Yamaha Clavinova CLP-411 Owner's Manual - page 50

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(5) XG Native Bulk Data (reception only)

Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aa] ->

[bb] -> [hh] -> [mm] -> [

] -> [dd] ->...-> [cc]

-> [F7H]

Exclusive status

YAMAHA ID

When n is received n=0~F, whichever is received.

When n is transmitted n always=0.

Model ID of XG

ByteCount

Address High

Address Mid

Address Low

Data

Check sum

End of Exclusive

For information about “Address” and “Byte Count” fields, refer to

attached tables.

In the attached tables “TOTAL SIZE” partitions a data series into

single bulk dumps. The “address” is the first byte of the bulk data.

The checksum value is set such that the sum of Byte Count, Ad-

dress, Data, and Checksum has value zero in its seven least

significant bits.

If too much bulk data is received at a time there is a chance of

error. The total data for a bulk dump should not exceed 512 bytes,

it is recommended that data be kept under 512 bytes with an

interval time of 120msec or more between 512 byte bulk.

(6) Clavinova MIDI Format

Data format: [F0H] -> [43H] -> [73H] -> [3BH] -> [yy] ->

[F7H]

= Exclusive status

43H

= Yamaha ID

73H

= Clavinova ID

3BH

= CLP-411/511 ID

= Substatus

Information

02H

Internal MIDI clock

03H

External MIDI clock

06H

Bulk Data

* The bulk data follows 06H.

* When yy=2, 3 or Clavinova common ID (01H) is recog-

nized

as well as 3BH.

BULK DUMP FORMAT

F0H, 43H, 73H

nnH

(Product ID: CLP-411=42H,

CLP-511=43H)

06H

(Bulk ID)

05H

(Sequence data, Bulk Dump Format)

0xH, 0xH, 0xH, 0xH (Data length= xxxx bytes)

[BULK DATA]

(low, high........low, high)

[CHECK SUM (1byte)] = 0-sum (BULK DATA)

F7H

(7) Special Control

Data format: [F0H] -> [43H] -> [73H] -> [3BH] -> [11H] ->

[0nH] -> [cc] -> [vv] -> [F7H]

43H

= Yamaha ID

73H

= Clavinova ID

3BH

= CLP-411/511 ID

11H

= Clavinova special control

0nH

= Control MIDI change + channel number

= Control number

= Value

Control

0nH

ccH

Split Point

Always 00

14H

14H : Split Key Number(CLP-511)

Metronome

Always 00

1BH

00H : off

01H : –

02H : 2/4

03H : 3/4

04H : 4/4

05H : 5/4

06H : 6/4

07H : No accent

Channel Detune

ch: 00-0F

43H

00H-7FH

Voice Reserve

ch: 00-0F

45H

00H : Reserve off

7FH : on

*1 When Volume, Expression is received for Reserve On, they will be

effective from the next Key On. Reserve Off is normal.

(8) Others

Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] ->

[00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]

Master Tuning (XG and last message priority) simultaneously changes the

pitch of all channels.

F0H

= Exclusive Status

43H

= Yamaha ID

1nH

= Transmission from n=CLP is always 0. 0-F is received.

27H

= Model ID of TG100

30H

= Sub ID

00H

mmH

= Master Tune MSB

llH

= Master Tune LSB

ccH

= don’t care (under 7FH)

F7H

= End of Exclusive

MIDI Data Format/MIDI-Datenformat/Format des données MIDI/Formato de datos MIDI

MIDI Parameter Change table ( SYSTEM )

Address (H)

Size (H)

Data (H)

Parameter

Description

Default value (H)

00 00 00

020C - 05F4(*1) MASTER TUNE

-50 - +50[cent]

00 04 00 00

1st bit 3 - 0

→

bit 15 - 12

400

2nd bit 3 - 0

→

bit 11 - 8

3rd bit 3 - 0

→

bit 7 - 4

4th bit 3 - 0

→

bit 3 - 0

00 - 7F

MASTER VOLUME

0 - 127

—

34 - 4C(*2)

TRANSPOSE

-12 - +12[semitones]

XG SYSTEM ON

00=XG sytem ON

RESET ALL PARAMETERS

00=ON (receive only)

TOTAL SIZE

*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.

*2: Values from 28 through 33 are interpreted as -12 through -1. Values from 4D through 58 are interpreted as +1 through +12.

