Summary of CL1

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    En how to use this reference manual the cl5/cl3/cl1 reference manual (this document) allows you to search for terms and take advantage of links in the text. Searching for terms to search for a term, use the search function of the software you’re using to view this document. If you’re using adobe rea...

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    Contents reference manual 2 contents how to use this reference manual ................................................................... 1 function tree ............................................................................ 4 selected channel section .............................................

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    Contents reference manual 3 graphic eq, effects, and premium rack ............................... 111 about the virtual rack ................................................................................... 111 virtual rack operations ..................................................................

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    Function tree reference manual 4 function tree page numbers in parentheses ( ) are the page numbers of the owner’s manual (booklet). Main selected channel 6 overview 12 function access area (20) channel parameter patch/name 16 , 29 , 48 gain/patch 31 1ch 31 8ch 32 ch1-48 32 ch49-72/st in 32 output i...

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    Function tree reference manual 5 note • the explanations in this reference manual will use the cl5. • in the case of the cl3/cl1, some screens will not show channels and faders that do not exist on those models. Bus setup 192 console lock 170 date/time 194 network 194 dante setup 201 scene scene lis...

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    Selected channel section reference manual 6 selected channel section this chapter explains how to use the selected channel section and the selected channel view screen to control the selected channel. About the selected channel section the selected channel section located to the left of the display ...

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    Selected channel section reference manual 7 selected channel view screen send field in this field, you can view the send level from the channel to each mix/ matrix bus, switch the on/off status of the send signals, and switch between pre and post. 1 tabs enable you to select a group of 16 output bus...

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    Selected channel section reference manual 8 ■ gain/patch field this field enables you to make ha (head amp) analog gain settings, and view the operational status of the head amp. 1 gain knob sets the analog gain of the head amp. For a channel to which the head amp has not been patched, a gray circle...

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    Selected channel section reference manual 9 ■ eq parameter field this field displays the 4-band eq parameter settings. 1 q knob indicates the q for each band. If the high band filter type is set to lpf or h. Shelf (high- shelving), or the low band filter type is set to l. Shelf (low- shelving), the ...

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    Selected channel section reference manual 10 ■ insert field this field enables you to make insert settings. 1 popup button press this button to open the insert/direct out 1ch popup window. 2 on button switches the insert on or off. 3 rack edit popup button appears if an effect or premium rack is ins...

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    Centralogic section reference manual 11 centralogic section this chapter explains how to use the centralogic section and the overview screen to simultaneously control up to eight channels. About the centralogic section the centralogic section is located below the touch screen, and lets you recall an...

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    Centralogic section reference manual 12 overview screen ■ channel name field this field appears at the top and bottom of the screen and displays the channel number, name, and icon for the currently-selected eight channels. The name of the currently-selected channel is highlighted. Note if you have r...

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    Centralogic section reference manual 13 ■ input delay field this field displays the delay status for the input channel. If an output channel has been selected, this field will be blank. Press this field to open the input delay 8ch popup window. 1 delay on/off indicator indicates the on/off status of...

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    Centralogic section reference manual 14 ■ to stereo/mono field this field displays the on/off status and pan/balance setting of the signal sent to the stereo/mono bus. If you press this field, the knob will be assigned to the corresponding knob in the centralogic section. If you press the field once...

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    Input and output patching reference manual 15 input and output patching this chapter explains how to edit the input patching and output patching, how to connect inserts, and how to use direct outputs. Cl console internal patching and dante audio network patching the following diagram shows the signa...

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    Input and output patching reference manual 16 changing the output patch settings to change the patching, you can either select the output port that will be the output destination of each output channel, or you can select the output channel that will be the output source for each output port. Selecti...

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    Input and output patching reference manual 17 5 channel name edit box indicates the currently-specified channel. Press the inside of this box to enable the name tab at the bottom of the screen. The soft keyboard popup window will appear, enabling you to edit the channel name. 6 category selects the ...

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    Input and output patching reference manual 18 in the outport setup popup window, you can assign the source channel for each output port. This popup window includes the following items. 1 slot number/card type if an output channel of slot 1–3 is selected for operations, this area indicates the slot n...

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    Input and output patching reference manual 19 the ch select popup window will appear. This popup window includes the following items. 1 category select list selects the category of channel shown in the popup window. The categories correspond to the following channels. They vary depending on the outp...

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    Input and output patching reference manual 20 in the patch/name popup window you can view and change the channel name, icon, channel color, and input port assigned to each input channel. 1 input port button indicates the currently-selected input port. If you press this button when selecting an icon ...

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    Input and output patching reference manual 21 inserting an external device into a channel if desired, you can insert an effect processor or other external device into the signal path of an input, mix, matrix, stereo, or mono channel. When doing so, the type of input/output port used for the insertio...

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    Input and output patching reference manual 22 insert/direct out popup window (8ch) 1 channel select button selects the channel to set. The channel icon, color, and number appear on the button. 2 insert out button press this button to open the port select popup window, in which you can select an outp...

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    Input and output patching reference manual 23 5. Use the output port select tabs and the output port select buttons to specify the output port that will be used as insert-out, and press the close button. You will return to the insert/direct out popup window. 6. Press the insert in popup button. The ...

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    Input and output patching reference manual 24 2 direct out patch button press this button to open the port select popup window, in which you can select a direct out output port. The name of the currently-selected port appears on the button. 3 direct on button switches the direct out on or off. 4 dir...

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    Input and output patching reference manual 25 6. Press the direct out on/off button to turn it on. In this state, direct output is enabled. Adjust the input level of your external device as necessary. Note with the factory settings, all are turned off. 7. If you want to change the position of the di...

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    Input and output patching reference manual 26 word clock settings in a dante network, the master device supplies accurate word clock to other devices on the network. If the master device is removed from the network or breaks down, another device will automatically take over as the clock master. To m...

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    Input channels reference manual 27 input channels this chapter explains various operations for input channels. Signal flow for input channels the input channels comprise the section that processes signals received from the i/o racks, rear panel input jacks, or slots 1–3, and sends them to the stereo...

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    Input channels reference manual 28 • lcr (left/center/right) sends the input channel signal to the stereo bus/mono bus as a three-channel signal that consists of the l/r channel plus the center channel. • mix on/off (mix send on/off) this is an on/off switch for signals sent from the input channel t...

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    Input channels reference manual 29 this popup window contains the following items: 1 patch button indicates the currently-patched port. Press this button to enable the patch tab at the bottom of the screen. The port select popup window will appear, enabling you to select the network and port. 2 chan...

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    Input channels reference manual 30 6. If you want to enter a channel name directly (or edit a sample name that has been entered), press the channel name field in the upper part of the window. The keyboard window will appear in the lower part of the screen, allowing you to enter or edit the character...

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    Input channels reference manual 31 gain/patch popup window (1 ch) 1 channel icon/channel number/channel name indicator displays the channel icon, channel number, and channel name. 2 ha section appears if the head amp is patched to the input channel. This section enables you to operate the following ...

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    Input channels reference manual 32 gain/patch popup window (8ch) 1 channel select button indicates the channel icon, number, and name. When you press this button, the corresponding channel will become a target for operations in the selected channel section, and the corresponding [sel] key will light...

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    Input channels reference manual 33 ■ if you press the analog gain parameter select button: 1 gain knob indicates the analog gain setting for each channel. Press this knob to control the gain value using the multifunction knob. If the gain compensation function is turned on, an indicator will appear,...

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    Input channels reference manual 34 setting the gain compensation function if you are using an i/o rack (such as an rio3224-d) on a dante network, you can maintain the constant level of signal output to the audio network by using the gain compensation function. If the foh console and the monitoring c...

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    Input channels reference manual 35 relationship between analog and digital gain while gain compensation is on if gain compensation is on, adjusting the analog gain by a specific amount will cause the i/o rack to output to the audio network a signal that is attenuated by the same amount. Therefore, t...

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    Input channels reference manual 36 1. Make sure that an input source is connected to the input channel you are adjusting. Set the phantom power, gain, and phase of the head amp to obtain the optimum input signal. 2. Use the bank select keys in the centralogic section to access the overview screen th...

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    Input channels reference manual 37 7 pan/balance mode button switches the knob function of the to st pan/to st balance knob on the stereo channel. If the st/mono/lcr mode select button is set to lcr mode, the following button and knob are displayed instead of the st/mono button 4 . 8 lcr button this...

