Waldorf Blofeld User Manual - page 39

Other manuals for Blofeld: User Manual, User Manual

Summary of Blofeld

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    1 blofeld userยดs manual.

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    Foreword blofeld userยดs manual 2 foreword thank you for purchasing the waldorf blofeld. You now own a synthesizer featuring a wide range of unique sounds with the approved waldorf quality. What to read? The biggest problem with any manual is to find a way to cover both the needs of an absolute exper...

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    Foreword 3 blofeld userยดs manual blofeld development team software: stefan stenzel, wolfram franke hardware/ housing: frank schneider design: axel hartmann manual/ layout: holger steinbrink betatest/ sounddesign: wolfram franke, boele gerkes, achim gratz, till kopper, jahnspierr leyton, dr. Georg mรผ...

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    ๋ชฉ ์ฐจ blofeld userยดs manual 4 ๋ชฉ ์ฐจ foreword ......................................................................................... 2 what to read? ...................................................................................... 2 hint ..............................................................

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    ๋ชฉ ์ฐจ 5 blofeld userยดs manual ๋ฉ”๋‰ด ํŽ˜์ด์ง€ ์˜ค ๋ฒ„ ๋ทฐ (overview) ............................................................. 22 ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ ................................................................................ 27 ๊ธฐ ๋Šฅ ์˜ค ๋ฒ„ ๋ทฐ .................................................................................

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    ๋ชฉ ์ฐจ blofeld userยดs manual 6 ๋„ ์›€ ๋ง ๊ธฐ ๋Šฅ ........................................................................................ 76 midi ๋คํ”„ ๊ธฐ ๋Šฅ .................................................................................... 76 ์‹œ์Šค ํ…œ ๋… ์  ๋ฐ์ดํ„ฐ ๋ฐ›๊ธฐ .........................................................

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    ์ œ์–ด๊ธฐ ๋Šฅ ๊ณผ ์—ฐ๊ฒฐ 7 blofeld userยดs manual ์ œ์–ด๊ธฐ ๋Šฅ ๊ณผ ์—ฐ๊ฒฐ ์ „๋ฉด๋ถ€ d b e c f b ๋”” ์Šค ํ”Œ ๋ ˆ์ด c ํŒŒ๋ผ๋ฏธ ํ„ฐ ๋งคํŠธ ๋ฆญ์Šค d ์„ ํƒ ๋‹ค์ด์–ผ๊ณผ ์žฌ์ƒ๋ฒ„ ํŠผ e ์‹œ์Šค ํ…œ ๋ณผ ๋ฅจ ๋‹ค์ด์–ผ f ๋”” ์Šค ํ”Œ ๋ ˆ์ด ํŒŒ๋ผ๋ฏธ ํ„ฐ ๋‹ค์ด์–ผ.

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    ์ œ์–ด๊ธฐ ๋Šฅ ๊ณผ ์—ฐ๊ฒฐ blofeld userยดs manual 8 ์—ฐ๊ฒฐ b c d e g f b ํŒŒ์›Œ์„œํ”Œ ๋ผ์ด ์†Œ ์ผ“ c midi ์ž…๋ ฅ ์žญ d ์ปดํ“จ ํ„ฐ ์™€์˜ ์—ฐ๊ฒฐ์„ ์œ„ํ•œ usb ํฌ ํŠธ e ์Šค ํ…Œ๋ ˆ์˜ค ์˜ค ๋”” ์˜ค ์ถœ ๋ ฅ ์ขŒ/์šฐ (์™ผ์ชฝ๋งŒ: ๋ชจ ๋…ธ , ์˜ค ๋ฅธ ์ชฝ๋งŒ: ์Šค ํ…Œ๋ ˆ์˜ค ) f ์Šค ํ…Œ๋ ˆ์˜ค ํ—ค๋“œ ํฐ ์žญ g ์ „์› ์Šค ์œ„์น˜.

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    ๊ฐœ์š” 9 blofeld userยดs manual ๊ฐœ์š” ์ด ์„ค๋ช…์„œ์— ๋Œ€ํ•˜์—ฌ ์ด ์„ค๋ช…์„œ๋Š” ์‚ฌ์šฉ ์ž๊ฐ€ blofeld ์‹ ๋”” ์‚ฌ์ด์ €์— ์ต์ˆ™ ํ•ด์ง€๋Š” ๊ฒƒ์„ ๋„ ์™€์ฃผ ๊ธฐ ์œ„ํ•ด์„œ ์“ฐ์—ฌ์กŒ์Šต ๋‹ˆ ๋‹ค. ํ‰์ƒ์ž‘์—…์œผ ๋กœ ์ˆ™ ๋‹ฌ๋œ ์‚ฌ์šฉ ์ž๋„ ๋„ ์™€์ค„ ๊ฒƒ์ž…๋‹ˆ ๋‹ค. ํ˜ผ ๋ž€์„ ํ”ผ ํ•˜๊ธฐ ์œ„ํ•ด์„œ, ์„ค๋ช…์„œ์— ์‚ฌ์šฉ ๋œ ์ „๋ฌธ ์šฉ ์–ด๋Š” blofeld ์˜ ํŒŒ๋ผ๋ฏธ ํ„ฐ ์ด๋ฆ„ ์— ๊ธฐ ์ดˆ ๋ฅผ ๋‘ ๊ณ  ์žˆ์Šต ๋‹ˆ ๋‹ค. ์ž์„ธํ•œ ์šฉ ์–ด์„ค๋ช…์€ ๋ฉ”๋‰ด ์–ผ์˜ ๋’ท๋ถ€ ๋ถ„ ์—์„œ ์ฐพ์„ ์ˆ˜ ์žˆ์Šต ๋‹ˆ ๋‹ค; ๋‹ค์–‘ํ•œ ์šฉ ์–ด๋“ค ์ด ์„ค๋ช…๋˜์–ด ์žˆ์Šต ๋‹ˆ ๋‹ค. ๋˜ํ•œ ํ†ต ์ผ๋œ ์‹ฌ๋ณผ ๋“ค ์„ ์‚ฌ์šฉ ํ•˜์—ฌ ์ค‘ ์š” ํ•œ ๋ถ€ ๋ถ„ ๊ณผ ์ถ”...

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    ๊ฐœ์š” blofeld userยดs manual 10 ๊ธฐ ๋ณธ ์•ˆ์ „ ๊ฐ€์ด๋“œ ๋ผ์ธ m ๋‹ค์Œ ์•ˆ์ „ ์ˆ˜ ์น™์„ ๊ผญ ์ฝ์œผ ์‹œ๊ธธ ๋ฐ”๋ž๋‹ˆ ๋‹ค! ์ „์ž๊ธฐ ๊ธฐ ๋ฅผ ๋‹ค๋ฃฐ ๋•Œ ๊ผญ ์•Œ์•„์•ผํ•˜๋Š” ์ฃผ ์˜์‚ฌํ•ญ์„ ํฌ ํ•จํ•˜๊ณ  ์žˆ์Šต ๋‹ˆ ๋‹ค. ๊ธฐ ๊ธฐ ๋ฅผ ์ž‘๋™ ํ•˜๊ธฐ ์ „์— ๋ชจ ๋“  ์ง€์‹œ์‚ฌํ•ญ์„ ์ฝ์œผ ์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ ๋‹ค . ์ ํ•ฉํ•œ ์ž‘๋™ ์ปจ๋”” ์…˜ โ€ข ๋‹ด์œผ ๋กœ ๋‘˜ ๋Ÿฌ์Œ“์ธ ๋ฐฉ์—์„œ๋งŒ ๊ธฐ๊ธฐ๋ฅผ ์‚ฌ์šฉ ํ•˜์‹ญ์‹œ์˜ค . โ€ข ํ™”์žฅ์‹ค์ด๋‚˜, ์„ธ๋ฉด์žฅ ํ˜น ์€ ์‹ค๋‚ด ์ˆ˜ ์˜์žฅ๊ทผ ์ฒ˜๊ฐ™์ด ์Šต ํ•œ ๊ณณ ์—์„œ๋Š” ๊ธฐ๊ธฐ์‚ฌ์šฉ ์„ ๊ธˆ ํ•˜์‹ญ์‹œ์˜ค . โ€ข ๊ทน ํ•˜๊ฒŒ ๋จผ์ง€๊ฐ€ ๋งŽ๊ฑฐ๋‚˜ ๋”๋Ÿฌ์šด ํ™˜๊ฒฝ์—์„œ๋Š” ๊ธฐ๊ธฐ์‚ฌ์šฉ ์„ ํ•˜์ง€๋งˆ์‹ญ์‹œ์˜ค . โ€ข ๊ธฐ๊ธฐ์˜ ๋ชจ ...

