Yamaha 01V Owner's Manual

Manual is about: Digital Mixing Console

Summary of 01V

  • Page 1

    Phant om +48v 2tr phones l r in level level gain 13/14 15/16 phones monit or out out monit or 2tr in 15/16 2tr in 13 14 15 16 7 26db 8 9 10 11 26db 12 digit al mixing console l stereo r clip –3 –6 –9 –12 –15 –18 –24 –30 –36 –42 –48 eq 1 return 2 high selected channel 1 return 2 hi-mid lo-mid low pan...

  • Page 2

    Nederland ● dit apparaat bevat een lithium batterij voor geheugen back-up. ● raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur afdankt of de volgende yamaha service afdeiing: yamaha music nederland service afdeiing kanaalwe...

  • Page 3: Important Information

    I 01v—owner’s manual important information read the following before operating the 01v warnings • do not locate the 01v in a place subject to excessive heat or in direct sunlight. This could be a fire hazard. • do not place the 01v in a place subject to excessive humidity or dust. This could be a fi...

  • Page 4: Interference

    Ii 01v—owner’s manual interference 01v uses high-frequency digital circuits that may cause interference on radios and tele- visions placed close to it. If interference does occur, relocate the affected equipment. Copyright © 1998 yamaha corporation. All rights reserved. No part of the 01v software o...

  • Page 5: III

    Contents iii 01v—owner’s manual contents 1 welcome to the 01v . . . . . . . . . . . . . . . . . . . . . . . . 1 welcome to the 01v . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 about this owner’s manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ....

  • Page 6

    Iv contents 01v—owner’s manual input channels & the omni outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 input channels & the option i/o outs . . . . . . . . . . . . . . . . . . . . . . . . . 50 swapping inputs 1–8 & 17–24 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ....

  • Page 7

    Contents v 01v—owner’s manual metering the stereo output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 routing signals to the stereo output . . . . . . . . . . . . . . . . . . . . . . . . . . 89 viewing stereo output settings . . . . . . . . . . . . . . . . . . . . . . . . ....

  • Page 8

    Vi contents 01v—owner’s manual 12 effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119 about the onboard effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 preset effects programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...

  • Page 9: Vii

    Contents vii 01v—owner’s manual editing scene memory titles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190 renumbering scene memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190 setting a fade time . . . . . . . . . . . . . . . . . . . . . . . . . . . ....

  • Page 10: Viii

    Viii contents 01v—owner’s manual security cover . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259 rack-mounting kit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259 appendix b: specifications . . . . . . . . . . . . . ....

  • Page 11: Welcome to The 01V

    Welcome to the 01v 1 01v—owner’s manual welcome to the 01v 1 in this chapter... Welcome to the 01v . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 about this owner’s manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ....

  • Page 12: Welcome to The 01V

    2 chapter 1—welcome to the 01v 01v—owner’s manual welcome to the 01v thank you for choosing the yamaha 01v digital mixing console. Based on the highly successful yamaha digital mixer series, the yamaha 01v has been designed with midi musicians and small sound reinforcement applications in mind, alth...

  • Page 13: 01V Features

    01v features 3 01v—owner’s manual 01v features 01v sonic specs • linear 20-bit 128-times oversampling a/d converters • linear 20-bit 8-times oversampling d/a converters (stereo out) • 105 db typical dynamic range (ch input to stereo out) • 20 hz–20 khz (+1, –3 db) frequency response • 32-bit interna...

  • Page 14: Key Feature Discussion

    4 chapter 1—welcome to the 01v 01v—owner’s manual key feature discussion configuration the 01v provides a total of 24 inputs: 12 mono input channels (1 through 12), 2 stereo input channels (13/14 and 15/16), and 8 digital inputs (17 through 24) by means of an option i/o card. The stereo output signa...

  • Page 15: 01V Sonic Performance

    Key feature discussion 5 01v—owner’s manual 01v sonic performance the 01v’s linear 20-bit 128-times oversampling a/d converters provide a typical dynamic range of 105 db. The stereo out features 20-bit 8-times oversampling d/a converters, while the monitor out and omni outs feature 18-bit 8-times ov...

  • Page 16: Onboard Effects Processors

    6 chapter 1—welcome to the 01v 01v—owner’s manual onboard effects processors the 01v has two stereo multi-effects processors onboard: effect 1 and effect 2. These processors provide a wide range of quality effects, including reverb, delay, chorus, flange, amp simulator, and more. There are 34 differ...

  • Page 17: Scene Memories

    Key feature discussion 7 01v—owner’s manual scene memories on many mixers, the only way to store mix settings is with marker pen and masking tape. With the 01v, however, virtually every mix setting can be stored in a mix scene using the 01v’s 99 scene memories. Mix scenes can be recalled instantly w...

  • Page 18

    8 chapter 1—welcome to the 01v 01v—owner’s manual.

  • Page 19: Getting Started

    Getting started 9 01v—owner’s manual getting started 2 in this chapter... 01v system example . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 important wordclock information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 connectin...

  • Page 20: 01V System Example

    10 chapter 2—getting started 01v—owner’s manual 01v system example this example shows the kind of system possible with the 01v. Phantom +48v off on phantom +48v input (bal) 2tr phones l r in level level gain 13/14 15/16 phones monitor out out monitor 2tr in 15/16 2tr in 13 14 15 16 26db 1 26db 2 26d...

  • Page 21: Connecting The Power Cord

    Important wordclock information 11 01v—owner’s manual important wordclock information unlike analog audio equipment, digital audio equipment must be wordclock synchro- nized when digital audio is transferred from one device to another. See “about word- clocks” on page 206 for more information. If th...

  • Page 22

    12 chapter 2—getting started 01v—owner’s manual.

  • Page 23: Touring The 01V

    Touring the 01v 13 01v—owner’s manual touring the 01v 3 in this chapter... Top panel controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 inputs & outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...

  • Page 24: Top Panel Controls

    14 chapter 3—touring the 01v 01v—owner’s manual top panel controls the individual sections of the 01v are explained on the following pages. Phantom +48v off on phantom +48v input (bal) 2tr phones l r in level level gain 13/14 15/16 phones monitor out out monitor 2tr in 15/16 2tr in 13 14 15 16 26db ...

  • Page 25: Analog Control Section

    Top panel controls 15 01v—owner’s manual analog control section a pad switches these switches are used to turn on and off the 26 db input pads. See “pad switches” on page 41 for more information. B 15/16–2tr in switch this switch is used to select the signal source for input channels 15 and 16: phon...

  • Page 26

    16 chapter 3—touring the 01v 01v—owner’s manual display, selected channel controls & meters a display this 320 x 80 dot lcd display provides clear indication of mix settings and operating status. As well as showing parameter values numerically, faders and rotary controls are represented graphically,...

  • Page 27: Function Buttons

    Top panel controls 17 01v—owner’s manual function buttons function buttons are used to access the following function pages. Related pages are grouped together and can be selected by repeatedly pressing a button. The name of the selected function and its page number appear in the top-left corner of t...

  • Page 28

    18 chapter 3—touring the 01v 01v—owner’s manual sel, solo, on buttons & faders a sel buttons the [sel] buttons are used to select channels for parameter editing: input channels 1 through 24, effects returns 1 and 2, aux sends 1 through 4, effects sends 1 and 2, and the stereo output. Press [sel] but...

  • Page 29

    Top panel controls 19 01v—owner’s manual put. Normally, [on] buttons 1 through 8 select channels 1 through 8. When the [option i/o] button is pressed, however, they select input channels 17 through 24, which are only available when an option i/o card is installed. See “on buttons” on page 34 for mor...

  • Page 30: Inputs & Outputs

    20 chapter 3—touring the 01v 01v—owner’s manual inputs & outputs input and output connectors are located on the top and rear panels. Top panel a input (bal) 1–12 input channels 1 through 12 feature balanced xlr-3-31-type and balanced phone jack connectors, both with a nominal input range of –60 db t...

  • Page 31

    Inputs & outputs 21 01v—owner’s manual c 2tr in these are phono jacks with a –10 dbv nominal input level. Signals input here can be monitored via the monitor out and phones when the monitor–2tr in switch is set to 2tr in. The stereo outputs of a master recorder can be con- nected here for confidence...

  • Page 32: Rear Panel

    22 chapter 3—touring the 01v 01v—owner’s manual rear panel a monitor out these are balanced 1/4-inch phone jacks with a +4 db nominal output level. Bal- anced or unbalanced phone plugs can be connected. They output the monitor sig- nals and should be connected to the inputs on a monitor amplifier. T...

  • Page 33

    Inputs & outputs 23 01v—owner’s manual d stereo out these are balanced xlr-3-32-type connectors with a +4 db nominal output level. They are wired pin 1–ground, pin 2–hot (+), and pin 3–cold (–). They output the main ste- reo mix. If you need to connect the balanced st out to an unbalanced phone jack...

  • Page 34: Block Diagram

    24 chapter 3—touring the 01v 01v—owner’s manual block diagram to monit o r lr moni stereo out listen listen listen listen 1-4 1-4 aux bus meter same as input 14 same as input 13 16 15 ad ha gain ad ha input (bal) on output select to 1-4 to s t 2tr out meter bus master fader aux master fader meter on...

  • Page 35

    Block diagram 25 01v—owner’s manual from moni from omni 1-4 out da delay bus 1 bus 4 aux 1 aux 4 ch 1 ch 2 ch 15 stereo l stereo r ch 16 from bus 1 bus 4 aux 1 aux 4 ch 1 ch 2 ch 15 stereo l stereo r ch 16 omni out select monit o r level level osc meter p an* *p an: individual/gang/inv . Gang moni t...

  • Page 36

    26 chapter 3—touring the 01v 01v—owner’s manual.

  • Page 37: In This Chapter...

    Getting around the user interface 27 01v—owner’s manual getting around the user interface 4 in this chapter... About the user interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ....

  • Page 38: About The User Interface

    28 chapter 4—getting around the user interface 01v—owner’s manual about the user interface thanks to a user-friendly interface, 01v operation is both logical and intuitive. The 320 x 80 dot lcd display provides clear indication of mix settings and operating status, while dedicated selected channel c...

  • Page 39

    Display 29 01v—owner’s manual memory —this area of the display shows the number and title of the selected scene memory, whether that scene memory is read only or write protected (indicated by the closed padlock icon), and whether or not the contents of the edit buffer have been edited. See “scene me...

  • Page 40: Display Elements

    30 chapter 4—getting around the user interface 01v—owner’s manual display elements this section explains the various control elements that appear on display pages. Switches switches appear as boxes with a shadowed outline (i.E., a thicker out- line on the right side and bottom). Simple on/off-type s...

  • Page 41: Cursor Buttons

    Cursor buttons 31 01v—owner’s manual cursor buttons the cursor buttons are used to move the cursor around the display pages, selecting parameters and options. The cursor appears as a flashing box, making it easy to see which parameter or option is currently selected. Holding down a cursor button mov...

  • Page 42: Fader Modes

    32 chapter 4—getting around the user interface 01v—owner’s manual fader modes the 01v [sel], [solo], and [on] buttons, channel faders, and stereo (master) fader are multifunction controls, and their exact operation depends on the selected fader mode. Operation of these controls is shown in the follo...

  • Page 43: Solo Buttons

    Fader modes 33 01v—owner’s manual channels 13 and 14 (likewise 15 and 16) are linked, the only time you’ll need to select these channels individually is to set the phase or pan. (if a fader mode other than option i/o or remote is selected, it’s not necessary to press the [home] button.) to select th...

