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Yamaha DJX-IIB Owner's Manual

Manual is about: Yamaha Musical Instrument Owner's Manual

Summary of DJX-IIB

  • Page 1

    Owner's manual owner's manual.

  • Page 2: Special Message Section

    2 special message section this product utilizes batteries or an external power supply (adapter). Do not connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by yamaha. Warning: do not place this product in a positi...

  • Page 3: Precautions

    3 precautions please read carefully before proceeding * please keep these precautions in a safe place for future reference. Warning always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or othe...

  • Page 4: 100 Tips to Be A Dj!

    4 congratulations on your purchase of the yamaha djx-iib! The djx-iib is a complete dance-music workstation that can be used both as a real-time performance instrument and a powerful production tool. Its intuitive interface makes real-time operation easy for artists with a dj background. Read this o...

  • Page 5

    5 what is the djx-ii? What is the djx-iib? The new djx-iib is a digital dj powerhouse! If you’ve dreamed of creating and performing your own cutting-edge, phat ‘n’ funky dance music, you’ve come to the right place... The djx-iib is a fully digital dj machine — a revolutionary new instrument that ble...

  • Page 6: 100 Tips to Be A Dj!

    6 packing list...................................................4 how to use the manual.................................4 what is the djx-iib?.....................................5 contents .............................................................6 panel controls...................................

  • Page 7: Appendix

    7 contents chapter 13 more pattern player power tips ...47 tip 59 creative fill-in 1................................................... 47 tip 60 creative fill-in 2................................................... 47 tip 61 playing intros and transitions.............................. 47 tip 62 pla...

  • Page 8: This Is The Djx-Iib!

    8 p 01 01 w !3 !5 !6 !7 !4 e !2 r t !0 !1 y u i o !8 q ◆ be careful! Avoid pressing three or more panel buttons simultaneously. Doing so can cause the djx-iib to behave erratically. Panel controls top panel this is the djx-iib! This is the djx-iib!.

  • Page 9

    Panel controls 9 q standby/on switch ................................13 press to toggle the power on or off. (power is on when the switch is pressed in.) w master volume.....................................13 this determines the overall volume of the djx-iib. E demo button this is used to play the d...

  • Page 10

    10 panel controls changing the scratch pad cd included with the djx-iib is a special cd-rom disc. The disc normally serves as a “platter” for the scratch pad function. Since special software is included on the disk, you will need to remove the disc to install the software. If you have a cd with a pa...

  • Page 11

    Panel controls 11 rear panel & connections cd md refer to page 13. A standard pair of stereo headphones can be plugged in here for private prac- tice or late-night playing. The internal stereo speaker system is automatically shut off when a pair of headphones is plugged into the phones jack. The djx...

  • Page 12

    12 setting up (power supply connections) although the djx-iib will run either from an optional ac adaptor or batteries, yamaha rec- ommends use of the more environmentally safe ac adaptor. Follow the instructions below according to the power source you intend to use. The batteries should be consider...

  • Page 13

    13 once you've set up your djx-iib, try turning the power on. Make sure your sound system's main level/volume control(s) and the djx-iib volume con- trol are turned all the way down prior to turning the power on. 0j'. Set the master volume knob to "min." turn the power on by pressing the standby/on ...

  • Page 14: Work Out With The Patterns!

    14 1 work out with the patterns! Here’s where it all starts! Hit one of the buttons in the pattern player section — and the pattern starts immediately. Hitting another button instantly switches to a different pattern (actually, a variation on the main pattern). Since the djx-iib starts the pattern r...

  • Page 15: Switch Between Banks

    Chapter 1 pattern player basics 15 2 switch between banks even though there are five buttons in the pattern player, you have a total of ten patterns at your disposal — thanks to the a/b bank button. Each bank, a and b, has five patterns. When the a/b bank button lamp is off, you can play patterns a1...

  • Page 16: Exploring Other Patterns

    16 3 mixing main and fill-in patterns try mixing it up! As you learned in tip 2 above, each of the djx-iib’s patterns has ten different variations. The main patterns are played with buttons 1, 3, and 5, while the fill-in patterns are played with buttons 2 and 4. (fill- in patterns are usually used a...

