Mackie SR24-4-VLZ PRO Owner's Manual

Other manuals for SR24-4-VLZ PRO: Track Sheet, Hook-up Manual, Owner's Manual, Specification Sheet, Owner's Manual, Owner's Manual, Owner's Manual

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SR24•4-VLZ PRO &

SR32•4-VLZ PRO

OWNER’S MANUAL

+15

MAX

+20

+15

+10

-1

+15

-15

-1

+15

-15

+15

-15

+15

-15

-1

-20

+20

-20

+20

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

POST

15dB

5dB

-1

16kHz

LAMP

MID

800Hz

MID

LOW

STEREO

AUX RETURNS

AUX SEND MASTERS

LEVEL

MID

800Hz

MID

AIR

LOW

SOLO

-20

MID

FREQ

80Hz

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW CUT

75 Hz

18dB/OCT

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

80Hz

LOW

TRIM

AUX

MUTE

SOLO

- 2

SUB

SOLO

GLOBAL

AUX RETURN

ASSIGN TO SUB

SOLO

TAPE RETURN

TO PHONES / C

TAPE RETURN TO MAIN MIX

LEFT/RIGHT

MAIN MIX

AUX 1

- 2

TALKBACK

LEVEL

TAPE

RETURN

- 4

LEFT

RIGHT

L/R ASSIGN

SUB

PHONES / C

- R

LEVEL

MAIN MIX

SOLO

TO AUX SEND

- 2

(EFX TO MONITOR)

