- DL manuals
- Yamaha
- Music Mixer
- 03D
- Owner's Manual
Yamaha 03D Owner's Manual
E
DIGITAL MIXING CONSOLE
Owner’s Manual
PHONES
PHONES
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MONITOR
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SCENE MEMORY
SETUP
CHANNEL CONTROL
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L STEREO R
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FUNCTION
SEL CH
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SCENE
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REMOTE
UTILITY
AUTOMIX
VIEW
HIGH
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LO-MID
EQ LOW
AUX 1
FADER
EFFECT 1
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AUX 2
AUX 3
AUX 4
EQ LIBRARY
SOLO SETUP
GROUP/PAIR
DYNAMICS
DELAY/Ø
PAN/ROUTING
MIDI
DIO
PARAMETER
CURSOR
STORE
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REDO
CLIP
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METER
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Summary of 03D
Page 1
E digital mixing console owner’s manual phones phones +10 –34 –60 –16 26db 1 +10 –34 –60 –16 26db 2 +10 –34 –60 –16 26db 3 +10 –34 –60 –16 26db 4 +10 –34 –60 –16 26db 5 +10 –34 –60 –16 26db 6 +10 –34 –60 –16 26db 7 +10 –34 –60 –16 26db 8 +10 –20 +10 9 gain +10 –20 +10 10 gain +10 –20 +10 11 gain +10...
Page 2
Nederland ● dit apparaat bevat een lithium batterij voor geheugen back-up. ● raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur afdankt of de volgende yamaha service afdeiing: yamaha music nederland service afdeiing kanaalwe...
Page 3: Important Information
I 03d—owner’s manual important information read the following before operating the 03d warnings • do not place a container with liquid or small metal objects on top of this unit. Liquid or metal objects inside this unit are a fire and electrical shock hazard. • do not locate the 03d in a place subje...
Page 4: Interference
Ii 03d—owner’s manual • the 03d is a heavy piece of equipment. Always grip the underneath, not the side panels, when lifting. Interference 03d uses high-frequency digital circuits that may cause interference on radios and tele- visions placed close to it. If interference does occur, relocate the aff...
Page 5: III
Contents iii 03d—owner’s manual contents 1 welcome to the 03d . . . . . . . . . . . . . . . . . . . . . . . . 1 welcome to 03d . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 about this owner’s manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . ....
Page 6
Iv contents 03d—owner’s manual bypassing the eq . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 resetting the eq gain controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 eq library . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...
Page 7
Contents v 03d—owner’s manual metering aux sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 sending channel signals to aux sends . . . . . . . . . . . . . . . . . . . . . . . . . 91 pre-fader/post-fader aux sends . . . . . . . . . . . . . . . . . . . . . . ....
Page 8
Vi contents 03d—owner’s manual 14 dynamics processors . . . . . . . . . . . . . . . . . . . . . . 143 about the dynamics processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144 patching in a dynamics processor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146 dynamic...
Page 9: Vii
Contents vii 03d—owner’s manual 17 other functions . . . . . . . . . . . . . . . . . . . . . . . . . . . 207 user define buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208 using the onboard oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...
Page 10: Viii
Viii contents 03d—owner’s manual appendix c: midi . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267 scene memory to program change table . . . . . . . . . . . . . . . . . . . . . . . 267 parameter to control change table . . . . . . . . . . . . . . . . . . . . . . . . . . . 268 midi data f...
Page 11: Welcome to The 03D
Welcome to the 03d 1 03d—owner’s manual welcome to the 03d 1 in this chapter... Welcome to 03d . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 about this owner’s manual . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ....
Page 12: Welcome to 03D
2 chapter 1—welcome to the 03d 03d—owner’s manual welcome to 03d thank you for choosing the yamaha 03d digital mixing console. Based on the highly successful 02r digital recording console, the new yamaha 03d has been designed with music production and project studios in mind, although its unique and...
Page 13: 03D Features
03d features 3 03d—owner’s manual 03d features 03d sonic specs • linear 20-bit 64-times oversampling a/d converters • linear 20-bit 8-times oversampling d/a converters (st out, monitor out) • 105 db typical dynamic range (st in to st out) • 20 hz–20 khz (+1, –3 db) frequency response • 32-bit intern...
Page 14: Key Feature Discussion
4 chapter 1—welcome to the 03d 03d—owner’s manual key feature discussion configuration the 03d provides a total of 26 inputs (including 8 digital inputs), stereo output (analog or digital), 4 bus outs, 4 aux sends, 2 internal effects sends, and 8 assignable digital out- puts via a single ygdai (yama...
Page 15: Motorized Faders
Key feature discussion 5 03d—owner’s manual four-band parametric eq & library the 03d input channels, stereo input channel, stereo output, bus outs, aux sends, and onboard effects returns all feature four-band fully parametric eq, with variable gain, frequency, q, and bypass. That’s 160 bands of eq!...
Page 16: Onboard Dynamics Processors
6 chapter 1—welcome to the 03d 03d—owner’s manual onboard dynamics processors dynamics processors, providing compression, ducking, gating, and expansion, are available on all input channels, the stereo input channel, the stereo output, bus outs, aux sends, and the onboard effects returns. That’s a t...
Page 17: Scene Memories
Key feature discussion 7 03d—owner’s manual scene memories on many mixers, the only way to store mix settings is with marker pen and masking tape. With the 03d, however, virtually every mix setting can be stored as a mix scene in one of the 03d’s 50 scene memories. Mix scenes can be recalled instant...
Page 18: Touring The 03D
Touring the 03d 9 03d—owner’s manual touring the 03d 2 in this chapter... Top panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 rear panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...
Page 19: Top Panel
10 chapter 2—touring the 03d 03d—owner’s manual top panel the individual sections of the 03d control surface are explained on the following pages. Phones phones +10 –34 –60 –16 26db 1 +10 –34 –60 –16 26db 2 +10 –34 –60 –16 26db 3 +10 –34 –60 –16 26db 4 +10 –34 –60 –16 26db 5 +10 –34 –60 –16 26db 6 +...
Page 20: Analog Control Section
Top panel 11 03d—owner’s manual analog control section a pad switches these switches are used to turn on and off the input pads. See pad (input channels 1–8) on page 37 for more information. B gain controls these controls are used to adjust the gain of the input preamps. See gain on page 37 for more...
Page 21: Display & Stereo Meters
12 chapter 2—touring the 03d 03d—owner’s manual display & stereo meters a display the large 320 x 240 dot display with fluorescent backlight provides clear indication of mix settings and operating status. As well as showing parameter values numerically, faders and rotary controls are represented gra...
Page 22: Channel Control
Top panel 13 03d—owner’s manual channel control the channel function buttons are used to access the following channel pages. The name of the selected function is shown on the display. Fader mode these buttons are used to select the following fader modes and display pages. The name of the selected fa...
Page 23: Midi Remote
14 chapter 2—touring the 03d 03d—owner’s manual midi remote the [midi remote] button activates the midi remote mode. In this mode, the 03d faders and [on] buttons of channels 1 to 16 can be used to control other midi equip- ment using midi commands. The indicator in the button lights up when the mid...
Page 24
Top panel 15 03d—owner’s manual mixing layer, sel buttons, on buttons, faders a mixing layer button the [mixing layer] button determines the functions of the faders, [on] buttons, and [sel] buttons. When set to 1–16, these controls work with input channels 1 to 16. When set to 17–24/master, however,...
Page 25: Rear Panel
16 chapter 2—touring the 03d 03d—owner’s manual rear panel rear panel—top half the top half of the rear panel consists of analog inputs and outputs. A phones this is a stereo (trs) phone jack. A pair of stereo headphones can be connected here for monitoring. The phones signal is the same as the moni...
Page 26
Rear panel 17 03d—owner’s manual d inserts (input channels 1 and 2) these trs phone jack connectors are used to connect signal processors for use with input channels 1 and 2 exclusively. Typically, compressors, limiters, and noise gates are connected to this type of connection. They are wired: sleev...
Page 27
18 chapter 2—touring the 03d 03d—owner’s manual i aux outs these are balanced 1/4-inch phone jacks with a +4 db nominal output level. Either balanced or unbalanced phone plugs can be connected. They output the aux send sig- nals and can be used to feed external effects processors, foldback amplifier...
Page 28: Rear Panel—Lower Half
Rear panel 19 03d—owner’s manual rear panel—lower half the lower half of the rear panel consists of digital and control i/o. A power switch this switch is used to turn on and off the 03d. It’s recessed to prevent accidental oper- ation. B to editor this 9-pin d-sub connector is used to connect the 0...
Page 29
20 chapter 2—touring the 03d 03d—owner’s manual h midi in, out, thru these are standard midi in, out, and thru connections. They are used to connect the 03d to other midi equipment for control and synchronization. I ygdai slot an optional ygdai card can be installed here, providing access to the 03d...
Page 30: Block Diagram
Block diagram 21 03d—owner’s manual block diagram 1-4 same as eff1 sine 100hz sine 1khz sine 10khz pink noise burst noise waveform st cascade in on/off 1 level flip select stereo out on on on on on on on meter meter meter meter meter meter meter meter meter meter meter meter balance st out digital s...
Page 31: In This Chapter...
Getting around the user interface 23 03d—owner’s manual getting around the user interface 3 in this chapter... About the user interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ....
Page 32: About The User Interface
24 chapter 3—getting around the user interface 03d—owner’s manual about the user interface the 03d user interface is both straightforward and easy to use. Apart from the gain controls, [pad] switches, scene memory buttons, and a few other buttons, there are very few dedicated controls. The faders, [...
Page 33
Display 25 03d—owner’s manual selected function —this area of the display shows the name of the function selected using the setup, channel control, and fader mode buttons. The following functions can be selected. Selected channel —this area of the display shows the selected channel. When chan- nels ...
Page 34
26 chapter 3—getting around the user interface 03d—owner’s manual positions. See display elements on page 28 for more information. An example page is shown below. The title of each page appears in a tab at the top of each page. The tab of the selected page has a dark border, as shown below. Pages ca...