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    ๊ฐœ์š” 11 blofeld userยดs manual ์•Œ๋งž์€ ์‚ฌ์šฉ ์ด ๊ธฐ ๊ธฐ ๋Š” ์˜ค ๋กœ ์ง€ ์†Œ ๋ฆฌ ๋ฅผ ๋งŒ๋“ค ์–ด ๋‚ด๊ธฐ ์œ„ํ•œ ์ €์ฃผ ํŒŒ ์˜ค ๋”” ์˜ค ์‹ ํ˜ธ ๋ฅผ ๋งŒ๋“ค ์–ด ๋‚ด๊ธฐ ์œ„ํ•ด์„œ ์„ค๊ณ„๋˜์—ˆ์Šต ๋‹ˆ ๋‹ค. ์ด๋ฐ–์— ๋‹ค๋ฅธ ์‚ฌ์šฉ ์€ ๊ธˆ ์ง€๋˜์—ˆ์œผ ๋ฉฐ waldorf music ์—์„œ ์ œ๊ณต ํ•˜๋Š” ์›Œ๋Ÿฐํ‹ฐ ๋ฅผ ๋ฌด ํšจ ํ™”ํ•ฉ๋‹ˆ ๋‹ค. Waldorf music ์€ ์˜ฌ ๋ฐ”๋ฅด ์ง€ ๋ชป ํ•œ ์‚ฌ์šฉ ์œผ ๋กœ ์ธํ•œ ํ”ผ ํ•ด์— ๋Œ€ํ•œ ์ฑ…์ž„์„ ์ง€์ง€ ์•Š์Šต ๋‹ˆ ๋‹ค. M blofeld ๊ฐ€ ์•„์ด๋“ค ์ด๋‚˜, ์žฅ๋ชจ ๋‹˜ ํ˜น ์€ ์• ์™„๋™ ๋ฌผ ์˜†์— ์žˆ๊ฒŒ ํ•˜์ง€๋งˆ์‹ญ์‹œ์˜ค . ์‹ฌ๊ฐํ•œ ์ƒํ˜ธ ์ž‘์šฉ ์„ ๋ถˆ ๋Ÿฌ ์˜ฌ ์ˆ˜ ์žˆ์Šต ๋‹ˆ...

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    ์„ค์น˜์™€ ์—ฐ๊ฒฐ blofeld userยดs manual 12 ์„ค์น˜์™€ ์—ฐ๊ฒฐ ํŒจํ‚ค ์ง€ ๋‚ด์šฉ ๋ฌผ waldoft blofeld ๋Š” ๋‹ค์Œ ๊ณผ ๊ฐ™์€ ๊ตฌ ์„ฑ๋ฌผ ์„ ๊ฐ€์ง€๊ณ  ์žˆ์Šต ๋‹ˆ ๋‹ค: โ€ข waldorf blofeld ์‹ ๋”” ์‚ฌ์ด์ € โ€ข ์™ธ์žฅํ˜• ํŒŒ์›Œ์„œํ”Œ ๋ผ์ด โ€ข ํ’€ ๋ฒ„ ์ „์˜ pdf ๋งค๋‰ด ์–ผ๊ณผ ๋‹ค๋ฅธ ๋„ ๊ตฌ ๊ฐ€ ๋‹ด๊ฒจ ์ ธ ์žˆ๋Š” cd-rom ๋”” ์Šค ํฌ โ€ข ๋น ๋ฅธ ์‹œ์ž‘ ๋ฉ”๋‰ด ์–ผ ์œ„์˜ ๋ถ€ ์† ๋ฌผ ์ด ๋ชจ ๋‘ ํฌ ํ•จ๋˜์—ˆ๋Š” ์ง€ ํ™•์ธํ•˜์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ ๋‹ค. ๋งŒ์•ฝ ์–ด๋– ํ•œ ๊ฒƒ์ด ๋น ์ ธ์žˆ๋‹ค๋ฉด, ๋กœ ์ปฌ ๋”œ๋Ÿฌ ์— ์—ฐ๋ฝํ•˜์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ ๋‹ค. ๋ฏธ ๋ž˜์˜ ์šด ๋ฐ˜์„ ์œ„ํ•ด ์˜ค ๋ฆฌ ์ง€๋„ ํŒจํ‚ค ์ง€๋ฅผ ๋ณด ๊ด€...

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    ์„ค์น˜์™€ ์—ฐ๊ฒฐ 13 blofeld userยดs manual 6. ํŒŒ์›Œ ์„œํ”Œ ๋ผ์ด ์ผ€์ด๋ธ” ์ด๋‚˜ ํŒŒ์›Œ ์ผ€์ด๋ธ” ์„ blofeld ์˜ ํŒŒ์›Œ ์„œํ”Œ ๋ผ์ด ์žญ์— ์—ฐ๊ฒฐํ•ฉ๋‹ˆ ๋‹ค. 7. ํŒŒ์›” ์„œํ”Œ ๋ผ์ด ์ผ€์ด๋ธ” ์˜ ๋‹ค๋ฅธ ์ชฝ์„ ์•Œ๋งž์€ ac ํŒŒ์›Œ ์ฝ˜ ์„ผํŠธ ์— ๊ผฝ์Šต ๋‹ˆ ๋‹ค. 8. Blofeld ์˜ ํŒŒ์›Œ ์Šค ์œ„์น˜๋ฅผ ๋ˆ„ ๋ฆ… ๋‹ˆ ๋‹ค. 9. ์ปดํ“จ ํ„ฐ ์˜ ์ „์› (๋งŒ์•ฝ ์—ฐ๊ฒฐ๋˜์–ด ์žˆ๋‹ค๋ฉด), ๋ฏน์‹ฑ์ฝ˜ ์†” ๊ทธ ๋ฆฌ ๊ณ  ์•ฐํ”„ ๋‚˜ ์•กํ‹ฐ ๋ธŒ ๋ชจ ๋‹ˆ ํ„ฐ ์Šค ํ”ผ ์ปค ์˜ ์ „์›์„ ์ผญ๋‹ˆ ๋‹ค. W blofeld ๋กœ midi ๋ฐ์ดํ„ฐ ๊ฐ€ ์ œ๋Œ€๋กœ ์ „์†ก ๋˜ ๋Š” ์ง€ ์ฒดํฌ ํ•˜๋ ค ๋ฉด; ์ˆ˜ ์‹ ๋˜ ๋Š” ๋ชจ ๋“  ...

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    ๊ธฐ ๋ณธ ์ž‘๋™ blofeld userยดs manual 14 ๊ธฐ ๋ณธ ์ž‘๋™ ์Šค ์œ„์น˜ ์ผฌ / ๋” blofeld ๋Š” ํŒŒ์›Œ ์Šค ์œ„์น˜๋ฅผ ๊ฐ€์ง€๊ณ  ์žˆ์Šต ๋‹ˆ ๋‹ค. + blofeld ์˜ ์ „์›์„ ํ‚ค ๋ ค ๋ฉด: โ€ข ํŒŒ์›Œ ์Šค ์œ„์น˜ ๋ฅผ on ์œ„์น˜๋กœ ์˜ฎ ๊น๋‹ˆ๋‹ค. ๋””์Šค ํ”Œ ๋ ˆ์ด๊ฐ€ ์ ๋“ฑ ๋ฉ๋‹ˆ๋‹ค. + blofeld ์˜ ์ „์›์„ ๋„๋ ค ๋ฉด: โ€ข ํŒŒ์›Œ ์Šค ์œ„์น˜ ๋ฅผ off ์œ„์น˜๋กœ ์˜ฎ ๊น๋‹ˆ๋‹ค. ์‹œ์Šค ํ…œ ๋ณผ ๋ฅจ ์‹œ์Šค ํ…œ ๋ณผ ๋ฅจ ์€ blofeld ์˜ ๋งˆ์Šค ํ„ฐ ๋ณผ ๋ฅจ ์„ ์ œ์–ดํ•ฉ๋‹ˆ ๋‹ค. ๋ณผ ๋ฅจ ์„ธํŒ…์€ ์ „์ฒด์ ์ด๊ณ  ์˜ค ๋”” ์˜ค ์•„์›ƒ ํ’‹ ๊ณผ ํ—ค๋“œ ํฐ ์•„์›ƒ ํ’‹ ์˜ ๋ ˆ๋ฒจ์— ์˜ํ–ฅ์„ ์ค ๋‹ˆ ๋‹ค. ํ”„...

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    ๊ธฐ ๋ณธ ์ž‘๋™ 15 blofeld userยดs manual ๊ฒ€์ƒ‰ํ•˜๋ฉด ์ด๋Ÿฌ ํ•œ ์‚ฌ์šด ๋“œ ๋“ค ๋งŒ ๋”” ์Šค ํ”Œ ๋ ˆ์ดํ•ฉ๋‹ˆ ๋‹ค. ์ด๊ฒƒ์„ ๊ฐ€๋Šฅ ํ•˜๊ฒŒ ํ•˜๋ ค ๊ฐ ์‚ฌ์šด ๋“œ ๋Š” 4 ์ž๋ฆฌ ์˜ ์ˆซ ์ž๋ฅผ ๊ฐ€์ง€๋ฉฐ ๊ทธ ๊ฒƒ๋“ค ๋กœ ์นดํ…Œ๊ณ  ๋ฆฌ ๋ฅผ ๊ตฌ ๋ถ„ ์ง“์Šต ๋‹ˆ ๋‹ค. ์–ด๋–ป๊ฒŒ ์‚ฌ์šด ๋“œ ์นดํ…Œ๊ณ  ๋ฆฌ ๊ฐ€ ๋ฌ˜ ์‚ฌ๋˜๋Š” ์ง€์— ๋Œ€ํ•œ ์ž์„ธํ•œ ์‚ฌํ•ญ์€ ํŽ˜์ด์ง€ 19 ์˜ โ€œํ”„ ๋กœ ๊ทธ ๋žจ ์ €์žฅํ•˜๊ธฐ โ€๋ฅผ ์ฐธ๊ณ  ํ•ด ์ฃผ ์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ ๋‹ค. + ํŠน ๋ณ„ํ•œ ์‚ฌ์šด ๋“œ ์นดํ…Œ๊ณ  ๋ฆฌ ์˜ ๊ฒ€์ƒ‰: 1. ๋”” ์Šค ํ”Œ ๋ ˆ์ด์— play sound ๋ชจ ๋“œ ๊ฐ€ ํ‘œ ์‹œ๋˜์–ด์žˆ๋Š” ํ™•์ธํ•ฉ๋‹ˆ ๋‹ค. ๊ทธ ๋ ‡์ง€ ์•Š๋‹ค๋ฉด play ๋ฒ„ ํŠผ ์„ ...