  • Page 44: On Buttons

    34 chapter 4—getting around the user interface 01v—owner’s manual on buttons the [on] buttons are used to turn channels on or off. They work with the following channels: • ch1 through ch24 —input channels 1 through 24 • st —stereo output • rtn1, rtn2 —effects returns 1 and 2 • aux1 through aux4 —aux...

  • Page 45

    Fader modes 35 01v—owner’s manual to turn on or off the aux 1 send master, press the [aux 1] button, and then use the master [on] button. To turn on or off the effect 1 send master, press the [effect 1] button, and then use the master [on] button. Faders (plus return rotary controls) the faders are ...

  • Page 46

    36 chapter 4—getting around the user interface 01v—owner’s manual to adjust the aux 1 send level of input channel 13/14, press the [aux 1] button, and then operate fader 13/14. To adjust the aux 1 send level of input channel 20, use the [option i/o] button to locate option page 2, press [sel] button...

  • Page 47: Title Edit Dialog Box

    Title edit dialog box 37 01v—owner’s manual title edit dialog box the title edit dialog box is used to title mix scenes, eq programs, dynamics programs, and effects programs. Program titles can be up to 12 characters, scene memory titles up to 8 characters. 1. Use the cursor buttons to position the ...

  • Page 48

    38 chapter 4—getting around the user interface 01v—owner’s manual.

  • Page 49: Input Channels

    Input channels 39 01v—owner’s manual input channels 5 in this chapter... Input channel overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 phantom powering . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41...

  • Page 50: Input Channel Overview

    40 chapter 5—input channels 01v—owner’s manual input channel overview this section provides an overview of 01v input channels. Input channels 1–12 input channels 1 through 12 feature balanced xlr-3-31-type and balanced phone jack connectors, both with a nominal input range of –60 db to +10 db. Phant...

  • Page 51: Phantom Powering

    Phantom powering 41 01v—owner’s manual phantom powering input channels 1 through 12 feature +48 v phantom powering for use with condenser-type microphones. Phantom powering is supplied to the bal- anced xlr-3-31-type connector, and can be switched for inputs 1 through 6 and inputs 7 through 12. Phan...

  • Page 52: Changing The Input Phase

    42 chapter 5—input channels 01v—owner’s manual changing the input phase the phase switches, available on input channels 1 through 16, reverse the phase of input signals by 180 degrees. This can be used to compensate for incorrectly wired balanced cables and microphones. Also, when a snare drum is mi...

  • Page 53: For Input Channels 1–16

    Attenuating input channel signals 43 01v—owner’s manual attenuating input channel signals input channels 1 through 24 are fitted with digital attenuators, which can be used to attenuate input signals from 0 db to –96 db in 1 db steps. For input channels 1–16 1. Use the [eq/att] button to locate eq p...

  • Page 54

    44 chapter 5—input channels 01v—owner’s manual applying eq to input channels input channels 1 through 16 feature four-band parametric eq, while input channels 17 through 24 feature two-band parametric eq. See “eq” on page 61 for more informa- tion. Eq can be turned on or off and the eq curve viewed ...

  • Page 55: Delaying Channel Signals

    Delaying channel signals 45 01v—owner’s manual delaying channel signals the channel delays, available on input channels 1 through 16, can be used to compen- sate for microphone placement, or simply as delay effects. The delay parameters for input channels 1 through 8 are on delay page 2, while those...

  • Page 56: Muting Input Channels

    46 chapter 5—input channels 01v—owner’s manual muting input channels input channels can be turned on and off (i.E., muted) using the [on] buttons. When a channel is on, its [on] button lights up. To turn on or off an input channel from 1 through 16, select a fader mode other than option i/o or remot...

  • Page 57: Panning Input Channels

    Panning input channels 47 01v—owner’s manual panning input channels the panpots, available on input channels 1 through 24 (and the effects returns), are used to pan signals between the left and right channels of the stereo out, and the odd and even bus outs. Panpots can be adjusted using the selecte...

  • Page 58: Pan Modes

    48 chapter 5—input channels 01v—owner’s manual be located using the [option i/o] button. Panpots can also be adjusted on this page by using the cursor buttons to select the pan control and the parameter wheel or [–1/dec] and [+1/inc] buttons to set it. Including center, there are 33 pan positions. I...

  • Page 59: Routing Input Channels

    Routing input channels 49 01v—owner’s manual routing input channels the routing switches, available on input channels 1 through 24 (and the effects returns), are used to route signals to the four bus outs, stereo out, and direct outs. For input channels 1–16 & the effects returns 1. Use the [pan/rou...

  • Page 60: Monitoring Input Channels

    50 chapter 5—input channels 01v—owner’s manual shows how it works. The routing switches on input channels 13 and 14 (likewise 15 and 16) are perma- nently linked. When input channels 1 through 12 are paired (“pairing input channels” on page 52), their routing switches are not linked. Monitoring inpu...

  • Page 61

    Swapping inputs 1–8 & 17–24 51 01v—owner’s manual swapping inputs 1–8 & 17–24 the inputs to channels 1 through 8 can be swapped with those of input channels 17 through 24 either individually or altogether. This allows signals from the option i/o digital inputs to make use of the 4-band eq, dynamics ...

  • Page 62: Pairing Input Channels

    52 chapter 5—input channels 01v—owner’s manual pairing input channels input channels 1 through 12 can be paired together for stereo signal processing. Adja- cent odd and even input channels can be paired together (i.E., 1/2, 3/4, 5/6, not 2/3 or 4/5). The following parameters are linked when channel...

  • Page 63

    Pairing input channels 53 01v—owner’s manual releasing input channel pairs 1. Press the [sel] button of both input channels simultaneously. Or on setup page 4, use the cursor buttons to select the paired channel switch, and then press the [enter] button. The following dialog box appears. 2. Select o...

  • Page 64

    54 chapter 5—input channels 01v—owner’s manual input channel pair block diagram delay meter delay meter ch input 2, 4...12 (even channels) ch input 1, 3...1 1 (odd channels) at t *p an: individual/gang/inv . Gang p an* on unchanged unchanged 1234 bus 4 3 2 12 1 aux e ff st lr dynamics 4-band peq dyn...

  • Page 65: Grouping Faders

    Grouping faders 55 01v—owner’s manual grouping faders input channel faders 1 through 16 can be grouped together in fader groups for multi-channel control using a single fader. Three groups are available: a, b, and c. Making fader groups 1. Use the [setup] button to locate setup page 3, as shown belo...

  • Page 66: Grouping Mutes

    56 chapter 5—input channels 01v—owner’s manual grouping mutes input channel [on] buttons 1 through 16 can be grouped together in mute groups for multi-channel control using a single button. Three groups are available: d, e, and f. Mute groups may contain on channels and off channels, making it easy ...

  • Page 67: Input Channels 1–16

    Viewing input channel settings 57 01v—owner’s manual viewing input channel settings settings for input channels 1 through 16 can be viewed, and certain parameters adjusted on view pages 1 and 2. Settings for input channels 17 through 24 can be viewed and adjusted on option page 2. Input channels 1–1...

  • Page 68: Input Channels 17–24

    58 chapter 5—input channels 01v—owner’s manual input channels 17–24 1. Use the [option i/o] button to locate option page 2, as shown below. 2. Use [sel] buttons 17 through 24 to select channels. 3. Use the cursor buttons to select the parameters, and the parameter wheel, [–1/dec], [+1/inc], and [ent...

  • Page 69

    Copying & swapping channel settings 59 01v—owner’s manual copying & swapping channel settings the channel copy function is used to copy input channel settings from one channel to another. The channel swap function is used to swap input channel settings between channels. Copy and swap can be used wit...

  • Page 70: Input Channel Block Diagram

    60 chapter 5—input channels 01v—owner’s manual input channel block diagram meter same as input 14 same as input 13 16 15 ad ha gain ad ha input (bal) output select to input (bal) 1-12 pad pad 14 13 7-12 1-6, to (bal) input to select output pan* *pan: individual/gang/inv. Gang att att meter on/off fl...

  • Page 71: In This Chapter...

    Eq 61 01v—owner’s manual eq 6 in this chapter... About the 01v eq . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 adjusting the eq . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 eq specs . . . ...

  • Page 72: About The 01V Eq

    62 chapter 6—eq 01v—owner’s manual about the 01v eq input channels 1 through 16, the effects returns, aux sends, and stereo out all feature four-band parametric eq, with variable gain, frequency, q, and on/off parameters. Input channels 17 through 24 feature a simplified two-band parametric eq. See ...

  • Page 73: Adjusting The Eq

    Adjusting the eq 63 01v—owner’s manual adjusting the eq eq can be adjusted using the selected channel controls, the quickest method, or the eq pages in conjunction with the cursor buttons, [–/dec] and [+/inc] buttons, and parameter wheel. For input channels 1–16 1. Use [sel] buttons 1 through 16 to ...

  • Page 74: For Effects Returns 1 & 2

    64 chapter 6—eq 01v—owner’s manual the eq can also be adjusted on this page by using the cursor buttons to select param- eters and the parameter wheel or [–1/dec] and [+1/inc] buttons to set them. For effects returns 1 & 2 1. Use the effects returns [sel] buttons to select effects returns 1 and 2. 2...

  • Page 75: For The Stereo Output

    Adjusting the eq 65 01v—owner’s manual for the stereo output 1. Press the [home] button. 2. Press the master [sel] button. St is the selected channel. 3. Use the [high], [hi-mid], [lo-mid], and [low] buttons to select eq bands, and the f and g controls to adjust the frequency and gain, respec- tivel...

  • Page 76: Eq Specs

    66 chapter 6—eq 01v—owner’s manual eq specs the following table contains the eq specs. Bypassing the eq the selected channel’s eq can be turned on or off using the eq on switch on the eq page (option page 2 for channels 17 through 24), or the [enter] button. While the eq page is displayed, the [ente...

  • Page 77: Eq Library

    Eq library 67 01v—owner’s manual eq library eq settings can be stored as programs in the eq library, which contains 40 preset pro- grams (1–40) and 40 user programs (41–80). User programs allow you to store fre- quently used eq settings, and they can be titled for easy identification. The eq library...

  • Page 78: Storing Eq Programs

    68 chapter 6—eq 01v—owner’s manual storing eq programs eq programs are stored on the eq library page. You can store eq settings to user pro- grams 41 to 80. Preset programs 1 through 40 are read only. 1. Use the [eq/att] button to locate the eq library page shown below. 2. Use the [sel] buttons to s...

  • Page 79: Recalling Eq Programs

    Recalling eq programs 69 01v—owner’s manual recalling eq programs eq programs are recalled on the eq library page. You can recall any one of the 40 pre- set and 40 user programs. 1. Use the [eq/att] button to locate the eq library page shown below. 2. Use the [sel] buttons to select the channel to w...

  • Page 80: Editing Eq Program Titles

    70 chapter 6—eq 01v—owner’s manual editing eq program titles the titles of stored eq programs can be edited using the title edit function. 1. Use the [eq/att] button to locate the eq library page shown below. 2. Use the parameter wheel to select programs. 3. Use the cursor buttons to select title ed...

  • Page 81: Preset Eq Program Parameters

    Preset eq program parameters 71 01v—owner’s manual preset eq program parameters # title parameter description low l-mid h-mid high 01 bass drum 1 peaking peaking peaking h.Shelf emphasizes the low range of a bass drum and the attack created by the beater. G +3.5 db –3.5 db 0.0 db +4.0 db f 99 hz 265...