Page 35
Display 27 03d—owner’s manual mixing layer 17–24/master mixing layer 1–16 effect 1 effect rtn st in 13–16 9–12 fader 1–8 effect 2 effect rtn st in 13–16 9–12 fader 1–8 fader meter effect rtn st in 13–16 9–12 fader 1–8 aux 1 effect rtn st in 13–16 9–12 fader 1–8 aux 2 effect rtn st in 13–16 9–12 fade...
Page 36: Display Elements
28 chapter 3—getting around the user interface 03d—owner’s manual display elements this section explains the various elements that appear on display pages. Switches switches appear as boxes with a shadowed outline (i.E., a thicker out- line on the right side and bottom of the box). Simple on/off-typ...
Page 37: Parameter Boxes
Cursor buttons 29 03d—owner’s manual parameter boxes parameters that appear in parameter boxes (i.E., dot- ted-line boxes) can be set using the parameter wheel or a mouse. Use the cursor buttons to select the parameter box and the parameter wheel to adjust. If you are using a mouse, position the mou...
Page 38: Mouse
30 chapter 3—getting around the user interface 03d—owner’s manual mouse an optional mouse can be connected to the 03d for quick navigation around the display and parameter setting. Simple on/off-type param- eters can then be set with one click of the mouse, and rotary controls can be dragged. The 03...
Page 39: Mixing Layer
Mixing layer 31 03d—owner’s manual mixing layer the 03d [sel] buttons, [on] buttons, and faders are multifunction controls. Their exact operation depends on the selected mixing layer. Fader operation is also affected by the fader modes. The operation of all these controls is shown in the following t...
Page 40: Faders
32 chapter 3—getting around the user interface 03d—owner’s manual faders mixing layer: 1–16 mixing layer: 17–24/master fader operation is different in midi remote mode. See midi remote on page 243 for more information. Fader mode fader 1–8 9–12 13–16 st in eff rtn st out fader (meter) ch 1–8 fader c...
Page 41: Title Edit Dialog Box
Title edit dialog box 33 03d—owner’s manual title edit dialog box the title edit dialog box is used to title mix scenes, eq programs, dynamics programs, effects programs, channel programs, and automixes. It appears when storing or reti- tling a scene memory or program. Titles can be up to 12 charact...
Page 42: Input Channels
Input channels 35 03d—owner’s manual input channels 4 in this chapter... Input channel overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36 phantom power (input channels 1–8) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 pad (input ch...
Page 43: Input Channel Overview
36 chapter 4—input channels 03d—owner’s manual input channel overview a full description of the rear panel connectors is provided on page 16. Input channels 1 & 2 input channels 1 and 2 feature balanced xlr-3-31-type and balanced phone jack connectors, both with a nominal input range of –60 db to +1...
Page 44: Pad (Input Channels 1–8)
Phantom power (input channels 1–8) 37 03d—owner’s manual phantom power (input channels 1–8) input channels 1 to 8 feature switchable +48 v phantom powering for use with condenser-type microphones. Phantom powering is supplied to the balanced xlr-3-31-type connector, and can be switched individually ...
Page 45: Attenuator
38 chapter 4—input channels 03d—owner’s manual attenuator after a/d conversion, input signals can be attenuated using the attenuation function. Signals can be attenuated from 0 db to –96 db in 1 db steps. For digital inputs 17 to 24, the attenuation function comes after de-emphasis. Attenuation is s...
Page 46: Phase
Phase 39 03d—owner’s manual phase the phase function reverses the phase of an input signal by 180 degrees. The phase can be set for input channels 1 to 24 and the left and right channels of stereo input channel. Phase reversal can be used to compensate for incorrectly wired balanced cables and micro...
Page 47: Channel Delay
40 chapter 4—input channels 03d—owner’s manual channel delay the delay function can be used to compensate for microphone placement, or simply as a delay effect. Three types of delay are available: delay, slap, and echo. Delay can be applied to input channels 1 to 24 and the stereo input channel. Whe...
Page 48
Channel delay 41 03d—owner’s manual parameter copy —the copy to all ch switch is used to copy the delay param- eter settings to all input channels and the stereo input channel. The following dialog box appears when this switch is pressed. Use ok to copy or cancel to cancel. Viewing channel delay set...
Page 49: Dynamics Processor
42 chapter 4—input channels 03d—owner’s manual applying eq to the input channels eq each input channel features four-band parametric eq. See eq on page 45 for more information. Dynamics processor each input channel features a dynamics processor. See dynamics processors on page 143 for more informati...
Page 50: Direct Outputs
Direct outputs 43 03d—owner’s manual direct outputs up to eight post-fader signals from input channels 1 to 16 can be output directly via the ygdai digital outputs. Direct out settings are made on the pan/route page. When a channel is set for direct out operation, the ygdai output assign for that ch...
Page 51: Input Channels Block Diagram
44 chapter 4—input channels 03d—owner’s manual input channels block diagram st cascade in on/off flip select on on meter meter meter meter +48v +48v aes/ebu coaxial digital stereo in st in 3-8 3-8 r l 9-16 same as 1, 2 same as 1, 2 input 1, 2 st l r solo l r eff 1 2 * pan: individual/gang/inverted g...
Page 52: In This Chapter...
Eq 45 03d—owner’s manual eq 5 in this chapter... About 03d eq . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 adjusting the eq . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 bypassing t...
Page 53: About 03D Eq
46 chapter 5—eq 03d—owner’s manual about 03d eq 03d eq is four-band fully parametric, with variable gain, frequency, q, and on/off parameters. Eq is available on all input channels, the stereo input channel, the stereo output, bus outputs, aux sends, and the onboard effects returns. See the block di...
Page 54: Adjusting The Eq
Adjusting the eq 47 03d—owner’s manual adjusting the eq 1. Use the [sel] and [mixing layer] buttons to select a channel. See mixing layer on page 31 for more information. 2. Use the [eq low], [lo-mid], [hi-mid], or [high] button to access the eq page shown below. 3. Use the [eq low], [lo-mid], [hi-m...
Page 55: Eq Library
48 chapter 5—eq 03d—owner’s manual eq library eq settings can be stored as programs in the eq library. The eq library contains 40 preset programs (1–40) and 40 user programs (41–80). User programs allow you to store frequently used eq settings, and they can be titled for easy identification. The eq ...
Page 56: Storing Eq Programs
Storing eq programs 49 03d—owner’s manual storing eq programs eq programs are stored on the eq library page. You can store eq settings to user pro- grams 41 to 80. Preset programs 1 to 40 are read only. 1. Press the [eq low] and [lo-mid] buttons together to access the library page. 2. Use the [sel] ...
Page 57: Recalling Eq Programs
50 chapter 5—eq 03d—owner’s manual recalling eq programs eq programs are recalled from the eq library page. You can recall any of the 40 preset and 40 user programs. 1. Press the [eq low] and [lo-mid] buttons together to access the library page. 2. Use the [sel] buttons to select the channel to whic...
Page 58: Editing Eq Program Titles
Editing eq program titles 51 03d—owner’s manual editing eq program titles eq program titles can be edited at anytime. You don’t have to recall a program to edit its title. Only eq programs that contain data can have their titles edited. Title editing is performed on the eq library page shown below. ...
Page 59: Preset Eq Programs
52 chapter 5—eq 03d—owner’s manual preset eq programs # title parameter description low l-mid h-mid high 01 bass drum 1 peaking peaking peaking h.Shelf emphasizes the low range of a bass drum and the attack created by the beater. G +3.5 db –3.5 db 0.0 db +4.0 db f 99 hz 265 hz 1.05 khz 5.33 khz q 1....
Page 60
Preset eq programs 53 03d—owner’s manual 11 syn.Bass 1 peaking peaking peaking h.Shelf use on a synth bass with emphasized low range. G +3.5 db +8.5 db 0.0 db 0.0 db f 83 hz 944 hz 4.00 khz 12.6 khz q 0.1 8 4.5 — 12 syn.Bass 2 peaking peaking peaking h.Shelf emphasizes the attack that is peculiar to...
Page 61
54 chapter 5—eq 03d—owner’s manual 21 a.G.Stroke 2 l.Shelf peaking peaking h.Shelf a variation on program 20. You can also use it with a gutsy guitar sound. G –3.5 db –2.0 db 0.0 db +2.0 db f 297 hz 749 hz 2.00 khz 3.56 khz q — 9 4.5 — 22 a.G.Arpeg. 1 l.Shelf peaking peaking peaking corrects arpeggi...
Page 62
Preset eq programs 55 03d—owner’s manual 31 total eq 2 peaking peaking peaking h.Shelf a variation on program 30. G +4.0 db +1.5 db +2.0 db +6.0 db f 94 hz 749 hz 1.78 khz 17.9 khz q 7 2.8 5.6 — 32 total eq 3 l.Shelf peaking peaking h.Shelf a variation on program 30. Can also be used with stereo inp...
Page 63: Pan, Routing & Surround Pan
Pan, routing & surround pan 57 03d—owner’s manual pan, routing & surround pan 6 in this chapter... Selecting a pan mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 stereo pan, balance & routing . . . . . . . . . . . . . . . . . . . . . . . . . . . ....
Page 64: Selecting A Pan Mode
58 chapter 6—pan, routing & surround pan 03d—owner’s manual selecting a pan mode in addition to stereo pan, the 03d features three surround pan modes. Pan modes are set on the surround page. 1. Use the [pan/routing] button to locate the surround page shown below. 2. Use the cursor buttons to select ...
Page 65: Pan & Balance
Stereo pan, balance & routing 59 03d—owner’s manual stereo pan, balance & routing input channel, stereo input channel, and effects return signals can be routed to buses 1 to 4 and the stereo bus. Input channel signals can be panned. Stereo input channel and effects return signals can be balanced and...
Page 66: Pan Mode
60 chapter 6—pan, routing & surround pan 03d—owner’s manual with both controls set at center, as shown, the width of a stereo signal is reduced to zero, and it’s fed to the buses in mono. Setting the controls to positions in between these two extremes allows you set the width of the stereo signal. T...
Page 67: Stereo Pairs, Pan & Routing
Stereo pairs, pan & routing 61 03d—owner’s manual stereo pairs, pan & routing when input channels are configured as a stereo pair using the pair function (stereo pairs on page 114), control operation changes. Here input channels 1 and 2 have been configured as a stereo pair. Click- ing a routing swi...