  • Page 16

    ๊ธฐ ๋ณธ ์ž‘๋™ blofeld userยดs manual 16 ์ด์šฉ ํ•˜์—ฌ ํ–‰ํ•ด์ง‘๋‹ˆ ๋‹ค. ํŽธ์ง‘ ๋ ˆ๋ฒจ์€ ๋งคํŠธ ๋ฆญ์Šค ์™ผ์ชฝ์— ์œ„์น˜ํ•œ 4 ๊ฐœ์˜ ๋„ค์ด๋น„ ๊ฒŒ์ด์…˜๊ณผ 2 ๊ฐœ์˜ ๋”” ์Šค ํ”Œ ๋ ˆ์ด ํŒŒ๋ผ๋ฏธ ํ„ฐ ๋‹ค์ด์–ผ์„ ์ด์šฉ ํ•˜์—ฌ ์ •ํ•ฉ๋‹ˆ ๋‹ค. ์‹ค์ œ๋ณด ๋‹ค ์กฐ ๊ธˆ ๋ณต ์žกํ•˜๊ฒŒ ๋“ค ๋ฆฝ๋‹ˆ ๋‹ค. ๊ฐ„๋‹จํ•œ ์˜ˆ๋ฅผ ๋“ค ์–ด blofeld ์˜ ๊ตฌ ์กฐ ๋ฅผ ์‰ฝ๊ฒŒ ํŒŒ์•…ํ•  ์ˆ˜ ์žˆ๋„ ๋ก ๋„ ์™€๋“œ ๋ฆฝ๋‹ˆ ๋‹ค. ํ•„ํ„ฐ 2 ์˜ cutoff ๋ฅผ ๋ณ€๊ฒฝํ•˜๊ณ  ์‹ถ์œผ ์‹œ๋‹ค๊ณ  ์š” ? ๋‹ค์Œ ๊ณผ ๊ฐ™์ด ํ•ด์ฃผ ์‹œ๊ธฐ ๋ฐ”๋ž๋‹ˆ ๋‹ค: + ํŠน ์ • ํŒจ๋„ ํŒŒ๋ผ๋ฏธ ํ„ฐ ์— ์ ‘๊ทผ ํ•˜๋ ค ๋ฉด: 1. ์ „๋ฉด๋ถ€ ์˜ ์›ํ•˜๋Š” ํŒŒ๋ผ๋ฏธ ํ„ฐ ๊ฐ€ ์žˆ๋Š” ์„น์…˜...

  • Page 17

    ๊ธฐ ๋ณธ ์ž‘๋™ 17 blofeld userยดs manual ํŒŒ๋ผ๋ฏธ ํ„ฐ ๊ฐ’ ๋ณ€๊ฒฝ์—†์ด ๋ณด ๊ธฐ blofeld ๋Š” ์–ด๋– ํ•œ ๋ณ€ํ™”๋ฅผ ์ฃผ ์ง€์•Š๊ณ  ํŒŒ๋ผ๋ฏธ ํ„ฐ ๋ฅผ ์ฒดํฌ ํ•  ์ˆ˜ ์žˆ๋Š” ํŠน ๋ณ„ํ•œ ๋ชจ ๋“œ ๊ฐ€ ์žˆ์Šต ๋‹ˆ ๋‹ค. + ๊ฐ’์„ ๋ณ€๊ฒฝํ•˜์ง€ ์•Š๊ณ  ํŒŒ๋ผ๋ฏธ ํ„ฐ ๊ฐ’์„ ์ฒดํฌ ํ•˜๋ ค ๋ฉด: 1. ํŒŒ๋ผ๋ฏธ ํ„ฐ ๋งคํŠธ ๋ฆญ์Šค ์—์„œ ํ•ด๋‹ฌ๋˜๋Š” ๋ฒ„ ํŠผ ์„ ๋ˆ„ ๋ฅด ๊ณ  ์žˆ์Šต ๋‹ˆ ๋‹ค. ์ž ์‹œ ํ›„ ์— ๋ชจ ๋“  4 ๊ฐœ์˜ ํŒŒ๋ผ๋ฏธ ํ„ฐ ์™€ ๊ฐ’์ด ๋”” ์Šค ํ”Œ ๋ ˆ์ด์— ํ‘œ ์‹œ๋ฉ๋‹ˆ ๋‹ค. 2. ๋ฒ„ ํŠผ ์„ ๋ˆ„ ๋ฅธ ์ฑ„๋กœ ํŒŒ๋ผ๋ฏธ ํ„ฐ ๋ฅผ ํŽธ์ง‘ํ•  ์ˆ˜ ์žˆ์Šต ๋‹ˆ ๋‹ค. 3. ๋ฒ„ ํŠผ ์„ ๋†“ ์•„์คŒ ์œผ ๋กœ ์จ ํŒŒ๋ผ๋ฏธ ํ„ฐ ๋ณด ๊ธฐ ๋ฅผ ...

  • Page 18

    ๊ธฐ ๋ณธ ์ž‘๋™ blofeld userยดs manual 18 + ํ”„ ๋กœ ๊ทธ ๋žจ์„ ์ €์žฅํ•˜๋ ค ๋ฉด: 1. Shift + utility ํ‚ค ๋ฅผ ๋ˆŒ ๋Ÿฌ ์ €์žฅ ํŽ˜์ด์ง€๋ฅผ ํ™œ์„ฑํ™”ํ•ฉ๋‹ˆ ๋‹ค. 2. ์„ ํƒ ๋‹ค์ด์–ผ์„ ์‚ฌ์šฉ ํ•˜์—ฌ store sound 1/3 ๋ฉ”๋‰ด ํŽ˜์ด์ง€๋ฅผ ์„ ํƒํ•ฉ๋‹ˆ ๋‹ค. 3. ํ”„ ๋กœ ๊ทธ ๋žจ ์ด๋ฆ„ ์„ ๋ฐ”๊ฟ‰๋‹ˆ ๋‹ค (๋งŒ์•ฝ ์›ํ•œ๋‹ค๋ฉด). ๋จผ์ € ๋ฐ”๊พธ๊ณ  ์ž ํ•˜๋Š” ๊ธ€ ์ž๋ฅผ ์™ผ์ชฝ ๋”” ์Šค ํ”Œ ๋ ˆ์ด ํŒŒ๋ผ๋ฏธ ํ„ฐ ๋‹ค์ด์–ผ๋กœ ์„ ํƒํ•ฉ๋‹ˆ ๋‹ค. ๊ทธ ๋Ÿฐ๋‹ค์Œ ์˜ค ๋ฅธ ์ชฝ ๋”” ์Šค ํ”Œ ๋ ˆ์ด ํŒŒ๋ผ๋ฏธ ํ„ฐ ๋‹ค์ด์–ผ๋กœ ์„ค์ •์„ ๋ฐ”๊ฟ‰๋‹ˆ ๋‹ค. ํ”„ ๋กœ ๊ทธ ๋žจ์˜ ์ด๋ฆ„ ์€ ์ตœ๋Œ€ 16 ๊ธ€ ์ž๊ฐ€ ๋  ์ˆ˜ ์žˆ์Šต ...

  • Page 19

    ๋ฉ€ํ‹ฐ ๋ชจ ๋“œ 19 blofeld userยดs manual ๋ฉ€ํ‹ฐ ๋ชจ ๋“œ waldorf blofeld ๋Š” 16 ํŒŒํŠธ ์˜ ๋ฉ€ํ‹ฐ ๋ชจ ๋“œ ๋ฅผ ์ง€์›ํ•ฉ๋‹ˆ ๋‹ค. ์Šค ํŠœ ๋”” ์˜ค ์—์„œ ๋ฉ€ํ‹ฐ ํŠธ ๋ž™ ๋ ˆ์ฝ” ๋”ฉ์„ ํ•˜๊ณ  ์ž ํ• ๋•Œ, ๋ฉ€ํ‹ฐ ํŒŒํŠธ ๋ฅผ ์‚ฌ์šฉ ํ•˜์…”์•ผ ํ•ฉ๋‹ˆ ๋‹ค. ๋ฉ€ํ‹ฐ ์…‹์—…์˜ ๊ฐ ์‚ฌ์šด ๋“œ ๋Š” part ์— ๊ธฐ ๋ฐ˜์„ ๋‘ ๊ณ  ์žˆ์Šต ๋‹ˆ ๋‹ค. + ๋ฉ€ํ‹ฐ ๋ชจ ๋“œ ์„ ํƒํ•˜๊ธฐ : โ€ข shift + sound/multi ๋ฅผ ๋ˆŒ ๋Ÿฌ ์žฌ์ƒ (play sound)์™€ ๋ฉ€ํ‹ฐ (multi) ๋ชจ ๋“œ ๋ฅผ ์Šค ์œ„์น˜ํ•  ์ˆ˜ ์žˆ์Šต ๋‹ˆ ๋‹ค. ๋ฉ€ํ‹ฐ ๋ชจ ๋“œ ์—์„œ๋Š” ํ˜„์žฌ ์„ ํƒ๋œ ํŒŒํŠธ ์˜ ๋ฒˆํ˜ธ ๊ฐ€ ๋”” ...