  • Page 17

    Chapter 1 pattern player basics 17 q e w flashes 01.03 p 03 w e p 01 q current pattern — now playing. New pattern — waiting in standby. The new pattern is up and playing! ● exploring other patterns category # pattern name comment techno 01 japan beatz experimental electronic madness — way cool! 05 d...

  • Page 18: Come Down On The “One”!

    18 5 come down on the “one”! The key to great timing is knowing where the “one” is. And the “one” is the first beat in a four-beat pattern. Another key to timing is feeling the downbeats (four downbeats to a pattern). The djx-iib makes this easy to do! Check this out: while the pattern is playing, t...

  • Page 19: Keep The Bpm Steady!

    Chapter 1 pattern player basics 19 6 keep the bpm steady! Once you’ve started a pattern, it's better to keep it playing at a steady bpm — unless you’re aiming for special effects and sudden tempo changes. Actually, the djx-iib takes care of this for you — automatically! If you change patterns while ...

  • Page 20: Chapter 2

    20 chapter 2 live effector basics the effects of the djx-iib are more than just frosting on the cake — they’re powerful tools that can completely transform the sounds and rhythms, and put a whole new spin on your tracks! 7 what is the live effector? Here’s where you can really get down and dirty wit...

  • Page 21: Distortion

    Chapter 2 live effector basics 21 8 distortion this popular effect lets you distort the sound — from a soft grunge to a full-on metallic assault. Turn the control knob to the right for more crunch and bite. 9 auto pan get your sound moving in space! This effect shifts the sound in the stereo image b...

  • Page 22: Phaser

    22 12 phaser the phaser effect is similar to flanger (in tip 11 above), but more subtle — not quite as dramatic. Phaser is good for adding a little bit of warm animation and movement to the sound. Use the control knob to change the speed of the modulation. 13 slice chop up the beat, slice and dice —...

  • Page 23: Echo

    Chapter 2 live effector basics 23 15 echo like delay (in tip 14 above), echo produces repeats of the sound for rhythmic effect. However, the control knob is used to change the number of repeats (also called “feedback”). Naturally, the djx-iib automatically syncs this effect to the bpm of the pattern...

  • Page 24: Chapter 3

    24 chapter 3 isolator basics more sonic control to you! The isolator lets you tailor the sound just the way you want it — phat and round, thin and edgy, or big and banging! 18 tweak the sound just right! Need a beefier low end? Want to put some edge and shimmer in the top? Tweak these knobs to your ...

  • Page 25: Chapter 4

    25 chapter 4 filter basics pump up the energy on the dance floor a serious notch or two with these powerful filter tools! 19 cutoff and resonance the cutoff and resonance knobs control the filter effects. And what are “filter effects,” you ask? Well, filters have been used for a long time with analo...

  • Page 26: Chapter 5

    26 chapter 5 scratch pad clinic the true mettle of a dj is in his or her turntable work. That’s why the djx-iib has a special scratch pad that lets you strut your stuff! 20 work out on the scratch pad! Step up to the turntable and work the platter like a real dj! That’s what the scratch pad’s for! S...

  • Page 27: Quarter-Note Scratching

    Chapter 5 scratch pad clinic 27 ● scratch list the auto kit (0) automatically selects a kit to best match the currently selected pattern. 21 quarter-note scratching now that you’ve tried out the scratch pad and some different scratch sounds, let’s get started using the scratch pad in real musical ex...

  • Page 28: Eighth-Note Scratching

    28 22 eighth-note scratching once you’ve mastered quarter-note scratching, eighth notes are real easy! Just double up your scratching and play two scratches (forward and back) on every beat! For this example, call up p39 and play v b5. For your scratching, try out scratch 01 and rock the pad back an...