Page 68: Surround Pan
62 chapter 6—pan, routing & surround pan 03d—owner’s manual surround pan as well as normal stereo pan, the 03d features three surround pan modes: 2+2, 3+1, and 3+2+1. In conjunction with the stereo out and bus outs, surround pan controls allow you to pan channel signals in a two-dimensional space. S...
Page 69: 2+2 Surround Mode
Surround pan 63 03d—owner’s manual 2+2 surround mode the 2+2 surround pan mode uses four channels: front left, front right, rear left, and rear right. The front speakers are fed from the 03d stereo output, while the rear speakers are fed from bus outs 3 and 4. The following illustration shows a 2+2 ...
Page 70: 3+2+1 Surround Mode
64 chapter 6—pan, routing & surround pan 03d—owner’s manual in 3+1 mode, channel routing and pan look like this. The pan control and 1 and 2 routing switches can still be used to assign the channel signal to bus outs 1 and 2. The surr switch is used to assign the channel to the surround sound out- p...
Page 71: Using Surround Pan
Using surround pan 65 03d—owner’s manual using surround pan when a surround pan mode is selected (see selecting a pan mode on page 58), the surr. 1–16 and surr. 17–24 surround pan pages shown below can be accessed. 1. Use the [pan/routing] button to locate the surr. 1–16 and surr. 17–24 pages shown ...
Page 72
66 chapter 6—pan, routing & surround pan 03d—owner’s manual the surround pan trajectory window shown below appears. 3. Use the cursor buttons to select a trajectory, and then press the [enter] button to activate it. See surround pan trajectories on page 67 for more information. If you are using a mo...
Page 73: Surround Pan Trajectories
Using surround pan 67 03d—owner’s manual surround pan trajectories the following surround pan trajectories are available. Left to right —the sound moves from left to right. The following illustrations show some typical left to right trajectories. Front to rear —the sound moves from front to back. Th...
Page 74
68 chapter 6—pan, routing & surround pan 03d—owner’s manual left to right semicircle —the sound moves from left to right on a semicircle trajectory. Use the width and depth parameters to set the size and shape of the semicircle. The shape can be adjusted from a semicircle to a narrow oval. Use the o...
Page 75: Stereo Link
Using surround pan 69 03d—owner’s manual stereo link for input channels configured as a stereo pair you can select a pattern and trajectory and move both signals simultaneously. 1. Configure two input channels as a stereo pair. See stereo pairs on page 114 for more information. 2. Use the cursor but...
Page 76: Solo, Monitors & Meters
Solo, monitors & meters 71 03d—owner’s manual solo, monitors & meters 7 in this chapter... About monitor & solo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 monitor outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ....
Page 77: About Monitor & Solo
72 chapter 7—solo, monitors & meters 03d—owner’s manual about monitor & solo the 03d’s flexible monitoring and solo functions are designed for use in a wide range of applications. Pre-fader or post-fader signals from all inputs and outputs can be mon- itored via the monitor out and headphones. Solo ...
Page 78: Monitor Outputs
Monitor outputs 73 03d—owner’s manual monitor outputs monitor and solo signals are output via the monitor out and phones connections. Mix- down solo and solo in place modes also work with the stereo outputs. The monitor out solo/2tr in switch selects the signal source for the monitor out and phones,...
Page 79: Monitoring
74 chapter 7—solo, monitors & meters 03d—owner’s manual monitoring on the moni.Setup page you can select the stereo output, aux sends, bus outs, or stereo cascade input as the monitor source. These signals are monitored via the monitor out and phones. Functions on this page do not affect the [solo] ...
Page 80: Setting Up Solo
Setting up solo 75 03d—owner’s manual setting up solo the solo setup page is used to set up the solo functions used to monitor input channels, the stereo input channel, and effects returns. Three solo modes are available: recording solo, mixdown solo, and solo in place. These modes are used in conju...
Page 81: Using Solo
76 chapter 7—solo, monitors & meters 03d—owner’s manual and effects returns. The third switch, fader group afl, works with fader groups. When you solo a channel that is in a fader group, all other channels in that fader group are also soloed. See fader groups on page 112. These switches are not acti...
Page 82: Solo Safe
Solo safe 77 03d—owner’s manual solo safe the solo safe function is used to protect channels from being muted when the mix- down solo or solo in place mode is used. A safe channel is not muted when other channels are soloed. The input channels, stereo input channel, effects returns, and stereo casca...
Page 83: Solo Block Diagram
78 chapter 7—solo, monitors & meters 03d—owner’s manual solo block diagram 1 2 3 4 1 2 l r l r recording solo listen not changed not changed not changed not changed listen on solo in place monitor out not changed phones mono on ch input 1-16 17-24 not changed pan not changed st in internal effect 1,...
Page 84: Metering
Metering 79 03d—owner’s manual metering level meters for the 24 input channels, stereo input channel, aux sends, bus outs, effects returns, ygdai outputs, and solo bus are provided on the three meter pages. The sig- nal source points for input and output meters can be set on pre/post page. Meters ca...
Page 85
80 chapter 7—solo, monitors & meters 03d—owner’s manual 3. Use the cursor buttons to select the peak hold switch, and then press the [enter] button to activate the peak hold function. If you are using a mouse, simply click the peak hold switch. Peak hold —this switch is used to turn on and off the p...
Page 86: Signal & Peak Indicators
Metering 81 03d—owner’s manual the following pre/post meter page is used to select the signal source points for the input and output meters. The peak hold function is reset whenever you select another source point. 4. Use the cursor buttons to select a meter point switch, and then press the [enter] ...
Page 87: Monitor Block Diagram
82 chapter 7—solo, monitors & meters 03d—owner’s manual monitor block diagram monitor out 2tr in mono moni trim 2tr in solo/ r l da da meter level level st l r solo l r eff 1 2 aux 1 2 3 4 bus 1 2 3 4 phones r l.
Page 88: Stereo Output
Stereo output 83 03d—owner’s manual stereo output 8 in this chapter... About the stereo output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 analog stereo outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 d...
Page 89: About The Stereo Output
84 chapter 8—stereo output 03d—owner’s manual about the stereo output the stereo output signal can be output to analog xlr-type connectors, analog rec out connectors, ygdai digital outputs, or aes/ebu and coaxial digital outputs. The stereo output features four-band parametric eq and a dynamics proc...
Page 90: Muting The Stereo Output
Setting the stereo output level 85 03d—owner’s manual setting the stereo output level the stereo output level is controlled using the st out fader. This fader is not affected by the mixing layer, and always works as level control for the stereo output. Muting the stereo output the stereo output can ...
Page 91: Stereo Output Delay
86 chapter 8—stereo output 03d—owner’s manual stereo output delay the left and right signals of the analog stereo output can be delayed individually. This can be used to compensate for delays in multi-speaker sound reinforcement systems. 1. Use the [delay/ ∅ ] button to locate the ch delay page. 2. ...
Page 92: Stereo Output Block Diagram
Stereo output block diagram 87 03d—owner’s manual stereo output block diagram stereo out on meter meter balance st out digital stereo out source select l r from bus out 1, 2 rec out r l dither aes/ebu coaxial st l r solo l r da delay dynamics dynamics 4band peq 4band peq delay da eff 1 2 aux 1 2 3 4...
Page 93: Aux Sends
Aux sends 89 03d—owner’s manual aux sends 9 in this chapter... About aux sends . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 analog aux send outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 aux sen...
Page 94: About Aux Sends
90 chapter 9—aux sends 03d—owner’s manual about aux sends the 03d features four aux sends. Input channel, stereo input channel, and effects return signals can be fed to the four aux sends. Each aux send features four-band para- metric eq and a dynamics processor. Aux sends can be used individually o...
Page 95
Sending channel signals to aux sends 91 03d—owner’s manual sending channel signals to aux sends input channel, stereo input channel, and effects return signals can be sent to aux sends. 1. Use the [mixing layer] button to select the 17–24/master mixing layer. See mixing layer on page 31 for more inf...
Page 96
92 chapter 9—aux sends 03d—owner’s manual pre-fader/post-fader aux sends individual input channels, the stereo input channel, and effects return aux sends can be configured as either pre-fader or post-fader sends. These settings are made on the aux pre/post pages. Each aux send has its own pre/post ...
Page 97: Muting Aux Sends
Setting aux send master levels 93 03d—owner’s manual setting aux send master levels aux send master levels are controlled using faders 9 to 12. The function of these faders depends on the selected mixing layer. See faders on page 32 for more information. 1.Use the [mixing layer] button to select the...
Page 98: Aux Send Stereo Pairs
94 chapter 9—aux sends 03d—owner’s manual aux send stereo pairs aux sends 1/2 and aux sends 3/4 can be configured as stereo pairs. Aux send stereo pairs are configured on the pair page. See stereo pairs on page 114 for more information. When aux sends are paired, the following aux send master parame...
Page 99: Aux Send Block Diagram
Aux send block diagram 95 03d—owner’s manual with the left control set at l16 and the right control set at r16, as shown, the width of a stereo signal is 100%. With both controls set at center, as shown, the width of a stereo signal is reduced to zero. Setting the controls to positions in between th...
Page 100: Bus Outs
Bus outs 97 03d—owner’s manual bus outs 10 in this chapter... About bus outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98 analog bus outs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98...
Page 101: About Bus Outs
98 chapter 10—bus outs 03d—owner’s manual about bus outs the 03d features four bus outputs. Input channel, stereo input channel, and effects return signals can be routed to the four buses. Each bus out features four-band para- metric eq and a dynamics processor. Bus outs can be used individually or ...
Page 102: Muting Bus Outs
Setting bus out master levels 99 03d—owner’s manual setting bus out master levels bus out master levels are controlled using faders 13 to 16. The function of these faders depends on the selected mixing layer. See faders on page 32 for more information. 1.Use the [mixing layer] button to select the 1...
Page 103: 100
100 chapter 10—bus outs 03d—owner’s manual bus out delay analog bus out signals can be delayed individually. This can be used to compensate for delays in multi-speaker sound reinforcement systems. 1. Use the [delay/ ∅ ] button to locate the ch delay page. 2. Use the [mixing layer] button to select 1...
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Routing bus signals to the stereo bus 101 03d—owner’s manual routing bus signals to the stereo bus bus out signals can be routed to the stereo bus, allowing the bus outs to be used as sub-groups during mixdown. Bus to stereo bus settings are made on the bus to st page. The bus to st page is availabl...
