Yamaha DTXTREME IIs Data List - Effect Parameter Description
25
Effect Parameter Description
LCD
Parameter name
Effect types in which the parameter exists
Explanation of parameter
AMDepth
AM Depth
TREMOLO
Depth of volume modulation
Amp
AMP Type
AMPSIM
Select the type of amp to be simulated
Attack
Attack
COMP
Time until the compressor effect begins to apply
NOISEGATE
Time until the gate begins to open
CchDlay
Cch Delay
Delay LCR
Length of the center channel delay
ChoSend
Chorus Send
All types
Send level of insertion effect output to system chorus effect
ChoRetrn
Chorus Return
System Chorus only
Return level of system chorus effect
CtofOfst
Cutoff Frequency Offset
WAH type
Frequency offset value that will control the wah filter
Depth
LFO Depth
CHORUS type, FLANGER type, SYMPHONIC
Depth of delay modulation
ROTARY
Depth of modulation caused by speaker rotation
PHASER
Depth of phase modulation
AUTOWAH
Depth at which the wah filter will be controlled
Detune
Detune
ENSEMBLE
Amount of pitch shift
DlayOfst
Delay Offset
CHORUS type, FLANGER type, SYMPHONIC
Offset value of delay modulation
DlayTm
Delay Time
KARAOKE type
Spacing of reflections for karaoke echo
Diffusion
Diffusion
REVERB type, PHASER
Control the spaciousness
Drive
Drive
DISTORTION type
Depth of distortion
ENHANCER
Depth at which the excite is applied
Dry/Wet
Dry/Wet
All types
Balance between dry sound and effect sound
Edge
Edge
DISTORTION, OVERDRIVE
Curve of distortion characteristics (sharp (127) distorts suddenly, mild (0)
distorts gradually)
F/RDpth
F/R Depth
AUTOPAN
Depth of front/back panning (valid when PAN Direction = Lturn, Rturn)
FBDlay
Feedback Delay
DelayLCR
Length of feedback delay
FBDlay1
Feedback Delay1
DelayLR
Length of feedback delay 1
FBDlay2
Feedback Delay2
DelayLR
Length of feedback delay 2
FBLevel
Feedback Level
System Reverb only
Feedback amount of initial delay
Delay LCR, Delay LR, Cross Delay
Feedback amount
KARAOKE type
Setting for repeated reflections
CHORUS type, FLANGER type
Level at which delay output is again returned to the input (negative values
invert the phase)
PHASER
Level at which phaser output is again returned to the input (negative values
insert the phase)
ErBalance
Er/Rev Balance
REVERB type
Level balance between the early reflections and the reverberation
HiDamp
High Damp
Delay LCR, Delay LR
Attenuation of the high frequency range (lower values will cause the high
range to decay more rapidly)
HiFreq
High Frequency
3 BAND EQ, 2 BAND EQ
Center frequency for boosting or cutting higher frequencies
HiGain
High Gain
3 BAND EQ, 2 BAND EQ
Gain level for boosting or cutting higher frequencies
HPF
HPF Cutoff Frequency
REVERB type, KARAOKE type, ENHANCER
Frequency below which frequencies are cut off by high-pass filter
HPFFreq
HPF Cutoff Frequency
FILTER
Frequency below which frequencies are cut off by high-pass filter
HPRQ
HPF Q
FILTER
Q value for high-pass filter
InitDlay
Initial Delay
REVERB type
Delay time until the early reflections
Input
Input Select
Cross Delay
Input select
L/RDpth
L/R Depth
AUTOPAN
Depth of left/right panning
L
→
R Delay
L
→
R Delay
Cross Delay
Delay time from left (input) to right (output)
LchDlay
Lch Delay
Delay LCR, Delay LR, ECHO, ENSEMBLE
Length of left channel delay
L_FBLvl
Lch Feedback Level
ECHO
Amount of left channel feedback
LFO
LFO Frequency
CHORUS type, FLANGER type, SYMPHONIC
Frequency of delay modulation
ROTARY
Frequency at which the speaker will rotate
TREMOLO
Modulation frequency
AUTOPAN
Autopan frequency
PHASER
Phase modulation frequency
AUTOWAH
Frequency at which wah filter will be controlled
LoFreq
Low Frequency
3 BAND EQ, 2 BAND EQ
Center frequency for boosting or cutting lower frequencies
LoGain
Low Gain
3 BAND EQ, 2 BAND EQ
Gain level for boosting or cutting lower frequencies
LPF
LPF Cutoff Frequency
REVERB type, KARAOKE type, DISTORTION type
Frequency above which frequencies are cut off by low-pass filter
LPFFreq
LPF Cutoff Frequency
FILTER
Frequency above which frequencies are cut off by low-pass filter
LPFQ
LPF Q
FILTER
Q value for low-pass filter
MidFreq
Mid Frequency
3 BAND EQ
Center frequency for boosting or cutting middle frequencies
MidGain
Mid Gain
3 BAND EQ
Gain level for boosting or cutting middle frequencies
MidWidth
Mid Width
3 BAND EQ
Bandwidth for boosting or cutting middle frequencies
MIDI Ctl#
MIDI Control Change Number
All types
Controller number used for real-time control of the effect
MIDI Sens
MIDI Control Sensitivity
All types
Sensitivity used for real-time control of the effect
DTXIIsDL_Eng.book Page 25 Tuesday, November 11, 2003 5:30 AM