  • Page 29: Shuffle Feel

    Chapter 5 scratch pad clinic 29 24 shuffle feel here things get a bit tricky! But don’t worry — once you feel the rhythm, you’ll have no trouble playing it! Shuffle rhythms are a cornerstone of hip-hop music, and feature a heavy “swing” feel. Scratching to this rhythm is tricky since the forward scr...

  • Page 30: Scratch Pad Arpeggios

    30 26 scratch pad arpeggios the scratch pad has so much more than just scratch sounds! For some examples of how musical you can get with the scratch pad, check out the arpeggiator kits. Try this out! Select p29 and start v a3. Call up scratch 49. Now the scratch pad plays arpeggi- ated phrases in ti...

  • Page 31: Stop The Turntable

    Chapter 5 scratch pad clinic 31 29 stop the turntable you’ve heard the effect — where the whole track drops in pitch and slows down to a grinding halt! Guess what — you can do the same thing on the djx-iib, and have fingertip control over it, too! Select scratch 72. This assigns the scratch pad to c...

  • Page 32: Chapter 6

    32 chapter 6 part mixer basics now that you’ve got your rhythm chops up to speed and some dj tricks up your sleeve, it’s time to work on the parts! This chapter gives you the keys to improvising interest- ing arrangements and instrumental textures. Not to mention creating some slammin’ and smokin’ t...

  • Page 33: Extra Texture!

    Chapter 6 part mixer basics 33 ◆ helpful hint: if you’ve muted several parts, you can turn them all back on again instantly! Simply press loop — do this on the “one” downbeat — and the whole rhythm kicks in at once! 34 extra texture! Work on your instrument textures. All the mixmasters and mixologis...

  • Page 34: Chapter 7

    34 chapter 7 crossfader basics the djx-iib has a feather-touch crossfader — just like those found on real dj mixers — that lets you crossfade between your beats and your scratching! 35 work the crossfader! This short-throw, feather-touch crossfader gives you easy and fast control over the pattern/sc...

  • Page 35: Crossfader Cuts

    Chapter 7 crossfader basics 35 37 crossfader cuts this is one of the most basic moves in the dj’s collection of crossfader techniques — cutting in with a scratch. Hit a pattern and keep the crossfader all the way to the left so that only the pattern is heard. While the pattern is playing, work the s...

  • Page 36: Chapter 8

    36 chapter 8 intermediate techniques this chapter is a grab bag full of various tips that solidify your dj chops and put you on your way to really mastering the instrument! Take your time and get these down before moving on to chapter 9... 38 transpose the key the key shifter section of the djx-iib ...

  • Page 37: Change The Bpm

    Chapter 8 intermediate techniques 37 39 change the bpm another sure-fire way to stir things up is to play with the bpm. Turn up the bpm and turn up the heat! Press bpm/tap once and turn the scratch pad. For you techies, the bpm range is 32.0 - 280.0. Try starting the pattern at a slower-than-normal ...

  • Page 38: Fade In, Fade Out

    38 41 fade in, fade out easy, but effective! Simply use the master volume dial to create your own smooth fade-ins and fade-outs. One specific trick you can try is to fade out a pattern down to silence, then quickly bring master volume up to normal and burst in with a new pattern! 42 travel light! Sm...

  • Page 39: Tweak The Cutoff

    Chapter 8 intermediate techniques 39 43 tweak the cutoff select p06 and start v a1. Set resonance to about 2 or 3 o'clock, then slowly turn the cutoff knob to create a slow sweeping effect. Twiddle the knob back and forth quickly and create a wah- wah like trembling effect. 44 wah-wah scratching her...

  • Page 40: Scratch Drum Loops In Sync

    40 45 warped vinyl and a cheap turntable! A lot of dance styles call for a lo-fi, analog sound. This simple trick lets you mimic the wow and flutter of a warped record — or a bad turntable! Select scratch 72 to call up the pitch & bpm “kit” — this lets you speed up and slow down the pat- tern. While...

  • Page 41: Chapter 9

    41 chapter 9 pattern player power tips 48 hitting a new pattern and variation — at the same time! There will be times when you’ll want to change not only to a new pattern, but to a specific variation — instantly and at the same time. Here’s the best way to do that! First, simultaneously hold down pa...

