Electronic portable organ mod. C 0 m b 0 compact by far f is a service and operating manual -- --- farfisa s. P. A. - p. D. Box 204 - an c d n /4..
Voicing and sounds church organ 1: bass 16 ' , flute 4' or mtb 16' and 4' chruch organ 2: bass 16 ' , piccolo 4 ' church organ 3 : bass 16 ' , flute 4 ', piccolo 4' church organ 4: piccolo4 ' strings ensemble: strings 16 ' , strings 8 ' , strings 4' (or one of each) dreamy organ: strings 8 ' , picco...
Farfisa portable electronic organ maintenance and performance hints main features keyboard: 49 keys c to c manual bass: 12 keys c to b, in addition to keyboard pedal board: 13 notes c to c (optional) photoresistor operated swell pedal, volume control knee lever control for multi-tone-booster ( farfi...
Flute 4' piccolo 4' strings 4' out signal control : a) volume b) bass c) treble on/osf switch pilot light earphone outlet (impedance 2000 + 2000 ohm) transistors: 150 x oc 71; 2 x oc 74 rectifiers : b 30 c 400; e 250 c 50; zener diode tube szl 9 tubes: 2 x ecc 83 110/240 volts, 50/60 hz, with built ...
To assemble the swell pedal (fig. D) loosen screws ( 19) and slide outwards plate {20) and fix it by tightening screws ( 19). Connect recesses ( 21 ) to the studs of the bar across the legs ( 1 1 fig. C) at the right of the player. Using the same procedure, the pedalboard is to be as sembled at the...
Internal regulations the compact organ is delivered in perfect tune conditions. Internal regulations may be therefore needed only in exceptional cases. The assistance of a good technician is highly recommended. For inside ispection, remove the plastic cover unscrewing the lateral screws. Single note...
Maintenance if the swell pedal or the multi-tone-booster lever does not work, it may be due t o an interrup tion interesting the lamps which are situated inside these the procedure for the substitution of such lamps, by using similar lamps type philips 12 v - 3 w mod. 12384, is shown in fig. I and ...
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Fig. C fig. D 9.
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Fig. I fig. L 12.
Within a very reduced size, which makes the instrument so easy to be carried, the compact embodies all features of a big organ. We are giving below some hints which are only intended to guide the player in his first con tact with the instrument, feeling sure that the fancy of the per for mer and th...
Medium octave flute a· - oboe a• - trumpet a· - strings a· high octave flute 4' - piccolo 4' - strings 4' the colour tones may also be classified in three groups: - traditional round sounds: bass 16' - flute a· - flute 4' - penetrating clear sounds of the strings family: strings 16' - strings 8' - s...
Pedalboard no. 3 the pedal board (optional) repeats the sounds of the manual bass with an additional c: 13 notes, c to c. Manual bass and pedalboard stops no. 4 three stops provide three different levels of volume: p - piano, mf - mezzoforte, f - forte. The stops of superior vo·lume level superpose ...
16 examples 1 - tutti - bass 16' and all white stops up to s t r in g s 4' reverb, long -vibrato, heavy, fast - pedal f. ..______, ii - horn - multi-tone-booster, 16 without pushing on the control knee lever. ill - carillon - multi-tone-booster, 4' - reverb, long - pedal p - the control knee lever...
Iv - concert organ - multi-tone-booster, 16', 8', 4' - vibrato, heavy,fast - pedal f please note in the introduction the sharp stresses obtained by pushing the knee lever. M.T. B tid. Ptd· _,-, .. . ,...,..., +·: .,.. B. Continued • •• • ... - v - oboe - oboe 8' - vi brato - .. • . - - • ecc ecc v...
Vii - jazz organ - multi-tone-booster, 16' 8' - pedal f control knee lever always pushed. T1.'j'.B. - s'mcc ii 'j'o viii - trumpet - trumpet 8' - vibrato - reverb ix - church organ • bass 16' • flute 4' - pedal f • • • • • .Lo .........__-- 18.
------ - 'j'r. i':' - & x - hawaiian melody • multi-tone-booster, 4 - vibrato, heavy, fast -reverb - pedal p the change of tone is obtained by pushing slightly on the control knee lever. M t b _.. .......... + • ....._., 0 • 19.
Xi - bass - strings 16' - strings 4' - vibrato, fast - reverb - pedal f • • xii - cello - multi-tone-booster, 16' - vibrato - pedal p • ·• the expressivity of the melody is obtained by pushing softly on the control knee lever, which is released when playing chords. N· t. B .. 20
Xiii - melodious organ • multi-tone-booster, 16', 8'- vibrato - pedal mf or bass 16' - oboe 8 ' - vibrato- pedal mf xiv - brass section - multi-tone-booster, 16' - pedal mf m a n.Val. Bass + + • z1.
Xv - manual bass • multi-tone-booster, 16' 8' - reverb - pedal f control knee lever always pushed 22 t1 or, 8 i mrnurl &.Hs • • . ... • • ... • . • • •.
Xvi - manual bass - multi-tone-booster, 16', 8'- reverb - pedal f control knee lever always pushed m-t. B· • + • • • .... - -- • + • • + + ... :ff • • . • • •.
Xvii - two manual organ - multi-tone-booster, 16', 8', 4' - reverb - vibrato, heavy, fast - pedal f 24 to obtain tho contrast of tones, imitatin g the two manuals, use control knee lever as showed. 11t& r +' . . + • • + • jo + .. - i · . • • ,.: • r i.
Some explanation on schematics se • 10: operating s chemat i c s the schematics show the general principles, which are the following ones: a) the signals are originated by oscillators g to. Each one of them produces all the frequencies of same name (i. E. G 10 • c produces all cs , g 10 ·a prc:x:luc...
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2 3 f a r f i s a f 0 1 0 5 6 7 8 9 l 0 " 1 2 -----·----------· ----- ---- 9 1 0 1 1 ( \i l h + v s f p d - + a -+ 8 / "'./" se - 14 printed circuit fd 10 round tones filter printed circuit fa 10 sharp tonos filter printed circuit ps 10 vibrato and amplifier of• pedal.
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