  • Page 82

    72 chapter 6—eq 01v—owner’s manual 11 syn.Bass 1 peaking peaking peaking h.Shelf use on a synth bass with emphasized low range. G +3.5 db +8.5 db 0.0 db 0.0 db f 83 hz 944 hz 4.00 khz 12.6 khz q 0.1 8 4.5 — 12 syn.Bass 2 peaking peaking peaking h.Shelf emphasizes the attack that is peculiar to a syn...

  • Page 83

    Preset eq program parameters 73 01v—owner’s manual 21 a.G.Stroke 2 l.Shelf peaking peaking h.Shelf a variation on program 20. You can also use it with a gutsy guitar sound. G –3.5 db –2.0 db 0.0 db +2.0 db f 297 hz 749 hz 2.00 khz 3.56 khz q — 9 4.5 — 22 a.G.Arpeg. 1 l.Shelf peaking peaking peaking ...

  • Page 84

    74 chapter 6—eq 01v—owner’s manual 31 total eq 2 peaking peaking peaking h.Shelf a variation on program 30. G +4.0 db +1.5 db +2.0 db +6.0 db f 94 hz 749 hz 1.78 khz 17.9 khz q 7 2.8 5.6 — 32 total eq 3 l.Shelf peaking peaking h.Shelf a variation on program 30. Can also be used with stereo inputs or...

  • Page 85: Solo, Monitors & Meters

    Solo, monitors & meters 75 01v—owner’s manual solo, monitors & meters 7 in this chapter... About monitor & solo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 monitor outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ....

  • Page 86: About Monitor & Solo

    76 chapter 7—solo, monitors & meters 01v—owner’s manual about monitor & solo flexible monitoring and solo functions mean the 01v can be used in a wide range of applications. All inputs and outputs can be monitored pre or post fader via the monitor out or phones. Recording solo and mixdown solo modes...

  • Page 87: Monitor Outputs

    Monitor outputs 77 01v—owner’s manual monitor outputs monitor and solo signals are output via the monitor out and phones connections. Make sure the monitor–2tr in switch is set to monitor for monitoring. See “two-track input (2tr in)” on page 77 for more information. Monitor signals are converted to...

  • Page 88: Monitor Setup

    78 chapter 7—solo, monitors & meters 01v—owner’s manual monitor setup the signal source for the monitor out and phones is selected using the monitor setup parameters on setup page 2. Selectable sources are: the stereo output, stereo cascade in, aux sends 1 through 4, or bus outs 1 through 4. Since t...

  • Page 89: Monitor Block Diagram

    Monitor block diagram 79 01v—owner’s manual monitor block diagram from l r moni stereo out listen listen listen listen 1-4 1-4 aux bus output select to 1-4 1-4 2tr out meter bus master fader aux master fader meter on 1-4 to select output output digital stereo in select to meter st cascade in on on m...

  • Page 90: Solo Setup

    80 chapter 7—solo, monitors & meters 01v—owner’s manual solo setup the solo function, available on input channels 1 through 24 and the effects returns, is used to monitor channels individually. Two solo modes are available: recording solo and mixdown solo. These and configured using the solo setup p...

  • Page 91: Using Solo

    Using solo 81 01v—owner’s manual using solo input channels 1 through 24 and the effects returns can be soloed as follows. 1. Connect a monitoring system (amp, speakers) to the monitor out. 2. Make sure that the monitor–2tr in switch is set to monitor. 3. Set the monitor out level control midway. If ...

  • Page 92: Solo Block Diagram

    82 chapter 7—solo, monitors & meters 01v—owner’s manual solo block diagram input channels 1 through 24 and eff ects retur ns that are tur ned off are tempor ar ily tur ned on when soloed (solo saf e channels are unaff ected). Input channels 1 through 24 and the eff ects retur ns can be soloed. The s...

  • Page 93: Metering Signal Levels

    Metering signal levels 83 01v—owner’s manual metering signal levels signal level meters for input channels 1 through 16, the effects returns, aux sends, bus outs, omni outs, and stereo output are provided on the home pages. The signal source points for input and output meters can be set on home page...

  • Page 94: Omni Outs

    84 chapter 7—solo, monitors & meters 01v—owner’s manual omni outs home page 3 displays signal level meters for the four omni outs. The source assigned to an omni out is displayed below its meters. These assignments are made on pan/rout page 4. See “assigning omni outs” on page 116 for more informati...

  • Page 95: Setting The Metering Point

    Setting the metering point 85 01v—owner’s manual setting the metering point the metering points for input channels 1 through 16 and the effects returns can be set to either pre eq or pre fader. For the stereo output, aux send, and bus out meters it can be set to either post eq or post on. These sett...

  • Page 96: Effects Send Meters

    86 chapter 7—solo, monitors & meters 01v—owner’s manual effects send meters signal level meters for effects sends 1 and 2 are displayed on the view pages. 1. Use the [effect 1] or [effect 2] button to select an effects send, and then press the master [sel] button. Eff1 or eff2 appears on the display...

  • Page 97: Stereo Output

    Stereo output 87 01v—owner’s manual stereo output 8 in this chapter... About the stereo output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 analog stereo output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88 2t...

  • Page 98: About The Stereo Output

    88 chapter 8—stereo output 01v—owner’s manual about the stereo output the stereo output features four-band parametric eq, a dynamics processor, balance control, and variable output delay of up to 300 milliseconds. The stereo signal is output via analog xlr-type connectors, analog 2tr out connectors,...

  • Page 99: Metering The Stereo Output

    Metering the stereo output 89 01v—owner’s manual metering the stereo output stereo output signal levels can be metered using the l stereo r meters or home page 4 meters. See “metering signal levels” on page 83 for more information. Routing signals to the stereo output input channels 1 through 24 and...

  • Page 100: Muting The Stereo Output

    90 chapter 8—stereo output 01v—owner’s manual setting the stereo output level the stereo output level is controlled using the stereo fader. Since this fader is also used to control the aux and effects send master levels, you may need to press the [home] button before adjusting the stereo output leve...

  • Page 101: Stereo Output Delay

    Stereo output delay 91 01v—owner’s manual stereo output delay the left and right channels of the stereo output can be delayed individually by up to 300 milliseconds. This can be used to compensate for delays in multi-speaker sound reinforcement systems. 1. Use the [ ∅ /delay] button to locate delay ...

  • Page 102: Stereo Output Block Diagram

    92 chapter 8—stereo output 01v—owner’s manual stereo output block diagram l r moni stereo out listen output select to 2tr out on meter balance l r r l st dither r l st da dynamics delay dynamics delay da 4-band peq 4-band peq eff aux 1 2 1 2 3 4 bus 4 3 2 1 out out stereo stereo digital meter.

  • Page 103: Aux Sends

    Aux sends 93 01v—owner’s manual aux sends 9 in this chapter... About the aux sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94 option i/o & the aux sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94 omni outs & ...

  • Page 104: About The Aux Sends

    94 chapter 9—aux sends 01v—owner’s manual about the aux sends the 01v’s four aux sends, which can be used individually or in stereo pairs, feature four-band parametric eq and dynamics processors. Signals from input channels 1 through 16 and the effects returns can be sent to aux sends 1 through 4, w...

  • Page 105: For Input Channels 1–16

    Sending channel signals to aux sends 95 01v—owner’s manual sending channel signals to aux sends signals from input channels 1 through 16 and the effects returns can be sent to aux sends 1 through 4, while those from input channels 17 through 24 can be sent to aux sends 1 and 2. For input channels 1–...

  • Page 106: For Effects Returns 1 & 2

    96 chapter 9—aux sends 01v—owner’s manual for effects returns 1 & 2 1. Use the [aux] buttons to select an aux send. The effects returns rotary controls now function as effects returns aux send controls for the selected aux send, and an aux page similar to the one shown below appears. 2. Turn up the ...

  • Page 107: For Input Channels 17–24

    Pre-fader/post-fader aux sends 97 01v—owner’s manual pre-fader/post-fader aux sends the aux sends on input channels 1 through 24 and the effects returns can be configured individually as pre-fader or post-fader sends. Pre-fader means that signals are sourced before, and are not affected by the regul...

  • Page 108: Viewing Aux Send Settings

    98 chapter 9—aux sends 01v—owner’s manual viewing aux send settings settings for the aux sends can be viewed, and certain parameters adjusted on view pages 1 and 2. 1. Use the [aux] buttons to select an aux send, and then press the master [sel] button. Aux appears on the display, indicating that an ...

  • Page 109

    Setting aux send master levels 99 01v—owner’s manual setting aux send master levels aux send master levels are controlled using the master fader. The function of this fader depends on the selected fader mode. See “fad- ers (plus return rotary controls)” on page 35 for more information. 1. Use the [a...

  • Page 110: 100

    100 chapter 9—aux sends 01v—owner’s manual muting aux sends aux send masters can be muted using the master [on] button, which lights up when an aux send is on. The function of this button depends on the selected fader mode. See “on buttons” on page 34 for more informa- tion. 1. Use the [aux] buttons...

  • Page 111: 101

    Pairing aux sends 101 01v—owner’s manual pairing aux sends aux sends 1 and 2 and aux sends 3 and 4 can be paired together for stereo signal pro- cessing. When paired, the eq, dynamics, master faders, on buttons, and monitors of each aux send are set the same and linked for simultaneous control. In a...

  • Page 112: 102

    102 chapter 9—aux sends 01v—owner’s manual panning channel aux sends 1. Use the [aux 1] or [aux 2] button to locate the aux 1–2 pan page, or the [aux 3] or [aux 4] button to locate the aux 3–4 pan page. When aux sends are not paired, the aux pan pages are empty, as shown below. When aux sends are pa...

  • Page 113: 103

    Pairing aux sends 103 01v—owner’s manual setting the controls to positions in between these two extremes allows you to set the width of the stereo signal. To maintain a central balance, however, you must set both controls to corresponding values. For example, l8 and r8, or l10 and r10..

  • Page 114: 104

    104 chapter 9—aux sends 01v—owner’s manual aux send block diagram to monitor l r moni listen aux 1 aux 1 aux 1 master fader output select to meter on meter r l st dynamics 4-band peq meter listen aux 2 aux 2 aux 2 master fader output select to meter on meter dynamics 4-band peq meter listen aux 3 au...

  • Page 115: 105

    Stereo pair aux send block diagram 105 01v—owner’s manual stereo pair aux send block diagram unchanged unchanged eff1, 2 ch input 14, 16 ch input 13, 15 4-band peq peq 4-band p an* on unchanged unchanged unchanged dela y dela y dela y unchanged on p an* aux 2 aux 1 aux 2 aux 1 ch input 1-12 r l st e...

  • Page 116: 106

    106 chapter 9—aux sends 01v—owner’s manual.

  • Page 117: 107

    Bus outs 107 01v—owner’s manual bus outs 10 in this chapter... About the bus outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 option i/o & the bus outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 omni outs & ...

  • Page 118: 108

    108 chapter 10—bus outs 01v—owner’s manual about the bus outs the 01v’s four bus outs can be used individually or in stereo pairs. Signals from input channels 1 through 24 and the effects returns can be routed to bus outs 1 through 4. See “routing input channels” on page 49 for more information. The...