MIDI Parameter Change table ( EFFECT 1)

Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.

Address (H)

Size (H)

Data (H)

Parameter

Description

Default value (H)

02 01 00

00-7F

REVERB TYPE MSB

Refer to Effect MIDI Map

01(=HALL1)

00-7F

REVERB TYPE LSB

00 : basic type

00-7F

REVERB RETURN

∞

dB...0dB...+6dB(0...64...127)

TOTAL SIZE

02 01 40

00-7F

VARIATION TYPE MSB

Refer to Effect MIDI Map

00(=Effect off)

00-7F

VARIATION TYPE LSB

00 : basic type

TOTAL SIZE

* “VARIATION” refers to the EFFECT on the panel.

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Summary of Clavinova CLP-411

Page 2: Special Message Section
92-469 1 environmental issues: yamaha strives to pro- duce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you t...
Page 3: English
English owner’s manual deutsch bedienungsanleitung français mode d’emploi español manual de instrucciones c l p - 4 1 1 c l p - 5 1 1.
Page 4: Introduction
Introduction thank you for choosing a yamaha clp-411/511 clavinova. Your clavinova is a fine musical instrument that employs advanced yamaha music technology. With the proper care, your clavinova will give you many years of musical pleasure. ● yamaha’s awm (advanced wave memory) tone generator syste...
Page 5: Contents
Contents 1 the control panel .......................................................... 2 connections ................................................................... 5 selecting & playing voices ............................................ 6 playing the demonstration tunes .........................
Page 6: The Control Panel
2 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the control panel clp-511 clp-411 master volume function transpose split variation piano 1 piano 2 clavi.Tone e.Piano 1 e.Piano 2 strings harpsi- chord pipe organ 1 pipe organ 2 ...
Page 7: The Control Panel
3 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the control panel 1 [power] switch press the [power] switch once to turn the power on, a second time to turn the power off. When the power is initially turned on, a voice selecto...
Page 8: The Control Panel
4 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ 0 [metronome] button turns the metronome sound on and off. The [tempo/song] but- tons, below, are used to set the tempo of the metronome sound, and the volume of the metronome so...
Page 9: Connections
5 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ connections 1 aux in l and r jacks (clp-511: l/l+r and r) these jacks are intended for use with an external tone generator module such as the yamaha dou-10 disk orchestra unit. T...
Page 10: Selecting & Playing Voices
6 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ selecting & playing voices turn power on .................................................................................................. After making sure that the clavinova’s...
Page 11
7 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ demonstration tunes are provided that effectively demonstrate each of the clavinova’s voices. There are also 30 piano songs that you can play individually, all in sequence, or in...
Page 12: Piano Song A-B Repeat
8 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ piano song a-b repeat the a-b repeat function can be used to continuously repeat a specified phrase within a piano song. Combined with the part cancel function described below, t...
Page 13
9 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ piano song part cancel (clp-511) the 30 piano songs provided on the clp-511 have separate left- and right-hand parts that can be turned on and off as required so you can practice...
Page 14: The Dual Mode
10 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the dual mode the dual mode makes it possible to play two voices simultaneously across the entire range of the keyboard. To activate the dual mode simply press two voice selecto...
Page 15: The Split Mode (Clp-511)
11 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the split mode (clp-511) the split mode makes it possible to play two different voices on the keyboard — one with the left hand and another with the right hand. The left-hand vo...
Page 16: Reverb
12 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ reverb the [reverb] button selects a number of digital reverb effects that you can use for extra depth and expressive power. To select a reverb type press the [reverb] button a ...
Page 17: The Chorus Effect
13 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the chorus effect the [effect] button engages a chorus effect that can give your sound greater depth and animation. The [effect] button turns the chorus effect on (indicator lit...
Page 18: Touch Sensitivity
14 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ touch sensitivity four different types of keyboard touch sensitivity — hard, medium, soft or fixed — can be selected to match different playing styles and preferences. To select...
Page 19: Tuning
