Rane MP25 Operator's Manual - Mp25
8
MP25
CLUB MIXER
Mixer Controls
Mic Inputs
Two Microphone Inputs are fully independent, each with these
controls:
•
Level
control.
•
Pan
the signal from Left to Right.
•
High
/
Low
2-band, full-cut tone controls. The range is Off to
+6 dB, with unity gain at 12 o’clock.
•
FlexFX
Assign takes the signal out of the Main Mix and sends
it to the FlexFX Loop.
•
Mic On
adds the Mic to the Main Mix as a program input. If
Talkover is engaged on the other Mic, this Mic is ducked like
any other program input.
•
Talkover
engages the Mic in the Main Mix and ducks all
program inputs. If Talkover is engaged on the other Mic, this
Mic is not ducked.
•
Peak signal / rms meter
displays the signal level with peak-
hold.
•
Mic 1
front panel connector is intended for a wired dynamic
mic. A gooseneck mic is not recommended as it could damage
the jack and not be covered under Rane’s Warranty.
•
Mic 2
allows selection of a Mic- or Line-level input via the
rear panel switch. Line-level is usually for wireless mics.
• Mic 1, Mic 2, or the Main Mix may be recorded via USB
Record-6. Record source selection is made in the computer’s
MP25 driver control panel.
Program Strips
Four program input strips include the following controls:
•
Source
selection: Each program input x may select from
P
x,
D
x,
A1
,
A2
,
A3
, or
A4
.
•
Level
adjustment is Off to +12 dB, with unity gain at 12
o’clock.
•
High
/
Mid
/
Low
3-band, full-cut tone control range is Off to
+6 dB, with unity gain at 12 o’clock.
•
Filter
with Low-pass and High-pass:
•
Flat response is in the center at 12 o'clock.
•
Low-pass filter cut-off moves from 20 kHz toward 20 Hz as
the knob is turned counter-clockwise.
•
High-pass filter cut-off moves from 20 Hz toward 20 kHz
as the knob is turned clockwise.
•
The filter resonance can be switched high or low in the
computer’s MP25 driver control panel.
• The
A-B-Post
switch assigns the program channel to A-side,
B-side, or Post-Crossfader.
•
FlexFX
assign takes the channel out of the Main Mix and
sends it to the FlexFX Bus (post-fader).
•
Cue
select assigns the channel to the headphones (pre-fader).
•
Peak signal / rms meter
displays a mono signal level with
peak-hold.
• A 60 mm long-throw program fader controls the level of the
program channel in the Main Mix.
• PGM 1-4 post-fader, stereo program channels are streamed
to the computer via USB record channels 1-4. These channels
may be recorded for post production editing and mix-down.
MIC 1
MP25
CLUB MIXER
MIC 2
CUE
SPLIT CUE
PHONES
BOOTH
LEVEL
LEVEL
LEVEL
PAN
PGM 1
CUE
PGM 2
PGM 3
ZONE
MAIN
PGM 4
FLEXFX
CUE
CUE
LEVEL
LEVEL
A
B
POST
A
B
POST
A
B
POST
A
B
CONTOUR
POST
MIC ON
TALKOVER
FLEXFX
MIC ON
TALKOVER
FLEXFX
SOURCE
D1
A3
A4
P1
A1 A2
SOURCE
D2
A3
A4
P2
A1 A2
SOURCE
D3
A3
A4
P3
A1 A2
SOURCE
D4
A3
A4
P4
A1 A2
LEVEL
HIGH
PAN
LOW
LEVEL
HIGH
PAN
LOW
FLEXFX
SEND
RETURN
LEVEL
MID
HIGH
LOW
MID
HIGH
LOW
MID
HIGH
LOW
MID
HIGH
LOW
FILTER
LEVEL
FILTER
LEVEL
FILTER
LEVEL
FILTER
BALANCE
FLEXFX
FLEXFX
FLEXFX
FLEXFX ON
CUE
FLEXFX
MONO
USB LOOP
EXT LOOP
RIGHT
LEFT
CUE
MAIN
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
HIGH
LOW
OL
+6
+3
0
-3
-12
-6
-18
0
1
3
4
5
6
7
8
9
10
2
0
1
3
4
5
6
7
8
9
10
2
0
1
3
4
5
6
7
8
9
10
2
0
1
3
4
5
6
7
8
9
10
2
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
10
0
2
4
8
6
+6
OFF
+6
OFF
RIGHT
LEFT
10
0
2
4
8
6
RIGHT
LEFT
10
0
2
4
8
6
HIGH
LOW
10
0
2
4
8
6
HIGH
LOW
10
0
2
4
8
6
HIGH
LOW
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF
+6
OFF