  • Page 119: 109

    Setting bus out master levels 109 01v—owner’s manual setting bus out master levels bus out master levels are controlled using the virtual faders on pan/rout page 3. 1. Use the [pan/routing] button to locate pan/rout page 3, a shown below. 2. Use the cursor buttons to select the bus out master faders...

  • Page 120: 110

    110 chapter 10—bus outs 01v—owner’s manual routing bus signals to the stereo bus the bus outs can be routed to the stereo bus and used as sub-groups during mixdown. Initially odd bus outs are panned to the left and even bus outs to right. 1. Use the [pan/routing] button to locate pan/rout page 3, a ...

  • Page 121: 111

    Pairing bus outs 111 01v—owner’s manual pairing bus outs bus outs 1 and 2 and bus outs 3 and 4 can be paired together for stereo signal process- ing. When paired, the master faders and on buttons are linked for simultaneous con- trol. Making bus out pairs 1. Use the [setup] button to locate setup pa...

  • Page 122: 112

    112 chapter 10—bus outs 01v—owner’s manual bus out block diagram listen bus 1 meter bus 1 master fader meter on bus 1 to st to select output r l st pan listen bus 2 meter bus 2 master fader meter on bus 2 to st to select output pan listen bus 3 meter bus 3 master fader meter on bus 3 to st to select...

  • Page 123: 113

    Stereo pair bus out block diagram 113 01v—owner’s manual stereo pair bus out block diagram meter pan pan to st on listen listen to st bus 2 bus 1 meter meter meter bus 1 unchanged bus 2 unchanged 1 2 3 4 bus 4 3 2 1 2 1 aux eff st l r bus 1 master fader bus 2 master fader meter pan pan to st on list...

  • Page 124: 114

    114 chapter 10—bus outs 01v—owner’s manual.

  • Page 125: 115

    Omni outs 115 01v—owner’s manual omni outs 11 in this chapter... About the omni outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116 omni outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116 a...

  • Page 126: 116

    116 chapter 11—omni outs 01v—owner’s manual about the omni outs the 01v’s four omni outs can be used as aux send outputs, bus out outputs, additional stereo outputs, or post-fader direct outputs for input channels 1 through 16. Each omni out features a variable output delay of up to 300 milliseconds...

  • Page 127: 117

    Omni out delay 117 01v—owner’s manual omni out delay the omni outs can be delayed individually by up to 300 milliseconds. This can be used to compensate for delays in multi-speaker sound reinforcement systems. 1. Use the [ ∅ /delay] button to locate delay page 4, as shown below. 2. Use the cursor bu...

  • Page 128: 118

    118 chapter 11—omni outs 01v—owner’s manual omni out block diagram from omni 1-4 out da delay bus 1 bus 4 aux 1 aux 4 ch 1 ch 2 ch 15 stereo l stereo r ch 16 omni out select.

  • Page 129: 119

    Effects 119 01v—owner’s manual effects 12 in this chapter... About the onboard effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 preset effects programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121 using the effec...

  • Page 130: 120

    120 chapter 12—effects 01v—owner’s manual about the onboard effects the 01v’s two onboard stereo multi-effects processors, effect 1 and effect 2, provide a wide range of high-quality effects, including reverb, delay, chorus, flange, amp simula- tor, and freeze. There are 42 different types of effect...

  • Page 131: 121

    Preset effects programs 121 01v—owner’s manual preset effects programs the following table lists the preset effects programs. See “effects parameters” on page 138 for detailed parameter information. Effects programs that use the hq. Pitch or freeze type effects can be used only with effect 2. Reverb...

  • Page 132: 122

    122 chapter 12—effects 01v—owner’s manual guitar effects dynamic effects combined effects other effects 22 ring mod. Ring mod. An effect that modifies the pitch by applying amplitude modulation to the frequency of the input. On the 01v, even the modulation frequency can be controlled by modulation. ...

  • Page 133: 123

    Using the effects 123 01v—owner’s manual using the effects there are two stages to applying effects: 1) sending the input channel signal to an effects processor. 2) returning the processed signal back into the mix. The following three sec- tions explain how to send signals from input channels 1 thro...

  • Page 134: 124

    124 chapter 12—effects 01v—owner’s manual 4. Use the cursor buttons to select an effect fader, and the parameter wheel or [–1/dec] and [+1/inc] buttons to set the effects send level. For effects returns 1 & 2 to prevent signal loops, effects return 1 can be fed only to effect 2, and effects return 2...

  • Page 135: 125

    Pre-fader/post-fader effects sends 125 01v—owner’s manual pre-fader/post-fader effects sends effects sends on input channels 1 through 24 and effects returns 1 and 2 can be config- ured as either pre-fader or post-fader sends. Pre-fader means that signals are sourced before, and are not affected by ...

  • Page 136: 126

    126 chapter 12—effects 01v—owner’s manual for input channels 17–24 1. Use the [option i/o] button to locate option page 2, as shown below. 2. Use [sel] buttons 17 through 24 to select channels. 3. Use the cursor buttons to select the effect pre/post switches, and the parameter wheel or [–1/dec] and ...

  • Page 137: 127

    Viewing effects send settings 127 01v—owner’s manual viewing effects send settings settings for the effects sends can be viewed, and certain parameters adjusted on view pages 1 and 2. 1. Use the [effect 1] or [effect 2] button to select an effects send, and then press the master [sel] button. Eff1 o...

  • Page 138: 128

    128 chapter 12—effects 01v—owner’s manual setting effects send master levels effects send master levels are controlled using the master fader. The function of this fader depends on the selected fader mode. See “fad- ers (plus return rotary controls)” on page 35 for more information. 1. Use the [effe...

  • Page 139: 129

    Muting effects sends 129 01v—owner’s manual muting effects sends effects send masters can be muted using the master [on] button, which lights up when an effects send is on. The function of this button depends on the selected fader mode. See “on buttons” on page 34 for more infor- mation. 1. Use the ...

  • Page 140: 130

    130 chapter 12—effects 01v—owner’s manual viewing effects returns settings settings for the effects returns can be viewed, and certain parameters adjusted on view pages 1 and 2. 1. Use the effects returns [sel] button to select an effects returns. Rtn1 or rtn2 appears on the display, indicating that...

  • Page 141: 131

    Setting effects returns levels 131 01v—owner’s manual setting effects returns levels effects return levels are controlled using the effects return rotary controls. To adjust the level of an effects return, press the [home] but- ton, and then use the rotary controls. Rotary control operation depends ...

  • Page 142: 132

    132 chapter 12—effects 01v—owner’s manual effects library effects settings are stored as programs in the effects library, which contains 42 preset programs (1–42) and 57 user programs (43–99). User programs are used to store cus- tom effects settings, which can be titled for easy identification. The...

  • Page 143: 133

    Storing effects programs 133 01v—owner’s manual storing effects programs custom effects settings can be stored in user programs 43 through 99. 1. Use the [effect 1] or [effect 2] button to locate the library page, as shown below. To store the effects settings of effect 1, use the [effect 1] button t...

  • Page 144: 134

    134 chapter 12—effects 01v—owner’s manual recalling effects programs effects programs 1 through 99 can be recalled. Programs that use the hq. Pitch or freeze effects can be recalled only to effect 2. 1. Use the [effect 1] or [effect 2] button to locate the library page, as shown below. To recall an ...

  • Page 145: 135

    Editing effects program titles 135 01v—owner’s manual editing effects program titles user program titles can be edited using the title edit function. 1. Use the [effect 1] or [effect 2] button to locate the library page, as shown below. 2. Use the parameter wheel or [–1/dec] and [+1/inc] buttons to ...

  • Page 146: 136

    136 chapter 12—effects 01v—owner’s manual editing effects effects programs can be edited, and then stored as user programs. 1. Press the [effect 1] or [effect 2] button to locate effect1 page 1 or effect2 page 1, depending on which effect you want to edit. Effect1 page 1 is shown below. 2. Use the c...

  • Page 147: 137

    Setting delay, freq, note & tempo parameters 137 01v—owner’s manual setting delay, freq, note & tempo parameters delay parameters can be set manually by entering the delay time in milliseconds, or automatically by entering the note and tempo parameters. For example, with the tempo set to 120 beats p...

  • Page 148: 138

    138 chapter 12—effects 01v—owner’s manual effects parameters reverb hall, reverb room, reverb stage, reverb plate hall, room, stage, and plate simulations, all with gates. Early ref. Early reflections. 1. 0.02 ms–2.13 s (fs=44.1 khz), 0.02 ms–1.96 s (fs=48 khz) 2. 6.0 ms–46.0 s (fs=44.1 khz), 5.0 ms...

  • Page 149: 139

    Effects parameters 139 01v—owner’s manual gate reverb, reverse gate early reflections with gate, and early reflections with reverse gate. Mono delay basic repeat delay. 1. (maximum value depends on the tempo setting) 2. For more information about the delay, note, and tempo parameters, see “setting d...

  • Page 150: 140

    140 chapter 12—effects 01v—owner’s manual stereo delay basic stereo delay. Mod.Delay basic repeat delay with modulation. 1. (maximum value depends on the tempo setting) 2. For more information about the delay, note, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137...

  • Page 151: 141

    Effects parameters 141 01v—owner’s manual delay lcr three-tap delay (left, center, right). 1. (maximum value depends on the tempo setting) 2. For more information about the delay, note, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137. Parameter range description ...

  • Page 152: 142

    142 chapter 12—effects 01v—owner’s manual echo stereo delay with crossed feedback loop. Chorus chorus effect. 1. (maximum value depends on the tempo setting) 2. For more information about the delay, note, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137. 1. 2. For...

  • Page 153: 143

    Effects parameters 143 01v—owner’s manual flange flange effect. Symphonic symphonic efect. Phaser 16-stage phaser. 1. 2. For more information about the freq., note, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137. 1. 2. For more information about the freq., note,...

  • Page 154: 144

    144 chapter 12—effects 01v—owner’s manual autopan auto-panner. Tremolo tremolo effect . Hq.Pitch (effect 2 only) high-quality pitch shifter. 1. 2. Lr, l—>r, l 3. For more information about the freq., note, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137. 1. 2. Fo...

  • Page 155: 145

    Effects parameters 145 01v—owner’s manual dual pitch twin-voice pitch shifter. Rotary rotary speaker simulator. 1. (maximum value depends on the tempo setting) 2. For more information about the delay, note, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137. Paramet...

  • Page 156: 146

    146 chapter 12—effects 01v—owner’s manual ring mod. Ring modulator. Mod.Filter lfo modulation-type filter. Distortion distortion effect. 1. 2. For more information about the fm freq., note fm, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137. 1. 2. For more inform...

  • Page 157: 147

    Effects parameters 147 01v—owner’s manual amp simulate guitar amp simulator. Dyna.Filter dynamically controlled filter. Dyna.Flange dynamically controlled flanger. 1. Stk-m1, stk-m2, thrash, midbst, cmb-pg, cmb-vr, cmb-dx, cmb-tw, mini, flat 1. 6.0 ms–46.0 s (fs=44.1 khz), 5.0 ms–42.3 s (fs=48 khz) ...

  • Page 158: 148

    148 chapter 12—effects 01v—owner’s manual dyna.Phaser dynamically controlled phaser. Rev+chorus reverb and chorus effects in parallel. 1. 6.0 ms–46.0 s (fs=44.1 khz), 5.0 ms–42.3 s (fs=48khz) 1. 2. For more information about the freq., note, and tempo parameters, see “setting delay, freq, note & tem...