Page 105: 102
102 chapter 10—bus outs 03d—owner’s manual bus out block diagram 1 on meter meter bus out 1 to rec out l st l r solo l r 4band peq pan solo da meter delay dynamics eff 1 2 aux 1 2 3 4 bus 1 2 3 4 meter meter 1 on meter meter bus out 2 to rec out l 4band peq pan solo da meter delay dynamics meter met...
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Channel library & view 103 03d—owner’s manual channel library & view 11 in this chapter... Channel library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 storing channel programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...
Page 107: 104
104 chapter 11—channel library & view 03d—owner’s manual channel library channel settings can be stored as programs in the channel library. The channel library contains two preset programs (00 and 01) and 49 user programs (02–50). User pro- grams allow you to store frequently used channel settings, ...
Page 108: 105
Storing channel programs 105 03d—owner’s manual storing channel programs channel programs are stored on the channel library page. You can store channel set- tings to user programs 02 to 50. Programs 00 and 01 are read only. 1. Use the [view] button to locate the library page. 2. Use the parameter wh...
Page 109: 106
106 chapter 11—channel library & view 03d—owner’s manual recalling channel programs channel programs are recalled from the channel library page. 1. Use the [view] button to locate the library page. 2. Use the parameter wheel to scroll through the list of channel programs. If you are using a mouse, p...
Page 110: 107
Editing channel program titles 107 03d—owner’s manual editing channel program titles channel program titles can be edited at anytime. You don’t have to recall a program to edit its title. Only channel programs that contain data can have their titles edited. Title editing is performed on the channel ...
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108 chapter 11—channel library & view 03d—owner’s manual channel view the channel view page shows various settings and parameter values of the selected input channel, stereo input channel, effects return channel, aux send, bus out, or the stereo output, allowing you to check a channel’s mix settings...
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Channel view 109 03d—owner’s manual input channel view with aux sends 1 and 2 configured as a stereo pair input channel view with the 2+2 surround pan mode selected stereo input channel view page effects return channel view page.
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110 chapter 11—channel library & view 03d—owner’s manual aux send view page bus out view page stereo output view page.
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Groups & pairs 111 03d—owner’s manual groups & pairs 12 in this chapter... Fader groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 mute groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...
Page 115: 112
112 chapter 12—groups & pairs 03d—owner’s manual fader groups faders can be grouped for multiple fader control using only one fader. This makes it easy to control several faders simultaneously. Faders for input channels 1 through 24 and the stereo input can be used in fader groups. There are four fa...
Page 116: 113
Mute groups 113 03d—owner’s manual mute groups channels can be grouped for multiple mute control using only one [on] button. This makes it easy to mute several channels simultaneously. Input channels 1 through 24 and the stereo input can be used in mute groups. All channels in a mute group don’t hav...
Page 117: 114
114 chapter 12—groups & pairs 03d—owner’s manual stereo pairs input channels, aux sends, and bus outs can be paired together for stereo operation. Paired input channels are useful for processing stereo inputs signals. Paired aux sends and bus outputs provide additional stereo outputs. Configuring st...
Page 118: 115
Stereo pairs 115 03d—owner’s manual when you break a stereo pair, the following dialog box appears. 4. Use the cursor buttons to select either cancel or ok, and then press the [enter] button. Input channel stereo pairs see input channel stereo pairs on page 43 for more information. Aux send stereo p...
Page 119: 117
Onboard effects 117 03d—owner’s manual onboard effects 13 in this chapter... About the onboard effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118 preset effects programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118...
Page 120: 118
118 chapter 13—onboard effects 03d—owner’s manual about the onboard effects the 03d features two onboard stereo multi-effects processors: effect 1 and effect 2. They provide a wide range of quality effects, including reverb, delay, chorus, flange, amp simulator, and more. There are 34 different effe...
Page 121: 119
Preset effects programs 119 03d—owner’s manual delay/echo modulation 09 rev vocal 1 reverb hall long reverb suitable for ballad-type music 10 rev vocal 2 reverb stage broadly useful reverb, good for vocals, chorus, etc 11 rev. Plate reverb plate simulation of a plate echo unit 12 reverb stage reverb...
Page 122: 120
120 chapter 13—onboard effects 03d—owner’s manual pitch change multi-effect distortion 38 symphonic symphonic standard symphonic effect setting 39 phaser phaser simulation of a standard phaser 40 16stagephase phaser variation of a phaser. This uses all 16 stages of phase shift 41 auto pan auto pan s...
Page 123: 121
Preset effects programs 121 03d—owner’s manual dynamic effects freeze # title type description 58 auto wah dyna. Filter filter that uses the input level to control the fre- quency. This one is the standard auto-wah effect in which the filter is a bpf type 59 flange wah dyna. Flange a type of flanger...
Page 124: 122
122 chapter 13—onboard effects 03d—owner’s manual applying effects 1. Press the [effect 1] or [effect 2] button to select an effects processor. 2. Use the [sel] and [mixing layer] buttons to select a channel. 3. Raise that channel’s fader to the 0 position. Having pressed the effect 1 or effect 2 bu...
Page 125: 123
Pre-fader/post-fader effects sends 123 03d—owner’s manual pre-fader/post-fader effects sends individual input channels and the stereo input channel effects sends can be configured as either pre-fader or post-fader sends. These settings are made on the effects pre/post pages. 1. Use the [effect 1] bu...
Page 126: 124
124 chapter 13—onboard effects 03d—owner’s manual effects returns dynamics processors each effects return features a stereo dynamics processor. See dynamics processors on page 143 for more information. Muting effects returns effects returns can be muted using the effect return [on] button. This butt...
Page 127: 125
Effects library 125 03d—owner’s manual effects library effects settings can be stored as programs in the effects library. The effects library con- tains 64 preset programs (1–64) and 32 user programs (65–96). User programs allow you to store frequently used effects settings, and they can be titled f...
Page 128: 126
126 chapter 13—onboard effects 03d—owner’s manual storing effects programs effects programs are stored on the effects library page. You can store effects settings to user programs 65 to 96. Preset programs 1 to 64 are read only. 1. Use the [effect 1] or [effect 2] button to locate the library page. ...
Page 129: 127
Recalling effects programs 127 03d—owner’s manual recalling effects programs effects programs are recalled from the effects library page. You can recall any of the 64 preset and 32 user programs. Effects programs that use the hq. Pitch or freeze effect types can be recalled to only effect 2. 1. Use ...
Page 130: 128
128 chapter 13—onboard effects 03d—owner’s manual editing effects program titles effects program titles can be edited at anytime. You don’t have to recall a program to edit its title. Only effects programs that contain data can have their titles edited. Title editing is performed on the effects libr...
Page 131: 129
Effects parameters 129 03d—owner’s manual effects parameters reverb hall, reverb room, reverb stage, reverb plate early ref., reverse gate, gate reverb 1. 0.02 ms–2.13 s @ fs=32 khz/44.1 khz, 0.02 ms–1.96 s @ fs=48 khz 2. 6 ms–46.0 s @ fs=32 khz/44.1 khz, 5 ms–42.3 s @ fs=48 khz 1. Early ref. = s-ha...
Page 132: 130
130 chapter 13—onboard effects 03d—owner’s manual delay lcr echo chorus parameter range description dly l 0.1–2730.0 ms delay time of the l channel. Dly c 0.1–2730.0 ms delay time of the center delay. Dly r 0.1–2730.0 ms delay time of the r channel. Level l –100 to +100 level of the l channel delay ...
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Effects parameters 131 03d—owner’s manual flange symphonic phase parameter range description freq. 0.05–40.00 hz modulation speed. Depth 0–100% modulation depth. Fb.Gain –99 to +99% feedback amount. Lsf f 21 hz–1.0 khz frequency of the low shelving filter. Lsf g –12 to +12 db gain of the low shelvin...
Page 134: 132
132 chapter 13—onboard effects 03d—owner’s manual autopan tremelo hq.Pitch (effect 2 only) 1. Lr, l-->r, l parameter range description freq. 0.05–40.00 hz modulation speed. Depth 0–100% modulation depth. Dir. 1 select the direction in which the sound will move. Lsf f 21 hz–1.0 khz frequency of the l...
Page 135: 133
Effects parameters 133 03d—owner’s manual dual pitch rev+chorus parameter range description pitch 1 –24 to +24 amount of pitch change 1 (semitones). Fine 1 –50 to +50 cent fine adjustment (1 cent steps) for pitch change 1. Pan 1 l16–center–r16 pan for pitch change 1. Mode 0–10 precision of the pitch...
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134 chapter 13—onboard effects 03d—owner’s manual rev->chorus rev+flange parameter range description rev.Time 0.3–99.0 s length of reverb. Ini.Dly 0.1–500.0 ms delay time until the early reflections of the reverb are heard. Hi.Ratio 0.1–1.0 length of the high frequency portion of the reverb, express...
Page 137: 135
Effects parameters 135 03d—owner’s manual rev->flange rev+sympho. Parameter range description rev.Time 0.3–99.0 s length of reverb. Ini.Dly 0.1–500.0 ms delay time until the early reflections of the reverb are heard. Hi.Ratio 0.1–1.0 length of the high frequency portion of the reverb, expressed as a...
Page 138: 136
136 chapter 13—onboard effects 03d—owner’s manual rev->sympho. Rev->pan 1. Lr, l-->r, l parameter range description rev.Time 0.3–99.0 s length of reverb. Ini.Dly 0.1–500.0 ms delay time until the early reflections of the reverb are heard. Hi.Ratio 0.1–1.0 length of the high frequency portion of the ...
Page 139: 137
Effects parameters 137 03d—owner’s manual delay+er. Delay->er. 1. S-hall, l-hall, random, reverse, plate, spring 1. S-hall, l-hall, random, reverse, plate, spring parameter range description dly l 0.1–1000.0 ms delay time of the l channel. Dly r 0.1–1000.0 ms delay time of the r channel. Fb.Dly 0.1–...
