1. DL manuals
  2. Yamaha
  3. Recording Equipment
  4. PLG150-AN
  5. Owner's Manual

Yamaha PLG150-AN Owner's Manual

Other manuals for PLG150-AN: Owner's Manual
Manual is about: AN Expert Editor

Summary of PLG150-AN

  • Page 1

    An expert editor manual important notices the an expert editor provides an easy, intuitive way to edit and create your own original an voices for the plg150-an plug-in board. Do not use any of the panel controls on an external synthesizer while editing the an voices with the an expert editor, since ...

  • Page 2: About The An Expert Editor

    2 about the an expert editor the an expert editor is providing an exceptionally simple, convenient and intuitive way to edit and control all of the an parameters on the plg150-an plug-in board. Virtual “knobs,” “buttons” and a special “lcd display” let you change parameters just as if you were opera...

  • Page 3: Operations

    3 operations • the following information pertains only to the plug-in editor. In order to play and edit the plg150-an, the an voice must be assigned to a part on the tone generator/sound card. This can be done from two separate menus on the an expert editor: the initial select an part pop-up menu (w...

  • Page 4: Operations /

    4 operations / assigning the plg150-an to a part ■ using the an expert editor setup .............................. Even after you’ve set the an part from the pop-up menu, you can change the setting during an editing session from the an expert editor setup dialog box. Z select “an expert editor setup...

  • Page 5: Operations /

    5 operations / selecting an an voice selecting an an voice is the important first step in editing . You can select a voice from preset 1, preset 2, or user banks (each of which contains 128 voices). Once you’ve edited a voice you can store it to the user bank as your original voice and save it to a ...

  • Page 6: Operations /

    6 operations / editing an an voice z select the desired voice. Refer to selecting an an voice . X edit the voice parameters as desired from the main control panel. The main window of the an expert editor provides a “virtual” control panel with knobs and buttons, and lets you edit the voices much as ...

  • Page 7: Operations /

    7 operations / initializing an an voice to the default settings this function allows you to reset all the parameters of the selected voice to the factory “initial voice” default values. This gives you a “blank slate” from which you can create your own voice. Keep in mind that this operation automati...

  • Page 8: Operations /

    8 operations / storing an an voice this operation lets you store your voice edits as a user voice. • to ensure that your new voice is available for future recall, make sure to also save the voice (with other voices) to an an expert file. Z select “an store.” click the red store button at the bottom ...

  • Page 9: Operations /

    9 operations / saving data to an an expert file / calling up data from an an expert file (open) once you’ve edited an an voice and pattern to your satisfaction you can save it to an an expert file. Each an expert file can contain up to 128 voices and 128 step sequencer patterns, and these can be cal...

  • Page 10: Operations /

    10 operations / inserting edited voice data to a track • the following information pertains only to the plug-in editor. User voice (or user step sequencer pattern) data can be inserted to a host applica- tion's track (using insert an bulk dump data ). By inserting appropriate data at appro- priate p...

  • Page 11: Operations /

    11 operations / using the morphing function this exceptionally powerful function allows you to use any midi controller (such as a modulation wheel, foot controller, or after touch) to “morph” or crossfade between two distinct voices — in real time as you play! Naturally, you can record controller da...

  • Page 12: Operations /

    12 operations / recording within the an expert editor to do this: 1) specify a bank by clicking on the desired bank button: preset 1, preset 2, or user. 2) click on the voice combo box and select the desired voice. For a complete list of available voices, see the voice list in the plg150-an owner’s ...

  • Page 13: Operations /

    13 operations / recording within the an expert editor c click “ok.” v set recording-standby. Click “edit” on the menu bar, then select “ record .” alternately, click on the record button in the toolbar. B start recording on the host applications. N edit the an parameters as desired. Any edits you ma...

  • Page 14: Parameters

    14 parameters most of the an expert editor parameters for editing the an voices are contained in the virtual “main control panel” screen. From this main panel, you can also jump to other windows for controlling additional plg150-an functions (such as the control matrix , free eg , and pattern genera...

  • Page 15: Parameters /

    15 parameters / an expert editor main window • toolbar the toolbar gives you quick access to some important functions and controls. These buttons let you easily execute the desired function without having to select a menu or leave the an expert editor window. Open an expert file this is the same as ...

