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  5. User Manual

Make Noise Soundhack Erbe-Verb User Manual

Summary of Soundhack Erbe-Verb

  • Page 1

    Erbe-verb v. 2.0

  • Page 2

    This device complies with part 15 of the fcc rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. Changes / modifications ...

  • Page 3

    Limited warranty: make noise warrants this product to be free of defects in materials or construction for a period of one year from the date of purchase (proof of purchase/invoice required). Malfunction resulting from wrong power supply voltages, backwards or reversed eurorack bus board cable connec...

  • Page 4: -12V

    Electrocution hazard! Always turn the eurorack case off and unplug the power cord before plugging or un-plugging any eurorack bus board connection cable cable. Do not touch any electrical terminals when attaching any eurorack bus board cable. The make noise erbe-verb is an electronic music module re...

  • Page 5

    Erbe-verb panel controls 1a. Signal in: ac coupled, expects standard signal level of 10vpp signal. 1b. Level control for signal in: unity at 3 o' clock 2a. Mix cv in: unipolar control input. Range 0v to +5v. 2b. Mix panel control: blends between dry (un-processed) signal & wet (processed) signal. Op...

  • Page 6

    Erbe-verb panel controls (cont’d) 6a. Depth panel control: bi-polar control for depth and type of internal modulation. Minimum modulation at noon. Cyclic modulation ccw from noon. Ergodic modulation cw from noon. Shimmer at full cw. 6b. Depth cv attenuator: bi-polar attenuator for depth cv in. 6c. D...

  • Page 7

    Erbe-verb panel controls (cont’d) 10a. Decay panel control: uni-polar control for decay. 0 - 120% reflection gain. Infinity at full cw. 10b. Decay cv attenuator: bi-polar attenuator for decay cv in. 10c. Decay cv in: control signal input for decay. Range +/- 5v. 11a. Reverse led: visual indication o...

  • Page 8

    Getting started: patch the signal to be processed into the signal in (1a). The associated level control (1b) accommodates modular synthesizer signals of 10vpp with unity gain at around 3 o' clock. Beyond 3 o' clock on the level control, there will be some gain and possibly clipping followed by digit...

  • Page 9

    Predelay (cont’d) in addition to being wide ranging and completely independent of the size parameter, the erbe-verb pre-delay is also able to be synchronized to the rest of the modular system. Using the tempo in (12a), it may be synced to a division (cw from noon) or multiple (ccw from noon) of the ...

  • Page 10

    Internal modulation (speed and depth) decay is also greatly influenced by the speed (5a, 5c) and depth (6a, 6b, 6c) settings since the internal modulation has the potential to take energy away from the reverb process, which results in decreasing settle times. For example setting depth and speed to a...

  • Page 11

    Absorb (cont’d) diffusion: diffusion controls the degree to which initial reverb density increases over time. High amounts of diffusion result in fast initial buildup of echo density; low amounts cause slow initial buildup. Diffusion is also affected by size — smaller spaces will sound denser becaus...

  • Page 12

    Emulating typical reverb rooms : note: for all algorithms, size, predelay and decay settings are given. Small variances in these three controls will alter the room. Set speed and depth to 12:00, and absorb full ccw, unless otherwise noted, then set tilt to taste to fit the sound into the mix. Keep i...

  • Page 13

    Patch ideas: gated reverb: set all controls to taste, using one of the above "typical" settings if desired. Mult audio source to erbe-verb signal in, and to ch1 or ch4 signal input of maths, or to the signal input on function. Set rise to 12:00, fall full ccw, response to linear. Take unity/positive...