Page 140: 138
138 chapter 13—onboard effects 03d—owner’s manual delay+rev delay->rev parameter range description dly l 0.1–1000.0 ms delay time of the l channel. Dly r 0.1–1000.0 ms delay time of the r channel. Fb.Dly 0.1–1000.0 ms feedback delay time. Fb.Gain –99 to +99% feedback amount. Hi.Ratio 0.1–1.0 high fr...
Page 141: 139
Effects parameters 139 03d—owner’s manual monodelay->rev amp simulate 1. Stk-m1, stk-m2, thrash, midboost, cmb-pg, cmb-vr, cmb-dx, cmb-twn, miniamp, flat 2. Dst1, dst2, ovd1, ovd2, crn parameter range description delay 0.1–1000.0 ms delay time. Fb.Dly 0.1–1000.0 ms feedback delay time. Fb.Gain -99 t...
Page 142: 140
140 chapter 13—onboard effects 03d—owner’s manual dyna.Filter dyna.Flange 1. 6 ms–46.0 s fs=32 khz/44.1 khz, 5 ms–42.3 s fs=48 khz 1. 0.02 ms–2.13 s fs=32 khz/44.1 khz, 0.02 ms–1.96 s fs=48 khz 2. 6 ms–46.0 s fs=32 khz/44.1 khz, 5 ms–42.3 s fs=48 khz parameter range description sense 0–100 input sen...
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Effects parameters 141 03d—owner’s manual dyna.Phaser freeze (effect 2 only) to record a sample, select the rec ready switch, and then press the [enter] button. The rec ready switch appears highlighted, indicating that the effect is now ready to record. If the rec mode is set to manual, press the [e...
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142 chapter 13—onboard effects 03d—owner’s manual to play back the sample, move the cursor to a rotary control (i.E., off the rec ready switch). If ply mode is set to moment or continue, press the [enter] button to start playback. If the ply mode is set to inp trg, playback starts automatically when...
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Dynamics processors 143 03d—owner’s manual dynamics processors 14 in this chapter... About the dynamics processors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144 patching in a dynamics processor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146 dyna...
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144 chapter 14—dynamics processors 03d—owner’s manual about the dynamics processors dynamics processors are available on all input channels, the stereo input channel, the stereo output, bus outputs, aux sends, and the onboard effects returns. See the block diagram on page 21 for the exact location o...
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About the dynamics processors 145 03d—owner’s manual dynamics processors are edited on the dyn. Edit page shown below. Use the [dynam- ics] button to locate the dyn. Edit page. Key in source —these switches are used to set the key in, or trigger source for the dynamics processors. The following opti...
Page 148: 146
146 chapter 14—dynamics processors 03d—owner’s manual patching in a dynamics processor 1. Use the [sel] and [mixing layer] buttons to select a channel. 2. Use the [dynamics] button to locate the library page and recall a dynamics program that uses the type of dynamics processor required. See recalli...
Page 149: 147
Dynamics library 147 03d—owner’s manual dynamics library dynamics settings can be stored as programs in the dynamics library. The dynamics library contains 40 preset programs (1–40) and 40 user programs (41–80). User pro- grams allow you to store frequently used dynamics settings, and they can be ti...
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148 chapter 14—dynamics processors 03d—owner’s manual storing a dynamics program dynamics programs are stored on the dynamics library page. You can store dynamics settings to user programs 41 to 80. Preset programs 1 to 40 are read only. 1. Use the [dynamics] button to locate the library page. 2. Us...
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Recalling a dynamics program 149 03d—owner’s manual recalling a dynamics program dynamics programs are recalled from the dynamics library page. You can recall any of the 40 preset and 40 user programs. 1. Use the [dynamics] button to locate the library page. 2. Use the [sel] buttons to select the ch...
Page 152: 150
150 chapter 14—dynamics processors 03d—owner’s manual editing dynamics program titles dynamics program titles can be edited at anytime. You don’t have to recall a program to edit its title. Only dynamics programs that contain data can have their titles edited. Title editing is performed on the dynam...
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Processor types 151 03d—owner’s manual processor types dynamics processors are generally used to correct or control signal levels. They can, however, be used creatively to shape a sound’s volume envelope. The dynamics proces- sor types, parameters, and their general applications are explained in the...
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152 chapter 14—dynamics processors 03d—owner’s manual signals at and above the threshold level are compressed by the amount specified using the ratio parameter. The trigger signal is sourced using the key in parameter. Ratio —this determines the amount of compression. That is, the change in output s...
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Processor types 153 03d—owner’s manual threshold —this determines the level at which the gate closes, cutting off the sig- nal. Signals above the threshold level pass through unaffected. Signals at or below the threshold, however, cause the gate to close. The trigger signal is sourced using the key ...
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154 chapter 14—dynamics processors 03d—owner’s manual is reduced to a level set by the range parameter. The trigger signal is sourced using the key in parameter. Range —this determines the level to which the signal is ducked. For a setting of –80 db, the signal is virtually cutoff. For a setting of ...
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Processor types 155 03d—owner’s manual ratio —this determines the amount of expansion. That is, the change in output sig- nal level relative to change in input signal level. For a 2:1 ratio, for example, a 5 db change in input level (below the threshold) results in a 10 db change in output level. Fo...
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156 chapter 14—dynamics processors 03d—owner’s manual threshold —this determines the input signal level at which compression and expansion are applied. Signals at a level below the threshold+width are attenuated by the expander. Signals at and above the threshold level are compressed by the amount s...
Page 159: 157
Preset dynamics programs 157 03d—owner’s manual preset dynamics programs # title type parameter value description 01 comp compressor threshold (db) –8 compressor intended to reduce the overall volume level. Use it on the stereo output during mix- down. It can also be used with the stereo input. Rati...
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158 chapter 14—dynamics processors 03d—owner’s manual 09 a.Dr.Bd compander (h) threshold (db) –11 compander (h) program for use with acoustic kit’s bass drum. Ratio ( :1) 3.5 attack (ms) 1 outgain (db) –1.5 width (db) 7 release (ms) 192 10 a.Dr.Sn compressor threshold (db) –17 compressor program for...
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Preset dynamics programs 159 03d—owner’s manual 17 e.B.Slap compressor threshold (db) –12 compressor program to level the attack and volume level of a slap electric bass guitar. Ratio ( :1) 1.7 attack (ms) 6 outgain (db) 4.0 knee hard release (ms) 133 18 syn.Bass compressor threshold (db) –10 compre...
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160 chapter 14—dynamics processors 03d—owner’s manual 25 strings3 compressor threshold (db) –17 a variation on program 23, intended for string instruments with a very low range, such as cellos or contrabass. Ratio ( :1) 1.5 attack (ms) 76 outgain (db) 2.5 knee 2 release (ms) 186 26 brasssection comp...
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Preset dynamics programs 161 03d—owner’s manual 33 solo vocal2 compressor threshold (db) –8 a variation on program 32. Ratio ( :1) 2.5 attack (ms) 26 outgain (db) 1.5 knee 3 release (ms) 331 34 chorus compressor threshold (db) –9 a variation on program 32, intended for chorus vocals. Ratio ( :1) 1.7...
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Scene memories 163 03d—owner’s manual scene memories 15 in this chapter... About scene memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164 what’s stored in scene memories? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164 what’s th...
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164 chapter 15—scene memories 03d—owner’s manual about scene memories scene memories are memory locations that are used to store mix scenes. A mix scene consists of all 03d mix settings (i.E., eq, fader positions, and so on). There are 50 scene memories, and they can be titled for easy identificatio...
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Scene memory 00 165 03d—owner’s manual scene memory 00 scene memory 00 is a little different to scene memories 1 through 50. It’s a read-only memory and contains the initial 03d settings. You can recall it, but you cannot store it. When you want to reset all mix settings to their initial values, rec...
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166 chapter 15—scene memories 03d—owner’s manual storing mix scenes mix scenes can be stored using the scene memory buttons or the scene mem. Page. Both methods are explained below. When a mix scene is stored, all data in the selected scene memory is overwritten. So be careful not to overwrite an im...
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Storing mix scenes 167 03d—owner’s manual press and hold the left mouse button, and then drag the mouse. The number and title of each scene memory flashes as it’s selected. Scene memories that do not contain data have the title no data! 4. Use the cursor buttons to select the store switch, and then ...
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168 chapter 15—scene memories 03d—owner’s manual recalling mix scenes mix scenes can be recalled using the scene memory buttons, the scene mem. Page, midi program change messages, or automix. Each of these methods is explained below. To prevent mix scenes being recalled accidentally, a preference ca...
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Undoing mix scene recalls 169 03d—owner’s manual using midi program change messages midi program change messages can be used to recall mix scenes, providing snap- shot-style mix automation. Program change messages can be transmitted from a con- trolling computer, midi sequencer, or midi keyboard to ...
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170 chapter 15—scene memories 03d—owner’s manual write protecting scene memories mix scenes can be protected against accidental erasure by write protecting scene mem- ories. Mix scenes cannot be stored to write-protected scene memories. Scene memory data received as midi bulk dump data is ignored wh...
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Editing scene memory titles 171 03d—owner’s manual editing scene memory titles scene memory titles can be edited at anytime. You don’t have to recall a scene memory to edit its title. Only scene memories that contain data can have their titles edited. Title editing is performed on the scene mem. Pag...
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172 chapter 15—scene memories 03d—owner’s manual sorting scene memories scene memories can be sorted using the sort page. 1. Use [scene memory] button to locate the sort page shown below. 2. Use the parameter wheel or mouse to select a scene memory from the source list. 3. Use the cursor buttons to ...
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Setting a fade time 173 03d—owner’s manual setting a fade time the fade time page can be used to specify a common fade time at which fader levels move to their new positions. This can be used to create cross fades between scenes. The fade time can be applied to faders individually. Once the fade tim...
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174 chapter 15—scene memories 03d—owner’s manual recalling scene data safely when a mix scene is recalled, mix settings that do not match those in the edit buffer are updated. In some situations, you may want to retain the mix settings of certain channels. This is possible using the recall safe func...
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Automix 175 03d—owner’s manual automix 16 in this chapter... About automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176 creating a new automix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180 enabling a...
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176 chapter 16—automix 03d—owner’s manual about automix the 03d’s automix function provides dynamic mix automation referenced to an exter- nal timecode source. The external timecode can be either mtc or midi clock. The automix start time can be offset relative to the external timecode. Automix can b...