15 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ tuning tuning makes it possible to adjust the pitch of the clavinova over a 427.0 hz … 453.0 hz (corresponding to the a3 note’s hz) range in approximately 0.2 hertz intervals. P...
Page 20: The Metronome
16 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the metronome & tempo control the clp-411/511 built-in metronome is a convenient feature for practice, and it can also provide a solid rhythmic guide when recording using the re...
Page 21: Using The Recorder
17 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ using the recorder the clp-411 has a 1-track recorder and the clp-511 features a two-track recorder that let you record what you play on the keyboard and then play it back. Two ...
Page 22: Using The Recorder
18 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ using the recorder start recording ................................................................................................ Recording will begin automatically as soon as...
Page 23: Using The Recorder
19 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ using the recorder playback to play back what you’ve recorded on the clp-411, simply press the recorder [start/stop] button. On the clp-511 first make sure that the green track ...
Page 24: The Function Mode
20 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the function mode the [function] button provides access to a range of functions that give the clp-411/511 extraordinary versatility. The functions are categorized in groups as f...
Page 25: The Function Mode
21 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the function mode f1 tuning f2 scale in addition to the tuning method described on page 15, overall tuning can also be accom- plished via the f1 function. After selecting “f1”, ...
Page 26: The Function Mode
22 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the function mode f3 dual mode functions after selecting “f3.Y”, press the [+/yes] button to engage the dual-mode function sub- mode, then use the [] and [>] buttons to select t...
Page 27: The Function Mode
23 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the function mode f3.5: 1st voice effect depth ............................................................................................................ F3.6: 2nd voice effec...
Page 28: The Function Mode
24 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the function mode f4.2: split balance ..................................................................................................................................... The v...
Page 29: The Function Mode
25 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the function mode f5 clp-511 metronome functions after selecting “f4.Y” or “f5.Y”, press the [+/yes] button to engage the metronome function sub-mode, then use the [] and [>] bu...
Page 30: The Function Mode
26 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the function mode f8 clp-511 midi functions ● a brief introduction to midi midi, the musical instrument digital interface, is a world- standard communication interface that allo...
Page 31: The Function Mode
27 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the function mode in any midi control setup, the midi channels of the transmitting and receiving equipment must be matched for proper data transfer. A “multi-timbre” receive mod...
Page 32: The Function Mode
28 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the function mode f6.5/f8.5: control change on/off ........................................................................................ Normally the clavinova will respond t...
Page 33: The Function Mode
29 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ the function mode f9 (clp-511) backup functions after selecting “f9.Y”, press the [+/yes] button to engage the backup function sub-mode, then use the [] and [>] buttons to selec...
Page 34
30 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ connecting to a personal computer although the clp-411/511 can be connected to a personal computer via the midi in/out connectors and a midi interface, the to host connector and...
Page 35
31 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ connecting to an ibm-pc/at series computer ............ Connect the to host connector of the clavinova to the rs-232c port on your ibm computer, using a standard 8-pin mini din ...
Page 36: Troubleshooting
32 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ troubleshooting if you encounter what appears to be a malfunction, please check the follow- ing points before assuming that your clavinova is faulty. 1. No sound when the power ...
Page 37: Options & Expander Modules
33 ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ ○ factory preset recall (clp-511) options & expander modules ● options bc-8 bench a comfortable bench styled to match your yamaha clavinova. Hpe-160 stereo headphones high-perform...
Page 38
34 1 note • we do not recommend attempting to assemble the clavinova alone. The job can be easily accomplished, however, with only two people. • use only the screws provided or replacements of exactly the specified size. Using screws of the wrong size can result in damage to the instrument. Z open t...