  • Page 159: 149

    Effects parameters 149 01v—owner’s manual rev->chorus reverb and chorus effects in series. Rev+flange reverb and flanger effects in parallel. 1. 2. For more information about the freq., note, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137. 1. 2. For more informa...

  • Page 160: 150

    150 chapter 12—effects 01v—owner’s manual rev->flange reverb and flanger effects in series. Rev+sympho. Reverb and symphonic effects in parallel. 1. 2. For more information about the freq., note, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137. 1. 2. For more inf...

  • Page 161: 151

    Effects parameters 151 01v—owner’s manual rev->sympho. Reverb and symphonic effects in series. Rev->pan reverb and auto-pan effects in parallel. 1. 2. For more information about the freq., note, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137. 1. 2. Lr, l—>r, l 3...

  • Page 162: 152

    152 chapter 12—effects 01v—owner’s manual delay+er. Delay and early reflections effects in parallel. 1. (maximum value depends on the tempo setting) 2. For more information about the delay, note, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137. Parameter range de...

  • Page 163: 153

    Effects parameters 153 01v—owner’s manual delay->er. Delay and early reflections effects in series. 1. (maximum value depends on the tempo setting) 2. For more information about the delay, note, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137. Parameter range des...

  • Page 164: 154

    154 chapter 12—effects 01v—owner’s manual delay+rev delay and reverb effects in parallel. 1. (maximum value depends on the tempo setting) 2. For more information about the delay, note, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137. Parameter range description d...

  • Page 165: 155

    Effects parameters 155 01v—owner’s manual delay->rev delay and reverb effects in series. 1. (maximum value depends on the tempo setting) 2. For more information about the delay, note, and tempo parameters, see “setting delay, freq, note & tempo parameters” on page 137. Parameter range description de...

  • Page 166: 156

    156 chapter 12—effects 01v—owner’s manual dist->delay distortion and delay effects in series. Multi filter three-band parallel filter (24 db/octave) 1. (maximum value depends on the tempo setting) 2. 3. For more information about the delay, note, and tempo parameters, see “setting delay, freq, note ...

  • Page 167: 157

    Effects parameters 157 01v—owner’s manual freeze (effect 2 only) basic sampler with 2.9 second memory. To record and playback a sample 1. Send a channel signal to effect 2, and then recall the freeze effect. See “using the effects” on page 123 and “recalling effects programs” on page 134. 2. Use the...

  • Page 168: 158

    158 chapter 12—effects 01v—owner’s manual 4. Select the (play) switch, and press the [enter] button to start recording. The bar below the rec and play switches fills up as recording progresses. With the rec mode is set to input, recording starts automatically when an input signal exceeds the trg lvl...

  • Page 169: 159

    Effects block diagram 159 01v—owner’s manual effects block diagram meter pan* *pan: individual/gang/inv. Gang on eff rtn 1 rotary effect send 1 master fader effect send 2 master fader aux1 aux2 aux3 aux4 eff2 aux/eff pre/post internal effect 1 meter 4-band peq 4-band peq meter pan* on eff rtn 2 rota...

  • Page 170: 160

    160 chapter 12—effects 01v—owner’s manual.

  • Page 171: 161

    Dynamics processors 161 01v—owner’s manual dynamics processors 13 in this chapter... About the dynamics processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 162 preset dynamics programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 ...

  • Page 172: 162

    162 chapter 13—dynamics processors 01v—owner’s manual about the dynamics processors input channels 1 through 16, the aux sends, and the stereo output all feature powerful dynamics processors, offering compressor, limiter, gate, ducker, and compander func- tions. See the “block diagram” on page 24 fo...

  • Page 173: 163

    Preset dynamics programs 163 01v—owner’s manual preset dynamics programs the following table lists the preset dynamics programs. See “preset dynamics program settings” on page 177 for detailed parameter information. No. Title type no. Title type 01 comp comp 21 e.Guitar comp 02 gate gate 22 a.Guitar...

  • Page 174: 164

    164 chapter 13—dynamics processors 01v—owner’s manual using the dynamics processors input channels 1 through 16, the aux sends, and the stereo output all feature dynamics processors. To recall a program from the dynamics library, see “recalling dynamics programs” on page 175. To edit a dynamics proc...

  • Page 175: 165

    Using the dynamics processors 165 01v—owner’s manual 4. Use the cursor buttons to select the parameters, and the parameter wheel or [–1/dec] and [+1/inc] buttons to set them. When aux sends are paired (“making aux send pairs” on page 101), their dynamics processors are linked. For the stereo output ...

  • Page 176: 166

    166 chapter 13—dynamics processors 01v—owner’s manual editing the dynamics processors dynamics processors are edited on the dynamics page 1, as shown below. 1. Use the [dynamics] button to locate dynamics page 1, as shown below. 2. Use [sel] buttons 1 through 16 and master to select channels. 3. Use...

  • Page 177: 167

    Processor types 167 01v—owner’s manual processor types dynamics processors are generally used to correct or control signal levels, although they can also be used creatively to shape a sound’s volume envelope. The following sec- tions explain the comp, gate, ducking, expand, compander-(h), and compan...

  • Page 178: 168

    168 chapter 13—dynamics processors 01v—owner’s manual threshold —this determines the level of input signal required to trigger the com- pressor. Signals at a level below the threshold pass through the compressor unaffected. Signals at and above the threshold level are compressed by the amount specif...

  • Page 179: 169

    Processor types 169 01v—owner’s manual threshold —this determines the level at which the gate closes, cutting off the sig- nal. Signals above the threshold level pass through unaffected. Signals at or below the threshold, however, cause the gate to close. The trigger signal is sourced using the key ...

  • Page 180: 170

    170 chapter 13—dynamics processors 01v—owner’s manual is reduced to a level set by the range parameter. The trigger signal is sourced using the key in parameter. Range —this determines the level to which the signal is ducked. For a setting of –80 db, the signal is virtually cutoff. For a setting of ...

  • Page 181: 171

    Processor types 171 01v—owner’s manual out gain —this sets the expander’s output signal level, and can be used to compen- sate for the overall level change caused by the expansion process. Knee —this determines how expansion is applied at the threshold point. When set to hard, expansion at the speci...

  • Page 182: 172

    172 chapter 13—dynamics processors 01v—owner’s manual threshold —this determines the input signal level at which compression and expansion are applied. Signals at a level below the sum of the threshold and width are attenuated by the expander. Signals at and above the threshold level are compressed ...

  • Page 183: 173

    Dynamics library 173 01v—owner’s manual dynamics library dynamics settings are stored as programs in the dynamics library, which contains 40 preset programs (1–40) and 40 user programs (41–80). User programs are used to store custom dynamics settings, which can be titled for easy identification. The...

  • Page 184: 174

    174 chapter 13—dynamics processors 01v—owner’s manual storing dynamics programs custom dynamics settings can be stored in user programs 41 through 80. 1. Select the channel whose dynamics processor settings you want to store as a program. Use [sel] buttons 1 through 16 to select the input channels 1...

  • Page 185: 175

    Recalling dynamics programs 175 01v—owner’s manual recalling dynamics programs dynamics programs 1 through 80 can be recalled. 1. Select the channel to which you want to recall the dynamics program. Use [sel] buttons 1 through 16 to select the input channels 1 through 16. To select an aux send, use ...

  • Page 186: 176

    176 chapter 13—dynamics processors 01v—owner’s manual editing dynamics program titles user program titles can be edited using the title edit function. 1. Use the [dynamics] button to locate the library page, as shown below. 2. Use the parameter wheel or [–1/dec] and [+1/inc] buttons to select a user...

  • Page 187: 177

    Preset dynamics program settings 177 01v—owner’s manual preset dynamics program settings # title type parameter value description 01 comp comp threshold (db) –8 compressor intended to reduce the overall volume level. Use it on the stereo output during mix- down. It can also be used with the stereo i...

  • Page 188: 178

    178 chapter 13—dynamics processors 01v—owner’s manual 09 a.Dr.Bd compand-h threshold (db) –11 compand-h program for use with acoustic kit’s bass drum. Ratio ( :1) 3.5 attack (ms) 1 out gain (db) –1.5 width (db) 7 release (ms) 192 10 a.Dr.Sn comp threshold (db) –17 compressor program for use with aco...

  • Page 189: 179

    Preset dynamics program settings 179 01v—owner’s manual 17 e.B.Slap comp threshold (db) –12 compressor program to level the attack and volume level of a slap electric bass guitar. Ratio ( :1) 1.7 attack (ms) 6 out gain (db) 4.0 knee hard release (ms) 133 18 syn.Bass comp threshold (db) –10 compresso...

  • Page 190: 180

    180 chapter 13—dynamics processors 01v—owner’s manual 25 strings3 comp threshold (db) –17 a variation on program 23, intended for string instruments with a very low range, such as cellos or contrabass. Ratio ( :1) 1.5 attack (ms) 76 out gain (db) 2.5 knee 2 release (ms) 186 26 brasssection comp thre...

  • Page 191: 181

    Preset dynamics program settings 181 01v—owner’s manual 33 solo vocal2 comp threshold (db) –8 a variation on program 32. Ratio ( :1) 2.5 attack (ms) 26 out gain (db) 1.5 knee 3 release (ms) 331 34 chorus comp threshold (db) –9 a variation on program 32, intended for chorus vocals. Ratio ( :1) 1.7 at...

  • Page 192: 182

    182 chapter 13—dynamics processors 01v—owner’s manual.

  • Page 193: 183

    Scene memories 183 01v—owner’s manual scene memories 14 in this chapter... About scene memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184 what’s stored in scene memories? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184 about the...

  • Page 194: 184

    184 chapter 14—scene memories 01v—owner’s manual about scene memories scene memories are memory locations that are used to store mix scenes. A mix scene consists of all 01v mix settings (i.E., eq, fader positions, effects, dynamics, and so on). There are 100 scene memories, and 1 through 99 can be t...

  • Page 195: 185

    About the edit buffer & indicator 185 01v—owner’s manual about the edit buffer & indicator the edit buffer is the scene memory area inside the 01v that contains the current mix settings. When a mix scene is stored, the mix settings in the edit buffer are written to the selected scene memory. When a ...

  • Page 196: 186

    186 chapter 14—scene memories 01v—owner’s manual storing mix scenes mix scenes can be stored in scene memories 1 through 99. 1. Use the [memory] button to locate memory page 1, as shown below. 2. Use the parameter wheel or [–1/dec] and [+1/inc] buttons to select a scene memory from 1 through 99. The...

  • Page 197: 187

    Recalling mix scenes 187 01v—owner’s manual recalling mix scenes mix scenes can be recalled from scene memories 0 through 99 manually, or remotely using midi program change messages. 1. Use the [memory] button to locate memory page 1, as shown below. 2. Use the parameter wheel or [–1/dec] and [+1/in...

  • Page 198: 188

    188 chapter 14—scene memories 01v—owner’s manual recalling mix scenes using midi program change messages midi program change messages can be used to recall mix scenes for snapshot-style mix automation. Program change messages can be transmitted from a controlling computer, midi sequencer, or midi ke...

  • Page 199: 189

    Undoing mix scene recalls 189 01v—owner’s manual undoing mix scene recalls mix scene recalls can be undone using the recall undo function. 1. Use the [memory] button to locate memory page 1, as shown below. 2. Use the cursor buttons to select the recall undo switch. The recall undo switch appears gr...