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About automix 177 03d—owner’s manual current automix the current automix is the currently active automix. When the current automix is stored, its data is written to the selected automix memory. When an automix is recalled, the contents of the selected automix become the current automix. The current ...
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178 chapter 16—automix 03d—owner’s manual time counter & offset displays the counter display depends on the selected time base: mtc or midi clk. See setting the time base on page 181 for more information. Tc counter the tc counter displays hour, minute, second, and frame information of the incoming ...
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About automix 179 03d—owner’s manual abort switch while recording is in progress. Pressing it when recording has already stopped will not work. If memory is low and the undo buffer is disabled, you may not be able to abort playback or recording. In this case, the abort switch appears gray. First mix...
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180 chapter 16—automix 03d—owner’s manual creating a new automix new automixes are created on the memory page. When a new automix is created, the contents of the current automix are copied to the undo buffer, presuming that the undo function is turned on. See undoing automix operations on page 200 f...
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Setting the time base 181 03d—owner’s manual setting the time base automix requires an external timecode source. The 03d does not generate timecode internally. Automix can be used with mtc (midi timecode) or midi clock. Time- code signals are input using the midi in or to host connection. See midi c...
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182 chapter 16—automix 03d—owner’s manual setting an automix offset by setting an offset, automix events can be moved relative to the incoming timecode or a midi start message. The offset parameters depend on the selected time base. See set- ting the time base on page 181 for information about setti...
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Safe channels 183 03d—owner’s manual safe channels channels set as safe channels are excluded from automix playback. This allows you to perform real-time adjustments to a channel while automix plays, for example, in a live concert or theater situation. 1. Use the [automix] button to locate the fader...
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184 chapter 16—automix 03d—owner’s manual selecting parameters for recording you can select parameters for automix recording and rerecording using the over- write switches on the main page. 1. Use the [automix] button to locate the main page. 2. Use the cursor buttons to select the overwrite switche...
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Recording an automix 185 03d—owner’s manual recording an automix this section explains how to record an automix. 1. Use the [automix] button to locate the memory page. 2. Create a new automix. See creating a new automix on page 180 for more information. 3. Use the [automix] button to locate the main...
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186 chapter 16—automix 03d—owner’s manual during automix recording, parameter changes, such as eq, pan, and so on, apply to the channel selected in this step. You can select several channels and record fader moves and mute events for those channels because each channel has it’s own fader and [on] bu...
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Playing back an automix 187 03d—owner’s manual • rerecord events—rerecording events on page 188 • use automix punch in to replace events—automix punch-in/punch-out on page 189 • edit fader moves “on the fly”—editing fader moves on-the-fly on page 190 • edit events off-line—editing events off-line on...
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188 chapter 16—automix 03d—owner’s manual rerecording events you can rerecord automix events. The overwrite switches allow you to chose which events you want to rerecord. 1. Use the [automix] button to locate the main page. 2. Use the cursor buttons to select the overwrite switches, and the [enter] ...
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Automix punch-in/punch-out 189 03d—owner’s manual automix punch-in/punch-out you can punch-in and punch-out-style recording to rerecord events in an automix. The overwrite switches allow you to choose which events you want to rerecord. 1. Use the [automix] button to locate the main page. 2. Use the ...
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190 chapter 16—automix 03d—owner’s manual editing fader moves on-the-fly fader moves can be edited on the fly. 1. Use the [automix] button to locate the main page. 2. Set the fader overwrite switch to on (i.E., highlighted). See recording an automix on page 185 for information about the overwrite sw...
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Editing fader moves on-the-fly 191 03d—owner’s manual 7. At the point where you want to edit the fader moves, press the channel’s [sel] button. 8. Adjust the fader as required. Use the fader edit page to check fader positions relative to previously recorded fader data. See the following fader edit p...
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192 chapter 16—automix 03d—owner’s manual fader return & trim edit modes the following illustrations show how the return and trim modes affect levels. These are the original, or previously recorded level changes. These are the original level changes with the new fader move shown in gray. The two ver...
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Editing events off-line 193 03d—owner’s manual editing events off-line events in the current automix can be edited off-line using the event edit page (this page cannot be accessed during automix playback or recording). 1. Use the [automix] button to locate the event edit page. Events are listed chro...
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194 chapter 16—automix 03d—owner’s manual 5. To edit individual parameters, use the cursor buttons to select the time, event, and channel parameter of the selected event, and the param- eter wheel to edit them. If you are using a mouse, position the mouse cursor over a parameter, press and hold the ...
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Editing events off-line 195 03d—owner’s manual mtc time base event list example midi clock time base event list example time event channel description --:--:--.-- rcl safe off ch 1 channel 1 scene recall safe set to off (normally in list) --:--:--.-- rcl safe off ch 2 channel 2 scene recall safe set...
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196 chapter 16—automix 03d—owner’s manual eq frequency event value table value frequency value frequency value frequency value frequency 0 21 hz 30 118 hz 60 667 hz 90 3.77 khz 1 22 hz 31 125 hz 61 707 hz 91 4.00 khz 2 23 hz 32 132 hz 62 749 hz 92 4.23 khz 3 24 hz 33 140 hz 63 794 hz 93 4.49 khz 4 2...
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Editing events off-line 197 03d—owner’s manual eq gain event value table eq hpf & lpf on/off value table when q is set to 43 or 44 (i.E., lpf or hpf), the gain controls are used to turn the lpf and hpf filters on and off. Eq q event value table value gain value gain value gain value gain 0 –18.0 db ...
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198 chapter 16—automix 03d—owner’s manual extracting events events in the current automix can be deleted or moved and fader levels can be trimmed by a specified amount using the extract page (this page cannot be accessed during auto- mix playback or recording). 1. Use the [automix] button to locate ...
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Extracting events 199 03d—owner’s manual the event select switches are used to select the type of event to be extracted, moved, or trimmed. 5. If you are using the trim function, set the trim level and fade in and fade out parameters. Trim level —this is used to set how much levels are trimmed. Lev-...
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200 chapter 16—automix 03d—owner’s manual are overwritten. The trim fade times apply only to normal channel faders. The trim and extract functions require at least 1k of free memory. Mix scene recalls, effects library recalls, initial safe channel settings, time signature settings, and transmitted m...
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Clearing the undo buffer 201 03d—owner’s manual • fader moves are edited “on the fly” (see editing fader moves on-the-fly on page 190) • automix events are extracted (see extracting events on page 198) the undo buf. Size window displays the amount of memory being used by the undo buffer. 4. To undo ...
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202 chapter 16—automix 03d—owner’s manual storing automixes automixes are stored on the memory page. Up to four automixes can be stored. Auto- mixes and the current automix can be backed up to an external midi device, such as a midi data filer, using midi bulk dump. See bulk dump on page 242 for mor...
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Recalling automixes 203 03d—owner’s manual recalling automixes automixes are recalled on the memory page. You can recall any one of the four auto- mixes. When an automix is recalled, the contents of the current automix are replaced by the contents of the automix being recalled. You may want to store...
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204 chapter 16—automix 03d—owner’s manual swapping the current automix when an automix is recalled, and the undo function is on, the previous current auto- mix is copied to the undo buffer. If there’s not enough memory available to recall an automix and have the current automix copied to the undo bu...
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Editing automix titles 205 03d—owner’s manual editing automix titles automix titles can be edited at anytime. You don’t have to recall an automix to edit its title. Only automixes that contain data can have their titles edited. Title editing is per- formed on the memory page shown below. 1. Use the ...
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206 chapter 16—automix 03d—owner’s manual clearing automix memories the contents of the four automix memories can be cleared individually. This can be used to free up memory for further recording, or simply to clear automixes that are no longer required. It can also be used to delete automixes that ...
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Other functions 207 03d—owner’s manual other functions 17 in this chapter... User define buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208 using the onboard oscillator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21...
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208 chapter 17—other functions 03d—owner’s manual user define buttons the user define buttons are user-programmable buttons that can be configured to send specific midi or mmc (midi machine control) commands when pressed. They can also be used to recall frequently used mix scenes or effects programs...
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User define buttons 209 03d—owner’s manual mmc commands the “nn” part of each mmc command is the device number of the receiving machine. This is set on the midi/host page. See midi/host setup on page 233 for more information. Midi real-time messages scene memories & libraries if the current mix scen...
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210 chapter 17—other functions 03d—owner’s manual automix channel controls for the stereo input channel, the effects returns channels, and the stereo output, pan left and pan right set the balance, not pan. If a pair of user define buttons are set to pan left and pan right, or pan front and pan rear...
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User define buttons 211 03d—owner’s manual selected channel. In the following examples, the pan left and pan right functions are assigned to user define buttons [1] and [2]. 1 2 pan set at center pan left pan right 1 2 pan set between l16 and center pan left pan right 1 2 pan set between r16 and cen...
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212 chapter 17—other functions 03d—owner’s manual using the onboard oscillator the 03d features a useful, onboard audio oscillator, which can be assigned to the bus outputs, aux sends, stereo output, and onboard effects. It can be used for calibration or diagnostic purposes. Assigning a burst noise ...
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03d preferences 213 03d—owner’s manual 03d preferences various 03d preferences can be set on the prefer. Page shown below. 1. Use the [utility] button to locate the prefer. Page shown below. 2. Use the cursor buttons to select the parameters and the [enter] button to activate them. The preferences a...
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214 chapter 17—other functions 03d—owner’s manual checking the battery the 03d uses a long-life battery to maintain its internal memories. The battery should last for up to five years. You can check its condition on the prefer. Page. 1. Use the [utility] button to locate the prefer. Page shown below...
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Digital i/o 215 03d—owner’s manual digital i/o 18 in this chapter... Wordclock setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216 digital stereo out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ...
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216 chapter 18—digital i/o 03d—owner’s manual wordclock setup about wordclocks when several digital audio devices are configured in a system, it is essential that they are all synchronized to a single wordclock source. This is not smpte or midi timecode synchronization. Wordclock synchronization ref...
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Wordclock setup 217 03d—owner’s manual auto navigate —this function checks all possible word- clock sources and then displays a dialog box recommending a suitable source. Note, however, that this function is not perfect and in some situations it may not be able to recommend a suit- able source. The ...