  • Page 16: Parameters /

    16 parameters / an expert editor main window transmit an bulk dump data this is the same as the corresponding command in the setup menu. It lets you transmit the current an expert editor settings as midi data to the plg150-an board. (see setup menus, transmit an bulk dump data .) extract an bulk dum...

  • Page 17: Parameters /

    17 parameters / an expert editor main window • voice button pressing the voice button calls up the an voice list dialog box, allowing you to select the desired voice bank and voice. It also allows you to reorganize the voices of a selected bank, as well as initialize a voice --- in other words, this...

  • Page 18: Parameters /

    18 parameters / an expert editor main window • store button pressing the store button calls up the an store dialog box, allowing you to store the desired voice to the user bank. It also lets you enter a name and category abbrevia- tion for the voice. To name the voice, click on the voice name box, a...

  • Page 19: Parameters /

    19 parameters / an expert editor main window ■ setting and changing parameter values ................... • for panel knobs: left-click on the knob and drag horizontally or vertically as desired. Dragging to the left or down decreases the value, and dragging right or up increases it. The knob “rotate...

  • Page 20: Parameters /

    20 parameters / an expert editor main window • mouse buttons a few parameters (such as unison detune and lfo 1 delay in the detail parameters tab ) can be adjusted with the mouse buttons. Click on the desired parameter, then click the left mouse button to decrease the value or click the right mouse ...

  • Page 21: Parameters /

    21 parameters / an expert editor main window • initialize if you need to initialize a specific parameter to its default value, you can quickly call up a pop-up menu for this by right-clicking on the appropriate parameter control in the display (on the macintosh, click while holding the control key) ...

  • Page 22: Parameters /

    22 parameters / an expert editor main window • attack (peg attack time) range: -64 ... +63 this determines the attack time of the peg, or how long it takes for the pitch to change, according to the peg depth setting. This parameter has no effect (except when the peg is used as a control source - for...

  • Page 23: Parameters /

    23 parameters / an expert editor main window free eg the 4-track free eg lets you record complex control movements, in order to “hand draw” filter, resonance, lfo and many other available parameters over time—and have them play back automatically by simply playing a voice. A variety of drawing and e...

  • Page 24: Parameters /

    24 parameters / an expert editor main window lfo parameter blocks the lfo parameters allow you to create a wide variety of modulation effects, using a low frequency signal to regularly change the pitch, volume or timbre of the voice. The lfo can be used to make the sound warmer and more natural, or ...

  • Page 25: Parameters /

    25 parameters / an expert editor main window • depending on the device or software you are using, these two parameters are combined into a single parameter, with the following different names: • on a modular synthesis plug-in system “mother” device: “lfo pitch modulation depth” • on an xg plug-in sy...

  • Page 26: Parameters /

    26 parameters / an expert editor main window • hpf (hpf cutoff) range: 0 ... 127 this determines the cutoff frequency of the high pass filter (-6 db/oct). Frequencies above the setting are passed while those below are cut off. Higher values increase the hpf cutoff frequency, resulting in a brighter ...

  • Page 27: Parameters /

    27 parameters / an expert editor main window bpf the band pass filter passes only those frequencies in the specified range, with a cut- off curve of 12db/octave. Hpf12 the high pass filter passes only those frequencies above the specified cutoff point, with a cutoff curve of 12db/octave. Bef the ban...

  • Page 28: Parameters /

    28 parameters / an expert editor main window • cutoff (vcf cutoff frequency) range: 0 ... 127 this determines the cutoff frequency of the vcf (filter). For example, when the filter type is set to low pass filter, the vcf mutes all frequencies higher than the cutoff point and “passes” the lower frequ...

  • Page 29: Parameters /

    29 parameters / an expert editor main window • key trk (vcf keyboard tracking) range: -32 ... +63 this determines the degree to which the vcf “tracks” or follows the keyboard. In other words, the higher the notes played on the keyboard, the more the cutoff frequency is raised (or lowered). When keyb...

  • Page 30: Parameters /

    30 parameters / an expert editor main window • attack (filter eg attack time) range: 0 ... 127 this determines the attack time of the feg, which is the time it takes for the signal to reach its maximum cutoff frequency level after a key is pressed (key on). Higher values produce a longer attack time...

  • Page 31: Parameters /

    31 parameters / an expert editor main window sync block the plg150-an features two oscillator sections: vco 1 and vco 2. As on conventional analog synthesizers, the sync block lets you synchronize the two waveforms to create a more complex sound, with more harmonics. However, the plg150-an takes the...