SOLO

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

- 4

L-

- 2

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

AUX

MUTE

-20

MID

TRIM

AUX

MUTE

-20

MID

FREQ

TRIM

21 22

TRIM

23 24

AUX

MUTE

TRACK

•

TRACK

•

TRACK

•

TRACK

•

MUTE

SOLO

MODE

SUB

AUX

PRE FADER

IN PLACE AFL

LEVEL SET

SOLO

PAN

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POWER

RUDE SOLO LI

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0dB = 0dBu

PAN

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PREAMPLIFIERS

SR SERIES 24

•

–

BUS MIXI

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PRO

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Summary of SR24-4-VLZ PRO

Page 1
Sr24•4-vlz pro & sr32•4-vlz pro owner’s manual db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o...
Page 2
2 caution avis risk of electric shock do not open risque de choc electrique ne pas ouvrir caution: to reduce the risk of electric shock do not remove cover (or back) no user-serviceable parts inside refer servicing to qualified personnel attention: pour eviter les risques de choc electrique, ne pas ...
Page 3: Introduction
3 part no. 820-213-90 rev. C 03/04 ©2004 loud technologies inc. All rights reserved. Introduction thank you for choosing a mackie profes- sional sound reinforcement mixer! The 24•4-vlz pro and 32•4-vlz pro are equipped with our new precision-engineered xdr tm extended dynamic range premium studio-gr...
Page 4
4 about this manual the stuff you must read: first, you must read and follow all the safety instructions on page 2. Before you get to work, please read the “quick start” section on page 6. It’s a list of steps that will familiarize you with the mixer and help you set up a basic performance. The rest...
Page 5: Contents
5 contents safety instructions ............................... 2 introduction ......................................... 3 about this manual ................................ 4 quick start ............................................ 6 applications diagrams .......................... 9 patchbay featur...
Page 6: Quick Start
6 quick start insert insert insert insert insert insert insert mic 20 tape out tape in talk back mic r r r (mono) 4 l l l 3 2 1 l control room out main inserts 3 3 4 2 3 1 1 l l r r r l 24 23 21 22 20 mic 19 19 line in (bal or unbal) line in (bal or unbal) line in (bal or unbal) line in (bal or unba...
Page 7
7 24•4 - vlzpro db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o 40 50 5 5 u 60 10 db 30 20 10 o o 40 50 5 5 u 60 10 o o u o o +1...
Page 8
8 make the connections: 1. Make sure your amplifiers are turned off before making any connections. 2. Connect speakers to your amplifier’s outputs (unless, of course, you have powered speakers, such as the mackie srm 450 active monitors). 3. Plug all the sound system components into suitable ac outl...
Page 9: Application Diagrams
9 ch. Device input insert assignment 1 kick mic gate submix 1 2 snare mic gate submix 1 3 hi hat mic submix 1 4 tom 1 mic gate submix 1 5 tom 2 mic gate submix 1 6 tom 3 mic submix 1 7 drum overhead mic l mic submix 1 8 drum overhead mic r mic compressor submix 1 ch. Device input insert assignment 9...
Page 10
10 phones main outs main outs aux returns s ub inserts tape in stereo channels tape out sub outs main inserts talkback 2l r l 1234 lrlr 12 lr lr lr 22 lr 24 21 23 lrlr 34 56 l r r lr mono 1 12 12 34 34 5678 aux sends cntrl rm o u t zone speaker effects device effects device harmonizer cassette or da...
Page 11
11 phones main outs main outs aux returns sub inserts tape in stereo channels tape out sub outs main inserts talkback 2l r l 1234 lrlr 12 lr lr lr 22 lr 24 21 23 lrlr 34 56 l r r lr mono 1 12 12 34 34 5678 aux sends cntrl rm o u t headphone am plifier harmonizer stereo reverb #1 stereo reverb #2 ste...
Page 12
12 phones main outs main outs aux returns sub inserts tape in stereo channels tape out sub outs main inserts talkback 2l r l 1234 lrlr 12 lr lr lr 22 lr 24 21 23 lrlr 34 56 l r r lr mono 1 12 12 34 34 5678 aux sends cntrl rm o u t effects device effects device video deck #2 video deck #1 w/8 ch. Aud...
Page 13
13 phones main outs main outs aux returns sub inserts tape in stereo channels tape out sub outs main inserts talkback 2l r l 1234 lrlr 12 lr lr lr 22 lr 24 21 23 lrlr 34 56 l r r lr mono 1 12 12 34 34 5678 aux sends cntrl rm o u t side fills stage monitor stage monitor graphic eq graphic eq graphic ...
Page 14: Patchbay
14 patchbay this is where everything gets plugged in: microphones, line-level instruments, effects devices, headphones and the ultimate destination(s): pa system, tape recorder, etc. 1. Mic the mono channels are equipped with mackie’s cutting-edge xdr tm microphone preamplifiers; providing up to 60d...
Page 15
15 3. Insert with nothing plugged into this jack, the channel’s signal goes straight through the mic/ line preamp to the channel strip. With an ex- ternal effects device plugged into this jack, the channel’s signal leaves the mixer, goes through the effects device and back into the channel strip. Us...
Page 16