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    Input channels reference manual 38 5. Use the mode button to select either st/mono mode or lcr mode for each channel. 6. In the master section on the top panel, make sure that the [on] key for the stereo channel/mono channel is turned on, and then raise the fader to an appropriate level. 7. In the i...

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    Input channels reference manual 39 if the csr knob is set to 100%, operating the input to st pan knob will change the level of signals sent to the stereo (l/r) bus and mono (c) bus, as shown in the following diagram. Operating the to st balance knob of an st in channel will change the level of signa...

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    Input channels reference manual 40 3. Press a knob in the selected channel section to access the selected channel view screen. 4. In the to mix/matrix field on screen, make sure that the mix1–16 button or mix17–24/matrix button is turned on. The to mix/to matrix field displays the corresponding knob...

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    Input channels reference manual 41 using the centralogic section you can use the multifunction knobs in the centralogic section to adjust the send level of signals sent from eight consecutive input channels to a specific mix/matrix bus. 1. Make sure that an output port is assigned to each mix/matrix...

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    Input channels reference manual 42 6 channel select button selects the send-source channel that you wish to control. The current channel icon, number, and color appear on the button, and the channel name appears immediately below the button. 7 pre/post button switches the send point of each send-sou...

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    Input channels reference manual 43 using the faders (sends on fader mode) you can use the faders on the top panel to adjust signals that are sent from all input channels to a specific mix/matrix bus. 1. Make sure that an output port is assigned to each mix/matrix bus to which you want to send signal...

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    Input channels reference manual 44 correcting delay between channels (input delay) this section explains how to correct delay between input channels by using input delay function. This function is useful when you want to correct the phase variance, caused by microphone locations on the stage, to add...

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    Input channels reference manual 45 input delay (ch1-48, ch49-72/st in(cl5), ch49-64/st in(cl3), st in(cl1)) 1 delay scale button press the button to display the delay scale popup window, in which you can select the unit for the delay time. 2 channel select button lights to indicate the currently-sel...

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    Output channels reference manual 46 output channels this chapter explains output channels (mix channels, matrix channels, stereo channels, mono channels). Signal flow for output channels the output channel section takes the signals sent from the input channels to the various buses, processes them wi...

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    Output channels reference manual 47 • matrix on/off (matrix send on/off) this is an on/off switch for signals sent from the mix channels, stereo (l/r) channel, or mono (c) channel to each matrix bus. • matrix (matrix send level) adjusts the send level of signals sent from the mix channels, stereo (l...

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    Output channels reference manual 48 follow the steps for the input channels (see page 29 ). Sending signals from mix channels to the stereo/ mono bus this section explains how to send a signal from a mix channel to the stereo bus or mono bus. There are two ways to send signals to the stereo bus or m...

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    Output channels reference manual 49 to stereo/mono popup window (8ch) you can control the on/off and pan/balance settings of the signal sent from mix channels to the stereo (l/r) bus and mono (c) bus, in groups of eight channels. 1 channel select button selects the channel. You can select multiple c...

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    Output channels reference manual 50 to stereo/mono popup window (ch1-48, ch49-72/st in(cl5), ch49-64/st in(cl3), st in(cl1), output) this window displays the status of signals sent from the corresponding channel to the stereo bus/ mono bus. You can also adjust the pan or balance setting in groups of...

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    Output channels reference manual 51 sending signals from mix channels and stereo/ mono channels to matrix buses this section explains how to send a signal from a mix or stereo/mono channel to matrix buses 1–8. You can do this in either of the following two ways. ■ using the selected channel section ...

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    Output channels reference manual 52 using the centralogic section this method lets you use the multifunction knobs (in the centralogic section) to simultaneously adjust the send levels from the eight channels selected in the centralogic section to the desired matrix bus. 1. Make sure that an output ...

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    Output channels reference manual 53 5 send destination select buttons select mix/matrix buses as the send destination. 6 channel select button selects the send-source channel that you wish to control. The current channel icon, number, and color appear on the button, and the channel name appears imme...

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    Output channels reference manual 54 correcting delay between channels (output delay) this section explains how to correct delay between output channels by using the output delay function. This output delay function is useful when you want to correct the timing of output signals sent to speakers that...

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    Eq and dynamics reference manual 55 eq and dynamics this chapter explains the eq (equalizer) and dynamics that are provided on each channel of the cl series console. About eq and dynamics each input channel and output channel on a cl series console provides a four-band eq and dynamics. Eq can be use...

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    Eq and dynamics reference manual 56 9 eq flat button press this button to reset the gain parameters of all eq band to 0 db. 0 high shelving on/off button turn on this button to select the shelving type filter for the high band. A lpf on/off button turn on this button to select the low pass filter fo...

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    Eq and dynamics reference manual 57 eq popup window (ch1-48, ch49-72/st in(cl5), ch49-64/st in(cl3), st in(cl1), output) this window displays the corresponding input channels (or output channels) simultaneously. This page is only for display, and does not allow the parameters to be edited. It is use...

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    Eq and dynamics reference manual 58 using dynamics input channels feature two dynamics processors; output channels feature one dynamics processor. 1. Use the bank select keys to access the overview screen that includes the channel for which you want to control the dynamics. The dynamics 1/2 field di...

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    Eq and dynamics reference manual 59 7 dynamics type buttons enable you to select the dynamics type. You can choose from the following dynamics types. • dynamics 1 for an input channel gate, ducking, compressor, expander • dynamics 2 for an input channel compressor, compander-h, compander-s, de-esser...

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    Eq and dynamics reference manual 60 dynamics 1/2 popup window (8ch) this window displays the settings for eight channels, including the currently-selected channel. You can switch between eight-channel groups such as 1–8 and 9–16. Compared to the one-channel display, fewer parameters can be controlle...

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    Eq and dynamics reference manual 61 dynamics 1/2 popup window (ch1-48, ch49-72/st in(cl5), ch49-64/st in(cl3), st in(cl1), output) this window enables you to make settings of the global dynamics parameters for the corresponding channel. 1 library button 2 default button 3 copy button 4 paste button ...

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    Eq and dynamics reference manual 62 using the eq or dynamics libraries you can use dedicated libraries to store and recall eq and dynamics settings. Eq library there is an “input eq library” that lets you store and recall eq settings for input channels, and an “output eq library” that lets you store...

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    Grouping and linking reference manual 63 grouping and linking this chapter explains the dca group and mute group functions that enable you to control the level or muting of multiple channels together, the channel link function that links the parameters of multiple channels, and the operations that e...

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    Grouping and linking reference manual 64 3 dca group assign field this area displays the channels assigned to the currently-selected dca group. While this window is displayed, press the [sel] key for the channel that you want to assign to the dca group. The on-screen fader for that channel will turn...

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    Grouping and linking reference manual 65 controlling dca groups use the faders in the centralogic section to control dca groups. 1. Assign input channels to dca groups. 2. Using the faders in the channel strip section or master section on the top panel, adjust the relative balance between the input ...

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    Grouping and linking reference manual 66 in this popup window you can select the channels that will be assigned to each mute group. The popup window includes the following items. 1 clear all button clears all channels that are assigned to the currently-selected mute group. 2 dca group assign/mute gr...

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    Grouping and linking reference manual 67 ■ selecting the mute groups to which a specific channel will belong 1. Press the [sel] key for the input channel/output channel that you want to assign. 2. Press a knob in the selected channel section to access the selected channel view screen. In this screen...

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    Grouping and linking reference manual 68 3. Press the user defined keys tab to select the user defined keys page. The user defined keys page enables you to assign functions to user defined keys [1]– [16]. 4. Press the popup button for the user defined key to which you want to assign the mute on/off ...

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    Grouping and linking reference manual 69 using the mute safe function specific channels that belong to a mute group can be temporarily excluded from mute group operations (mute safe). 1. In the function access area, press the ch job button. 2. Press the mute group button to access the dca/mute group...

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    Grouping and linking reference manual 70 linking the desired input channels this section explains how to link specific parameters of input channels. Note channel link settings are saved as part of the scene. 1. In the function access area, press the ch job button. 2. Press the ch link button to open...

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    Grouping and linking reference manual 71 4. If you turned on the mix on, mix send, matrix on, or matrix send buttons in step 3, use the buttons in the send parameters field to specify the bus(es) for which you want operations to be linked (multiple selections are allowed). The table below lists the ...