  • Page 20

    ๋ฉ”๋‰ด ํŽ˜์ด์ง€ ์˜ค ๋ฒ„ ๋ทฐ (overview) blofeld userยดs manual 20 ๋ฉ”๋‰ด ํŽ˜์ด์ง€ ์˜ค ๋ฒ„ ๋ทฐ (overview) ์—ฌ๊ธฐ ์„œ blofeld ํŒŒ๋ผ๋ฏธ ํ„ฐ ์™€ ๋ฉ”๋‰ด ํŽ˜์ด์ง€๋ฅผ ์ „๋ฐ˜์ ์œผ ๋กœ ๋ณด ์‹ค ์ˆ˜ ์žˆ์Šต ๋‹ˆ ๋‹ค. Oscillators (์˜ค ์‹ค๋ ˆ์ดํ„ฐ ) parameter matrix: shape, semitone, detune, level menu pages: oscillator 1 (1/6) octave / balance (2/6) pulsewidth / pwm amount (3/6) pwm source / pwm amoun...

  • Page 21

    ๋ฉ”๋‰ด ํŽ˜์ด์ง€ ์˜ค ๋ฒ„ ๋ทฐ (overview) 21 blofeld userยดs manual filter 1 (1/6) keytrack / env velocity (2/6) mod source / mod amount (3/6) fm source / fm amount (4/6) drive / drive curve (5/6) pan (6/6): pan source / pan amount filter routing (1/1) routing filter 2 (1/6) keytrack / env velocity (2/6) mod source / ...

  • Page 22

    ๋ฉ”๋‰ด ํŽ˜์ด์ง€ ์˜ค ๋ฒ„ ๋ทฐ (overview) blofeld userยดs manual 22 (2/4) sync / clocked (3/4) start phase / keytrack (4/4) delay / fade lfo 2 (1/4) shape / speed (2/4) sync / clocked (3/4) start phase / keytrack (4/4) delay / fade lfo 3 (1/4) shape / speed (2/4) sync / clocked (3/4) start phase / keytrack (4/4) delay...

  • Page 23

    ๋ฉ”๋‰ด ํŽ˜์ด์ง€ ์˜ค ๋ฒ„ ๋ทฐ (overview) 23 blofeld userยดs manual menu pages: arpeggiator (1/6) mode / clock (2/6) tempo / pattern (3/6) direction / octave (4/6) length / overlap (5/6) timing factor / velocity (6/6) pat. Length / pat. Reset arpeggiator step position / step arpeggiator accent position / accent arpegg...

  • Page 24

    ๋ฉ”๋‰ด ํŽ˜์ด์ง€ ์˜ค ๋ฒ„ ๋ทฐ (overview) blofeld userยดs manual 24 global menu (shift + global) menu pages: global display (1/2) contrast / popup time (2/2) auto edit global tune master tune / transpose global midi (1/3) midi channel / device id (2/3) vel curve / clock (2/3) ctrl send / ctrl receive global controls (...

  • Page 25

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 25 blofeld userยดs manual ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ ๊ธฐ ๋Šฅ ์˜ค ๋ฒ„ ๋ทฐ waldorf blofeld ๋Š” ์…€์ˆ˜ ์—†์ด ๋งŽ์€ ์‚ฌ์šด ๋“œ -shaping (๋ชจ ์–‘๋‚ด๊ธฐ ) ๊ตฌ ์„ฑ์š” ์†Œ ๋กœ ์ด๋ฃจ ์–ด์ ธ ์žˆ์Šต ๋‹ˆ ๋‹ค. ๋‹ค์Œ ํŽ˜์ด์ง€๋Š” ๋ชจ ๋“  ํŒŒ๋ผ๋ฏธ ํ„ฐ ๋ฅผ ์ž์„ธํ•˜๊ฒŒ ๋ฌ˜ ์‚ฌํ•ฉ๋‹ˆ ๋‹ค. ์ถ” ๊ฐ€์ ์ธ ์ •๋ณด ๋Š” 78 ํŽ˜์ด์ง€์˜ โ€œsound sythesis basics (์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ ๋ณธ )โ€ ์žฅ์—์„œ ํ™•์ธํ•˜์‹ค ์ˆ˜ ์žˆ์Šต ๋‹ˆ ๋‹ค. Blofeld ๊ฐ€ ์‚ฌ์šด ๋“œ ์ƒ์„ฑ (generation)๊ณผ ์‰์ดํ•‘ (shaping) ์˜ ๋‘ ๋ถ€ ๋ถ„ ์œผ ๋กœ ...

  • Page 26

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 26 ์˜ค ์‹ค๋ ˆ์ดํ„ฐ ํŒŒ๋ผ๋ฏธ ํ„ฐ ์ œ์–ด shape off / pulse / saw / triangle / sine / alt 1 / alt 2 / wavetables ์˜ค ์‹ค๋ ˆ์ดํ„ฐ ์— ์˜ํ•ด ์ƒ์„ฑ๋˜๋Š” ํŒŒํ˜• (waveform)์˜ ํƒ€์ž…์„ ์„ ํƒํ•ฉ๋‹ˆ ๋‹ค. ํŒŒ๋ผ๋ฏธ ํ„ฐ ๋Š” โ€œํŒŒํ˜• (waveform)โ€ ๋Œ€์‹ ์— ๊ผญ ํ•˜๋‚˜์˜ ํŒŒํ˜•์„ ์ •ํ•˜๋Š” ๊ฒŒ ์•„๋‹ˆ ๋ผ ๋‹ค๋ฅธ ์„ธํŒ…์— ์˜์กด ํ•ด ํŒŒํ˜•์„ ๋งŒ๋“œ ๋Š” ํŠน ์ • ์˜ค ์‹ค๋ ˆ์ดํ„ฐ ๋ชจ ๋ธ์„ ์ •ํ•˜๊ธฐ ๋•Œ๋ฌธ ์— shape ๋ผ ๋ถˆ ๋ฆฝ๋‹ˆ ๋‹ค. ์ด๊ฒƒ์— ๋Œ€ํ•œ ์ข‹ ์€ ์˜ˆ๋กœ ๋Š” pulse ...

  • Page 27

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 27 blofeld userยดs manual [ sine ์€ bass ์™€ ์ผ๋ ‰ ์˜ค ๋ฅด ๊ฐ„ ์†Œ ๋ฆฌ ๋ฅผ ์œ„ํ•ด ์‚ฌ์šฉ ๋  ์ˆ˜ ์žˆ์Šต ๋‹ˆ ๋‹ค. [ sine ์€ ๋ง ๋ชจ ๋“ˆ ๋ ˆ์ด์…˜์„ ์œ„ํ•ด ์™„๋ฒฝํ•˜๋ฉฐ fm source ๋กœ ๋„ ์† ์ƒ‰์ด ์—†์Šต ๋‹ˆ ๋‹ค. [ wavetable ์€ ๋งค์šฐ ์ƒ๋™ ์ ์ธ ์†Œ ๋ฆฌ ๋ฅผ ์œ„ํ•ด ๋”ฑ ๋งž์Šต ๋‹ˆ ๋‹ค. [ ์—ฌ๊ธฐ ์— ๊ธฐ ์ˆ  ๋œ ํŒ๋“ค ์€ ์˜ค ์ง ๊ถŒ์žฅ์‚ฌํ•ญ์ž…๋‹ˆ ๋‹ค. Blofeld ์˜ ์›จ์ด๋ธŒ ํผ ์— ์žˆ๋Š” ๋‹ค์–‘ํ•œ ํ†ค ๋“ค ์€ ๋‹ค ์“ธ์ˆ˜ ๊ฐ€ ์—†์„ ์ •๋„ ๋กœ ๋งŽ์Šต ๋‹ˆ ๋‹ค. W ์˜ค ์‹ค๋ ˆ์ดํ„ฐ ๋Š” ์‚ฌ์šฉ ํ•˜์ง€ ์•Š์„ ๋•Œ๋Š” ๊บผ์•ผํ•ฉ๋‹ˆ ๋‹ค. ์ด...

  • Page 28

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 28 ์˜ค ์‹ค๋ ˆ์ดํ„ฐ 1, 2 ๊ทธ ๋ฆฌ ๊ณ  3 ๋‹ค์Œ ํŒŒ๋ผ๋ฏธ ํ„ฐ ๋“ค ์€ ์„ ํƒ๋œ ์˜ค ์‹ค๋ ˆ์ดํ„ฐ ์— ๊ด€ํ•œ ๊ฒƒ์ž…๋‹ˆ ๋‹ค. Octave (์˜ฅ ํƒ€๋ธŒ ) 128ยด...1/2ยด ์˜ค ์‹ค๋ ˆ์ดํ„ฐ ์˜ ๊ธฐ ๋ณธ pitch ๋ฅผ octave ๋‹จ๊ณ„๋กœ ์ •ํ•ฉ๋‹ˆ ๋‹ค. Octave ์„ค์ •์€ ์˜ค ๋ฅด ๊ฐ„ ํŒŒ์ดํ”„ ์˜ ๊ธธ์ด์— ๊ด€๋ จ์žˆ๋Š” ๋ ˆ์ง€์Šค ํ„ฐ (register) ๊ฐ’์œผ ๋กœ ๋ณด ์ž…๋‹ˆ ๋‹ค. ์˜ค ์‹ค๋ ˆ์ดํ„ฐ ์˜ ๋ ˆํผ ๋Ÿฐ์Šค pitch ๋Š” midi ๋…ธ ํŠธ a3 (note ๋„˜๋ฒ„ 69)์—์„œ ์ƒ์„ฑ๋ฉ๋‹ˆ ๋‹ค - octave ๊ฐ€ 8โ€™๋กœ ์„ค์ •๋˜์–ด์žˆ์„ ๋•Œ...