  • Page 200: 190

    190 chapter 14—scene memories 01v—owner’s manual editing scene memory titles scene memory titles can be edited using the title edit function. 1. Use the [memory] button to locate memory page 1, as shown below. 2. Use the parameter wheel or [–1/dec] and [+1/inc] buttons to select a scene memory. 3. U...

  • Page 201: 191

    Setting a fade time 191 01v—owner’s manual setting a fade time using the fade time function, crossfades, fade outs, and fade ins from 0 to 25 seconds can be performed automatically by recalling mix scenes. Fade time settings must be stored with a mix scene before they have any effect. Faders for inp...

  • Page 202: 192

    192 chapter 14—scene memories 01v—owner’s manual recalling scene data safely when a mix scene is recalled, all mix settings are updated so that they match those of the recalled mix scene. In some cases, it may be necessary to retain mix settings of cer- tain channels. This can be achieved using the ...

  • Page 203: 193

    Other functions 193 01v—owner’s manual other functions 15 in this chapter... Assigning faders & on buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 194 using the oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202 ...

  • Page 204: 194

    194 chapter 15—other functions 01v—owner’s manual assigning faders & on buttons the faders and [on] buttons of input channels 1 though 16 and the stereo output (master) can be assigned functions other than their regular functions. Input channel faders 1 through 4, for example, can be used to control...

  • Page 205: 195

    Assigning faders & on buttons 195 01v—owner’s manual fader assignments faders 1 through 16 and master can be assigned to the following parameters. Parameter channel no assign — — fader channel ch1–12, ch13-14, ch15-16, ch17–24, return1, return2 master aux1–4, bus1–4, effect1, effect2, st out aux1 se...

  • Page 206: 196

    196 chapter 15—other functions 01v—owner’s manual on button assignments on buttons 1 through 16 and master can be assigned to the following parameters. Parameter channel no assign — — on (channel on/off) channel ch1–12, ch13-14, ch15-16, ch17–24, return1, return2 master aux1–4, bus1–4, effect1, effe...

  • Page 207: 197

    Assigning faders & on buttons 197 01v—owner’s manual initial assignments for bank 1 these are the initial fader and [on] button assignments for bank 1. Channel control parameter 1 [on] button on master bus1 fader fader master bus1 2 [on] button on master bus2 fader fader master bus2 3 [on] button on...

  • Page 208: 198

    198 chapter 15—other functions 01v—owner’s manual initial assignments for bank 2 these are the initial fader and [on] button assignments for bank 2. Channel control parameter 1 [on] button delay channel ch1 fader delay time ch1 2 [on] button delay channel ch2 fader delay time ch2 3 [on] button delay...

  • Page 209: 199

    Assigning faders & on buttons 199 01v—owner’s manual initial assignments for bank 3 these are the initial fader and [on] button assignments for bank 3. Channel control parameter 1 [on] button no assign — — fader effect effect1 param1 2 [on] button no assign — — fader effect effect1 param2 3 [on] but...

  • Page 210: 200

    200 chapter 15—other functions 01v—owner’s manual initial assignments for bank 4 these are the initial fader and [on] button assignments for bank 4. Channel control parameter 1 [on] button no assign — — fader effect effect2 param1 2 [on] button no assign — — fader effect effect2 param2 3 [on] button...

  • Page 211: 201

    Assigning faders & on buttons 201 01v—owner’s manual user assignment table use this table for your own assignments. Channel control parameter 1 [on] button fader 2 [on] button fader 3 [on] button fader 4 [on] button fader 5 [on] button fader 6 [on] button fader 7 [on] button fader 8 [on] button fade...

  • Page 212: 202

    202 chapter 15—other functions 01v—owner’s manual using the oscillator the 01v features a useful audio oscillator with 100 hz, 1 khz, and 10 khz sine wave tones and pink noise and burst pink noise. It can be assigned to individual aux sends, bus outs, effects sends, or the stereo output, and is usef...

  • Page 213: 203

    Setting 01v preferences 203 01v—owner’s manual setting 01v preferences the preferences are used to customize the operation of the 01v. 1. Use the [utility] button to locate utility page 2 or 3, as shown below. 2. Use the cursor buttons to select the parameters, and the [enter] button, parameter whee...

  • Page 214: 204

    204 chapter 15—other functions 01v—owner’s manual library list order —when this option is set to up, eq, effects, dynamics, and scene memory lists appear with the lowest program/scene at the bottom and the highest at the top. When set to down, they appear with the lowest at the top, highest at the b...

  • Page 215: 205

    Using the digital inputs & outputs 205 01v—owner’s manual using the digital inputs & outputs 16 in this chapter... About wordclocks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206 setting the wordclock . . . . . . . . . . . . . . . . . . . . . . . . ...

  • Page 216: 206

    206 chapter 16—using the digital inputs & outputs 01v—owner’s manual about wordclocks unlike analog audio equipment, digital audio equipment must be synchronized when digital audio is transferred from one device to another. Otherwise, the digital audio might not be read correctly and audible noise, ...

  • Page 217: 207

    About wordclocks 207 01v—owner’s manual digitally recording to dat in this system, the 01v’s stereo output signal is digitally transferred to a dat recorder. The 01v works as wordclock master and the dat works as wordclock slave. The 01v is set to internal wordclock. The dat derives its wordclock si...

  • Page 218: 208

    208 chapter 16—using the digital inputs & outputs 01v—owner’s manual multitrack recording with digital dat source in this system, audio is recorded to, and mixed from the digital multitrack recorder. The dat output signal is digitally transferred to the 01v for recording to the digital multitrack re...

  • Page 219: 209

    Setting the wordclock 209 01v—owner’s manual setting the wordclock the 01v can generate its own internal wordclock at 44.1 khz (the industry-standard sampling rate for music cds) or synchronize to an external wordclock of between 44.1 khz –10% and 48 khz +6%, which can be sourced from the digital st...

  • Page 220: 210

    210 chapter 16—using the digital inputs & outputs 01v—owner’s manual a highlighted switch with two diagonal lines like the one shown here indicates that no wordclock is being received from the selected source, and the fs win- dow will probably show unlock. Before using the 01v, correct the external ...

  • Page 221: 211

    Digital stereo out 211 01v—owner’s manual digital stereo out the stereo output signal is output digitally in consumer format from the digital stereo out coaxial connector. Typically this is connected to the digital input on a dat or minidisc deck for stereo mix recording, or the digital stereo in of...

  • Page 222: 212

    212 chapter 16—using the digital inputs & outputs 01v—owner’s manual output dither when a high-resolution digital audio signal is transferred to a lower-resolution system, some of the least-significant bits (lsb) of data are ignored by the receiving system, which can make low-level signals sound gra...

  • Page 223: 213

    Digital stereo in 213 01v—owner’s manual digital stereo in consumer format digital audio signals can be connected to the 01v using the digital stereo in coaxial connection. The digital output of a cd player, dat, or minidisc deck could be con- nected here, or the digital stereo out of another 01v fo...

  • Page 224: 214

    214 chapter 16—using the digital inputs & outputs 01v—owner’s manual cascading 01vs by using the stereo digital in and stereo digital out connections, two 01vs can be cas- caded together for 48-channel digital mixing, as shown below. 01v-a audio signals are combined into a stereo mix that is then se...

  • Page 225: 215

    Cascading 01vs 215 01v—owner’s manual cascade delay since it takes 01v-a several hundred microseconds to process its digital audio data, the input signals of 01v-b need to be delayed slightly to bring them into phase with the sig- nals from 01v-a. The following illustration shows why phase correctio...

  • Page 226: 216

    216 chapter 16—using the digital inputs & outputs 01v—owner’s manual about option i/o cards the 01v features a single slot for an optional option i/o card, providing eight digital inputs (input channels 17 through 24) and eight assignable digital outputs. Option i/o allows a direct digital connectio...

  • Page 227: 217

    About option i/o cards 217 01v—owner’s manual card specifications the eight option i/o digital inputs feed input channels 17 through 24. See “input channels 17–24” on page 40 for more information. The inputs to channels 1 through 8 can be swapped with those of input channels 17 through 24 either ind...

  • Page 228: 218

    218 chapter 16—using the digital inputs & outputs 01v—owner’s manual installing option i/o cards 1. Turn off the 01v. 2. Undo the two fixing screws and remove the slot cover, as shown below. Keep the cover in a safe place for future use. 3. Insert the card into the slot as shown below. Push it in al...

  • Page 229: 219

    Assigning option i/o digital outputs 219 01v—owner’s manual assigning option i/o digital outputs the eight option i/o digital outputs can be assigned to bus outs 1 through 4, aux sends 1 through 4, the left or right channels of the stereo output, or the post-fader direct out- puts of input channels ...

  • Page 230: 220

    220 chapter 16—using the digital inputs & outputs 01v—owner’s manual option i/o block diagram from bus 1 bus 4 aux 1 aux 4 ch 1 ch 2 ch 15 stereo l stereo r ch 16 ch fader aux1 aux2 eff1 eff2 aux/eff pre/post r l st eff aux 12 1234 bus 4 3 2 1 option i/o out option i/o in option i/o dither meter met...

  • Page 231: 221

    Midi 221 01v—owner’s manual midi 17 in this chapter... Midi & the 01v . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222 midi ports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222 midi ...

  • Page 232: 222

    222 chapter 17—midi 01v—owner’s manual midi & the 01v the 01v can be used with midi in the following ways. • program change messages for mix scene recall—“program change scene recall” on page 227. • control change messages for real-time parameter control—“control change parameter control” on page 22...

  • Page 233: 223

    Midi ports 223 01v—owner’s manual using the to host port in this system, the 01v is connected to a personal computer without a midi interface via the to host port. The port parameter on midi page 1 is set to match the type of computer (pc-1, pc-2, or mac). See “midi setup” on page 224 for more infor...

  • Page 234: 224

    224 chapter 17—midi 01v—owner’s manual using the link port in this system, two 01vs are linked together for simultaneous operation. When, for example, mix scenes are recalled, program change messages are transmitted via the port assigned as the link port for simultaneous scene recall on both 01vs. S...

  • Page 235: 225

    Midi setup 225 01v—owner’s manual versa. When using the to host port, port should be set to match the type of com- puter connected to the 01v, as follows. Tx ch —this parameter determines which midi channel the 01v uses to transmit midi messages, and can be set from 1 through 16. The device receivin...

  • Page 236: 226

    226 chapter 17—midi 01v—owner’s manual echo determines whether received parameter change system exclusive messages are echoed through to the midi out port. When echo is on, the 01v receives parameter change system exclusive messages and echoes them through to the midi out port regardless of the midi...

  • Page 237: 227

    Program change scene recall 227 01v—owner’s manual program change scene recall when a midi program change message is received, a mix scene is recalled in accor- dance with the scene memory to program change assignment table. Likewise, when a mix scene is recalled, the 01v transmits a program change ...

  • Page 238: 228

    228 chapter 17—midi 01v—owner’s manual using program changes in the following example, scene memory #10 is recalled on 01v-a and midi program change #10 is transmitted, hence scene memory #10 is also recalled on 01v-b. This assumes that the initial program change assignment table is being used. By e...

  • Page 239: 229

    Control change parameter control 229 01v—owner’s manual control change parameter control when a midi control change message is received, a mix parameter is adjusted in accordance with the parameter to control change assignment table. Likewise, when a mix parameter is adjusted, the 01v transmits a co...