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    Grouping and linking reference manual 72 copying, moving, or initializing a channel you can copy or move mix parameters between channels, or restore the parameters of a specific channel to their default settings. Copying the parameters of a channel you can copy the mix parameter settings of a channe...

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    Grouping and linking reference manual 73 3. To select the copy-source channel, press the corresponding [sel] key to make it light. The corresponding channel is highlighted in the source ch field of the window. When you choose the copy-source channel, the destination chs field is automatically bolded...

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    Grouping and linking reference manual 74 this popup window lets you move channel settings. 1 source ch field this field indicates the move-source channel. While this window is displayed, press a [sel] key on the top panel to select an input channel. This field will indicate the selected channel. You...

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    Grouping and linking reference manual 75 initializing the parameters of a channel you can restore the parameters of a channel to an initialized state. This operation can be performed on any channel(s). 1. In the function access area, press the ch job button to access the ch job menu. 2. Press the de...

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    Scene memory reference manual 76 scene memory this chapter explains how to perform scene memory operations. About scene memories on cl series consoles, you can assign a name to a set of mix parameter and input/output port patch settings, and store the mix settings in memory (and later recall them fr...

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    Scene memory reference manual 77 note • if you press and hold down either of the scene memory [inc]/[dec] keys, the scene number will count up or down continuously. • if you press the scene memory [inc] and [dec] keys simultaneously, the scene field indication will return to the number of the curren...

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    Scene memory reference manual 78 ■ using the scene list window 1. Use the controllers on the top panel or the buttons on the touch screen to set the mix parameters as desired. 2. Press the scene field in the function access area. The scene list window will appear, in which you can perform various sc...

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    Scene memory reference manual 79 4. Press the store button. The scene store popup window will appear, allowing you to assign a title or comment to the scene. 5. Assign a title or comment to the scene as desired. 6. Press the store button located at the bottom of the scene store popup window. The sce...

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    Scene memory reference manual 80 3. Press the user defined keys tab to select the user defined keys page. The user defined keys page enables you to assign functions to user defined keys [1]– [16]. 4. Press the popup button for the user defined key to which you want to assign a function. The user def...

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    Scene memory reference manual 81 editing scene memories this section explains how to sort the scenes stored in scene memory, edit their titles, and copy and paste them. Sorting and renaming scene memories 1. Press the scene field in the function access area. The scene list window will appear, in whi...

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    Scene memory reference manual 82 5. If you want to edit the title or comment of a scene, press the title field or comment field of the scene to access the scene title edit or scene comment edit popup window. Note you cannot edit the title or comment of a read-only scene or a write-protected scene. 6...

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    Scene memory reference manual 83 note • you can select multiple paste-destination scenes. To do so, press the multi select button to turn it on, and then rotate a multifunction knob. Alternatively, rotate the multifunction knob while pressing and holding it down. In this case, the same content will ...

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    Scene memory reference manual 84 inserting a scene you can insert a scene held in buffer memory at a desired scene number location. 1. Press the scene field in the function access area. The scene list window will appear. 2. Perform the copy operation (see page 82 ) or cut operation so that the scene...

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    Scene memory reference manual 85 3. Use the tabs to select one of the following as the type of item you want to copy. 4. Select the copy-source channel or parameter. The view will vary depending on the tab you select. You cannot select different parameters from different channels. To select a channe...

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    Scene memory reference manual 86 using the focus function “focus” is a function that lets you specify the parameters that will be updated when you recall a scene. This function is useful if you want to recall only the input channel settings of a specific scene. Note in contrast to focus, the cl seri...

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    Scene memory reference manual 87 4. Follow the procedure starting with step 2 in the “using the recall safe function” section to make settings. 5. If you want to cancel the specified restrictions so that all parameters will be subject to recall, turn on the all button. If the all button is on, all o...

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    Scene memory reference manual 88 2 safe channel display section indicates the channels currently specified for the recall safe function. 3 set by sel button enables you to use the [sel] keys on the panel to select channels that will be affected by the recall safe function. Turn this button on, and t...

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    Scene memory reference manual 89 on-screen buttons and corresponding parameters apply to the following channels: 0 safe parameter select button (dca) enables you to select parameters for a dca group that will be affected by recall safe operations. If the all button is on, all dca master parameters w...

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    Scene memory reference manual 90 if you want all parameters of the dca group to be subject to recall safe, turn on the all button. Unlike when a channel is selected, recall safe will be enabled for that dca group the moment you turn on either the level/on button or the all button. 5. To enable recal...

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    Scene memory reference manual 91 2 fader button enables or disables the fade function for each scene. 3 fade time display this area indicates the fade time specified for each scene. 4 current setting field specifies the content that will be saved by the next scene store operation. Changes made here ...

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    Scene memory reference manual 92 outputting a control signal to an external device in tandem with scene recall (gpi out) a contol signal can be output to an external device connected to the gpi connector of the cl series console when you recall a specific scene. Proceed as follows. Note for more inf...

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    Scene memory reference manual 93 playing back an audio file that links to a scene recall you can also specify an audio file that you want to play back from a usb flash drive when a specific scene is recalled. This can be convenient if you want an effect sound or bgm to be played automatically in a s...

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    Scene memory reference manual 94 4. Press the song select popup button for a scene to which you want to link the audio file. The song select popup window will appear. In this popup window, you can select an audio file you want to link with the scene, and set the offset time. 1 change directory butto...

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    Monitor and cue functions reference manual 95 monitor and cue functions this chapter explains the monitor and cue functions of cl series consoles. About the monitor and cue functions the monitor function lets you audition various outputs through your nearfield monitors or headphones. Below the front...

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    Monitor and cue functions reference manual 96 using the monitor function this section explains how to select the desired monitor source, and monitor it from the phones out jack or external monitor speakers. 1. Connect your monitor system to the omni out jacks or 2tr out digital jack on the rear pane...

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    Monitor and cue functions reference manual 97 3. Press the popup button or the meter field to open the monitor popup window. In the monitor popup window you can make detailed settings for monitoring. The popup window includes the following items. ■ source select field this field enables you to selec...

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    Monitor and cue functions reference manual 98 ■ monitor delay field this field enables you to specify the monitor delay setting by which the monitor out signal is delayed. B auto bypass button turn this on to automatically bypass monitor delay when the cue is on. C monitor delay knob indicates the c...

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    Monitor and cue functions reference manual 99 8. To adjust the monitor level, use the monitor level knob located in the scene memory/monitor section of the top panel. If phones level link is on, use the monitor level knob and the monitor fader, as well as the phones level knob to adjust the monitor ...

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    Monitor and cue functions reference manual 100 note if stereo/mono channels are assigned to the centralogic section, you can also use the [cue] keys in the centralogic section to enable cue for this group. 4 other cue group these cue signals are operated via buttons displayed on the touch screen. Th...

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    Monitor and cue functions reference manual 101 4 cue output button switches the cue output on or off. 5 clear cue button cancels all cue selections simultaneously. If mix cue mode has been selected, all selected channels will be cleared. 2. Press the cue popup display button or the input/dca/output ...

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    Monitor and cue functions reference manual 102 3. Use the buttons in the cue mode section to specify what will happen when multiple [cue] keys within the same cue group are turned on. Select the mix cue button or last cue button. Note [cue] keys belonging to different cue groups cannot be turned on ...

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    Talkback and oscillator reference manual 103 talkback and oscillator about the talkback and oscillator functions talkback is a function that sends the signal of a mic connected to the talkback jack to the desired bus. This is used mainly to convey instructions from the operator or sound engineer to ...

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    Talkback and oscillator reference manual 104 3 input to talkback field • input to talkback patch button .......................... Press the button to open the port select popup window, in which you can patch a desired input port to an input port to patch to talkback. The selected port name will app...

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    Talkback and oscillator reference manual 105 4-2. Press the button for the input that you want to use for talkback to turn the button indicator on. You can select only one input at a time. 4-3. Press the close button to close the popup window. Use the input to talkback field gain knob and level mete...

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    Talkback and oscillator reference manual 106 4 oscillator assign field an indicator lights to indicate the currently-selected oscillator output destination (input channels or buses). Use the tabs on the left to select channels or buses to display. Note in the case of the cl3/cl1, channels that do no...

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    Talkback and oscillator reference manual 107 3 assign section enables you to select a channel to which the oscillator signal will be sent. Press one of the three tabs located at the bottom of the screen, then press the button(s) for the channel(s) in this section (multiple selections are allowed). Y...

