& i+#40# &$:+5%# 4 %#...