  • Page 240: 230

    230 chapter 17—midi 01v—owner’s manual when a control change message is received while midi page 3 is displayed, that con- trol change is selected automatically, making it easy to determine which control change is being transmitted when, say, the slider of an external midi controller is oper- ated. ...

  • Page 241: 231

    System exclusive parameter control 231 01v—owner’s manual in the following example, input channel 5 fader movements are recorded in real time to a midi sequencer using control change #5. During playback, the sequencer trans- mits control change #5 messages back to the 01v and fader 5 moves according...

  • Page 242: 232

    232 chapter 17—midi 01v—owner’s manual bulk dump 01v scene memories, library programs, and setup data can be transferred to another midi device using system exclusive bulk dump. This can be used to back up impor- tant 01v data to a midi data filer or controlling computer, or to exchange data between...

  • Page 243: 233

    Bulk dump 233 01v—owner’s manual transmit interval —this parameter specifies the interval between data blocks during bulk dump transmission. Midi devices with a relatively small data buffer are easily overloaded when too much data is received at once. Setting an interval of, say, 300 milliseconds al...

  • Page 244: 234

    234 chapter 17—midi 01v—owner’s manual local control the midi local control function can be used to control a remote 01v. Normally, the 01v controls (faders, buttons, rotary controls, and display pages) set the 01v’s internal parameters. When local control is turned off, the internal parameters rema...

  • Page 245: 235

    Local control 235 01v—owner’s manual in the following example, 01v-a (remote) and 01v-b (local) are cascaded together for 48-channel digital mixing. Using the local control function, both 01vs can be con- trolled using the faders, buttons, rotary controls, and display pages of 01v-b. Even the signal...

  • Page 246: 236

    236 chapter 17—midi 01v—owner’s manual midi machine control using midi machine control (mmc) commands, an mmc-compatible recorder can be controlled from the 01v. [on] buttons 1 through 6 can be used to control transport functions, while [sel] buttons 1 through 6 can be used to locate six definable l...

  • Page 247: 237

    Midi machine control 237 01v—owner’s manual in the following example, an mmc-compatible hard disk recording system running on a personal computer is remotely controlled from an 01v using mmc commands. The device number on remote page 2 of the 01v should match that of the hard disk recorder. In the f...

  • Page 248: 238

    238 chapter 17—midi 01v—owner’s manual user defined midi controllers the [solo] buttons, [on] buttons, and faders of channels 1 through 16 and master can be used as midi controllers for remote midi device control. A midi data string up to 16 bytes long can be assigned to each control, and assignment...

  • Page 249: 239

    Linking 01vs 239 01v—owner’s manual to reset a bank back to its initial assignments, make it the active bank, select the ini- tialize switch, and then press the [enter] button. A confirmation dialog box appears. Select ok, and then press the [enter] button to confirm your action. The selected bank i...

  • Page 250: 240

    240 chapter 17—midi 01v—owner’s manual linking 01vs using the midi ports if the to host port is connected to a computer for midi purposes, simultaneous operation of two 01vs is still possible using the midi ports, as shown below. The link port parameter on midi page 1 should be set to midi. See “mid...

  • Page 251: 241

    System examples 241 01v—owner’s manual system examples 18 in this chapter... 01v & adat-interface recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242 two 01vs & two adat-interface recorders . . . . . . . . . . . . . . . . . . . . . . . . . . 244 01v & tascam-interface ...

  • Page 252: 242

    242 chapter 18—system examples 01v—owner’s manual 01v & adat-interface recorder this example shows how the 01v can be used with an 8-track digital tape recorder, or 8-track hard disk recorder, featuring adat optical connections to create a 16-input, 8-track fully digital recording system, with the 1...

  • Page 253: 243

    01v & adat-interface recorder 243 01v—owner’s manual adat phantom +48v off on phantom +48v input (bal) 2tr phones l r in level level gain 13/14 15/16 phones monitor out out monitor 2tr in 15/16 2tr in 13 14 15 16 26db 1 26db 2 26db 3 26db 4 26db 5 26db 6 26db 7 26db 8 26db 9 26db 10 26db 11 26db 12 ...

  • Page 254: 244

    244 chapter 18—system examples 01v—owner’s manual two 01vs & two adat-interface recorders this example shows how two 01vs can be used with two 8-track digital tape recorders, or 8-track hard disk recorders, featuring adat optical connections to create a 32-input, 16-track fully digital recording sys...

  • Page 255: 245

    Two 01vs & two adat-interface recorders 245 01v—owner’s manual digital stereo coaxial out digital stereo coaxial in to host to host phantom +48v off on phantom +48v input (bal) 2tr phones l r in level level gain 13/14 15/16 phones monitor out out monitor 2tr in 15/16 2tr in 13 14 15 16 26db 1 26db 2...

  • Page 256: 246

    246 chapter 18—system examples 01v—owner’s manual 01v & tascam-interface recorder this example shows how the 01v can be used with an 8-track digital tape recorder, or 8-track hard disk recorder, featuring a tascam digital audio interface (tdif-1) con- nection to create a 16-input, 8-track fully digi...

  • Page 257: 247

    01v & tascam-interface recorder 247 01v—owner’s manual phantom +48v off on phantom +48v input (bal) 2tr phones l r in level level gain 13/14 15/16 phones monitor out out monitor 2tr in 15/16 2tr in 13 14 15 16 26db 1 26db 2 26db 3 26db 4 26db 5 26db 6 26db 7 26db 8 26db 9 26db 10 26db 11 26db 12 pad...

  • Page 258: 248

    248 chapter 18—system examples 01v—owner’s manual two 01vs & two tascam-interface recorders this example shows how two 01vs can be used with two 8-track digital tape recorders, or 8-track hard disk recorders, featuring tascam digital audio interface (tdif-1) con- nections to create a 32-input, 16-tr...

  • Page 259: 249

    Two 01vs & two tascam-interface recorders 249 01v—owner’s manual digital stereo coaxial out digital stereo coaxial in to host to host phantom +48v off on phantom +48v input (bal) 2tr phones l r in level level gain 13/14 15/16 phones monitor out out monitor 2tr in 15/16 2tr in 13 14 15 16 26db 1 26db...

  • Page 260: 250

    250 chapter 18—system examples 01v—owner’s manual 01v & pro tools (aes/ebu) this example shows how the 01v can be used with a pro tools system to create a 16-input, 8-track fully digital recording system, with the 16 mic/line inputs and eight digital tape returns providing up to 24 inputs during mix...

  • Page 261: 251

    01v & pro tools (aes/ebu) 251 01v—owner’s manual phantom +48v off on phantom +48v input (bal) 2tr phones l r in level level gain 13/14 15/16 phones monitor out out monitor 2tr in 15/16 2tr in 13 14 15 16 26db 1 26db 2 26db 3 26db 4 26db 5 26db 6 26db 7 26db 8 26db 9 26db 10 26db 11 26db 12 pad digit...

  • Page 262: 252

    252 chapter 18—system examples 01v—owner’s manual.

  • Page 263: 253

    Troubleshooting 253 01v—owner’s manual troubleshooting symptom advice cannot turn on the 01v. Make sure that the power cord is connected to a suitable ac wall out- let. See “connecting the power cord” on page 11 for more informa- tion. Make sure that the 01v power switch is set to the on position. S...

  • Page 264: 254

    254 troubleshooting 01v—owner’s manual input signals are present but the monitor output and phones are dead. Make sure that the monitor–2tr in switch is set to monitor. See “using monitor” on page 78 for more information. Make sure a monitor source is selected on setup page 2. See “mon- itor setup” ...

  • Page 265: 255

    Troubleshooting 255 01v—owner’s manual added channels to a mute group but group muting does not work. Make sure that the mute group is enabled. See “grouping mutes” on page 56 for more information. Cannot store an eq program. Eq settings cannot be stored to preset programs 1 through 40. Try storing ...

  • Page 266: 256

    256 troubleshooting 01v—owner’s manual fader movements are inconsistent. Try calibrating the faders. See “calibrating the faders” on page 204 for more information. Digital in sync error message appears. This warning message appears if digital signals from the digital stereo coaxial in or option i/o ...

  • Page 267: 257

    01v level diagram 257 01v—owner’s manual appendix a: general 01v level diagram 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 digital bit 34 35 36 0 –10 –20 –30 –40 –50 –60 –70 –80 –90 –100 –110 –120 –130 –140 –150 –160 –170 –190 –200 –210 phase eq level ...

  • Page 268: 258

    258 appendix a: general 01v—owner’s manual display messages message meaning bulk: byte count mismatch! The byte count of the received bulk dump data is not cor- rect. Bulk: check sum error! The check sum of the received bulk dump data is not cor- rect. Bulk: memory protected! The bulk dump data cann...

  • Page 269: 259

    Security cover 259 01v—owner’s manual security cover for certain applications you may wish to fit a protective cover over the 01v’s gain con- trols and pad switches. Although yamaha do not make such a cover, the 01v has four fixing holes to affix a custom-made cover. If you fit such a cover, make su...

  • Page 270: 260

    260 appendix a: general 01v—owner’s manual.

  • Page 271: 261

    General 261 01v—owner’s manual appendix b: specifications general sampling rate internal 44.1 khz external 44.1 khz (–10%) to 48 khz (+6%) signal delay less than 2.5 ms, fs=44.1 khz, ch in to st out fader 15 × 60 mm motorized fader resolution master faders except st out 0 to –72, – ∞ db (128 steps/6...

  • Page 272: 262

    262 appendix b: specifications 01v—owner’s manual analog controls input (1–12) pad (0/26 db) gain (–16 to –60) phantom +48 v switched (ch 1–6, 7–12) input (13/14) gain (+10 to –20) input (15/16) gain (+10 to –20) input select (15/16, 2tr in) output monitor select (2tr in, monitor) monitor level cont...

  • Page 273: 263

    Input channels 1–16 263 01v—owner’s manual input channels 1–16 phantom switch +48 v, ch 1-6, ch 7-12 gain control 44 db (–60 to –16 db), ch 1–12 detented 30 db (–20 to +10 db); ch 13/14, 15/16 pad switch 0/26 db attenuation ch 1–12 ad converter 20-bit linear 128-times oversampling phase normal/rever...

  • Page 274: 264

    264 appendix b: specifications 01v—owner’s manual option i/o inputs 17–24 (need optional card) digital stereo in return 1, 2 (internal effect 1, 2) de-emphasis automatic de-emphasis filter (15 µ s/50 µ s) input swap normal (ch 17–24)/swap (ch 1–8) attenuator 0 to –96 db (1 db steps) eq 2-band peq (l...

  • Page 275: 265

    Bus 1–4 265 01v—owner’s manual bus 1–4 aux 1–4 stereo out omni out 1–4 master level on/off monitor on/off afl/pfl bus to stereo on/off pan to stereo 33 positions (l1–16, center, r1–16) metering displayed on lcd peak hold on/off eq 4-band peq (low, lo-mid, hi-mid, high) dynamics compressor, gate, duc...

  • Page 276: 266

    266 appendix b: specifications 01v—owner’s manual monitor out (solo) digital stereo out option i/o output (need optional card) memories & libraries solo trim +6 to –60 db (1 db steps) mono da converter 18-bit linear 8-times oversampling select switch monitor/2tr in level control analog rotary contro...