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    Meters reference manual 108 meters this chapter explains the meter screen that shows the input and output level meters for all channels, and operations related to the optional mbcl meter bridge. Operations in the meter screen by accessing the meter screen, you can view the input and output levels of...

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    Meters reference manual 109 input/output tabs use these tabs to switch between the input meter screen and output meter screen. Input level and meter display this area displays the meter and fader for each input channel. 1 channel number indicates the channel number. 2 Σ clipping indicator lights to ...

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    Meters reference manual 110 using an mbcl meter bridge (optional) on the cl3 or cl1 console if the optional meter bridge (mbcl) is installed on the cl3 or cl1 console, you will always be able to view the output levels of mix, matrix, stereo, mono, and cue channels. The mbcl meters indicate the mix c...

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    Graphic eq, effects, and premium rack reference manual 111 graphic eq, effects, and premium rack this chapter explains how to use the built-in graphic eq, effects, and premium rack. About the virtual rack cl series consoles enable you to use the built-in graphic eq (subsequently abbreviated as “geq”...

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    Graphic eq, effects, and premium rack reference manual 112 virtual rack operations this section explains how to mount a geq or effect in the virtual rack, and patch the input and output of the rack as an example. 1. In the function access area, press the rack button to access the virtual rack window...

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    Graphic eq, effects, and premium rack reference manual 113 • if nothing is mounted: press this area to open the rack mounter popup window, in which you can select the geq or effect that will be mounted in the rack. • if 31bandgeq is mounted: this area indicates the settings for each band, geq on/off...

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    Graphic eq, effects, and premium rack reference manual 114 4. Use the module select buttons to select the item you want to mount, and press the ok button. 5. To select the input source for a rack, press the input patch button for that rack. The ch select popup window will appear, allowing you to sel...

  • Page 115

    Graphic eq, effects, and premium rack reference manual 115 • insert in 1–32 ....................... Ch 1–32 *1 • insert in 33–64 ..................... Ch 33–64 *1 • insert in 65–72 ..................... Ch 65–72 *1 • insert in mix/matrix ..... Mix 1–24, matrix 1–8 • insert in st/mono ............ St...

  • Page 116

    Graphic eq, effects, and premium rack reference manual 116 2. In the geq field, press the rack in which you mounted the geq. The geq popup window will appear, allowing you to edit the geq parameters. Note the popup windows for the 31bandgeq and the flex15geq are nearly identical. However, the flex15...

  • Page 117

    Graphic eq, effects, and premium rack reference manual 117 using the 31bandgeq you will use the centralogic section’s faders 1–8 and [on] keys to control the 31bandgeq. 1. Refer to steps 1–6 in the “ virtual rack operations ” section on page 112 to mount a 31bandgeq in a rack and set its input sourc...

  • Page 118

    Graphic eq, effects, and premium rack reference manual 118 using the flex15geq you will use the centralogic section’s faders 1–8 and [on] keys to control the flex15geq. 1. Refer to steps 1–6 in the “ virtual rack operations ” section on page 112 to mount a flex15geq in a rack and set its input sourc...

  • Page 119

    Graphic eq, effects, and premium rack reference manual 119 about the internal effects the internal effects of the cl series console can be mounted in effect racks 1–8, and patched to an output channel’s output or input channel’s input, or inserted into a channel. For each effect mounted in a rack, y...

  • Page 120

    Graphic eq, effects, and premium rack reference manual 120 2. Press the input l button to open the ch select popup window, and select a mix channel as the input source for the rack. For details on the ch select popup window, refer to step 5 of “ virtual rack operations ” on page 112 . The output of ...

  • Page 121

    Graphic eq, effects, and premium rack reference manual 121 7. Make sure that a mix bus is selected as the send-destination in the to mix/to matrix field. If a matrix bus has been selected as the send-destination (the field indicates “to matrix”), use the selected channel view screen’s to mix/to matr...

  • Page 122

    Graphic eq, effects, and premium rack reference manual 122 editing the internal effect parameters this section explains how to change the effect type and edit the parameters. 1. Follow steps 1–3 described in “ virtual rack operations ” on page 112 , to mount an effect in a rack. A rack in which an e...

  • Page 123

    Graphic eq, effects, and premium rack reference manual 123 3. To change the effect type, press the effect type field to open the effect type popup window. Press a new effect type to select it. Note • you can also change the effect type by recalling a library setting. • effect types “hq.Pitch” and “f...

  • Page 124

    Graphic eq, effects, and premium rack reference manual 124 ■ type this field is displayed when equalizer601 is selected as the effect type. 1 type buttons select one of two equalizer types that feature different effects. Drive emulates changes in frequency response of analog circuits, creating a dri...

  • Page 125

    Graphic eq, effects, and premium rack reference manual 125 this window includes several pages, which you can switch between using the tabs located at the bottom of the window. 3. Press the user defined keys tab to select the user defined keys page. The user defined keys page enables you to assign fu...

  • Page 126

    Graphic eq, effects, and premium rack reference manual 126 8. Press the effect type field to open the effect type popup window, and select an effect type that includes the bpm parameter. The bpm parameter is included in delay-type and modulation-type effects, and can be used to specify the delay tim...

  • Page 127

    Graphic eq, effects, and premium rack reference manual 127 5. To begin recording (sampling), press the rec button and then press the play button. The signal being input to the effect will be recorded. The bar reflects the current recording progress. When a fixed time has elapsed, the buttons will au...

  • Page 128

    Graphic eq, effects, and premium rack reference manual 128 3. To mount a premium rack in the rack, press the rack mount button for that rack. The premium rack mounter popup window will appear. 4. Use the module select buttons to select the item you want to mount, and press the ok button. There are t...

  • Page 129

    Graphic eq, effects, and premium rack reference manual 129 12. Adjust the parameters. For details on editing the parameters, refer to the next section “editing the premium rack parameters.” note adjust the digital gain and the processor parameters so that the signal does not reach the overload point...

  • Page 130

    Graphic eq, effects, and premium rack reference manual 130 6 lmf/mf/hmf in button turn lmf/mf/hmf eq on or off respectively. 7 lf/hf in button turn lf and hf eq on or off simultaneously. 8 graph indicates the graphical eq response. ■ portico 5043 portico 5043, like portico 5033, is a processor that ...

  • Page 131

    Graphic eq, effects, and premium rack reference manual 131 ■ u76 u76 is a processor that emulates a popular vintage compressor used in a wide range of situations. This processor does not provide the threshold parameter that is found on conventional compressors. Instead, the intensity of compression ...

  • Page 132

    Graphic eq, effects, and premium rack reference manual 132 ■ eq–1a eq-1a is a processor that emulates a famous passive-type vintage eq. It features a unique style of operation, allowing you to individually boost and attenuate (cut) each of two frequency ranges (high and low). The frequency response ...

  • Page 133

    Graphic eq, effects, and premium rack reference manual 133 2 sidechain cue button press this button on to monitor the sidechain signal sent to the cue bus. At this time, the graph indicates the filter response for the sidechain. 3 sidechain listen button turn this button on to output the sidechain s...

  • Page 134

    Graphic eq, effects, and premium rack reference manual 134 using the graphic eq, effect, and premium rack libraries ■ geq library use the “geq library” to store and recall geq settings. All geq units used in the cl series console can reference this geq library. (however, the 31bandgeq and flex15geq ...

  • Page 135

    I/o rack and external head amp reference manual 135 i/o rack and external head amp this chapter explains how to use an i/o rack or an external head amp that is connected to the cl series console. Using an i/o rack cl series consoles enable you to remotely control channel parameters of an i/o rack (s...

  • Page 136

    I/o rack and external head amp reference manual 136 ■ ha parameter display this area indicates the head amp settings on the i/o rack in groups of eight ports. Press this area to open the i/o rack ha popup window, in which you can make detailed head amp settings. 3 analog gain knob indicates the anal...

  • Page 137

    I/o rack and external head amp reference manual 137 note • if you have connected a third-party device, the upper row will indicate “???” and the channel number (decimal). • if no dante audio channel label has been specified, the lower row will indicate nothing. • you can set the dante audio channel ...

  • Page 138

    I/o rack and external head amp reference manual 138 8. In the displayed port switch tabs area, press the output tab. The following screen will appear. 9. Press the output 1 channel select button. The port select popup window will appear. 1 list display enables you to select the dante port to which t...