  • Page 32: Parameters /

    32 parameters / an expert editor main window fm block the frequency modulation (fm) function gives you additional modulation control over the sound, letting you apply the fm signal (called the “modulator”) to the vco 1 (here called the “carrier”), letting you dramatically change the harmonic complex...

  • Page 33: Parameters /

    33 parameters / an expert editor main window • noise (noise level) range: 0 ... 127 this determines the balance of the noise signal in relation to the vco 1, vco 2, ring modulator, and feedback levels. The higher the value, the greater the noise level. When not using noise, set the value to “0.” • b...

  • Page 34: Parameters /

    34 parameters / an expert editor main window vco 1 / vco 2 blocks the vco (voltage controlled oscillator) modules 1 and 2 are where the basic sounds for the plg150-an are generated. In these blocks, you can determine the waveform, its pitch, and adjust the pulse width settings for the oscillator. • ...

  • Page 35: Parameters /

    35 parameters / an expert editor main window pulse the pulse wave is used to make woodwind (clarinet-type) sounds. Its spectrum is sim- ilar to a sawtooth wave, but since every second (even-numbered) harmonic is missing, the waveform contains only odd-numbered harmonics when pulse width is set to “6...

  • Page 36: Parameters /

    36 parameters / an expert editor main window inner1, inner2, inner3 when sync is set to “on,” three “inner” waves are available. This wave is effective when used with pulse width . Square basically, this is the same as a pulse wave. Changing the pulse width does not alter the width of the wave (this...

  • Page 37: Parameters /

    37 parameters / an expert editor main window • vco 1 edge range: 0 ... 127 this determines the sharpness or smoothness of the edge of the vco1 wave. Higher values produce a sharper wave, resulting in a harsher sound. Lower values produce a rounder wave, resulting in a softer sound. A value of “0” re...

  • Page 38: Parameters /

    38 parameters / an expert editor main window • vco 1 pwm pw (pulse width) range: 0 ... 64 ... 127 this determines the width of the vco 1 pulse wave. Higher (positive) values produce more harmonics, resulting in a fatter sound. In general, pulse width is used to control the pulse wave; however, the p...

  • Page 39: Parameters /

    39 parameters / an expert editor main window saw (sawtooth) the saw (sawtooth) wave derives its name from its shape, and is used to create a trumpet or violin sound. Since it contains all harmonics in the spectrum, it produces a full, rich sound. When used with the pulse width function, increasing t...

  • Page 40: Parameters /

    40 parameters / an expert editor main window mix the mix wave is formed by a combination of saw and pulse waves. Triangle this is a conventional triangle wave. When triangle is selected, all of the vco 2 pwm parameters are unavailable, and are replaced with the x-mod parameters. Sine this is a conve...

  • Page 41: Parameters /

    41 parameters / an expert editor main window vco 2 pwm (pulse width modulation) parameters • the pwm parameters are not available when the vco 2 wave is set to “triangle” or “sine.” • vco 2 pwm src (pulse width modulation source) settings: fixed, peg, feg, lfo 1, lfo 2, lfo 2 phase, lfo 2 fast, vco ...

  • Page 42: Parameters /

    42 parameters / an expert editor main window vca block the vca parameters give you control the overall volume or level of the an voice. • velocity (vca velocity sensitivity) range: -64 ... +63 this determines how the vca (voice level) responds to key velocity. For positive values, playing the keys w...

  • Page 43: Parameters /

    43 parameters / an expert editor main window • aeg release (amplitude eg release time) range: 0 ... 127 this determines the release time of the aeg, or how long the sound sustains after a note is released. Higher values increase the release time. (see illustration below.) dist (distortion) / eq bloc...

  • Page 44: Parameters /

    44 parameters / an expert editor main window • eq mid (mid frequency gain) range: -12 ... +12 (db) this determines the gain or level of the mid frequency band. Positive values boost the level of the frequency and negative values attenuate it. (the specific frequency to be adjusted can be set with th...

  • Page 45: Parameters /

    45 parameters / an expert editor main window • unison (unison switch) settings: on, off this determines whether the unison mode is on or off. Setting this to on is an instant way to get a “fat” analog-like lead sound. When unison is on, the selected voice is lay- ered with slightly detuned copies of...