  • Page 29

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 29 blofeld userยดs manual pulse width 50% (square) pulse width 33% pulse width 25% pulse width (impulse) [ 50%์˜ pulse width ๋Š” ํ’€ ๋ฃป ์ด๋‚˜ ๋งค์šฐ ๋น„ ์–ด์žˆ๋Š” ๋“ฏ ํ•œ ๋ฒ ์ด์Šค ์†Œ ๋ฆฌ ๋ฅผ ์œ„ํ•ด ์‚ฌ์šฉ ๋  ์ˆ˜ ์žˆ์Šต ๋‹ˆ ๋‹ค. [ 30% ๊ทผ ์ฒ˜์˜ pulse width ๋Š” ์ „์žํ”ผ ์•„๋…ธ ๋‚˜ ๋ฌด ๊ฑฐ ์šด ๋ฒ ์ด์Šค ์†Œ ๋ฆฌ ๋ฅผ ์œ„ํ•ด ์‚ฌ์šฉ ๋  ์ˆ˜ ์žˆ์Šต ๋‹ˆ ๋‹ค. [ 10% ๊ทผ ์ฒ˜์˜ pulse width ๋Š” clavinet ์†Œ ๋ฆฌ ์— ํฅ ๋ฏธ ๋กœ ์šธ ...

  • Page 30

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 30 limit wt on, off ํด ๋ž˜์‹ wavetables (๊ณต ๋ช…์œผ ๋กœ ๋ถ€ ํ„ฐ )๊ฐ€์ถ” ๊ฐ€์ ์ธ ์•„๋‚ ๋กœ ๊ทธ waveforms ๊ณผ ๊ฐ™์ด ์žฌ์ƒ๋˜๋Š” ์ง€ ์•„๋‹Œ์ง€๋ฅผ ๊ฒฐ์ •ํ•ฉ๋‹ˆ ๋‹ค. ์•„๋‚ ๋กœ ๊ทธ waveforms ์€ ์ด์ „์˜ ppg wave ์™€ microwave ์‹ ๋”” ์‚ฌ์ด์ €๋กœ ๋ถ€ ํ„ฐ ์ „ํ•ด์ง„ ๊ฒƒ์ž…๋‹ˆ ๋‹ค. ๋งŒ์•ฝ ์ด waveforms ๋ฅผ ์‚ฌ์šฉ ํ•˜์ง€ ์•Š์œผ ๋ ค ๋ฉด, limit wt ๋ฅผ ์‚ฌ์šฉ ํ•˜์—ฌ ๋งˆ์Šค ํฌ ํ•ฉ๋‹ˆ ๋‹ค. โ€ข on wavetable ์˜ ์•„๋‚ ๋กœ ๊ทธ waveforms ๋ฅผ ๋งˆ์Šค ํฌ ํ•ฉ๋‹ˆ ๋‹ค....

  • Page 31

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 31 blofeld userยดs manual ํ™œ์„ฑํ™”๋˜์–ด์žˆ์„ ๋•Œ ๊ทธ ๋ ‡์Šต ๋‹ˆ ๋‹ค. ์‚ฌ์šฉ ๋ถˆ ๊ฐ€๋Šฅ ํ•œ detune ์„ ํ”ผ ํ•˜๋ ค ๋ฉด, fm source ๋กœ triangular ๋‚˜ sine ํŒŒํ˜•์„ ์‚ฌ์šฉ ํ•ฉ๋‹ˆ ๋‹ค. [ ๋งŒ์•ฝ fm ์„ ํ‚ค ๋ณด ๋“œ ๋ณด ๋‹ค ์„ ํ˜ธ ํ•˜๊ณ  ์ž ํ•˜์—ฌ ๋†’ ์€ ์Œ ์ด ๋‚ฎ์€ ์Œ ์ฒ˜๋Ÿผ ๋ชจ ๋“ˆ ๋ ˆ์ดํŠธ ๋˜๊ธธ ์›์น˜ ์•Š๋Š” ๋‹ค๋ฉด, modulation matrix ์„ ์‚ฌ์šฉ ํ•˜๊ณ  keytrack ๋ฅผ ๊ฐ๊ฐ ์˜ค ์‹ค๋ ˆ์ดํ„ฐ fm ์— ๋งˆ์ด๋„ˆ ์Šค ์–‘์œผ ๋กœ ์ ์šฉ ํ•ฉ๋‹ˆ ๋‹ค. Keytrack -200%...+196% ์„ ํƒ๋œ ์˜ค ์‹ค๋ ˆ์ดํ„ฐ ...

  • Page 32

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 32 oscillator ๊ณต ํ†ต ๋‹ค์Œ ํŒŒ๋ผ๋ฏธํ„ฐ๋“ค ์€ ๋ชจ ๋“  ์˜ค ์‹ค๋ ˆ์ดํ„ฐ์— ํ•ด๋‹น๋˜๋Š” ์‚ฌํ•ญํž™๋‹ˆ๋‹ค. Allocation (ํ• ๋‹น) poly / mono ์†Œ ๋ฆฌ ๊ฐ€ ๋‹ค์„ ์œจ (polyphonically) ํ˜น ์€ ๋‹จ์„ ์œจ (monophonically) ๋กœ ์—ฐ์ฃผ ๋  ์ˆ˜ ์žˆ๋Š” ์ง€๋ฅผ ์ œ์–ดํ•ฉ๋‹ˆ๋‹ค. โ€ข poly ๋Š” ๊ฐ ์Œ ํŠธ ๋ฆฌ ๊ฑฐ ๊ฐ€ ๊ณ  ์œ  ์˜ ๋ณด ์ด์Šค ๋‚˜ ํ”ผ ์•„๋…ธ ์ฒ˜๋Ÿผ ๋ณด ์ด์Šค ๋“ค ์„ ๊ฐ€์ง„๊ฒƒ์„ ๋งํ•ฉ๋‹ˆ๋‹ค. โ€ข mono ๋Š” ๋งˆ์ง€๋ง‰ ์—ฐ์ฃผ ๋œ ์Œ ๋งŒ์ด ์†Œ ๋ฆฌ ๊ฐ€ ๋‚˜๋Š” ๊ฒƒ์„ ๋งํ•ฉ๋‹ˆ ๋‹ค. ๋ชจ ๋“  ๋‹ค๋ฅธ ์Œ...

  • Page 33

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 33 blofeld userยดs manual w uni detune ์€ ํ†ค ์„ ๋‘ ํ…๊ฒŒ ํ•˜๋Š” ๋ฐ ์ตœ์ ํ•ฉ ํ•ฉ๋‹ˆ ๋‹ค. Detune ๊ธฐ ๋Šฅ ์œผ ๋กœ ๋ถ€ ํ„ฐ arpeggios ๋„ ์ด๋“ ์„ ์–ป์Šต ๋‹ˆ ๋‹ค. Glide off / on glide ํšจ ๊ณผ๋ฅผ ํ™œ์„ฑํ™” ํ˜น ์€ ๋น„ ํ™œ์„ฑํ™” ํ•ฉ๋‹ˆ ๋‹ค. โ€œglideโ€๋‚˜ โ€œportamentoโ€๋Š” ํ•˜๋‚˜์˜ ๋…ธ ํŠธ ๋ถ€ ํ„ฐ ๋‹ค๋ฅธ ๋…ธ ํŠธ ๋กœ ์˜ ๊ณ„์† ๋˜๋Š” gliding ์„ ์ผ์ปฌ๋Š” ๊ฒƒ์ž…๋‹ˆ๋‹ค. ์ด ํšจ ๊ณผ๋Š” fret ์ด ์—†๋Š” ํ˜„์•…๊ธฐ ๋‚˜ ๋ช‡๊ฐœ์˜ ๊ด€์•…๊ธฐ (ํŠธ ๋Ÿผ๋ณธ ๊ฐ™์€ ) ์—์„œ ๋งŒ๋“ค ์–ด์งˆ ์ˆ˜ ์žˆ์Šต ๋‹ˆ ๋‹ค. ์ด๊ฒƒ...