  • Page 277: 267

    Eq 267 01v—owner’s manual eq *1. 4-band eqs only (low and high bands only on input channels 17 through 24). *2. When the low and high eq bands are configured as hpf and lpf, their gain controls function as filter on and off switches. Low lo-mid *1 hi-mid 1 high gain (g) –18.0 db to +18.0 db (0.5 db ...

  • Page 278: 268

    268 appendix b: specifications 01v—owner’s manual analog inputs analog outputs *1. Sensitivity is the lowest level that will produce an output of +4 db (1.23 v) or the nominal output level when the 01v is set to maximum gain (all faders and level controls at maximum positions). *2. Input channel xlr...

  • Page 279: 269

    Digital audio inputs 269 01v—owner’s manual digital audio inputs digital audio outputs option i/o cards *1. De-emphasis is automatically processed when input signal contains emphasis. *1. Channel status type: 2 audio channels category code: 2 channel pcm encoder/decoder copy prohibit: no emphasis: n...

  • Page 280: 270

    270 appendix b: specifications 01v—owner’s manual control i/o connection format level connector to host — rs-422 8-pin mini din midi in midi — 5-pin din midi thru midi — 5-pin din midi out midi — 5-pin din.

  • Page 281: 271

    01v dimensions 271 01v—owner’s manual 01v dimensions specifications and external appearance are subject to change without notice. W:430 h:148 d:520

  • Page 282: 272

    272 appendix b: specifications 01v—owner’s manual.

  • Page 283: 273

    Scene memory to program change table 273 01v—owner’s manual appendix c: midi scene memory to program change table program change # initial scene # user scene # program change # initial scene # user scene # program change# initial scene # user scene # 1 01 44 44 87 87 2 02 45 45 88 88 3 03 46 46 89 8...

  • Page 284: 274

    274 appendix c: midi 01v—owner’s manual 01v parameter to control change table control change # parameter 01v initial (default) user 0 no assign 1 fader channel ch1 2 fader channel ch2 3 fader channel ch3 4 fader channel ch4 5 fader channel ch5 6 fader channel ch6 7 fader channel ch7 8 fader channel ...

  • Page 285: 275

    01v parameter to control change table 275 01v—owner’s manual control change # parameter 01v initial (default) user 38 on channel ch10 39 on channel ch11 40 on channel ch12 41 on channel ch13-14 42 on channel ch15-16 43 on channel return1 44 on channel return2 45 on master aux1 46 on master aux2 47 o...

  • Page 286: 276

    276 appendix c: midi 01v—owner’s manual control change # parameter 01v initial (default) user 80 fader eff1 send ch4 81 fader eff1 send ch5 82 fader eff1 send ch6 83 fader eff1 send ch7 84 fader eff1 send ch8 85 fader eff1 send ch9 86 fader eff1 send ch10 87 fader eff1 send ch11 88 fader eff1 send c...

  • Page 287: 277

    03d & programmable mixer 01 parameter to control change table 277 01v—owner’s manual 03d & programmable mixer 01 parameter to control change table control change # parameter 03d arrangement programmable mixer 01 arrangement 0 no assign fader channel ch1 1 fader channel ch1 fader channel ch2 2 fader ...

  • Page 288: 278

    278 appendix c: midi 01v—owner’s manual control change # parameter 03d arrangement programmable mixer 01 arrangement 38 pan channel ch1 on channel ch13-14 39 pan channel ch2 on channel return1 40 pan channel ch3 on channel return2 41 pan channel ch4 on master aux1 42 pan channel ch5 on master aux2 4...

  • Page 289: 279

    03d & programmable mixer 01 parameter to control change table 279 01v—owner’s manual control change # parameter 03d arrangement programmable mixer 01 arrangement 80 on channel ch17 fader eff1 send ch17 81 on channel ch18 fader eff1 send ch18 82 on channel ch19 fader eff1 send ch19 83 on channel ch20...

  • Page 290: 280

    280 midi data format 01v—owner’s manual midi data format 1. Transmit/receive data 1.1 channel message 1.1.1 note off (8n) reception received if [rx ch] matches. Used for effect control. See below for details. 1.1.2 note on (9n) reception received if [rx ch] matches. Used for effect control. See belo...

  • Page 291: 281

    Midi data format 281 01v—owner’s manual 1.3 active sensing (fe) reception once this message has been received, an interval of 300ms or more during which no message is received will cause midi communica- tions to be initialized, clearing running status etc. 2. Transmission condition 3. Receive condit...

  • Page 292: 282

    282 midi data format 01v—owner’s manual parameter change (7bit operation for type 0x10:edit buffer) reception this message is received if [parameter change rx] is on and the [rx ch] matches the device channel included in the sub status. This is echoed if [parameter change echo] is on. When this is r...

  • Page 293: 283

    Midi data format 283 01v—owner’s manual parameter value request (type 0x00:edit buffer, 0x01:sysytem memory) reception when [parameter change rx] is on, this message is received if the [rx ch] matches the device channel included in the sub status. When [parameter change echo] is on, this message wil...

  • Page 294: 284

    284 midi data format 01v—owner’s manual parameter change (type operation for type 0x03:controller(lcd-fader mode)) reception when [parameter change rx] is on and the [rx ch] matches the device channel included in the sub status, the message will be received. When [parameter change echo] is on, this ...

  • Page 295: 285

    Midi data format 285 01v—owner’s manual parameter change(type 0x05:remote meter) when the following request is received to enable transmission, the specified parameter data will be transmitted at 30 msec intervals for five seconds. If you want meter data to be transmitted continuously, you must cont...

  • Page 296: 286

    286 midi data format 01v—owner’s manual scene memory bulk dump format the ten bytes at the beginning are the id + title, and are 7 bit data. The subsequent 1014 bytes are all split into 4 bit data. Scene memory bulk dump request format setup memory bulk dump format all data is split into 4 bit. Setu...

  • Page 297: 287

    Midi data format 287 01v—owner’s manual remote(mmc) memory bulk dump format all data is 7 bit data. Remote(mmc) memory bulk dump request format remote(user define) memory bulk dump format all data (word) is split into 7 bit. Remote(user define) memory bulk dump request format equalizer library bulk ...

  • Page 298: 288

    288 midi data format 01v—owner’s manual dynamics library bulk dump format the first twelve bytes are the title, and are 7 bit data. The following seven bytes are all split into 4 bit data. Dynamics library bulk dump request format effect library bulk dump format the first twelve bytes are the title,...

  • Page 299: 289

    Midi data format 289 01v—owner’s manual program change assignment table bulk dump format all data is 7 bit data. Program change assignment table bulk dump request format control change assignment table bulk dump format all data is 7 bit data. Control change assignment table bulk dump request format ...

  • Page 300: Midi Implementation Chart

    Yamaha [digital mixing console—internal parameters] date: 01 feb. 1998 model: 01v midi implementation chart version: 1.0 function... Transmitted recognized remarks basic channel default changed 1–16 1–16 1–16 1–16 memorized mode default messages altered x x ************** omni off/omni on x x memori...

  • Page 301: 291

    Appendix d: resources 291 01v—owner’s manual appendix d: resources books • introducing digital audio, ian r sinclair, second edition, pc publishing, 1992. A good all-around introduction to digital audio. Second edition explains oversampling and bitstream techniques. • principles of digital audio, ke...

  • Page 302: 292

    292 appendix d: resources 01v—owner’s manual.

  • Page 303: 293

    Glossary 293 01v—owner’s manual glossary a/d converter—an electronic device for converting analog signals to digital signals. Afl (after fader listen)—monitoring signals after the channel fader. Contrast with pfl. Aliasing—a type of signal distortion that occurs during a/d conversion if the sam- pli...

  • Page 304: 294

    294 glossary 01v—owner’s manual mined by the data resolution, about 6 db per digital bit. Hence, a 16-bit system theo- retically provides a 96 db dynamic range. Edit buffer—the memory area used to store the current mix settings. When a mix scene is stored, the edit buffer data is stored to the selec...

  • Page 305: 295

    Glossary 295 01v—owner’s manual msb (most significant byte) — the byte of a digital word that represents the high- est value. Contrast with lsb noise gate—an electronic switch that opens if the trigger signal falls below a speci- fied threshold and closes if the trigger signal exceeds the threshold....

  • Page 306: 296

    296 glossary 01v—owner’s manual q—the unit used to express a filter’s selectivity. High values imply a narrow frequency band, low values, a wide frequency band. Quantization—the pcm process in which pam pulses are approximated to the nearest binary value available. S/pdif format—see coaxial format. ...

  • Page 307: 297

    Index 297 01v—owner’s manual index symbols +48 v phantom powering 41 numerics 01v benefits 4 cascading 214 dimensions 271 features 3 initializing 204 level diagram 257 preferences 203 rack mounting 259 sonic performance 5 03d parameter to control change assignment table 277 –1/dec & +1/inc buttons 3...

  • Page 308: 298

    298 index 01v—owner’s manual cascading the 01v 214 ch copy page 59 ch, definition 293 ch13-14 flip page 213 chorus 142 clipping, definition 293 coaxial definition 293 coaxial digital input. See digital stereo input coaxial digital output. See digital stereo output comp 167 compander 171 configuratio...

  • Page 309: 299

    Index 299 01v—owner’s manual storing programs 174 summary 6 titling 176 dynamics page 1 164 , 165 , 166 dynamics page 2 174 , 175 , 176 dynamics processors about 162 aux sends 164 comp 167 compander 171 ducking 169 editing 166 expander 170 gate 168 input channels 164 library 173 parameters 177 stere...

  • Page 310: 300

    300 index 01v—owner’s manual h headphones. See phones height, 01v dimensions 271 high button 63 hi-mid button 63 home page 1 83 home page 2 83 home page 3 84 home page 4 84 home page 5 85 home page, yamaha web site 291 hpf 62 hq.Pitch 144 i implementation chart, midi 290 inc button 31 inc/dec scene ...

  • Page 311: 301

    Index 301 01v—owner’s manual user define page 238 user defined controllers 238 using ports 223 midi data format 280 midi device number, definition 294 midi page 1 224 midi page 2 227 midi page 3 229 midi page 4 232 midi page 5 234 mix parameter, input delay 45 mix scenes definition 294 mix scenes. S...

  • Page 312: 302

    302 index 01v—owner’s manual dynamics library 174 , 175 , 176 effect pre/post 125 effects edit 123 , 124 , 136 , 137 , 157 effects library 132 , 133 , 134 , 135 eq 43 , 63 , 64 , 65 eq library 67 , 68 , 69 , 70 fade time 191 group 55 , 56 input meter 83 input swap 51 internal parameter 194 local con...

  • Page 313: 303

    Index 303 01v—owner’s manual r rack mounting 259 rear panel 22 reassigning faders & on buttons 194 recall confirmation, preference 203 recalling dynamics programs 175 effects programs 134 eq programs 69 scene memories 187 undoing mix scene recalls 189 receive channel, midi 225 recording solo mode 80...

  • Page 314: 304

    304 index 01v—owner’s manual monitoring 88 muting 90 omni outs 88 option i/o 88 solo 88 specifications 265 viewing settings 89 store confirmation, preference 203 storing dynamics programs 174 effects programs 133 eq programs 68 midi bulk dump 232 scene memories 186 sw, user define 238 swapping chann...

  • Page 315: Interstage

    98 04 2000 ap printed in japan yamaha corporation pro audio division, #18/3 p.O. Box 3, hamamatsu, 430-8651, japan interstage phistersvej 31, 2900 hellerup, danmark telefon 3946 0000, fax 3946 0040 www.Interstage.Dk.