  • Page 42: Break to A New Pattern!

    42 50 break to a new pattern! One sure-fire method to turn up the heat on the dance floor is to use a break or a drop-out just before hitting a new pattern! Here, we’ll try dropping everything out for a full measure (four beats). While the first pattern is playing, count the beat in your mind and ta...

  • Page 43

    Chapter 9 pattern player power tips 43 51 one-bar patterns — all in a row! Nearly all of the djx-iib’s patterns change every bar (four beats). Some loop in two-bar patterns, some loop every four bars. Some patterns have more obvious changes than others (for example, listen to p59, v a1), but all hav...

  • Page 44: Chapter 10

    44 chapter 10 crossfader power tips 52 quick crossfader scratching here’s a cool way to change the sound of a pattern — and put your personal scratch touches on it — without disrupting the flow of the rhythm! Select p50 and start v a1. Also, call up scratch 01. While the pattern is playing, try scra...

  • Page 45: Chapter 11

    45 chapter 11 using the bpm/tap button 55 tap out the beat! Change the bpm in real time! Tap the bpm/tap button twice rhythmically, while the pattern is run- ning — and the bpm automatically changes to the tapped speed. 56 start with a tap... You can also get the pattern going at whatever speed you ...

  • Page 46: Chapter 12

    46 chapter 12 the outside world here are a couple of tips that get you started interfacing the djx-iib with external gear. Go for it, and get your sound out there! 57 expanding your dj setup the djx-iib can easily do double-duty as part of a larger dj setup. For example, you can connect the line out...

  • Page 47: Chapter 13

    47 chapter 13 more pattern player power tips 59 creative fill-in 1 select p35 and start with v a1. Then, hit the v a1 button in the following rhythm. 60 creative fill-in 2 select p35 and start with v a1. Hit the v a2 button repeatedly in the following rhythm, then play the v a3 button on the “one” t...

  • Page 48: Chapter 14

    48 chapter 14 live effector power tips 63 distortion this little trick can kick your tracks into high gear! Use the distortion effect selectively, applying it only to certain beats in the pattern, places you want to add an accent — such as on the 2nd or 3rd beat of the bar. This gives you a massive,...

  • Page 49: Ring Modulation

    Chapter 14 live effector power tips 49 65 ring modulation as we pointed out in tip 10, this effect is a powerful one, so you’ll want to save it for huge, in-your- face intros, transitions and endings. Here’s how you can use ring modulation to build to an enor- mous climax: first, set the controls — ...

  • Page 50: Delay

    50 69 delay clever use of delay is a cornerstone in many different styles of dance music — especially dub. For a dub flavor, set the balance knob to around 2 or 3 o'clock, and turn on the effect only for certain beats. Play around with this — experiment and try to hit the “sweet spot,” the point whe...

  • Page 51: Echo

    Chapter 14 live effector power tips 51 71 echo many styles of dance music use echo effects in surprising, unique ways. The djx-iib’s echo effect lets you use the popular 3/4 beat delay to build up dramatic rhythmic rolls and fills. It also gives you some fascinating echo textures to use in transitio...

  • Page 52: Chapter 15

    52 chapter 15 isolator and filter power tips 74 isolator to the max! Play the isolator in real time! Get the pattern running, then tweak the knobs to their extreme set- tings for radical changes to the sound — on the fly! For example, try cutting back low and mid to zero, and bring high up to the ma...

  • Page 53: The Cutoff!

    Chapter 15 isolator and filter power tips 53 75 dark mixes and deep grooves — cut the cutoff! Here’s a powerful trick to instantly darken up your tracks — if that’s what you’re after. It’s also great for getting a phat, bottom-heavy sound! First, set the cutoff and resonance to zero. Notice how all ...

  • Page 54: Chapter 16

    54 chapter 16 scratch pad power tips 76 scratching triplets the triplet feel is common to a lot of hip-hop music. Triplets are three notes played in the space of one beat (or other note value). It’s a tricky rhythm to master, so we’ll give it to you in steps! For these exercises, select p51 and star...