16 5. Tape out use these stereo jacks to capture the entire performance to tape. The signal at these jacks is the main mix, post-main inserts (13) and post-main mix fader (72). Signals at these jacks will depend on the levels set by the main mix fader. Rca unbalanced wiring: tip = hot, sleeve = shie...
Page 17
17 9. Stereo aux returns patch the outputs of external parallel ef- fects devices (reverb, delay, etc.) to these inputs. When connecting a mono device (just one cord), always use the left (mono) input and plug nothing into the right input. A trick called “jack normalling” will cause the signal to ap...
Page 18
18 18. Phones the stereo signal from each of these identi- cal outputs is a high-current version of the signal from control room out (11). Con- nect trs headphones to either or both jacks. The stereo signal at these jacks is the same as the main outs (12) (16), except when solo (39) or tape return t...
Page 19: Channel Strip Features
19 channel strip features aux send: (26 and 27) 26. Aux these knobs tap a portion of each channel signal and send it out, via the aux sends (10) jacks, to an amp & speakers for stage monitors or to an ef- fects device for parallel effects processing. Each aux knob’s level ranges from off, through un...
Page 20
20 eq: (28 through 34) the mixer has low shelving, mid peaking and high shelving eq. “shelv- ing” means that the circuitry boosts or cuts all frequencies past the specified frequency. For example, boosting the low eq knob boosts bass frequencies at 80hz and below. “peaking” means that only a selecte...
Page 21
21 35. This ol’ led this led represents a bad thing: if a channel’s ol led lights up, its signal is too hot, and subsequent circuitry may overload (clip). To correct this, perform the set the levels procedure on page 8. 36. -20 led this led represents a good thing: this led will flicker in time with...
Page 22: Master Section Features
22 master section features in the master section, signals leaving the channel strips are mixed, manipulated and sent to the outputs in the patchbay. Addition- ally, there are four more stereo inputs here, used to add effects to the main mix or other destinations. 45. Lamp this female bnc connector p...
Page 23
23 stereo aux returns: (48 to 52) 48. Stereo aux returns having entered through the stereo aux returns (9) jacks, effects returns are con- trolled by these knobs, and typically continue on to the main mix fader (72). Effect re- turns are the “wet” signals, to be combined with the channels’ original ...
Page 24
24 subgroups: (56 through 60) 56. Air air is a high frequency peaking eq cen- tered at 16khz. Turned fully up, these controls provide 10db of boost and fully down effec- tively bypasses the circuit. Use air to provide a crystalline effect to subgroups, helping them stand out in the overall mix. 57. ...
Page 25
25 60. Subgroup faders these faders provide 10db of gain fully up, unity gain at the “u” label and are effectively muted fully down. Each fader is the master level control for a subgroup’s signal, affecting both the sub outs (8) and the main mix, via l/r assign (59). Solo: (61 through 65) 61. Rude s...
Page 26
26 70. Phones/c-r level after the main mix fader (72), the main mix is sent to the main outs (12) (16) and mono main out (14). It is also sent through this control, and exits at control room out (11) and phones (18). This knob allows engineer’s listening levels to be set as desired without disturbin...
Page 27: Specifications
27 impedances mic preamp input 1.5k Ω all other inputs >10k Ω all outputs 120 Ω equalization lo eq shelving 80hz ±15db mid eq (mono ch) peak 100–8khz ±15db hi eq shelving 12khz ±15db microphone preamp e.I.N. (150 Ω terminated, max gain): –129.5dbm power requirements 110 watts weight 24•4-vlz pro 31 ...
Page 28: Block Diagram
28 • • • • • • • • • • •• • • • • •• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • •• • • • • • • • • • • • • • • • • ...
Page 29: Gain Path Diagram
29 gain path diagram — (all levels in dbu) level up +20 0 0 0 0 0 0 0 0 0 0 max out +22 xlr max out +28 max out +22 max out +22 +22 max in +22 max in 45db gain 15db loss 0db gain mic input line input 0 0 0 0 (c) – 6 – 6 – 6 +22 max in +22 max in gain up +3 mackie 24 •4/32 •4-vlz pro gain structure r...
Page 30: Service Information
30 repair service for the 24•4-vlz pro and the 32•4-vlz pro is available at our factory, lo- cated in sunny woodinville, washington. Service for mackie mixers living outside the united states can be obtained through local dealers or distributors. If your mixer needs service, follow these instruction...
Page 31
31 © 2004 loud technologies inc. All rights reserved. Sr24•4/sr32•4 limited warranty 4. If the authorized mackie service center is located in another city, pack the product in its original shipping carton. More information on packing can be found in the service section of this manual. 5. Contact the...
Page 32: Loud Technologies Inc.
Loud technologies inc. 16220 wood-red road ne • woodinville, wa 98072 • usa us and canada: 800.258.6883 europe, asia, central and south america: 425.487.4333 middle east and africa: 31.20.654.4000 fax: 425.487.4337 • www.Mackie.Com e-mail: sales@mackie.Com.