  • Page 46: Parameters /

    46 parameters / setup detail parameter window this window is called up anytime you click on one of the detail buttons in the main control panel window. (this includes all but the detail buttons of the free eg and pattern gen. Sections, each of which have their own separate windows.) ■ detail paramet...

  • Page 47: Parameters /

    47 parameters / setup detail parameter window common parameters • category this is used with voice name below to give a custom name to your edited voice. The cat- egory is a two-letter code that indicates the basic instrument type of the voice (see chart below). Specifying the category makes it easi...

  • Page 48: Parameters /

    48 parameters / setup detail parameter window • unison detune range: 1 ... 32 when the unison switch is on, multiple sounds are played, with the pitch of each sound slightly detuned. Unison detune adjusts the detuning of the vco pitch in fine incre- ments, letting you create an even thicker unison s...

  • Page 49: Parameters /

    49 parameters / setup detail parameter window • lpf range: 1.0 khz ... 18.0 khz, thru this determines the frequency of the low pass filter that is applied to the distortion sound. Depending on the guitar amp. Type setting, this parameter can be used to “fatten” the sound or make it piercing and brit...

  • Page 50: Parameters /

    50 parameters / setup detail parameter window • key on reset settings: off: lfo 1 and lfo 2 do not reset, but modulate continuously. On: lfo 1 and lfo 2 reset every time a key is pressed. This determines the start point of the lfo 1 and lfo 2 cycle. • sync pmod sw. Settings: master, slave, both the ...

  • Page 51: Parameters /

    51 parameters / setup detail parameter window fm parameters • algorithm settings: both, master, slave this determines how the two vco1 oscillators (master and slave) are connected in rela- tion to the fm signal. There are three types of connections, or “algorithms,” as shown in the diagrams below. B...

  • Page 52: Parameters /

    52 parameters / setup detail parameter window • src1 (fm depth ctrl) settings: fixed, peg, feg, lfo1, lfo2 this determines the modulation source which controls the fm depth . When this is set to “fixed,” there is no change in modulation over time. • src2 (modulator) settings: vco2 frequency, vco1, v...

  • Page 53: Parameters /

    53 parameters / setup detail parameter window ■ ctrl (control) matrix parameter tab ............................ Many of the plg150-an’s parameters can be controlled in real time. The control matrix provides an extraordinarily comprehensive and flexible way to control these parameters. Up to 15 diff...

  • Page 54: Parameters /

    54 parameters / setup detail parameter window • ctrl (control) source settings: off, cc no. 1 - 95, after touch, pitch bend, key track, velocity, key random, mod wheel, foot vol, foot ctrl, foot sw, ribbon x, ribbon z, an ac 1 - 8 this determines which midi controller is assigned to control the corr...

  • Page 55: Parameters /

    55 parameters / setup detail parameter window ribbon controller-z (for an1x data compatibility) for controlling with z-axis motion on a ribbon controller (push-release), and/or by incoming midi messages of control change number 12. An ac 1 - 8 for controlling with a specified assignable controller. ...

  • Page 56: Parameters /

    56 parameters / free eg window the free eg function gives you four independent tracks to which you can record com- plex real-time parameter changes, over a specified length of time, either in measures or seconds. In this window, you can draw a custom free eg “curve” for each track that controls a si...

  • Page 57: Parameters /

    57 parameters / free eg window • track parameter switch settings: on, off this determines whether the specified track is active (on) or not (off). This must be set to “on” for the free eg of the track to have any effect. When this is set to “on,” two pink dotted lines appear in the free eg display. ...

  • Page 58: Parameters /

    58 parameters / free eg window • trigger settings: free, midi in notes, all notes this determines how the free eg track playback is triggered, as described below. Free after selecting a voice, the first key pressed on the keyboard triggers the free eg. Midi in notes the free eg is triggered by a not...

  • Page 59: Parameters /

    59 parameters / free eg window • tempo range: midi, 40 - 240 bpm (beats per minute) this determines the tempo or speed at which the selected free eg track plays back. When this is set to “midi,” and length is set to a number of measures (bars), the eg playback tempo is synchronized to that of the co...

  • Page 60: Parameters /

    60 parameters / free eg window pulse triangle sine these three wave tools let you easily draw the respective waveforms. The example illustrations below (using the sine wave) show how dragging the mouse affects the wave. • dragging the mouse up or down increases the amplitude of the wave, or the degr...