  • Page 55: Scratch On An Intro!

    Chapter 16 scratch pad power tips 55 77 scratch on an intro! Improvise on the scratch pad for a bar or two, then start the pattern. To pull this off properly, you’ll want to have the bpm firmly in your memory. Also, keep your scratching simple — doing that helps you feel the rhythm and helps you loc...

  • Page 56: Instrumental Dropout

    56 79 instrumental dropout here’s a cool outro that’s like a fade-out — only much more interesting! While the pattern is running, select scratch 73 (part mixer). Turn the scratch pad counter-clock- wise slowly to take instruments out of the mix, one-by-one. After playing a couple of bars of only the...

  • Page 57

    Chapter 16 scratch pad power tips 57 . One two three four one two three four one two three four one two three four bring back the whole mix — press loop. Cymbal and bass only — 1/4 turn counter-clock- wise. Whole mix — press loop. Bass again — 3/4 turn counter-clock- wise. One two three four finally...

  • Page 58: Chapter 17

    58 chapter 17 advanced techniques 81 delay fill-in and fader cut like tip 69 above, this shows you another way to use delay for a fill-in — while you flick the cross- fader to mute the pattern. First, select the delay effect and set the control knob to about 1 o’clock and the balance knob to 12 o’cl...

  • Page 59: Bored?  Add Some Chords...

    Chapter 17 advanced techniques 59 83 bored? Add some chords... And scratching! While you’re scratching along with a repeating pattern, sometimes it may feel as if the rhythm’s going nowhere. And no amount of intense scratch work can keep the pattern from getting old. The best way to spice things up ...

  • Page 60: One-Hand Effector Control!

    60 85 one-hand effector control! This technique may take a little practice and some digital dexterity — but once you’ve got it down and are able to play in the pocket, you’re on your way to being a true dj wizard! Grab the control knob with your forefinger and thumb, and use your middle finger or ri...

  • Page 61: Instant Reset!

    Chapter 17 advanced techniques 61 86 instant reset! Once you’ve made a few changes to the filter or key shifter settings, it’s not so easy to get back to where you started! Often, you’ll want to be able to backtrack and instantly reset the pattern to its original sound and pitch. In such a case, the...

  • Page 62: Chapter 18

    62 chapter 18 dj performance master class take it up to the next level! Use these advanced tips as a springboard to explore all the amazing dj possibilities — and become a true mixing virtuoso! 89 cut in with a scratch and hit the next variation here’s some fancy finger work for you! This move will ...

  • Page 63: Creative Fill-In 3

    Chapter 18 dj performance master class 63 91 creative fill-in 3 here’s a cool technique for stopping the pattern and coming back in with the rhythm. Select p42 and start with v a1. Then, hit pattern stop and the variation as shown. 92 crossfader cut-in — scratch plus effect this requires a bit of tr...

  • Page 64: Outro -Tro -Tro -Tro

    64 94 outro -tro -tro -tro here’s another popular technique from the producer’s bag of tricks — ending with an echo! Select the delay or echo effect. Then, on the very last beat (or last two beats) of the last bar of the pattern, switch and hold the effect on. Then press pattern stop just before the...

  • Page 65: Djx-Iib As The Master

    Chapter 18 dj performance master class 65 97 sync applications — using the djx-iib as the master the advanced sync features of the djx-iib let you lock it together with the rhythm and bpm of another device, such as a djx-ii, another djx-iib, or an external sequencer. No drift, no slipping out of syn...

  • Page 66: Djx-Iib As The Slave

    66 98 sync applications — using the djx-iib as the slave here we’ll do the opposite of tip 97 above. This sophisticated application lets you play sequenced patterns and song data on an external sequencer and have the patterns of the djx-iib lock into the bpm of that device. 1 set up the djx-iib and ...

  • Page 67: Get More Patterns!

    Chapter 18 dj performance master class 67 99 get more patterns! One of the great things about the djx-iib is how open-ended the system is! You can get additional patterns from the djx internet site ( www.Yamahadjx.Com ), and — with the pattern launcher software (on the included cd-rom; see tip 31) —...