  • Page 34

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 34 pitch amount - 64...+63 ๋ชจ ๋“  ์˜ค ์‹ค๋ ˆ์ดํ„ฐ๋ฅผ ์œ„ํ•œ pitch ๋ชจ ๋“ˆ ๋ ˆ์ด์…˜์˜ ์–‘์„ ์ •ํ•ฉ๋‹ˆ๋‹ค. ํ”Œ ๋Ÿฌ์Šค ์˜ ์–‘์€ ํ”Œ ๋Ÿฌ ์Šค ๊ฐ’์˜ ๋ชจ ๋“ˆ ๋ ˆ์ด์…˜์ด ์ ์šฉ ๋  ๋•Œ pitch ๋ฅผ ์ฆ ๊ฐ€์‹œํ‚ต๋‹ˆ๋‹ค. ์˜ˆ๋ฅผ ๋“ค ์–ด ํ‚ค๋ณด ๋“œ ์˜ aftertouch ๊ฐ€ ๋ˆŒ ๋ฆด๋•Œ. ๋งˆ์ด๋„ˆ ์Šค ๊ฐ’์˜ ์–‘์€ ํ”Œ ๋Ÿฌ ์Šค ๊ฐ’์˜ ๋ชจ ๋“ˆ ๋ ˆ์ด์…˜์ด ์ ์šฉ ๋ ๋•Œ pitch ๋ฅผ ๊ฐ์†Œ ์‹œํ‚ต๋‹ˆ ๋‹ค. Ring modulation (๋ง๋ชจ ๋“ˆ ๋ ˆ์ด์…˜) ๋‹ค์Œ ํŒŒ๋ผ๋ฏธํ„ฐ๋Š” ๋ง ๋ชจ ๋“ˆ ๋ ˆ์ดํ„ฐ์— ๊ด€ํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค. Level ...

  • Page 35

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 35 blofeld userยดs manual balance (ring mod) f1 64...Middle...F2 63 determines the ratio of the ring modulatorโ€™s signal that is sent to the inputs of filter 1 and/or filter 2. If set to f1 64, the signal is sent to filter 1 only. Higher values will increase the amount of signal that feeds ...

  • Page 36

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 36 + selection of the filters choose the desired filter by pressing the button. The led of the corresponding filter will light up. Filter section parameter controls cutoff 0...1 27 controls the cutoff frequency for the low pass and high pass filter types, the center ...

  • Page 37

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 37 blofeld userยดs manual type miscellane ous selects the filter type. โ€ข bypass deactivates the filter. This is useful if you want to disable the filter temporarily and listen to the oscillatorsโ€™ pure signals. โ€ข lp 24db / lp 12db low pass are suitable for most normal applications. Use the ...

  • Page 38

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 38 w what exactly is a comb filter? A comb filter is basically a very short delay that can be controlled in length and feedback. The delay time is so short that you canโ€™t hear its individual taps but a colorization of the original signal created by peaks or holes in ...

  • Page 39

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 39 blofeld userยดs manual keytrack - 200%...+196% determines how much the cutoff frequency depends on the midi note number. The reference note for keytrack is e3, note number 64. For positive settings, the cutoff frequency rises on notes above the reference note, for negative settings the ...

  • Page 40

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 40 fm source see table โ€žfm sourcesโ€œ selects the source of the frequency modulation for the selected filter. Fm amount off, 1...127 sets the amount of frequency modulation that is applied to the filter by the selected source. Drive 0...1 27 determines the amount of sa...

  • Page 41

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 41 blofeld userยดs manual filter common the following parameter refers to the complete filter section. Filter routing parallel / serial the routing function is one of the advanced features of the blofeld. Its purpose is to control the signal flow of the filters. In comparison with many oth...

  • Page 42

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 42 + selection of the sub sections choose the desired sub section (filter env, amp env, lfo or matrix) with the button. The led of the corresponding sub section will light up. Parameter controls of the filter and amp envelopes the blofeld envelopes allow you to manip...

  • Page 43

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 43 blofeld userยดs manual release 0...1 27 once the note has ended, the release phase begins. During this phase, the envelope fades to zero at the rate determined by the release value. Envelopes edit menu to access the envelope edit menu press the modulation button shortly (if auto edit is...

  • Page 44

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 44 decay 2 0...1 27 determines the decay rate or amount of time it takes for a signal to reach the sustain 2 level. This parameter affects the envelope types ads1ds2r, one shot, loop s1s2 and loop all only. Sustain 2 0...1 27 sets the second sustain level. As soon as...

  • Page 45

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 45 blofeld userยดs manual w when mono is selected and you have set up a decaying volume envelope for the selected sound, you might not hear anything after playing several notes because of the envelopes decaying to 0. Attack level 0...1 27 controls the level at each the attack phase ends an...

  • Page 46

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 46 attack 0...1 27 determines the attack rate or amount of time it takes for a signal to go from zero to attack level. Attack level 0...1 27 controls the level at which the attack phase ends and the decay phase starts. Decay 0...1 27 determines the decay rate or amou...

  • Page 47

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 47 blofeld userยดs manual parameter control of the lfos in addition to the main oscillators, the blofeld is equipped with three low frequency oscillators (lfo) that can be used for modulation purposes. Each lfo generates a periodic waveform with adjustable frequency and shape. W only lfo1 ...

  • Page 48

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 48 100% , a speed setting of 122 delivers an 8โ€™ lfo oscillation. 16โ€™ oscillation can therefore be generated with a speed setting of 110, and so on. When the lfo clocked parameter is set to on, you can adjust the speed in musical values. The lowest possible value is 1...

  • Page 49

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 49 blofeld userยดs manual clocked off / on when clocked is activated, the lfo is synced to the global tempo of the blofeld. The lfo speed setting changed to offer musically meaningful values. Start phase free, 0ยฐโ€ฆ360 controls the initial phase of the lfo when a new note is started. Free me...

  • Page 50

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 50 individual settings of source, destination and amount. The modulation matrix (mod matrix) is the key of the power of each waldorf synthesizer, so start experimenting with it right now . W a complete table of all available sources and destinations can be found in t...

  • Page 51

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 51 blofeld userยดs manual [ decide by yourself if you want to edit the modulations via the parameter controls or via the modulation matrix edit menu โ€“ the result is always the same. Source see table modulation sources defines the modulation source. Destination see table modulation destinat...

  • Page 52

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 52 setting description + addition โ€ subtraction * multiplication xor exclusive or function or or function and and function min minimum value max maximum value modifier functions the result of a modifier operation always lies within the range โ€ maxโ€ฆ0โ€ฆ+max. When it is ...

  • Page 53

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 53 blofeld userยดs manual signal can only pass through if the amplifier envelope is triggered and opened. W you can access the parameter for the amplifier through the amplifier edit menu only. It is located between the modifier menu pages and the effect menu pages. Volume 0โ€ฆ127 determines ...

  • Page 54

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 54 parameter controls of the effects the blofeld has two effect units. The first effect unit is always part of the sound program. The second effect can be assigned either globally. Mix 1 0โ€ฆ127 the only parameter that is common to all types of effects is the mix param...

  • Page 55

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 55 blofeld userยดs manual chorus a chorus effect is generated by using comb filters that generate slightly detuned copies of the input signal and mix it into the output signal. The result sounds like an ensemble of several simultaneous sounds, like a choir as opposed to a single voice; hen...

  • Page 56

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 56 phaser a phaser is a combination of several "allpass" filters working in parallel. This generates an effect with equally spaced frequency peaks or troughs. The result is a strongly colorized signal with a โ€œspacyโ€ character. W a mix setting of 48 to 96 produces the...

  • Page 57

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 57 blofeld userยดs manual drive 0โ€ฆ127 controls the amount of distortion the effect produces. Low values create no or only slight distortion while high values create heavier distortion. Drive curve determines the character of the drive. The following drive curves are available: clipping, tu...

  • Page 58

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 58 drive curve determines the character of the drive. The following drive curves are available: clipping, tube, hard, medium, soft, pickup 1, pickup 2, rectifier, square, binary, overflow, sine shaper, osc 1 mod. Sample & hold 0...1 27 controls the output sample rate...

  • Page 59

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 59 blofeld userยดs manual feedback 0โ€ฆ127 controls the amount of signal that is routed back into the delay line. Lower values therefore produce fewer echoes than higher values. Polarity positive / negative determines whether the feedback signal is fed back into the delay line as is, or is i...

  • Page 60

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 60 feedback 0โ€ฆ127 controls the amount of signal that is routed back into the delay line. Lower values therefore produce fewer echoes than higher values. Polarity positive / negative determines whether the feedback signal is fed back into the delay line as is, or is i...

  • Page 61

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 61 blofeld userยดs manual diffusion 0...12 7 determines the consistency of different room materials. Lower settings produce a cold strong reflection like a metal or tile wall. Higher settings make a warm and thick reverb as if the signal were reflected by a uneven surface. Settings above 1...

  • Page 62

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 62 arpeggiator an arpeggiator is a device that splits an incoming midi chord into its single notes and repeats them rhythmically. Different sequence modes can be defined for the arpeggiator to cover a wide range of applications. In addition to the synthesis features,...

  • Page 63

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 63 blofeld userยดs manual sequentially. After playing all keys, you can release the first key. This method is practical for playing difficult chords. It allows you to create arpeggios in the sequence of played notes. You can even hit the same note several times and it will appear in the no...

  • Page 64

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 64 l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l l ...

  • Page 65

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 65 blofeld userยดs manual octave 1...1 0 determines the range of the single notes in octaves. When it is set to 1 oct, the note list will be played back in the same octave as originally entered greater values mean that the note list is repeated in higher or lower octaves. The octave in whi...

  • Page 66

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 66 overlap on / off due to the various length parameters, it might happen that two notes having equal pitch overlap, e.G. When you play only one single note on a 16 beat rhythm with lengths set to 1/8. Note that this parameter only affects notes of the same pitches. ...

  • Page 67

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 67 blofeld userยดs manual pat. Length 1...1 6 sets the length of the rhythm pattern. This parameter is also valid when pattern is set to off or if one of the rom patterns is selected. Note that you can only edit a particular step in the step data pages when its position is within the range...

  • Page 68

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 68 that should be changed while the right display parameter dial changes the value of the selected step. The position parameter is similar on each arpeggiator step data page. Use the selection dial to select between step, accent, glide, timing and length. W you can o...