  • Page 139

    I/o rack and external head amp reference manual 139 using an external head amp if an i/o card (such as an my16-es64 card) supports the remote protocol of an external head amp in the cl’s slot, you will be able to remotely control from the cl console some parameters of the external head amp (yamaha s...

  • Page 140

    I/o rack and external head amp reference manual 140 connecting the cl series console to an sb168-es to remotely control the sb168-es from the cl series console, install an my16-es64 ethersound card in slot 1 on the cl, then use an ethernet cable to connect the cl to the sb168-es. This connection ena...

  • Page 141

    I/o rack and external head amp reference manual 141 remotely controlling an external head amp you can remotely control from the cl series console an external head amp (“external ha”) connected via my16-es64 or nai48-es. 1. Connect the cl series console to an external ha. For details, refer to the “ ...

  • Page 142

    I/o rack and external head amp reference manual 142 6 comm port switch buttons specifies whether the external ha connected to the slot will be controlled remotely. Select “slot1” if you want to remotely control the external ha. 4. To specify the input ports for an external ha, press the external ha ...

  • Page 143

    I/o rack and external head amp reference manual 143 7. To remotely control the external ha from an input channel of the cl series console, use the bank select keys to access the overview screen that includes the channel on which you want to control the ha. 8. Press the ha/phase field of the channel ...

  • Page 144

    Midi reference manual 144 midi this chapter explains how to transmit midi messages from an external device to the cl series console to control the cl console’s parameters, and how to send out midi messages from the cl console as you operate the unit. Midi functionality on the cl series console the c...

  • Page 145

    Midi reference manual 145 3. Press the midi setup tab to access the midi setup page. In the midi setup page you can select the type of midi messages that will be transmitted and received, and choose the port that will be used. This page includes the following items. 1 port/ch field enables you to se...

  • Page 146

    Midi reference manual 146 4. To specify the port that will be used to transmit or receive each type of midi message, press the transmit (tx) or receive (rx) port select popup button. The midi setup popup window for selecting the port will appear. Operations in this window are the same for both trans...

  • Page 147

    Midi reference manual 147 using program changes to recall scenes and library items the cl series console lets you assign a specific event (scene recall or effect library recall) to each program change number, so that when this event is executed on the cl console, a program change message of the corr...

  • Page 148

    Midi reference manual 148 • program change event ...............................Indicates the type/number/title of the event assigned to each channel (bank number) or program number. Press an individual event display area to access the midi program change popup window, in which you can select the ev...

  • Page 149

    Midi reference manual 149 8. To change the event assignment for each program number, press the desired event in the list. The midi program change popup window will appear. In this window, you can specify the event assigned to each program number. This popup window includes the following items. 1 typ...

  • Page 150

    Midi reference manual 150 using control changes to control parameters you can use midi control change messages to control specified events (fader/knob operations, [on] key on/off operations etc.) on the cl series console. This capability can be used to record fader and key operations on a midi seque...

  • Page 151

    Midi reference manual 151 6. Use the buttons in the control change mode field to select the control change transmission/reception mode. You can choose one of the following two modes for control change transmission/reception. • nrpn mode (when the nrpn button is on): various mix parameters on the cl ...

  • Page 152

    Midi reference manual 152 using parameter changes to control parameters on the cl series console, you can use a type of system exclusive messages called “parameter changes” to control specific events (fader/knob operations, [on] key on/off operations, system and user settings, etc.) as an alternativ...

  • Page 153

    User settings (security) reference manual 153 user settings (security) this chapter explains the following settings and operations: the user level settings that restrict access to the parameters by certain users, the console lock function that temporarily denies access to the console, the preference...

  • Page 154

    User settings (security) reference manual 154 2. Press the password change button. A keyboard window will appear, allowing you to enter a password. 3. Enter the password in the new password field, then enter the same password in the re-enter password field for verification, and finally press the ok ...

  • Page 155

    User settings (security) reference manual 155 the create user key popup window will appear. 1 user name indicates the user name of up to eight characters. Press this area to access a keyboard window, in which you can enter the user name. 2 comment enables you to specify and view a comment of up to 3...

  • Page 156

    User settings (security) reference manual 156 logging-in to operate the cl series console, you must log in as the administrator, guest, or a user. User settings for the administrator and guest are saved in the console itself. However, to log in as a user you must either select a key that is saved in...

  • Page 157

    User settings (security) reference manual 157 ■ logging-in as guest 1. In the function access area, press the setup button to access the setup screen. 2. Press the log-in button to open the login window. 3. Press the guest button, and then press the login button. ■ logging-in as a user to log-in as ...

  • Page 158

    User settings (security) reference manual 158 if no password has been set, you will simply be logged-in. If a password has been set, a keyboard window will appear, allowing you to enter the password. 4. Enter the password and press the ok button. If the password was incorrect, a message of “wrong pa...

  • Page 159

    User settings (security) reference manual 159 5. Rotate the multifunction knob to select the user authentication key for the user as whom you want to log in. For details about loading files from the usb flash drive, refer to “ loading a file from the usb flash drive ” on page 173 . 6. Press the load...

  • Page 160

    User settings (security) reference manual 160 editing a user authentication key if you are logged-in as a user, you can edit your user defined keys, preference settings, comments and password, and save them onto your user authentication key. If you are logged-in as a power user, you can also change ...

  • Page 161

    User settings (security) reference manual 161 changing the user level you can view or change the user level. • administrator ...........The administrator does not have a user level setting, but can change the user level setting of the guest account. • guest ...........................The guest can v...

  • Page 162

    User settings (security) reference manual 162 2 current scene specifies the operations that can be performed on the current scene memory. • input patch/name ........... Restricts operations for input channel patching and names. • output patch/name ....... Restricts operations for output channel patc...

  • Page 163

    User settings (security) reference manual 163 preferences follow the steps below to make various settings for the cl console operating environment, such as how popup windows appear, and whether [sel] key operations will be linked. These settings are changed for the user who is logged-in, but if you ...

  • Page 164

    User settings (security) reference manual 164 note if you press the send or pan knob, a popup window (8 ch) will open. • gain knob function specifies what will happen when you operate the gain knob in the selected channel section on the panel. When the analog gain button is lit, you can adjust analo...

  • Page 165

    User settings (security) reference manual 165 4. Press the button corresponding to the user defined key to which you want to assign a function. The user defined key setup window will appear. In this window you can select a function to assign to the user defined key, and select optional parameters. N...

  • Page 166

    User settings (security) reference manual 166 user defined knobs this section explains how to assign the desired functions to the user defined knobs in the user defined knobs section on the top panel, and press these knobs to execute the defined function. This assignment procedure will define the us...

  • Page 167

    User settings (security) reference manual 167 assignable encoders you can assign the desired function to the gain/pan/assign knob on the fader strip of each channel, and control the function using the knob. 1. In the function access area, press the setup button to access the setup screen. 2. Press t...

  • Page 168

    User settings (security) reference manual 168 custom fader bank groups that organize channels routed to the top-panel faders are called “fader banks.” there are input and output channel banks, as well as custom fader banks. Custom fader banks enable you to select various combinations of channels, re...

  • Page 169

    User settings (security) reference manual 169 8. To assign channels to other faders, repeat steps 5 through 7. 9. If necessary, select channels by pressing the fader assign select popup buttons. Use the list in the left column to select the desired channel group, then use the buttons in the right co...

  • Page 170

    User settings (security) reference manual 170 5. Press the fader assign select popup button for the fader you want to edit. Use the list in the left column to select the desired channel group, then use the buttons in the right column to select channels. When you have finished selecting the channels,...

  • Page 171

    User settings (security) reference manual 171 if you are logged-in as a user for whom a password is set, a keyboard window will appear, allowing you to enter the password. 3. Enter the password for the logged-in user, and press the ok button. The console lock screen will appear, the console lock fun...

  • Page 172

    User settings (security) reference manual 172 saving and loading setup data to and from a usb flash drive this section explains how to connect a commercially-available usb flash drive to the usb connector located to the right of the display, and use it to save or load internal settings of the cl ser...

  • Page 173

    User settings (security) reference manual 173 loading a file from the usb flash drive follow the steps below to load cl settings file (extension .Clf) from the usb flash drive into the cl series console. You can use the same procedure to load the following files as well as setting files. Notice some...

  • Page 174

    User settings (security) reference manual 174 5 path indicates the name of the current directory. Press the arrow button to move to the next higher level. If the current directory is the top level, the arrow button is dimmed. 6 volume name/free size indicates the volume name and the amount of free s...

