Yamaha EMX2 Manual - page 13
Versatility for a Wide Range
of Applications
■
Smart Enclosure Design for Floor Monitoring
The CBR Series speakers feature an
optimized 50° wedge angle for floor
monitoring. In addition, the CBR12 and
CBR15’s symmetrical shape allows for
effortless con guration of a mirror-mode
floor monitoring system for a larger and
more defined sweet spot.
■
Rigging Points for Installation Applications
CBR loudspeakers come equipped with
M8 rigging points, allowing for rigged
applications with optional speaker
brackets or standardized eye-bolts.
MIC (XLR)
-60dBu (SW:MIC)–
-30dBu (SW:LINE)
LINE (PHONE)
-50dBu (SW:MIC)–
-20dBu (SW:LINE)
CH1–3
MIC (XLR)
-60dBu (SW:MIC)–
-30dBu (SW:LINE)
LINE (PHONE)
-50dBu (SW:MIC)–
-20dBu (SW:LINE)
CH4
CH INPUT
CH INPUT
CH5/6, 7/8
MIC [-60dBu]
LINE
L/MONO [-20dBu]
LINE
R [-20dBu]
ST CH INPUT
CH9/10, 11/12
MIC [-60dBu]
LINE
L [-8dBu]
LINE
R [-8dBu]
Only CH11/12
(CH9/10:bypass)
ST CH INPUT
+48V
PHANTOM +48V
FOOT SWITCH
-10dB
Hi-Z
Hi-Z
-10dB
HA
COMP
LOW
MID
HIGH
3-Stage EQ
COMP
COMP
LOW
MID
HIGH
3-Stage EQ
COMP
HPF
80Hz
MIC
LINE
HA
MIC
LINE
SU
M
HA
HA
SU
M
SU
M
SU
M
HPF
3-Stage EQ
LOW
MID
HIGH
3-Stage EQ
3-Stage EQ
LOW
MID
HIGH
3-Stage EQ
Signal
indicator
LEVEL
Signal
indicator
Signal
indicator
Signal
indicator
Signal
indicator
FX ON
LEVEL
LEVEL
LEVEL
FX RTN
LEVEL
AUX2/FX
AUX1
AUX2/FX
AUX1
AUX2/FX
AUX1
AUX2/FX
AUX1
AUX1
STEREO L
STEREO R
AUX2/FX
AUX1
STEREO L (non MUTE)
STEREO R (non MUTE)
AUX1 (non MUTE)
Digital EFFECT
PARAMETER
DA
AD
PROGRAM
DA
DSP
L
R
IN
AD
AD
STANDBY
DA
BA
L
AUX1
R
AUX2
BA
BA
BA
DA
DA
DA
DA
DA
AD
AD
Digital Audio Section
FEEDBACK
SUPPRESSOR
GRAPHIC
EQUALIZER
FEEDBACK
SUPPRESSOR
STEREO
LEVEL
AMPLIFIER
MODE
STEREO
LIMIT
PROTECTION
CH
A
CHB
CH
A
CHB
LIMITER
SPEAKER
PROCESSOR
L+R/AUX1
BASS
BOOST
MENU
CONTROL
GEQ ACCESS
STEREO
AUX1
AUX2
LCD Display
AUX1
LEVEL
AUX2
LEVEL
FEEDBACK
SUPPRESSOR
GRAPHIC
EQUALIZER
GRAPHIC
EQUALIZER
FEEDBACK
SUPPRESSOR
POWER
AMP
POWER
AMP
PEAK
+10
+6
+3
0
-3
-6
-10
-15
-20
-25
-30
REC OUT L
[-10dBV]
REC OUT R
[-10dBV]
SPEAKERS A
L/L+R
SPEAKERS B
R/AUX1
STEREO OUT L/MONO
[+4dBu]
STEREO OUT R
[+4dBu]
AUX1 SEND
[+4dBu]
AUX2 SEND
[+4dBu]
+30dBu
+20dBu
+10dBu
0dBu
-10dBu
-20dBu
-30dBu
-40dBu
-50dBu
-60dBu
+40dBu
CH1
–4
CH INPUT
CH5/
6–11/12
ST CH INPUT (MIC)
CH5/6, 7/8
ST CH INPUT (LINE)
CH9/10, 11/12
ST CH INPUT (LINE)
+30dBu
+20dBu
+10dBu
0dBu
-10dBu
-20dBu
-30dBu
-40dBu
-50dBu
-60dBu
+40dBu
Clipping Level:
[+8dBu]
Clipping Level:
[+20dBu]
SPEAKERS Maximum Level:
[400W@8Ω (+37.3dBu)]
[600W@4Ω (+36dBu)]
SPEAKERS:
[150W@4Ω (+30dBu)]
STEREO OUT: [+4dBu]
AUX1, AUX2 SEND: [+4dBu]
Maximum Input Level:
[+25dBu]
ST CH INPUT LINE:
[-20dBu]
Maximum Input Level:
[+25
dBu]
ST CH INPUT LINE:
[-8dBu]
Clipping Level:
[+20dBu]
Clipping Level:
[+20dBu]
Clipping Level:
[+3dBu]
Clipping Level:
[+18dBV]
REC OUT:
[-10dBV]
STEREO L/R
AUX2/FX (CH1–4)
AUX2/FX (CH5/6–11/12)
AUX1 (CH1–4)
AUX1 (CH5/6–11/12)
Maximum Input Level (PHONE):
[+25dBu]
Maximum Input Level (XLR):
[+15dBu]
Maximum Input Level:
[+15dBu]
CH INPUT LINE (PHONE):
[-20dBu] @MIC/LINE=LINE
CH INPUT MIC (XLR)
[-30dBu] @MIC/LINE=LINE
CH INPUT LINE (PHONE):
[-50dBu] @MIC/LINE=MIC
CH INPUT MIC (XLR):
[-60dBu] @MIC/LINE=MIC
ST CH INPUT MIC:
[-60dBu]
EMX7 Block and Level Diagrams
12