Nady Systems ENCORE 200 Owner's Manual - page 6
5. Bass Boost Control
Ordinary wireless systems all sound somewhat thinner (with less bass) than
hardwired. This is due to (1) natural side effects of the noise reduction circuitry
employed, and (2) lack of the high-frequency roll-off normally caused by longer
hardwired cable runs. Adjust the BASS BOOST (11) control to add back low
frequency content in your signal as desired. This is a low-pass filter, with up to 6 dB
of gain, centered at 100Hz, when turned fully clockwise. The normal wireless sound
is with the control left fully counterclockwise.
6. Connecting the Audio Output
The Encore 200 receiver provides both a fixed mic level BALANCED AUDIO OUTPUT
XLR (8) and an adjustable line level UNBALANCED AUDIO OUTPUT 1/4” JACK
(10). The level from the UNBALANCED OUTPUT is controlled by the rear panel VOL-
UME CONTROL (7).
(Note: As when making any connection, make sure the amplifier or mixing
board volume is at the minimum level before plugging in the receiver to avoid
possible sound system damage. Also make sure that the phantom power on
the input of the mixer is turned OFF before making connection to the receiver.)
Insert an audio cord with a 1/4” mono phone plug in the UNBALANCED OUTPUT
JACK (10) on the rear panel of the receiver. Plug the other end of the cord into an
amplifier, effects, or mixing board. Adjust the VOLUME CONTROL (7) on the Encore
200 receiver clockwise to about 3/4 rotation, until the volume level is comfortable for
your application. This setting is roughly equivalent to a direct instrument cord connec-
tion. Turning the volume up to maximum will provide 4dB gain over a cord.
(Note: You can connect both outputs at the same time for added versatility in
use. For example, simultaneously hook up the UNBALANCED AUDIO OUTPUT
(10) to your bass amplifier and the BALANCED AUDIO OUPUT (8) to the FOH
mixer.)
6
7
DC INPUT
VOLUME
BALANCED OUT
UNBALANCED OUT
BASS BOOST
MUTE
13
12
17
14
15
16
17
10
6
7
9
5
8
2
1
2
4
3
1
4
11