  • Page 68: 100

    68 100 create your own patterns! Roll your own! Yes, you can even create your own patterns — for mangling, mucking about, and mashing on the djx-iib! Simply use a conventional midi sequencer software (such as xg works) to record your original patterns as midi data — then import the data to the djx-i...

  • Page 69

    Chapter 18 dj performance master class 69 • the timings indicated in the chart below are for example purposes only. The actual timing of the variations and the marker meta-events (starting with variation 2) depends on the length of the recorded patterns. (the length of each pattern can be up to 256 ...

  • Page 70

    70 appendix troubleshooting problem possible cause/solution the speakers produce a “pop” sound when- ever the power is turned on or off. This is normal and is no cause for alarm. When using a mobile phone, noise is pro- duced. Using a mobile phone in close proximity to the djx-iib may produce interf...

  • Page 71

    71 appendix error message list error message description err1 this appears when the midi reception buffer of the djx-iib has filled up, and pro- cessing is not possible. Try decreasing the amount of data or increasing the interval time and transmit the data once again. Err2 this appears when a midi ...

  • Page 72

    72 appendix specifications ● patterns total 700 preset patterns and variations preset 70 patterns user 5 patterns .............. Up to 85 kb for all user patterns variation 10 ● scratch pad preset 74 kits ................... Includes auto function (00) ● voices preset 203 ........................ 18...

  • Page 73

    73 appendix glossary audio bpm counter.................................Tips 90, 96 this powerful function lets you synchronize external audio (such as from a cd, md, or vinyl record) with the patterns of the djx-iib. The djx-iib monitors the beat from the audio, and automatically locks into the rhyt...

  • Page 74

    74 glossary appendix midi....................................................... Tips 97 - 100 midi (musical instrument digital interface) allows elec- tronic instruments of various types and manufacturers to “communicate” with each other. At the most basic level, midi allows you to play one instrum...

  • Page 75

    75 appendix pattern list pattern no. Category name pattern name 00 techno berlin techno 01 japan beatz 02 detroit 2000 03 parade beat 04 french techno 05 detroit 06 underground acid techno 07 german underground 08 loop techno 09 discomania uk disco 10 us disco 11 disco house 12 club vibes dub house ...

  • Page 76

    76 appendix voice list bank select midi program change# voice name msb lsb hyper mix 0 123 96 djx-iib keyboard 0 112 4 funky ep 0 0 1 bright piano 0 0 7 clavi 0 0 9 glocken 0 0 11 vibes 0 0 12 marimba electric pad 0 112 17 jazz organ 0 112 18 rock organ 0 113 16 cheez organ 0 114 17 miss u 0 115 17 ...

  • Page 77

    Voice list 77 appendix 0 112 35 fretless 0 0 32 aco. Bass 0 0 35 fretless scratch 0 123 80 scratch 1f 0 123 81 scratch 1b 0 123 82 scratch 2f 0 123 83 scratch 2b 0 123 84 scratch 3f 0 123 85 scratch 3b 0 123 86 scratch 4f 0 123 87 scratch 4b sfx 0 123 56 reverse 0 112 126 turntble 0 0 96 rain 0 0 10...

  • Page 78

    78 appendix drum kit list • : same as standard kit1. • : same as the kit to the immediate left. • the keyboard note numbers (#) and note names shown in this list apply to all kits, with the exception of voice #190 (electronic kit2), #191 (b900 kit), #192 (djx kit), #196 (human kit) and #197 (scratch...

  • Page 79

    79 appendix drum kit list voice # 198 182 187 185 183 184 190 bank msb# 127 127 127 127 127 127 126 bank lsb# 0 0 0 0 0 0 0 program # 0 10 11 12 13 14 0 keyboard midi key off alternate assign standard kit1 analog kit3 break kit rhbox kit analog kit1d analog kit2d electronic kit2 note# note note# not...