  • Page 69

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ 69 blofeld userยดs manual โ€ข if ? Random is selected, the arpeggiator plays a random note from the note list. This doesnโ€™t mean that it creates a note randomly; instead it uses one note of the existing note list. The note list is not advanced. Accent miscellaneous step data sets the accent ...

  • Page 70

    ์‚ฌ์šด ๋“œ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 70 w please note that glide in the oscillators edit menu must be set to off when you want to set arp glide for individual pattern notes. Otherwise, the glide effect will occur on all notes. Timing random / - 3...+3 moves the playback time of a step forward or backwar...

  • Page 71

    ๊ธ€ ๋กœ ๋ฒŒ ํŒŒ๋ผ๋ฏธ ํ„ฐ 71 blofeld userยดs manual ๊ธ€ ๋กœ ๋ฒŒ ํŒŒ๋ผ๋ฏธ ํ„ฐ global parameters are settings that affect the blofeldโ€™s general response. They are valid for all programs but might be overridden by other more specific settings. Global parameters are stored automatically when you modify them, so you are not require...

  • Page 72

    ๊ธ€ ๋กœ ๋ฒŒ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 72 auto edit off / on auto edit changes the behaviour when editing the blofeld. โ€ข when set to off the blofeld acts as follows: when you press one of the parameter matrix buttons shortly the corresponding button is activated but the corresponding edit menu wonยดt acce...

  • Page 73

    ๊ธ€ ๋กœ ๋ฒŒ ํŒŒ๋ผ๋ฏธ ํ„ฐ 73 blofeld userยดs manual system exclusive data contains no midi channel information so this id is used to distinguish between several blofelds, if you have more than one waldorf blofeld in your setup. Transmission will only be executed successfully if the sender and receiver are set to t...

  • Page 74

    ๊ธ€ ๋กœ ๋ฒŒ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 74 ctrl send off / ctl / sysex / ctl+sysex determines how realโ€time sound parameter changes are sent by the blofeld over usbโ€midi. โ€ข if off is selected, no data is sent. โ€ข if ctl is selected, only controller messages are sent. Parameters without a dedicated controll...

  • Page 75

    ๊ธ€ ๋กœ ๋ฒŒ ํŒŒ๋ผ๋ฏธ ํ„ฐ 75 blofeld userยดs manual w the most important sound parameters of the blofeld can be controlled by midi continuous controller messages. If you set one of the ctrl wโ€ฆctrl z to a controller that is also used for a sound parameter, the blofeld disables this controller as sound parameter con...

  • Page 76

    ๊ธ€ ๋กœ ๋ฒŒ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 76 utility menu aside from the different midi dump options, the utility menu contains further helpful functions. You can access the utility menu by pressing shift + utility. In the display a page for selecting the desired function will appear. Use the selection dial...

  • Page 77

    ๊ธ€ ๋กœ ๋ฒŒ ํŒŒ๋ผ๋ฏธ ํ„ฐ 77 blofeld userยดs manual + to activate the dump function: 1. Use the selection dial to select the desired dump function: โ€ข if dump sound is selected, the current sound program will be sent. โ€ข if dump sound bank is selected, the current sound bank will be sent. โ€ข if dump all sounds is sel...

  • Page 78

    ๊ธ€ ๋กœ ๋ฒŒ ํŒŒ๋ผ๋ฏธ ํ„ฐ blofeld userยดs manual 78.

  • Page 79

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ 79 blofeld userยดs manual ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ ๋ณธ oscillators ์†Œ ๊ฐœ ์˜ค ์‹ค๋ ˆ์ดํ„ฐ ๋Š” ์‹ ๋””์‚ฌ์ด์ €์˜ ์ฒซ๋ฒˆ์งธ ๊ตฌ ์„ฑ ์š” ์†Œ ์ž…๋‹ˆ๋‹ค. ์‹ ๋””์‚ฌ์ด์ €์˜ ๋‹ค๋ฅธ ๋ถ€ ๋ถ„ ์— ์˜ํ•ด ๋ณ€ํ™”๋œ ์‹ ํ˜ธ ๋ฅผ ์ „๋‹ฌํ•ฉ๋‹ˆ๋‹ค. ์ „์žํ•ฉ์„ฑ์˜ ์ดˆ ๊ธฐ์— robert a. Moog ๋Š” ๊ฑฐ์˜ ๋ชจ ๋“  ์–ด์ฟ  ์Šค ํ‹ฑ ์•…๊ธฐ waveforms ์€ ์ถ” ์ƒ์ ์ธ ์ „์ž๋ฒ„์ „์˜ ๊ทธ waveforms ์— ์˜ํ•ด ๋Œ€์ฒด, ์žฌ์ƒ์‚ฐ๋  ์ˆ˜ ์žˆ๋‹ค๋Š” ๊ฒƒ์„ ๋ฐœ๊ฒฌํ–ˆ์Šต ๋‹ˆ๋‹ค. ๊ทธ ๊ฐ€ ์ด๋Ÿฌํ•œ ๊ฒฐ๋ก  ์— ๋„ ๋‹ฌํ•œ ์ฒซ๋ฒˆ์งธ๋Š” ์•„๋‹ˆ์˜€์ง€๋งŒ, ์ „์ž์ ์œผ ๋กœ ๋‹ค์‹œ ๋งŒ๋“ค ์–ด๋‚ด๊ณ  ์ƒ์—…์ ์œผ ๋กœ...

  • Page 80

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ blofeld userยดs manual 80 fundamental like double frequency, triple frequency and so on. Those partials are called harmonics because their frequency is a harmonic multiple of the fundamental. Confusing? Letโ€™s generalize it to cyclic waveforms: a cyclic waveform like sawtooth, square etc. ...

  • Page 81

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ 81 blofeld userยดs manual pulling the string slightly into one direction. At one point, the string abruptly comes off the bow and swings back to its original position. The bow is still moved and so it catches the string again and the procedure is repeated. The result is a waveform that lo...

  • Page 82

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ blofeld userยดs manual 82 tube that can contain a certain amount of air. The player blows air through the tube in a way such that the air starts to vibrate. This vibration is almost completely symmetrical, resulting in a hollow timbre. The pulse wave the pulse wave is the most versatile w...

  • Page 83

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ 83 blofeld userยดs manual symmetrical harmonic content, while all other pulse widths create peaks or troughs at certain frequencies. Another special case is a pulse wave with a very narrow pulse width, in the above picture labelled as creates a spectrum that has all harmonics with equal m...

  • Page 84

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ blofeld userยดs manual 84 1 3 5 7 9 frequency magnitude time amplitude + = 1st harmonic magnitude 1 5th harmonic magnitude 1/25 7th harmonic magnitude 1/49 harmonics + + + . . 11 13 15 3rd harmonic magnitude 1/9 additive components of the triangle wave the reason why the triangle wave is ...

  • Page 85

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ 85 blofeld userยดs manual this principle offers powerful capabilities. To give some examples: โ€ข each note on a keyboard can access a different wave of a wavetable. โ€ข different waves can be played depending on key velocity. โ€ข a lfo can modulate the position within the waveโ€table. You can c...

  • Page 86

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ blofeld userยดs manual 86 20 polated 54 19/twenty 21 transient 55 wavetrip1 22 electricp 56 wavetrip2 23 robotic 57 wavetrip3 24 stronghrm 58 wavetrip4 25 percorgan 59 malevoice 26 clipsweep 60 low piano 27 resoharms 61 resosweep 28 2 echoes 62 xmas bell 29 formant2 63 fm piano 30 fmntvoc...

  • Page 87

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ 87 blofeld userยดs manual frequency level cutoff to give you an idea of the extent of damping, consider this example of a low pass filter: a reduction of 24db reduces the original level one octave above the cutoff point by approx. 94%. The damping factor two octaves above the cutoff point...

  • Page 88

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ blofeld userยดs manual 88 the comb filter types the comb filter types differ from the other filter types greatly, because they donโ€™t actually damp any part of the signal, but instead add a delayed version of the input signal to the output. What exactly is a comb filter? A comb filter is b...

  • Page 89

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ 89 blofeld userยดs manual frequency level cutoff determines number of teeth resonance comb โ€“ filter type so, as with all other filter types, the comb filter is controlled with two parameters: โ€ข cutoff controls the delay length. โ€ข resonance controls the feedback depth. Now, what sound can ...

  • Page 90

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ blofeld userยดs manual 90 [ you can also pan the original, i.E. Low pass filtered signal, to one stereo side and route 50% into filter 2, producing a chorus effect that is panned to the other stereo side. You might ask why you should use a comb filter type to produce chorus instead of usi...

  • Page 91

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ 91 blofeld userยดs manual [ use filter keytrack with an amount of 100% to create really different flangings depending on the note you play. The comb filter used to simulate a string or a tube the comb filter is one of the most basic building blocks of โ€œphysical modelingโ€, which is the ter...

  • Page 92

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ blofeld userยดs manual 92 3. Turn up filter keytrack to +100% to have filter cutoff change with equalโ€tempered scaling. 4. Set cutoff to 23, 35, 47 or 59 to have it oscillating in the same pitch as the oscillatorยดs usually tuning. Please note that comb+ oscillates one octave higher than c...

  • Page 93

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ 93 blofeld userยดs manual envelope types in the blofeld adsr envelope most traditional synthesizers feature adsr envelopes. These envelopes are made up of four parameters that determine their response: attack, decay, sustain and release. The other parameters of the envelope section have n...