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218 chapter 18—digital i/o 03d—owner’s manual wordclock connections & termination for correct operation it is essential that wordclock cabling be terminated correctly. The 03d has a wordclock termination on/off (75 Ω ) switch on the rear panel. Wordclock is a ttl signal, and in and out connections u...
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Digital stereo out 219 03d—owner’s manual digital stereo out the 03d features both aes/ebu and coax- ial-type digital stereo outputs. They output the same digital audio signal but in different formats. The xlr-3-32-type connector outputs aes/ebu format digital audio, while the coaxial connec- tor ou...
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220 chapter 18—digital i/o 03d—owner’s manual output dither the 03d’s aes/ebu connection outputs digital audio data with a wordlength of 24 bits. The coaxial connection outputs digital audio data with a wordlength of 20 bits. When a high-resolution digital audio signal is transferred to a lower-reso...
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Digital stereo in 221 03d—owner’s manual digital stereo in the 03d features both aes/ebu and coax- ial-type digital stereo inputs. Only one connection can be used at a time. The xlr-3-31-type connec- tor accepts aes/ebu format digital audio, while the coaxial connector accepts consumer format digita...
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222 chapter 18—digital i/o 03d—owner’s manual digital input monitor the dio monitor page is used to monitor the channel status of iec958 digital input signals (aes/ebu or coaxial) connected to the digital stereo in and ygdai card. The digital stereo in can be set to either aes/ebu or coaxial on the ...
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Ygdai cards 223 03d—owner’s manual ygdai cards about the ygdai system the ygdai (yamaha general digital audio interface) system and optional ygdai interface cards provide digital i/o support for several industry standard digital audio formats and protocols. Using a ygdai card, the 03d’s bus, aux, an...
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224 chapter 18—digital i/o 03d—owner’s manual multitrack recorders the 03d’s ygdai slot provides eight digital inputs and outputs, and can be used to connect modular digital multitrack recorders, such as the alesis adat or tascam da-88. The digital outputs can be any combination of bus outs, aux sen...
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Ygdai cards 225 03d—owner’s manual ygdai block diagram st out ch8 ch16 ch7 ch15 ch2 ch10 on same as 1, 2 to ygdai to ygdai not changed meter meter aux out bus out not changed not changed not changed not changed ch output 1-8 from ch1 ch9 output (ygdai) input (ygdai) ch input 17-24 ch input 1-16 from...
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226 chapter 18—digital i/o 03d—owner’s manual installing ygdai cards 1. Turn off the 03d. 2. Undo the four fixing screws and remove the slot cover, as shown below. Keep the cover in a safe place for future use. 3. Insert the card into the slot as shown below. Push it in all the way so that the card’...
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Cascading the 03d 227 03d—owner’s manual cascading the 03d the cd8-cs cascade kit allows two 03ds to work together as one 32-input mixing console, with both 03ds sharing a common bus system (inputs 17–24 are not available when a cascade card is installed). The 03d can also be cascaded with the yamah...
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228 chapter 18—digital i/o 03d—owner’s manual 2. Use the cursor buttons to select the switches and controls and the [enter] button and parameter wheel to set them. If you are using a mouse, simply click and drag the parameters. Select —these four switches are used to route the eight bus signals from...
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Cascading the 03d 229 03d—owner’s manual using solo with cascade when two consoles are cascaded together, the solo buses of both consoles are con- nected. Solo mode is engaged using the [solo] button on the master console. The [solo] button on the slave console is essentially redundant. Also, solo s...
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Midi 231 03d—owner’s manual midi 19 in this chapter... Midi and the 03d . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232 midi connectors & to host . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 232 midi & to host data receive ...
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232 chapter 19—midi 03d—owner’s manual midi and the 03d the 03d works with midi in the following ways: • program changes for mix scene recall (see program change assign on page 239) • control changes for real-time mix parameter control (control change assign on page 240) • system exclusive for param...
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Midi & to host data receive indicators 233 03d—owner’s manual in multiport mode, the 03d’s general midi functions work with midi messages received on port 1. Although you can select different ports for mtc, midi real-time messages, mmc, fader start, and the four midi remote pages. Port 2 data is ech...
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234 chapter 19—midi 03d—owner’s manual in this case, midi messages received at the to host connection are echoed through to the midi out connector according to the echo parameters on the midi setup page. See midi setup on page 235 for more information. While midi messages received at the 03d’s midi ...
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Midi setup 235 03d—owner’s manual selecting the setup switch and then pressing the [enter] button. If you are using a mouse, simply click the setup switch. The following dialog box appears. These setting are really intended for those who write their own computer programs to control the 03d. You shou...
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236 chapter 19—midi 03d—owner’s manual control change messages. Rx determines whether or not the 03d receives control change messages. Omni determines whether or not the 03d receives control change messages on all 16 midi channels. When omni is on, control change messages are received regardless of ...
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Midi setup 237 03d—owner’s manual other commands —this switch determines whether or not midi data other than that set using the program change, control change, parameter change, and real time msg. & mtc switches is echoed. Operation of this echo switch depends on the host interface setting on the mi...
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238 chapter 19—midi 03d—owner’s manual midi monitor the midi moni. Page is used to monitor data received at the midi in and to host connections. Data is displayed in a hexadecimal format. 1. Use the [utility] button to locate the midi moni. Page shown below. Midi data received at the midi in connect...
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Program change assign 239 03d—owner’s manual program change assign the pgm asgn. Page is used to assign 03d scene memories to midi program changes. Program change messages can be used to recall 03d mix scenes. See using midi pro- gram change messages on page 169 for more information. Scene memories ...
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240 chapter 19—midi 03d—owner’s manual control change assign the ctl asgn. Page is used to assign 03d parameters to midi control changes. Con- trol changes can be used to control 03d mix settings in real time. When an 03d mix parameter is adjusted, a control change messages is transmitted. This mess...
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System exclusive parameter control 241 03d—owner’s manual initialize. The p.Mix 01 arrangement option is used to configure control changes for use with a yamaha programmable mixer 01 digital mixer. A parameter to control change assignment table is provided on page 268. The param- eter to control cha...
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242 chapter 19—midi 03d—owner’s manual bulk dump from the bulk page, 03d data can be dumped to and from other midi devices, such as a midi data filer, controlling computer, or another 03d. This can be used to backup 03d data, or transfer data between 03ds. 1. Use the [midi] button to locate the bulk...
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Midi remote 243 03d—owner’s manual midi remote the midi remote function allows you to control other midi equipment from the 03d. Connection can be made using midi in/out or the to host connection. Remote equipment can be controlled using the 03d faders, [on] buttons, cursor buttons, and parameter wh...
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244 chapter 19—midi 03d—owner’s manual assigning devices to midi remote pages four midi remote pages are available and each can be assigned to one device. 1. Use the [midi remote] button to locate the setup page shown below. 2. Use the cursor buttons to select a page’s rotary control, and then use t...
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Midi remote 245 03d—owner’s manual programmable mixer 01, 02r, 03d pages the same remote control functions are available for the programmable mixer 01, 02r, and 03d. The following table lists the mixer parameters that can be controlled from the 03d. 1. Use the [midi remote] button to locate the p.Mi...
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246 chapter 19—midi 03d—owner’s manual pror3, rev500 pages the following table lists the reverb parameters that can be controlled from the 03d. 03d faders control the same parameters as those on the display. 1. Use the [midi remote] button to locate the pror3 or rev500 page. To recall a reverb progr...
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Midi remote 247 03d—owner’s manual gm tone generator page the following table lists the gm tone generator parameters that can be controlled from the 03d. Midi channels do not have to be set. 1. Use the [midi remote] button to locate the gm page. The 03d display shows control change 1, control change...
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248 chapter 19—midi 03d—owner’s manual xg page the following table lists the xg tone generator parameters that can be controlled from the 03d. 1. Use the [midi remote] button to locate the xg page. 2. Set the midi channel to match the device number of the xg tone gen- erator. See midi/host setup on ...
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Midi remote 249 03d—owner’s manual pro tools page the following table lists the pro tools parameters that can be controlled from the 03d. Midi channels do not have to be set. 1. Use the [midi remote] button to locate the pro tools page. 2. In pro tools, choose peripherals from the setups menu. 3. Tu...
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250 chapter 19—midi 03d—owner’s manual user define page the following table lists the 03d controls that can be used to control user-defined parameters. 1. Use the [midi remote] button to locate the user def. Page. On the user define page, you define the midi commands to be sent when the 03d’s faders...
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251 03d—owner’s manual troubleshooting symptom advice the 03d cannot be turned on! Make sure that the power cord is connected to a suitable ac wall out- let. Make sure that the 03d power switch is set to the on position. If you still cannot turn on the 03d, contact your yamaha dealer. Input channel ...
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252 03d—owner’s manual configured a stereo pair but the signal appears to be in mono! Make sure that the odd channel is panned hard left, and the right channel is panned hard right. Configured a stereo pair but the signal sounds out of phase! Make sure that the phase of both input channels in the st...
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03d level diagram 253 03d—owner’s manual appendix a: general 03d level diagram analog digital db db bit +24 +20 +10 +4 0 – 10 – 20 – 30 – 40 – 50 – 60 – 70 – 80 – 90 – 100 – 110 – 120 – 130 – 140 – 150 – 160 – 170 – 180 – 190 0 – 10 – 20 – 30 – 40 – 50 – 60 – 70 _80 – 90 – 100 – 110 – 120 – 130 – 14...
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254 03d—owner’s manual display messages message meaning automix memory full! The automix memory is full. Delete some unnecessary data or back up your data to a midi data filer. Automix rec aborted. Automix recording was aborted and the data was dis- carded. If the automix undo buffer is set to enabl...
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Display messages 255 03d—owner’s manual tc type mismatch! Timecode that is different from the automix time base set- ting has been input. The automix may not play back cor- rectly. Review and correct the setting. To host: data framing error! An incorrect signal may have been input to the to host con...
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256 03d—owner’s manual security cover in some situations you may want to fit a protective cover over the analog controls across the top of the 03d. Although yamaha do not make a cover, the 03d has four fixing holes to secure a user-made cover. If you fit such a cover, make sure that the fixing screw...