  • Page 175

    User settings (security) reference manual 175 ■ copying and pasting a file follow the steps below to copy a desired file into buffer memory, and then paste it with a different file name. 1. Turn the multifunction knob to select the copy-source file, and press the copy button. The highlighted line in...

  • Page 176

    Recorder reference manual 176 recorder this chapter explains the functionality and operation of the recorder. About the usb memory recorder the cl series console features a usb memory recorder function that lets you easily record internal signals to a usb flash drive, or play back audio files record...

  • Page 177

    Recorder reference manual 177 4 meters indicate the level of the signals input to the recorder. 5 playback output l/r buttons press these buttons to open the ch select popup window, in which you can select the signals patched to the recorder’s l/r output channels for playback. 6 playback output gain...

  • Page 178

    Recorder reference manual 178 2 channel select buttons select the channels that will be patched to the usb memory recorder’s outputs, from the following choices. • ch1–72 ....................................... Input channels 1–72 • stin 1l/1r–stin 8l/8r ........ St in channels 1–8 l/r note in the c...

  • Page 179

    Recorder reference manual 179 4 current song format indicates the file format information for the current song (the file being recorded). 5 rec rate button switches the recording rate. 6 display switch button switches between displaying and hiding the input and output fields at the bottom of the son...

  • Page 180

    Recorder reference manual 180 note the word clock rate at which the cl series console is currently operating will automatically be selected as the sampling rate for the audio file. 7. Press the rec ( ● ) button located at the bottom of the screen. You will use the transport section to perform record...

  • Page 181

    Recorder reference manual 181 ■ title list this list enables you to perform operations related to the songs and directories that are saved on the usb flash drive. 1 selected song the currently-selected song is highlighted in blue in the title list. If you select another song, the list will scroll to...

  • Page 182

    Recorder reference manual 182 editing the title list you can change the order of the audio files shown in the title list, and edit the titles or artist names. 1. Connect a usb flash drive containing audio files to the usb connector. 2. In the function access area, press the recorder button to access...

  • Page 183

    Recorder reference manual 183 using the cl console with nuendo live the cl series consoles can operate in an integrated manner with steinberg’s nuendo live daw software. In addition to the equipment and software mentioned in “ recording or playing back using daw on a computer ” on page 25 , the “cl ...

  • Page 184

    Recorder reference manual 184 recording into a project 1. In the function access area, press the recorder button to access the recorder screen. 2. Press the nuendo live tab in the upper right of the screen. The nuendo live screen will appear. The screen shows the following items. 1 nuendo meter disp...

  • Page 185

    Recorder reference manual 185 3. Press the easy recording button to start recording. 4. When you have finished recording, press the record lock button and then the stop button. Playing a multi-track project 1. In the nuendo live screen, press the dante input patch button. 2. Assign the signals from ...

  • Page 186

    Other functions reference manual 186 other functions this chapter explains various functions of cl series consoles that are not covered in other chapters. About the setup screen the setup screen enables you to set various parameters that apply to the entire cl console. To access the setup screen, pr...

  • Page 187

    Other functions reference manual 187 c dante setup button press this button to open the dante setup popup window. This window enables you to make various audio network settings (console id setting; secondary port functionality setting; audio bit rate; latency setting; dante device id and device type...

  • Page 188

    Other functions reference manual 188 word clock and slot settings “word clock” refers to the clock that provides the basis of timing for digital audio signal processing. To send and receive digital audio signals between devices, those devices must be synchronized to the same word clock. If digital a...

  • Page 189

    Other functions reference manual 189 • slot 1–3 the word clock supplied via a digital i/o card installed in a console slot will be used as the clock source. Word clock can be selected in pairs for each slot. 3 clock status display indicates the status of synchronization with the master clock for eac...

  • Page 190

    Other functions reference manual 190 using cascade connections using multiple cl series consoles, or a cl console and an external mixing console (such as a yamaha pm5d) in a cascade connection enable buses to be shared among the devices. This can be convenient if you want to use an external mixer to...

  • Page 191

    Other functions reference manual 191 4. Press the port select popup button for the bus for which you want to assign the port. The port select popup window will appear. This popup window contains the following items. 1 slot select list selects slot 1–3. 2 port select buttons select the port of the sp...

  • Page 192

    Other functions reference manual 192 operations on the cascade master cl unit 1. In the function access area, press the setup button to access the setup screen. 2. In the system setup field located in the center of the setup screen, press the cascade button to open the cascade popup window. 3. Press...

  • Page 193

    Other functions reference manual 193 3 send point select buttons (matrix bus only) select the pre-fader send point. These buttons correspond to the following parameters. 4 pan link button this button appears only if two adjacent buses are paired in stereo. If the button is on, the pan setting of sig...

  • Page 194

    Other functions reference manual 194 setting the date and time of the internal clock this section explains how to set the date and time of the cl console’s internal clock, and how to select the date and time display format. The date and time you specify here will affect the time stamp used when savi...

  • Page 195

    Other functions reference manual 195 ip address: 192.168.0.128 or similar gateway address: 192.168.0.1 or similar subnet mask: 255.255.255.0 or similar for details on settings related to connecting to a lan, refer to the cl editor installation guide. 4. When you have finished making settings, press ...

  • Page 196

    Other functions reference manual 196 adjusting the detection point of the touch screen (calibration function) follow the steps below to correctly align the positions of the lcd display and the touch screen. 1. While holding down the scene memory [store] key on the panel, turn on the power to the cl ...

  • Page 197

    Other functions reference manual 197 adjusting the faders (calibration function) depending on the environment in which you use the cl series console, discrepancies may occur in the motion of the motor faders. You can use the calibration function to correct these discrepancies. Note for information a...

  • Page 198

    Other functions reference manual 198 fine-tuning the input and output gain (calibration function) if necessary, you can make fine adjustments to the input and output gain. 1. While holding down the scene memory [store] key on the panel, turn on the power to the cl unit. After the opening screen, the...

  • Page 199

    Other functions reference manual 199 • slot output trim (fine adjustment of the slot output port gain) access the slot output trim window, and make fine adjustments to the gain of the output ports of the specified slot in 0.01 db steps. 3. Press an on-screen knob to select it, and then use the corre...

  • Page 200

    Other functions reference manual 200 the channel color calibration mode screen will appear, allowing you to adjust the channel color. Note in the case of the cl3/cl1, channels that do not exist on those models will not be shown. 3. Press a [sel] key on the top panel to select the indicator for which...

  • Page 201

    Other functions reference manual 201 dante audio network settings you will use the cl series console to make dante audio network settings for the console itself and the i/o rack connected to the dante connector on the cl unit. This section explains how to make dante audio network settings. 1. In the...

  • Page 202

    Other functions reference manual 202 ■ rack id assign field specifies which multiple i/o racks and dante-enabled devices will be used. For example, you can change the assignments between rack id and unit id, select desired i/o racks from nine or more i/o racks, and change the i/o rack type to edit o...

  • Page 203

    Other functions reference manual 203 changing the id 1. Power-off the cl series console. 2. Power-cycle the i/o rack units. 3. After waiting for approximately one minute, turn on the power of the cl series console. Note • if you are unable to turn off the power of the cl series console, disconnect t...

  • Page 204

    Other functions reference manual 204 redundant connections simple 64-in/48-out redundant connections foh and monitor consoles are sharing 64-in/48-out. Daisy chain connections 256-ch ha remote (maximum size) 3 4 1 2 4 hops = 0.5 ms 3 4 1 2 4 hops = 0.5 ms 9 8 7 6 5 4 3 2 2 3 4 1 1 9 hops = 1.0 ms 4 ...

  • Page 205

    Other functions reference manual 205 redundant connections two consoles are sharing 256-ch ha remote (maximum size) using gpi (general purpose interface) the rear panel gpi (general purpose interface) connector can be used as an input/output connector. This connector provides five gpi in ports and f...

  • Page 206

    Other functions reference manual 206 the midi setup screen will appear. 4. Press the gpi tab. The gpi screen will appear. The screen shows the following items. 1 gpi in status indicator this indicates the status of the voltage being input to the gpi in port. 2 polarity mode select button this button...

  • Page 207

    Other functions reference manual 207 7. In each field, select the desired function or parameter. Note • with latched operation, the function will switch between active and inactive each time a trigger is input from the external switch. In this case, we recommend that you use a non-locking type of ex...