  • Page 94

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ blofeld userยดs manual 94 attack decay sustain release key pressed key released time level 100% attack level sustain 2 decay 2 ads1ds2r envelope one shot envelope the one shot envelope type is designed for percussive sounds that donโ€™t need a stage maintained as long as a note is played. I...

  • Page 95

    ์‚ฌ์šด ๋“œ ํ•ฉ์„ฑ์˜ ๊ธฐ๋ณธ 95 blofeld userยดs manual attack decay sustain release key pressed key released time level 100% attack level sustain 2 decay 2 loop loop s1s2 envelope loop all envelope the loop all envelope type is similar to the loop s1s2 envelope type but it loops through all envelope stages as long as...

  • Page 96

    ๋ถ€ ๋ก (appendix) blofeld userยดs manual 96 appendix fm sources fm source: description: off no modulation osc1 oscillator 1 signal osc2 oscillator 2 signal osc3 oscillator 3 signal noise noise generator signal lfo1 lfo 1 signal lfo2 lfo 2 signal lfo3 lfo 3 signal filterenv filter envelope signal ampenv ...

  • Page 97

    ๋ถ€ ๋ก (appendix) 97 blofeld userยดs manual (equals 0) maximum constant for maximum modulation (equals +1) modulation destinations modulation destination: description: pitch global pitch of all three oscillators at once o1 pitch, o2 pitch, o3 pitch pitch of oscillator 1โ€ฆ3 o1 pw, o2 pw, o3 pw pulse width...

  • Page 98

    ๋ถ€ ๋ก (appendix) blofeld userยดs manual 98 envelope 3 e3 rel. Release rate of envelope 3 e4 attack attack rate of envelope 4 e4 decay decay (and decay 2) rate of envelope 4 e4 sust. Sustain (and sustain 2) level of envelope 4 e4 rel. Release rate of envelope 4 m1 amount modulation amount of m1 m2 amoun...

  • Page 99

    ๋ถ€ ๋ก (appendix) 99 blofeld userยดs manual updating the system software the blofeld has a serviceโ€friendly feature that makes it possible to update the system software without changing any parts. All software updates come in the form of a standard midi file that can be read by every sequencer. The fast...

  • Page 100

    ๋ถ€ ๋ก (appendix) blofeld userยดs manual 100 w you can dump an operating system update via midi input as also via usb port. M do not under any circumstances turn off the blofeld while this step is in progress. A complete loss of data may occur and it will be impossible for you to make your machine work ...

  • Page 101

    ๋ถ€ ๋ก (appendix) 101 blofeld userยดs manual tips & tricks โ€ข noise as fm source for an oscillator gives a colored noise output whose character can be changed with fm amount, the oscillator waveform and the pitch of the oscillator. โ€ข use envelope 3 or 4 to blend in one of the oscillators. E.G, if you nee...

  • Page 102

    ๋ถ€ ๋ก (appendix) blofeld userยดs manual 102 technical data power supply nominal voltage: dc 12v supply voltage 100 โ€“ 240 v maximum current consumption: 0.3 a maximum power consumption: 5 w dimensions and weight width: 304 mm depht: 132 mm height (including knobs): 54 mm total weight: 1,3 kg.

  • Page 103

    ๋ถ€ ๋ก (appendix) 103 blofeld userยดs manual controller numbers controllers marked with * donโ€™t change the sound program but can perform temporary modulations or other tasks. Ctrl # controller range controller name or sound parameter value range 0 โ€ not used โ€ bank select msb โ€ not used 1 0โ€ฆ127 modulati...

  • Page 104

    ๋ถ€ ๋ก (appendix) blofeld userยดs manual 104 15 0โ€ฆ5 lfo 1 shape sine, triangle, square, sawtooth, random, s&h 16 0โ€ฆ127 lfo 1 speed 0โ€ฆ127 or 256 barsโ€ฆ1/96 17 0โ€ฆ1 lfo 1 sync off, on 18 0โ€ฆ127 lfo 1 delay 0โ€ฆ127 19 0โ€ฆ5 lfo 2 shape sine, triangle, square, sawtooth, random, s&h 20 0โ€ฆ127 lfo 2 speed 0โ€ฆ127 or 25...

  • Page 105

    ๋ถ€ ๋ก (appendix) 105 blofeld userยดs manual 45 0โ€ฆ127 osc 3 fm 0โ€ฆ127 46 0โ€ฆ5 osc 3 shape pulse, saw, triangle, sine, alt 1, alt 2 47 0โ€ฆ127 osc 3 pw 0โ€ฆ127 48 0โ€ฆ127 osc 3 pwm โ€64โ€ฆ+63 49 0โ€ฆ1 sync off, on 50 0โ€ฆ127 pitchmod โ€64โ€ฆ+63 51 0โ€ฆ9 glide mode siehe โ€œglide modeโ€ 52 0โ€ฆ127 osc 1 level 0โ€ฆ127 53 0โ€ฆ127 osc 1...

  • Page 106

    ๋ถ€ ๋ก (appendix) blofeld userยดs manual 106 77 0โ€ฆ127 filter 1 pan l64โ€ฆcenterโ€ฆr6 3 78 0โ€ฆ127 filter 1 panmod โ€64โ€ฆ+63 79 0โ€ฆ10 filter 2 type see filter types 80 0โ€ฆ127 filter 2 cutoff 0โ€ฆ127 81 0โ€ฆ127 filter 2 resonance 0โ€ฆ127 82 0โ€ฆ127 filter 2 drive 0โ€ฆ127 83 0โ€ฆ127 filter 2 keytrack โ€ 200%โ€ฆ +197% 84 0โ€ฆ127 filt...

  • Page 107

    ๋ถ€ ๋ก (appendix) 107 blofeld userยดs manual 115 0โ€ฆ127 e4 sustain 0โ€ฆ127 116 0โ€ฆ127 e4 decay 2 0โ€ฆ127 117 0โ€ฆ127 e4 sustain 2 0โ€ฆ127 118 0โ€ฆ127 e4 release 0โ€ฆ127 119 โ€ not used โ€ undefined โ€ not used โ€ 120 0 all sound off* immediate silence 121 0 reset all controllers* resets all controllers 122 0โ€ฆ127 local co...

  • Page 108

    ๋ถ€ ๋ก (appendix) blofeld userยดs manual 108 glossary aftertouch the majority of contemporary keyboards are capable of generating aftertouch messages. On this type of keyboard, when you press harder on a key you are already holding down, a midi aftertouch message is generated. This feature makes sounds ...

  • Page 109

    ๋ถ€ ๋ก (appendix) 109 blofeld userยดs manual clipping clipping is a sort of distortion that occurs when a signal exceeds its maximum value. The curve of a clipped signal is dependent of the system where the clipping takes place. In the analog domain, clipping effectively limits the signal to its maximum...

  • Page 110

    ๋ถ€ ๋ก (appendix) blofeld userยดs manual 110 cutoff. The band pass filter allows only those frequencies around the cutoff frequency to pass, all others are dampened. A band stop filter does just the opposite, i.E. It dampens only the frequencies around the cutoff frequency. The most common type is the l...

  • Page 111

    ๋ถ€ ๋ก (appendix) 111 blofeld userยดs manual the next device without modifying it. Another device is simply connected to this jack, thus creating a chain through which the sender can address a number of receivers. Of course it is desirable for the sender to be able to address each device individually. C...

  • Page 112

    ๋ถ€ ๋ก (appendix) blofeld userยดs manual 112 release an envelope parameter. The term "release" describes the descent rate of an envelope to its minimum value after a trigger is terminated. The release phase begins immediately after the trigger is terminated, regardless of the envelope's current status. ...

  • Page 113

    ๋ถ€ ๋ก (appendix) 113 blofeld userยดs manual wavetable one oscillator shape in the blofeld bases on waveform sets, called wavetables. You should think of these as a sequence of up to up to 128 single waves. This can be played back in a static way or passed through dynamically, which results in the typic...

  • Page 114

    ๋ถ€ ๋ก (appendix) blofeld userยดs manual 114 eg konformitรคtserklรคrung declaration of conformity des herstellers / of the manufacturer: waldorf music gmbh neustrasse 12 53498 waldorf / germany verantwortliche person / responsible person: stefan stenzel erklรคrt hiermit, dass das produkt / will be hereby d...

  • Page 115

    ๋ถ€ ๋ก (appendix) 115 blofeld userยดs manual am 15.12.2004 wurde die รผberarbeitete richtlinie 2004/108/eg zur elektromagnetischen vertrรคglichkeit von der europรคischen kommission verรถffentlicht (ab. L 390/2004). Sie ersetzt die bisher geltende emvโ€richtlinie 89/336/ewg. Im zusammenhang mit dieser รœberarb...

  • Page 116

    ๋ถ€ ๋ก (appendix) blofeld userยดs manual 116 fcc information (u.S.A.) 1. Important notice: do not modify this unit! This product, when installed as indicated in the instructions contained in this manual, meets fcc requirements. Modifications not expressly approved by waldorf may void your authority, gra...

  • Page 117

    ๋ถ€ ๋ก (appendix) 117 blofeld userยดs manual dette apparat overholder det gaeldenda efโ€direktiv vedrรธrendareadiostรธj. Diese gerรคte entsprechen der egโ€richtlinie 89/336/ec. Product warranty thank you for choosing this waldorf product. It is a dependable device and is designed to last. However, the potent...