Yamaha Clavinova CVP-601 Reference - page 21
CVP-609/605/601 MIDI Reference
Vocal Harmony Parameter List / Liste der Vokalharmonie-Parameter / Liste des paramètres liés à l’harmonie vocale / Lista de parámetros de armonía vocal
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Vocal Effect Type List (CVP-609)
Harmony Assign Parameters (CVP-609)
Type Name
Description
MSB
LSB
ROMANTIC REV (Romantic Reverb)
Long reverb for vocal part. Romantic image.
1
0
80sPOP REV (80s'Pop Reverb)
Long reverb for vocal part. 80's pop image.
1
16
ROOM
Reverb simulating the acoustics of a room.
2
0
STAGE (Concert Stage)
Reverb simulating the concert stage.
3
0
PLATE
Reverb simulating a plate reverb unit.
4
0
VCL DOUBLE (Vocal Doubler)
Immediate delay with center focused feeling.
5
16
SPREAD (Stereo Spread)
Immediate delay with spread feeling.
5
17
DELAY
Produces simple delayed sounds: L, R, and C (center).
5
0
SHORT DELAY
Produces short delayed sound with narrow image.
5
1
R&R DELAY (Rock&Roll Delay)
Produces slap back echo sound. Good for Rock&Roll music.
5
18
CROSS DELAY
The feedback of the two delayed sounds is crossed.
8
0
TEMPO DELAY
Tempo-synchronized delay.
21
0
TEMPO CROSS (Tempo Cross Delay)
Tempo-synchronized cross delay.
22
0
CHORUS (Chorus)
Conventional chorus program with rich, warm chorusing.
66
0
EQ HI-FI
Equalizer effect that boosts both high and low frequencies.
76
16
EQ TEL
Equalizer effect that cuts both high and low frequencies.
76
0
GRAMOPHONE
Produces Lo-Fi sound with gramophone image.
94
0
ROBOT
Produces Lo-Fi sound with robotic image.
94
16
OVERDRIVEN
Produces overdriven sound. Good for rock and dance music.
98
0
SCREAM&SHOUT
Produces heavy distorted sound.
98
16
TEMPO FLANGE (Tempo Flanger)
Tempo-synchronized flanger.
107
0
TEMPO PHASER
Tempo-synchronized phaser.
108
0
TEMPO A.PAN (Tempo Auto Pan)
Tempo-synchronized auto pan.
121
0
NO EFFECT
No effect.
0
0
Parameter
Value
Description
Transpose Mode
* These are effective only when Vocoder or
Vocoder-Mono is selected in Mode.
0
Assigns the harmony to the octave range centered around the pitch of the played note.
Auto
Assigns the harmony to the same octave range as the vocal (microphone) input.
-3
Assigns the harmony to a range roughly 3 octaves below the pitch of the played note.
-2
Assigns the harmony to a range roughly 2 octaves below the pitch of the played note.
-1
Assigns the harmony to a range roughly 1 octave below the pitch of the played note.
+1
Assigns the harmony to a range roughly 1 octave above the pitch of the played note.
+2
Assigns the harmony to a range roughly 2 octaves above the pitch of the played note.
+3
Assigns the harmony to a range roughly 3 octaves above the pitch of the played note.
Session Table
* These are effective only when a Chordal Type
other than Scale Diatonic or Parallel is selected.
Normal
The chord designation is used as shown. This is for general use in conventional music genres.
Simple
Tends to add a simpler harmony. Use this when you need simple accompaniment.
R&R
Tends to add harmony with a strong major 6th in both major and minor triads. This is good with rock ‘n’ roll music.
UrbanA
Tends to add harmony with a strong major 6th to the major triad and a minor 7th to the minor triad. This is good for a
sophisticated, urban feel.
UrbanB
Tends to add harmony with a strong major 7th to the major triad and a minor 7th to the minor triad. This is good for a
sophisticated, urban feel.
Blues7
Tends to add harmony with a strong minor 7th. This is good for blues music.
UrbanC
Tends to add harmony with a strong major 9th to both the major and minor triads. This is good for ballads.
Key Root
Refer to the Reference Manual.
Key Type