  • Page 208

    Other functions reference manual 208 the gpi screen will appear. 1 gpi out status indicator this indicates the status of the voltage that is being output from each gpi out port. 2 polarity mode select button this button selects the polarity of the gpi out port. ............(low active) grounded when...

  • Page 209

    Other functions reference manual 209 using fader start make fader start settings if you want a device connected to a gpi out port to operate in tandem with fader operations. 1. Connect an external device to the cl series console’s gpi connector. 2. In the function access area, press the setup button...

  • Page 210

    Other functions reference manual 210 ■ threshold field 4 upstroke/downstroke these specify the level that will be the threshold for outputting a trigger signal. A trigger signal will be output when the fader exceeds the upstroke level, or when the fader falls below the downstroke level. If fader tal...

  • Page 211

    Appendices reference manual 211 appendices eq library list # title parameter low l-mid h-mid high 01 bass drum 1 peaking peaking peaking h.Shelf g +3.5 db –3.5 db 0.0 db +4.0 db f 100 hz 265 hz 1.06 khz 5.30 khz q 1.25 10.0 0.90 — 02 bass drum 2 peaking peaking peaking lpf g +8.0 db –7.0 db +6.0 db ...

  • Page 212

    Appendices reference manual 212 dynamics library list 32 total eq 3 l.Shelf peaking peaking h.Shelf g +1.5 db +0.5 db +2.0 db +4.0 db f 67.0 hz 850 hz 1.90 khz 15.0 khz q — 0.28 0.70 — 33 bass drum 3 peaking peaking peaking peaking g +3.5 db –10.0 db +3.5 db 0.0 db f 118 hz 315 hz 4.25 khz 20.0 khz ...

  • Page 213

    Appendices reference manual 213 * at fs=44.1 khz 18 e. B. Slap compressor threshold (db) –12 ratio ( :1) 1.7 attack (ms) 6 out gain (db) 4.0 knee hard release (ms) 133 19 syn. Bass compressor threshold (db) –10 ratio ( :1) 3.5 attack (ms) 9 out gain (db) 3.0 knee hard release (ms) 250 20 piano1 comp...

  • Page 214

    Appendices reference manual 214 dynamics parameters input channels provide dynamics section 1 and dynamics section 2. Output channels provide dynamics section 1. An input channel’s dynamics section 1 provides the following four types: gate, ducking, compressor, and expander. An input channel’s dynam...

  • Page 215

    Appendices reference manual 215 ■ compressor the comp processor attenuates signals above a specified threshold by a specified ratio. The comp processor can also be used as a limiter, which, with a ratio of ∞:1, reduces the level to the threshold. This means that the limiter’s output level never actu...

  • Page 216

    Appendices reference manual 216 ■ compander hard (compander-h), compander soft (compander-s) the hard and soft companders combine the effects of the compressor, expander and limiter. The companders function differently at the following levels: 1 0 db and higher ................................ Funct...

  • Page 217

    Appendices reference manual 217 effects parameters ■ rev-x hall, rev-x room, rev-x plate newly-developed two input, two output reverb algorithm. Delivers dense and rich reverberation, smooth decay, and provides a spaciousness and depth that enhances the original sound. Choose from three types depend...

  • Page 218

    Appendices reference manual 218 ■ stereo reverb two input, two output stereo reverb. ■ early ref. One input, two output early reflections. ■ gate reverb, reverse gate one input, two output early reflections with gate, and early reflections with reverse gate. ■ mono delay one input, one output basic ...

  • Page 219

    Appendices reference manual 219 ■ mod.Delay one input, two output basic repeat delay with modulation. ■ delay lcr one input, two output 3-tap delay (left, center, right). ■ echo two input, two output stereo delay with crossed feedback loop. ■ chorus two input, two output chorus effect. Parameter ran...

  • Page 220

    Appendices reference manual 220 ■ flange two input, two output flange effect. ■ symphonic two input, two output symphonic effect. ■ phaser two input, two output 16-stage phaser. ■ dyna.Flange two input, two output dynamically controlled flanger. Parameter range description freq. 0.05–40.00 hz modula...

  • Page 221

    Appendices reference manual 221 ■ dyna.Phaser two input, two output dynamically controlled phaser. ■ hq. Pitch one input, two output high-quality pitch shifter. ■ dual pitch two input, two output pitch shifter. ■ tremolo two input, two output tremolo effect. Parameter range description source input,...

  • Page 222

    Appendices reference manual 222 ■ autopan two input, two output autopanner. ■ rotary one input, two output rotary speaker simulator. ■ ring mod. Two input, two output ring modulator. ■ mod.Filter two input, two output modulation filter. ■ dyna.Filter two input, two output dynamically controlled filt...

  • Page 223

    Appendices reference manual 223 ■ rev+chorus one input, two output reverb and chorus effects in parallel. ■ rev chorus one input, two output reverb and chorus effects in series. ■ rev+flange one input, two output reverb and flanger effects in parallel. ■ rev flange one input, two output reverb and f...

  • Page 224

    Appendices reference manual 224 ■ rev+sympho. One input, two output reverb and symphonic effects in parallel. ■ rev sympho. One input, two output reverb and symphonic effects in series. ■ rev pan this is a 1-in/2-out series-connected reverb and auto-pan effect. ■ delay+er. One input, two output dela...

  • Page 225

    Appendices reference manual 225 ■ delay er. One input, two output delay and early reflections effects in series. ■ delay+rev one input, two output delay and reverb effects in parallel. ■ delay rev one input, two output delay and reverb effects in series. Parameter range description delay l 0.0–1000....

  • Page 226

    Appendices reference manual 226 ■ dist delay one input, two output distortion and delay effects in series. ■ multi filter two input, two output 3-band multi-filter (24 db/octave). ■ freeze one input, two output basic sampler. ■ distortion one input, two output distortion effect. Parameter range desc...

  • Page 227

    Appendices reference manual 227 ■ amp simulate one input, two output guitar amp simulator. ■ comp276 this effect emulates the characteristics of analog compressors that are widely used in recording studios. It will produce a thick, strong frame sound suitable for drums and bass. You can control two ...

  • Page 228

    Appendices reference manual 228 ■ equalizer601 this effect emulates the characteristics of 70’s analog equalizers. Re-creating the distortion of typical analog circuits will add drive to the sound. ■ opendeck it emulates the tape compression created by two open reel tape recorders (a recording deck ...

  • Page 229

    Appendices reference manual 229 ■ m.Band comp two input, two output 3-band compressor, with individual solo and gain reduction metering for each band. Premium rack processor parameters ■ portico5033 this models an analog 5-band eq made by the rnd company. ■ portico5043 this models an analog compress...

  • Page 230

    Appendices reference manual 230 ■ u76 this models a well-known vintage compressor/limiter used in a wide range of situations. ■ opt-2a this processor emulates a well-known vintage model of vacuum tube opto compressor. ■ eq-1a this processor emulates a vintage eq that’s considered a classic example o...

  • Page 231

    Appendices reference manual 231 effects and tempo synchronization some effects of the cl series can be synchronized with the tempo. There are two such types of effect; delay-type effects and modulation-type effects. For delay-type effects, the delay time will change according to the tempo. For modul...

  • Page 232

    Appendices reference manual 232 parameters that can be assigned to control changes mode parameter 1 parameter 2 no assign — 0 fader h input ch 1–ch 72 *1 stin1l–stin8r output mix 1–mix 24 matrix 1–matrix 8 stereo l–mono(c) fader l input ch 1–ch 72 *1 stin1l–stin8r output mix 1–mix 24 matrix 1–matrix...

  • Page 233

    Appendices reference manual 233 output att output mix1-mix24 matrix1-matrix8 stereo l-mono(c) input dynamics1 on ch 1–ch 72 *1 stin1l–stin8r attack threshold range hold h hold l decay/release h decay/release l ratio knee/width gain h gain l input dynamics2 on ch 1–ch 72 *1 stin1l–stin8r attack thres...

  • Page 234

    Appendices reference manual 234 nrpn parameter assignments parameter from (hex) to (hex) fader input 0000 0057 mix1-20, matrix, stereo lr 0060 007d input to mix9-16 level mix9 send 007e 00d5 mix10 send 00de 0135 mix11 send 013e 0195 mix12 send 019e 01f5 mix13 send 01fe 0255 mix14 send 025e 02b5 mix1...