  • Page 61: Parameters /

    61 parameters / free eg window using the transform tools 1) click on the “cursor” button. 2) highlight (define) the area you wish to transform. Move the cursor to the beginning point of the desired area, then hold down the left mouse button and drag the mouse to the right, highlighting or defining t...

  • Page 62: Parameters /

    62 parameters / pattern generator window the pattern generator window contains the controls for the arpeggio and step sequencer. These two powerful features let you trigger complex patterns in real time, at the press of a key. The arpeggio lets you play perfect arpeggiated chords at the simple press...

  • Page 63: Parameters /

    63 parameters / pattern generator window common block • on/off settings: on, off this turns the pattern generator on and off. The lamp lights when the pattern generator is on. • hold settings: on, off this determines how the pattern generator responds to the pressing and releasing of keys. When this...

  • Page 64: Parameters /

    64 parameters / pattern generator window • swing settings: 50 ... 83% the swing parameter lets you apply a swing rate to the step sequencer pattern to slightly shift certain beats in order to create a “swing” feel. (swing is not available for the arpeggio.) a setting of “50%” produces no swing and “...

  • Page 65: Parameters /

    65 parameters / pattern generator window arpeggio block the arpeggio parameters only are in effect when the arpeggio switch (in the main control panel) is turned on. Also, in the pattern generator window, the arpeggio but- ton should be clicked so that the arpeggio is selected. (you should also make...

  • Page 66: Parameters /

    66 parameters / pattern generator window step seq (step sequencer) the step sequencer parameters only are in effect when the seq switch (in the main control panel) is turned on. Also, in the pattern generator window, the step seq button should be clicked so that the step sequencer is selected. Patte...

  • Page 67: Parameters /

    67 parameters / pattern generator window ptnsel & normal (pattern select & normal) playing a key to the left of the split point will trigger (“select”) a specific user pattern, and playing keys to the right of the split point will play notes normally, without affecting the sequence. For example, if ...

  • Page 68: Parameters /

    68 parameters / pattern generator window • hold mode settings: off, mode 1, mode 2 this determines the hold setting for the step sequencer. The pattern hold function causes the sequence pattern to continue playing after releasing the keys (as described below). Selecting “mode 1” or “mode 2” automati...

  • Page 69: Parameters /

    69 parameters / pattern generator window individual pattern parameters • edit select range: user 001 ... User 128 this lets you select the user pattern for editing. Clicking this parameter displays the pop- up value list; click on the desired user number. Once you’ve edited a pattern to your sat- is...

  • Page 70: Parameters /

    70 parameters / pattern generator window • store the store function allows you to store your original step sequencer patterns to one of the user memory locations for future recall. A maximum of 128 user patterns can be stored. • when this operation is executed, the stored user pattern bulk data is t...

  • Page 71: Parameters /

    71 parameters / pattern generator window • ctrl change (control change) bank range: 1 ... 200% this bank of 16 virtual “knobs” lets you set the control change value (for the currently set control change number below) for each step of the step sequencer pattern. This deter- mines the depth of the con...

  • Page 72: File Menus

    72 file menus when the an expert editor is active and selected, the following functions appear in the file menu: • new an expert file • open an expert file • save an expert file • save an expert file as these are used for creating, saving, and opening your original an expert files. Using the save (o...

  • Page 73: File Menus /

    73 file menus / open an expert file use this function to open an existing an expert file. Keyboard shortcut: [alt], [f], [r] • the available file types include: an expert data file (*.Ans) user voices and user sequencer patterns created with the an expert editor. An1x editor*** data file (*.An1) use...

  • Page 74: File Menus /

    74 file menus / save an expert file / save an expert file as use these commands to save the current an expert editor settings to an an expert file. (the “save as” command lets you specify a different file name than the original one.) keyboard shortcuts: save: [alt], [f], [w] save as: [alt], [f], [m]...

  • Page 75: Edit Menus

    75 edit menus when the an expert is active and selected, the following functions appear in the edit menu: • an store • an voice list • an record (plug-in editor only) • an librarian use the an store dialog box to store the voice currently being edited to one of the user voice memory spaces. Once a v...

  • Page 76: Edit Menus /

    76 edit menus / an voice list in the an voice list dialog box you can: • select a voice from the preset 1, preset 2, user voice banks for editing. • initialize a user voice to the default settings. • copy or swap voices in the user voice banks. • “an voice list” can also be selected from the master ...