Page 39
35 2 3 clp-411: assemblage du support de clavier remarque • nous ne vous conseillons pas d’essayer d’assembler le clavinova seul. Toutefois, ce travail peut être facile- ment exécuté par deux personnes. • n’utilisez que les vis fournies ou des vis ayant exacte- ment les mêmes dimensions. L’utilisati...
Page 40
36 4 v montieren sie die tastatureinheit (a). Setzen sie die tastatureinheit (a) so auf den fertigen ständer, daß die beiden schrauben an ihrer unterseite hinter den winkel- blechen mit führungsschlitz an der hinterseite des ständers zu liegen kommen. Schieben sie die tastatureinheit dann bis zum an...
Page 41
37 5 v posez le clavier (a) placez le clavier sur les panneaux latéraux (d), avec les vis de son panneau inférieur (situées vers l’arrière du clavier) placées immédiatement derrière les rainures des ferrures situées à la partie supérieure des panneaux latéraux (d), puis faites glisser le clavier ver...
Page 42
38 1 note • we do not recommend attempting to assemble the clavinova alone. The job can be easily accomplished, however, with only two people. • use only the screws provided or replacements of exactly the specified size. Using screws of the wrong size can result in damage to the instrument. Z open t...
Page 43
39 r l 2 3 clp-511: assemblage du support de clavier remarque • nous ne vous conseillons pas d’essayer d’assembler le clavinova seul. Toutefois, ce travail peut être facile- ment exécuté par deux personnes. • n’utilisez que les vis fournies ou des vis ayant exacte- ment les mêmes dimensions. L’utili...
Page 44
40 r l 4 v montieren sie die rückwand (b). Setzen sie die rückwand leicht abgewinkelt, wie in der abbil- dung gezeigt, hinter dem pedalkasten auf die hervorspringenden teile der füße auf. Schrauben sie dann die rückwand oben mit zwei 4 x 12 mm halbrundschrauben 3 so an den seitenwänden fest, daß kei...
Page 45
41 5 v fixez le panneau arrière (b) en inclinant légèrement en angle le panneau arrière, comme mentionné sur l’illustration, abaissez-le sur le rebord des pieds, à l’arrière du pédalier. Puis, tout en éliminant les espaces entre les panneaux arrière et latéraux, fixez le haut du panneau arrière sur ...
Page 46
42 6 n schließen sie das pedalkabel an. Das vom pedalkasten kommende kabel wird an die entspre- chende buchse der tastatureinheit angeschlossen. Der kabel- stecker paßt nur in einer ausrichtung in die buchse (mit der führungsnase zur rückseite des instruments weisend, wie in der abbildung verdeutlic...
Page 47
43 7 n raccordez le cordon du pédalier le cordon qui sort du pédalier doit être branché sur le connecteur correspondant du clavier. La prise ne s’enclenche que d’une seule manière (la cosse du connecteur doit être orientée vers l’arrière du clavier, comme indiqué sur l’illustration), aussi, n’essaye...
Page 48
44 2.1.(9) effect4 depth ( variation effect send level ) cntrl# parameter data range 94 effect4 depth 0...127 2.2 mode messages the following channel mode messages are supported. (but the actual mode is fixed to poly and can not be changed.) cntrl# parameter data range 120 all sound off 0 121 reset ...
Page 49: De Datos Midi
45 3. Program change data format: [cnh] -> [pp] cnh = program event (n = channel number) pp = program number clp-511 pp voice name 00 piano 1 01 piano 2 88 clavinova tone 05 e. Piano 1 04 e. Piano 2 06 harpsichord 48 strings 19 pipe organ 1 16 pipe organ 2 clp-411 pp voice name 00 piano 88 clavinova...
Page 50
46 (5) xg native bulk data (reception only) data format: [f0h] -> [43h] -> [0nh] -> [4ch] -> [aa] -> [bb] -> [hh] -> [mm] -> [ ll ] -> [dd] ->...-> [cc] -> [f7h] f0 exclusive status 43 yamaha id 0n when n is received n=0~f, whichever is received. When n is transmitted n always=0. 4c model id of xg a...
Page 51
47 keyboard polyphony voice selectors reverb touch sensitivity recorder pedal controls other controls jacks/connectors input & output level/impedance main amplifiers speakers dimentions music stand down (w x d x h) music stand up weight clp-411 clp-511 88 keys (a-1 ~ c7) 32 notes max. Piano, clavino...
Page 52
48 clp-411 clp-511 voice piano piano 1 dual mode off split mode — off split mode left-hand voice — strings reverb type room reverb depth 10 effect off effect depth preset for each voice transpose 0 touch sensitivity medium touch volume in the fixed mode 64 metronome off metronome volume 10 tempo 120...
Page 53: 10.
Warning- when using any electrical or electronic prod- uct, basic precautions should always be followed. These pre- cautions include, but are not limited to, the following: 1. Read all safety instructions, installation instructions, special message section items, and any assembly instructions found ...
Page 54: Fcc Information (U.S.A.)
Fcc information (u.S.A.) 1. Important notice: do not modify this unit! This product, when installed as indicated in the instructions con- tained in this manual, meets fcc requirements. Modifications not expressly approved by yamaha may void your authority, granted by the fcc, to use the product. 2. ...