  • Page 235

    Appendices reference manual 235 input to mix9/10-15/16 pan mix9/10 20f6 214d mix11/12 2156 21ad mix13/14 21b6 220d mix15/16 2216 226d input to matrix1/2, 3/4 pan matrix1/2 2276 22cd matrix3/4 22d6 232d mix1-20, stereo lr to matrix pan matrix1/2 2336 234b matrix3/4 234c 2361 matrix5/6 2362 2377 matri...

  • Page 236

    Appendices reference manual 236 mix21-24, mono to matrix level matrix1 send 2bea 2bee matrix2 send 2bf0 2bf4 matrix3 send 2bf6 2bfa matrix4 send 2bfc 2c00 matrix5 send 2c02 2c06 matrix6 send 2c08 2c0c matrix7 send 2c0e 2c12 matrix8 send 2c14 2c18 on mix21-24, mono 2c2a 2c2e input1-56, stin1-4 to mix...

  • Page 237

    Appendices reference manual 237 ha external gain1 3b06 3b0b input gain 1 3b0f 3b15 external gain2 3b16 3b1b input gain 2 3b1f 3b25 external gain3 3b26 3b2b input gain 3 3b2f 3b35 external gain4 3b36 3b3b input gain 4 3b3f 3b45 external gain5 3b46 3b4b input gain 5 3b4f 3b55 external gain6 3b56 3b5b ...

  • Page 238

    Appendices reference manual 238 mixing parameter operation applicability this table indicates which settings affect the behavior of each input channel and output channel parameter. It also indicates whether or not they can be linked as stereo, and whether or not they are relevant to the recall safe,...

  • Page 239

    Appendices reference manual 239 *1 these parameters can be linked between l and r of st i n channels 1– 8 . *2 applies to parameters for which the mix channel 1–24 individual send parameter setting and the item in the table are both enabled. *3 applies to parameters for which the matrix channel 1– 8...

  • Page 240

    Appendices reference manual 240 ■ mix channels *4 these parameters are available if “fader/o n ” or “processi n g” for the send source channel is set to o n . At that time, “ w ith se n d” for the send destination channel must also be set to o n . *5 applicable to parameters that function only when ...

  • Page 241

    Appendices reference manual 241 ■ matrix channels *4 these parameters are available if “fader/o n ” or “processi n g” for the send source channel is set to o n . At that time, “ w ith se n d” for the send destination channel must also be set to o n . *5 applicable to parameters that function only wh...

  • Page 242

    Appendices reference manual 242 ■ stereo, mono channels *4 these parameters are available if “fader/o n ” or “processi n g” for the send source channel is set to o n . At that time, “ w ith se n d” for the send destination channel must also be set to o n . *5 applicable to parameters that function o...

  • Page 243

    Appendices reference manual 243 functions that can be assigned to user defined keys function parameter 1 parameter 2 explanation no assign — — no assignment. Alternate function latch — toggle alternate function each time it is pressed. Unlatch — switch to alternate function only while pressed. Brigh...

  • Page 244

    Appendices reference manual 244 effect bypass effect rack1–8 premium rack1a premium rack1b : premium rack8a premium rack8b gain knob function latch — toggle the function of the gain knob (analog gain/digital gain). Lit when digital gain is selected. Unlatch — assign the function of the gain knob (an...

  • Page 245

    Appendices reference manual 245 *1) cl5: ch1–ch72, cl3: ch1–ch64, cl1: ch1–ch4 8 , st i n 1l–st i n 8 r, mix1–mix24, mtrx1–mtrx 8 , st l, st r, mo n o(c) *2) cl5: ch1–ch72, cl3: ch1–ch64, cl1: ch1–ch4 8 , st i n 1–st i n 8 , mix1–mix24, mtrx1–mtrx 8 , stereo, mo n o(c) *3) mix1–mix24, mtrx1–mtrx 8 ,...

  • Page 246

    Appendices reference manual 246 functions that can be assigned to user defined knobs *2) selected ch, cl5: ch1–ch72, cl3: ch1–ch64, cl1: ch1–ch4 8 , st i n 1–st i n 8 , mix1–mix24, mtrx1–mtrx 8 , stereo, mo n o (c) *3) selected ch, cl5: ch1–ch72, cl3: ch1–ch64, cl1: ch1–ch4 8 , st i n 1l–st i n 8 r ...

  • Page 247

    Appendices reference manual 247 functions that can be assigned to the assignable encoders *1 preference setting and the state of the alter n ate function will determine whether this will be analog gain or digital gain. *2 the send destination that is the target of sends on fader will be selected. *3...

  • Page 248

    Appendices reference manual 248 midi data format this section explains the format of the data that the cl series is able to understand, send, and receive. 1 channel message 1.1 note off (8n) reception these messages are echoed to midi out if [other command echo] is on. They are received if [rx ch] m...

  • Page 249

    Appendices reference manual 249 2 system realtime message 2.1 song select (f3) reception select the track number shown in the title list screen of the usb memory recorder. 2.2 timing clock (f8) reception this message is used to control effects. This message is transmitted twenty-four times per quart...

  • Page 251

    Appendices reference manual 251 4.2.3 module name *1) 0:ch1 – 71:ch72 72:st in 1l – 87:st in 8r *2) 256:mix 1 – 279:mix 24 *3) 512:matrix 1 – 519: matrix 8 *4) 1024:stereo l – 1026:stereo c *5) 512:will be used if the recalling or storing data is only one. *6) 0: geq1a, 1: geq1b, 2: geq2a, … 36: geq...

  • Page 252

    Appendices reference manual 252 4.4 function call – library attribute – 4.4.1 format (parameter change) receive data will be received when [parameter change rx] is on and the device number of both [rx ch] and sub status are matched. The data will be echoed when [parameter change echo] is on. The cor...

  • Page 253

    Appendices reference manual 253 4.5.2 format (parameter request) receive the parameter change will be sent with device number [rx ch] immediately the data is received. 4.5.3 module name 4.6 function call – collection store – 4.6.1 format (parameter change) transmission data will be transmitted with ...

  • Page 254

    Appendices reference manual 254 4.8 function call – channel – 4.8.1 pair on/off trigger format (parameter change) receive data will be received when [parameter change rx] is on and the device number of both [rx ch] and sub status are matched. The data will be echoed when [parameter change echo] is o...

  • Page 255

    Appendices reference manual 255 warning/error messages message meaning xxx parameters copied. Parameter xxx was copied to the copy buffer. Xxx parameters initialized. Parameter xxx was initialized. Xxx parameters pasted. Parameter xxx was pasted from the copy buffer. Xxx parameters swapped with copy...

  • Page 256

    Appendices reference manual 256 playback failed: recorder is busy! Audio file link playback is not possible because recording is in progress. Please wait, dante patch is proceeding now. You attempted to edit in the dante patch screen at a time when patching was not possible. Power supply fan has mal...

  • Page 257

    Appendices reference manual 257 electrical characteristics all faders are nominal when measured. Output impedance of signal generator:150ohms ■ frequency response. Fs= 44.1 khz or 48 khz @20 hz–20 khz, referenced to the nominal output level @1 khz ■ gain error. Fs= 44.1 khz or 48 khz @1 khz ■ total ...

  • Page 258

    Appendices reference manual 258 mixer basic parameters ■ libraries ■ input function ■ output function ■ output port ■ processor name number total scene memory preset 1 + user 300 301 input ch library preset 1 + user 199 200 output ch library preset 1 + user 199 200 input eq library preset 40 + user ...

  • Page 259

    Appendices reference manual 259 m idi implementation chart 2 1 0 2 . R a m 1 : e t a d ] e l o s n o c g n i x i m l a t i g i d [ a h a m a y model: cl5/cl3/cl1 midi implementation chart version: 1.0 function... Transmitted recognized remarks basic channel default changed 1–16 1–16 1–16 1–16 memori...

  • Page 260

    Appendices reference manual 260 index a assignable encoders ....................................... 167 functions that can be assigned................. 247 audio file (links to a scene recall) .................. 93 c calibration function.............. 196 , 197 , 198 , 199 cascade connections .........

  • Page 261

    207ip-b0 © 2012 yamaha corporation c.S.G., pro a u dio di v ision yamaha man u al li b rary http://www.Yamaha.Co.Jp/manual/ yamaha pro a u dio glo b al we b site http://www.Yamahaproaudio.Com/.