  • Page 77: Edit Menus /

    77 edit menus / an record / an librarian • drag mode in the voice list box, a voice can be dragged to another voice location. This setting determines the result of that operation: whether the voice is copied to the new location, or swapped with the voice at the new location. • the voice init and dra...

  • Page 78: Edit Menus /

    78 edit menus / an librarian the source box shows user voices contained in the opened an expert file (see open an expert file below). The destination box contains the set of user voices currently in the an expert editor, and represents the new an expert file to be created. First copy the desired voi...

  • Page 79: Setup Menus

    79 setup menus when the an expert editor is active and selected, the following functions appear in the setup menu: • an expert editor setup • an display option • an morphing • insert an bulk dump data (plug-in editor only) • extract an bulk damp data (plug-in editor only) • transmit an bulk dump dat...

  • Page 80: Setup Menus /

    80 setup menus / an expert editor setup • midi ch (channel) range: 1 ... 16 this determines which midi channel is used for sending an expert editor data. Set this to match the receive channel for the part you wish to control. • part no. (number) range: 1 ... 16 this determines which part is to be us...

  • Page 81: Setup Menus /

    81 setup menus / an expert editor setup • output when edited when this is checked, any edits that you make with the an expert editor are instantly and automatically transmitted to the plg150-an. This ensures that you can audition edits as soon as you make them. • ok click this to apply all the setti...

  • Page 82: Setup Menus /

    82 setup menus / an expert editor setup bulk dump interval range: 600msec ... 1.5sec this parameter is available when “user voices” above is selected. Bulk dump interval determines the amount of time (in clocks) that separates each data insertion/transmis- sion. If the tone generator or card “chokes...

  • Page 83: Setup Menus /

    83 setup menus / an expert editor setup others tab this tab features two operation preference settings for the an expert editor. • parameter knob operation rotate when this is selected, the parameter values (of the panel “knobs”) are changed by moving the mouse in a circular direction. Up/down or le...

  • Page 84: Setup Menus /

    84 setup menus / an display option this convenient feature lets you change the display of the main control panel to indicate the current status of certain signal routings within the plg150-an. When one of the options is enabled (a check mark appears), color-coded highlights, arrows and lines appear ...

  • Page 85: Setup Menus /

    85 setup menus / an morphing this is used for making the appropriate settings for the morphing function, which lets you crossfade between two different voices using a midi controller. The desired midi controller and morphing voice can be selected here. Keyboard shortcut: [alt], [u], [p] • the an mor...

  • Page 86: Setup Menus /

    86 setup menus / an morphing midi control change numbers.

  • Page 87: Setup Menus /

    87 setup menus / an morphing • select voice this determines the morphing voice. When you work the appropriate midi controller (set in controller above), the currently selected voice will “morph” or crossfade with the voice selected here. To select a voice: 1) specify a bank by clicking on the desire...

  • Page 88: Setup Menus /

    88 setup menus / insert an bulk dump data • the following information pertains only to the plug-in editor. This is used for inserting the edited an voice data to a song track in host application. (this is affected also by the an expert editor setup / insert & transmit method set- tings.) by insertin...

  • Page 89: Setup Menus /

    89 setup menus / extract an bulk dump data • the following information pertains only to the plug-in editor. This is used for importing the an voice data contained in host application sequence data to the an expert editor. Specify the range (start and end points) from which you want to extract the se...

  • Page 90: Setup Menus /

    90 setup menus / transmit an bulk dump data this is used for directly transmitting the an expert editor voice data or step sequencer pattern settings as midi bulk dump data (depending on the insert & transmit method setting) to the plg150-an board. To use this, highlight the command in the menu, the...

  • Page 91: Setup Menus /

    91 setup menus / receive an1x bulk dump data this is used for importing an voice data from an an1x control synthesizer. All current settings will be replaced by the received data. • receive method 1 voice when this is selected, only the data for one voice will be received. This data is loaded into t...

  • Page 92: Setup Menus /

    92 setup menus / receive an1x bulk dump data • receive an bulk dump start first, click this button to start reception of the data. Then start transmitting the bulk data from an1x. (for details, refer to the an1x owner’s manual.) the various data types that can be sent/received are abbreviated on the...

  • Page 93: Setup Menus /

    93 setup menus / transmit xg system on this is used for directly transmitting an xg system on message to the tone generator/ sound card, initializing all xg settings. To use this, highlight the command in the menu, then click. • this operation initializes all xg parameters (system parameters and par...