6.1 SUPER16
6.1.1 The Format
Super16 is a means of utilizing the cost effectiveness of 16mm film
for wide-screen applications. The 1.66 aspect of Super16 uses 20%
more of the film surface by extending the picture into an area other-
wise reserved for soundtrack or a second set of
perforations. This increase in usable area results in significant impro-
vements in image quality obtainable from 16mm film when used for
any wide-screen application.
16mm standard
Super16
6.1.2 When to Shoot Su-
per16
Generally speaking, Super16
can be a good choice of origination in the following instances:
• Any low-budget, theatrical production shot in 16mm for blow-up
to 35mm.
• Any documentary or film that has the potential for future use in
HDTV or some other widescreen aspect.
• Any 16mm production that has a long shelf life or would like to
extend the shelf life of their film by making it wide-screen ready.
• Any 16mm commercial, music video or such that will be shown in
the letterbox format.
6.2 GENERAL CONCERNS
6.2.1 Protecting the Negative
Specific precautions should be taken with any piece of equipment
that handles the Super16 negative. The additional usable area of the
film must be free from contact with transportation surfaces in all
instances, whether it be in the camera, at the lab or on the telecine.
The Aaton XTR camera series, since its debut in 1984, has been
built for safe and trouble-free Super16 operation.
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SUPER16