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General specs 257 03d—owner’s manual appendix b: specifications general specs sampling rate internal: 48 khz/44.1 khz external: 32 khz (–6%) to 48 khz (+6%) signal delay less than 2.5 ms fs=48 khz, ch in to st out dither 16 to 24 bit fader 60 mm stroke motorized fader × 19 fader resolution 128 steps...
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258 03d—owner’s manual channel control button eq low, lo-mid, hi-mid, high, delay/ø, dynamics, pan/routing, view set up button utility, midi, scene memory, dio, group/pair, solo setup, automix solo button scene memory button store, recall, inc+, dec–, undo/redo user define button 1, 2, 3, 4 cursor b...
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Channel specs 259 03d—owner’s manual channel specs mono input channel channels 1 to 24 (channels 17 to 24: ygdai card) analog section phantom switch +48 v, ch 1 to 8 gain control 44 db (–16 to –60 db), channel 1 to 8 30 db (+10 to –20 db), channel 9 to 16 pad switch 26 db, channels 1 to 8 insert cha...
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260 03d—owner’s manual stereo digital input channel de-emphasis auto de-emphasis filter (15 µ s/50 µ s) flip switch normal (st in: analog) flip (digital stereo in: digital) digital stereo in: aes/ebu, coaxial cascade effect return channel 1,2 on/off, on: assign to st bus equalizer 4-band parametric ...
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Channel specs 261 03d—owner’s manual aux output channel aux out 1 to 4 digital section equalizer 4-band parametric equalizer fader 60 mm stroke motorized fader dynamics on/off monitor on/off afl/pfl meter lcd analog section da convertor monitor output channel 18-bit linear 8-times oversampling digit...
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262 03d—owner’s manual memory/library specs eq specs 1. Frequency at 48 khz or 44.1 khz sampling rate. At a sampling rate of 32 khz the frequency range is 21 hz–15.1 khz. Type total preset user scene memories 51 1 50 channel library 51 2 49 effects library 96 64 32 dynamics library 80 40 40 eq libra...
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Analog inputs specs 263 03d—owner’s manual analog inputs specs 1. Sensitivity is the lowest level that will produce an output of +4 db (1.23 v) or the nominal output level when the 03d is set to maximum gain (all faders and level controls at maximum positions). 2. Input channel xlr-type connectors a...
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264 03d—owner’s manual analog outputs specs 1. Stereo out xlr-type connectors are balanced (pin 1 = ground, pin 2 = hot, pin 3 = cold). 2. Bus, aux, and monitor out trs phone jacks are balanced (tip = hot, ring = cold, sleeve = ground). 3. Input channel insert connections are unbalanced (tip = send,...
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Digital inputs specs 265 03d—owner’s manual digital inputs specs digital outputs specs ygdai interface card specs control i/o specs 1. De-emphasis is applied automatically if the input signal has been emphasized. 1. Channel status type: 2 channel audio signal emphasis: no sampling rate: depends on i...
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266 03d—owner’s manual 03d dimensions specifications and external appearance are subject to change without notice. For european model purchaser/user information specified in en55103-1 and en55103-2. Inrush current: 5a conformed environment: e1, e2, e3 and e4. D: 516.5 116.5 362 36 h: 210.5 w: 460
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Scene memory to program change table 267 03d—owner’s manual appendix c: midi scene memory to program change table program change # initial scene # user scene # program change # initial scene # user scene # program change# initial scene # user scene # 1 01 44 44 87 — 2 02 45 45 88 — 3 03 46 46 89 — 4...
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268 03d—owner’s manual parameter to control change table control change # parameter 03d default programmable mixer 01 arrangement user 0 no assign fader channel ch 1 1 fader channel ch 1 fader channel ch 2 2 fader channel ch 2 fader channel ch 3 3 fader channel ch 3 fader channel ch 4 4 fader channe...
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Parameter to control change table 269 03d—owner’s manual control change # parameter 03d default programmable mixer 01 arrangement user 38 pan channel ch 1 on channel st in 39 pan channel ch 2 on channel return1 40 pan channel ch 3 on channel return2 41 pan channel ch 4 on channel mas aux1 42 pan cha...
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270 03d—owner’s manual control change # parameter 03d default programmable mixer 01 arrangement user 80 on channel ch17 fader eff1 send ch13 81 on channel ch18 fader eff1 send ch14 82 on channel ch19 fader eff1 send ch15 83 on channel ch20 fader eff1 send ch16 84 on channel ch21 fader eff1 send st i...
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Midi data format 271 03d—owner’s manual midi data format 1 transmit/receive data 1.1 channel messages 1.1.1 note on/ note off when fader start is on, note-on messages will be transmitted when odd numbered faders from 1 through 15 are raised from -infin- ity (velocity 127) or lowered to -infinity (ve...
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272 03d—owner’s manual 2. Transmission condition 3. Receive condition 4. Parameter change & request format parameter change & request (basic format) parameter change (byte operation for type 0x08:edit buffer) continuous address mode individual address mode pgm echo on ctl echo on real time & mtc ech...
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Midi data format 273 03d—owner’s manual parameter change (bit operation for type 0x48:edit buffer) used to change on/off, etc., in bits. Parameter change (byte operation for type 0x09:system memory) parameter change (bit operation for type 0x49:system memory) used to change the recall safe, etc., in...
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274 03d—owner’s manual 5. Bulk dump & request format how to get check sum, adding data from byte count (low) to just before the check sum, multiplying -1 (2's complement), resetting msb (bit7). Check sum =( -sum) & 0x7f scene memory bulk dump format scene memory bulk dump request format equalizer li...
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Midi data format 275 03d—owner’s manual effect library bulk dump request format ch library bulk dump format ch library bulk dump request format program change assignment table bulk dump format program change assignment table bulk dump request format control change assignment table bulk dump format c...
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276 03d—owner’s manual setup memory bulk dump format setup memory bulk dump request format automix memory bulk dump format (one bulk out is transmitted by each 1k block) automix memory bulk dump request format midi remote bulk dump format midi remote bulk dump request format status 11110000 f0 syste...
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Midi data format 277 03d—owner’s manual 6. Parameter list for control change assign fader on pan balance surround phase pre/post routing delay eq dynamics effect no assign channel ch1-24, st in, return1, return2, mas aux1-4, mas bus1-4, mas st eff1 send ch1-24, st in eff2 send ch1-24, st in aux1 sen...
Page 278: Midi Implementation Chart
Yamaha [digital mixing console—internal parameters] date: 05 feb. 1997 model: 03d midi implementation chart version: 1.0 function... Transmitted recognized remarks basic channel default changed 1–16 1–16 1–16 1–16 memorized mode default messages altered x x ************** omni off/omni on x x memori...
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Books 279 03d—owner’s manual appendix d: resources books • introducing digital audio, ian r sinclair, second edition, pc publishing, 1992. A good all-round introduction to digital audio. Second edition explains oversampling and bitstream techniques. • principles of digital audio, ken c. Pohlmann, ho...
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281 03d—owner’s manual glossary a/d converter —an electronic device that converts analog signals into digital signals. Aes/ebu format —the digital audio format established by the aes (audio engi- neering society) and ebu (european broadcasting union) that is used to transfer dig- ital audio data bet...
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282 03d—owner’s manual edit buffer —the internal ram area that stores the current mix settings (i.E. The cur- rent mix scene). When a mix scene is stored, the edit buffer data is copied to the selected scene memory. When a mix scene is recalled, the data of the selected scene memory is copied back t...
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283 03d—owner’s manual mmc (midi machine control) — a set of midi messages that can be used to con- trol audio and video tape machines, disk recorders, and other studio equipment. Typi- cal mmc commands include stop, play, rewind, and pause. Modulation —in general audio, using an lfo (low frequency ...
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284 03d—owner’s manual pre fader —a point in the signal path before a fader. Aux send controls are often con- figured as pre-fader sends, which means the signal for the aux send is sourced before the channel fader. The advantage of this is that the aux send signal can be controlled independently of ...
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Index 285 03d—owner’s manual index symbols +48 v phantom 37 numerics 02r cascade with 03d 227 midi remote 245 03d benefits 4 block diagram 21 configuration 4 dimensions 266 features 3 initializing 214 level diagram 253 midi 232 midi remote 245 preferences 213 rear panel 16 sonic performance 4 top pa...
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286 index 03d—owner’s manual cascade block diagram 229 configuring 227 delay compensation 228 digital stereo input 221 cascade page 227 cascade ygdai card 223 ch 1-16 page, meters 79 ch 17-24 page, meters 80 ch delay page 40 , 86 , 100 ch view page 108 ch, definition 281 channel control buttons 13 c...
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Index 287 03d—owner’s manual midi 235 edit buffer about 164 definition 282 editing extracting events 198 off-line 193 eff, definition 282 eff. Edit page 118 , 122 , 123 effects about 118 block diagram 142 parameters 129 pre/post fader sends 123 summary 5 using 122 effects library about 125 bulk dump...
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288 index 03d—owner’s manual k key in, dynamics 145 l lcd about 12 definition 282 led, definition 282 level diagram 253 library channel 104 dynamics processors 147 effects 125 eq 48 user define buttons 209 library page, channels 104 , 105 , 106 , 107 library specs 262 line-level signal, definition 2...
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Index 289 03d—owner’s manual nyquist theorem, definition 283 o off-line editing, automix 193 offset automix 182 display 178 omni definition 283 midi 235 on buttons about 15 aux sends 93 bus outs 99 input channels 42 mixing layer 31 stereo output 85 onboard dynamics. See dynamics processors onboard e...
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290 index 03d—owner’s manual s safe channels automix 183 scene memories 174 solo 77 sample delay 40 sampling rate definition 284 display 217 setting 217 synchronization 216 scene mem. Page 166 , 168 , 170 , 171 scene memories about 164 bulk dump 242 buttons 13 , 165 control change assign 240 definit...
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Index 291 03d—owner’s manual macintosh 235 multiport 234 operation 232 port setup 233 standard i/f 233 top panel 10 trajectory window, surround pan 66 transmit channel, midi 235 transmit interval 242 transport controls, automix 178 tremolo 132 trim fader edit 190 modes 192 troubleshooting 251 u undo...
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Yamaha corporation pro audio & digital musical instrument division p.O. Box 3, hamamatsu, 430-8651, japan 01 07 1000 ap printed in japan.