  • Page 80

    80 appendix drum kit list voice # 191 192 193 194 195 196 197 bank msb# 126 126 126 126 126 126 126 bank lsb# 0 0 0 0 0 0 0 program # 1 2 3 4 5 6 7 keyboard midi key off alternate assign b900 kit djx kit bd kit sd kit hh kit human kit scratch kit note# note note# note 25 c# 0 13 c# -1 3 26 d 0 14 d ...

  • Page 81

    81 appendix decimal hexadecimal binary 0 00 0000 0000 1 01 0000 0001 2 02 0000 0010 3 03 0000 0011 4 04 0000 0100 5 05 0000 0101 6 06 0000 0110 7 07 0000 0111 8 08 0000 1000 9 09 0000 1001 10 0a 0000 1010 11 0b 0000 1011 12 0c 0000 1100 13 0d 0000 1101 14 0e 0000 1110 15 0f 0000 1111 16 10 0001 0000...

  • Page 82

    82 appendix midi data format ■ channel/mode/realtime messages o : available midi events status byte 1st data byte 2nd data byte midi status data (hex) parameter data (hex) parameter transmitted recognized key off 8nh (n:channel no.) kk key no. (0 - 127) vv velocity (0 - 127) x o key on 9nh kk key no...

  • Page 83

    Midi data format 83 appendix ■ system exclusive messages universal system exclusive o : available xg standard bulk dump others midi event data format transmitted recognized midi master volume f0h 7fh 7fh 04h 01h l l mm f7h x o ll mm volume (mm = 0 - 7f, ll = ignored) or f0h 7fh xn 04h 01h l l mm f7h...

  • Page 84

    84 appendix midi data format ■ midi parameter change table midi parameter change table (effect) * between midi messages and panel operation(live effector), the last message will take priority. ■ effect map rever block if the received value does not contain an effect type in the type lsb, the lsb wil...

  • Page 85

    Midi data format 85 appendix ■ about midi remote control about midi in channel and djx-iib parts the individual parts of the djx-iib respond to incoming data over the midi channels as listed below. Midi in channel data received over channel 4 (remote) is used to control the various panel controls of...

  • Page 86

    86 appendix midi data format live effector on/off switch hold/on hold/off soft pedal (b3h, 43h, 7fh) soft pedal (b3h, 43h, 00h) effect type selection distortion auto pan ring mod flanger phaser slicer delay echo lo-fi wah bank select msb (b3h, 00h, 00h) bank select lsb (b3h, 20h, 04h) program change...

  • Page 87

    87 appendix yamaha [ dj-gear ] date :17-mar-2000 model djx-iib midi implementation chart version : 1.0 transmitted recognized remarks function... Basic default x 1 - 16 channel changed x 1 - 16 default x 3 mode messages x x altered ************** x note x 0 - 127 number : true voice ************** 0...

  • Page 88

    88 appendix a ac adaptor .......................................................................... 12 audio bpm counter .............................................. 9, 62 audio bpm in jack.................................................... 11, 62 auto pan............................................

  • Page 89

    Index 89 appendix sense .................................................................................... 62 sequencer................................................................. 65, 66, 67 slice................................................................................ 22, 49 snare ......

  • Page 90: Fcc Information (U.S.A.)

    1. Important notice: do not modify this unit! This product, when installed as indicated in the instructions contained in this manual, meets fcc requirements. Modifications not expressly approved by yamaha may void your authority, granted by the fcc, to use the product. 2. Important: when connecting ...

  • Page 91

    Limited warranty 90 days labor 1 year parts yamaha corporation of america, hereafter referred to as yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This...

  • Page 92

    Head office yamaha corporation, pro audio & digital musical instrument division nakazawa-cho 10-1, hamamatsu, japan 430-8650 tel: 053-460-3273 yamaha pk club (portable keyboard home page) http://www.Yamaha.Co.Jp/english/product/pk/ for details of products, please contact your nearest yamaha or the a...

  • Page 93

    M.D.G., pro audio & digital musical instrument division, yamaha corporation © 2000 yamaha corporation v563330 00?Po???.?-01a0 printed in malaysia.