Quest Engineering QA 1004 User Manual - page 7
• Rack-mounting amplifiers for the road
The Chassis of the QA series is fabricated from Q235
Cold Steel Rolling and is quite durable. However,
suspending an amplifier in free space in a rack
and then vibrating in the back of a truck for long
rough journeys may cause fatigue to the front panel
mounting. It is essential that the amplifier be supported
from the front and rear in rack-mounting especially
when the amplifier rack is to be transported. Failure
to install correctly may void warrantee.
IMPORTANT:
Clean air filters regularly and always allow
adequate ventilation and do not block air flow to
amplifier!
• Bridge/Parallel mono
The Bridge/Parallel mono mode is selected to convert
the two-channel amplifier into a mono amplifier of
greater power. This configuration would be selected
when for example more power is needed to drive
sub bass boxes to higher power. The functional
difference between the bridge mono and parallel mono
is determined by the speaker impedance of your
intended speaker system.
AIR
FLOW
AIR
FLOW
AIR
FLOW
AIR
FLOW
rack cabinet
AMPLIFIER
(TOP VIEW)
2" minimum all around
←
2"
→
←
2"
→
2"
↑
↓
INST
ALLA
TION
Bridge Mono is elected when you need to get the
most power available when driving a total load of 8
Ω
or more.
In this con
fi
guration channel A level control is used to
control ampli
fi
er level.
Parallel Mono is selected when you have an odd
number of speakers, such a three. Instead of leaving
the ampli
fi
er in stereo two-channel mode and driving
two on one side and one on the other. By selecting
Parallel Mono you can parallel all three and drive them
with equal power when connected to either or both
speaker outputs. Parallel mono is also more desirable
for the ampli
fi
er for speaker loads of 3-4
Ω
.
Care must be taken with speaker connections to
never have the ampli
fi
er outputs joined together
by a daisy chain of speaker connections . In this
con
fi
guration channel A level control is also used to
control ampli
fi
er level.
• Recommendations for speaker cable
s
Speaker cable needs to be as heavy gauge as
conveniently possible for low-loss results.
Light gauge cable (below 1.5mm) will create extra
resistance and waste ampli
fi
er power–this particularly
applies to long speaker runs. The damping factor
statistic (“punch” for the non technical) is greatly
diminished so keep your speaker cables short and fat.
Quality microphone cable will also lower noise and
improve high frequency response
Using the guidlines below, select the appropriate size of
wire based on the distance from amplifier to speaker
distance
wire size
indicitive
up to 25 ft
16AWG
25-40 ft
14AWG
41-60 ft
12AWG
61-100 ft
10AWG
101-150 ft
8AWG
151-250 ft
6AWG
CAUTION
: Never use shielded cable for output wiring
QA
SERIES
User Manual
7
QA
Series
Power Amplifiers
User Manual